ON MR. FECHTER’S ACTING

The distinguished¹ artist whose name is prefixed to these remarks purposes to leave England for a professional tour in the United States. A few words from me, in reference to his merits as an actor, I hope may not be uninteresting to some readers, in advance of his publicly proving them before an American audience, and I know will not be unacceptable to my intimate friend. I state at once that Mr. Fechter holds that relation towards me; not only because it is the fact, but also because our friendship originated in my public appreciation² of him. I had studied his acting³ closely, and had admired it highly, both in Paris and in London, years before we exchanged a word. Consequently my appreciation is not the result of personal regard, but personal regard has sprung out of my appreciation.

The first quality observable in Mr. Fechter’s acting is, that it is in the highest degree romantic. However elaborated in minute details, there is always a peculiar⁴ dash and vigour⁵ in it, like the fresh atmosphere of the story whereof it is a part. When he is on the stage, it seems to me as though the story were transpiring⁶ before me for the first and last time. Thus there is a fervour in his love-making — a suffusion⁷ of his whole being with the rapture⁹ of his passion — that sheds a glory on its object, and raises her, before the eyes of the audience, into the light in which he sees her. It was this remarkable¹⁰ power that took Paris by storm when he became famous in the lover’s part in the Dame¹¹ aux Camelias. It is a short part, really comprised in two scenes, but, as he acted it (he was its original representative), it left its poetic¹² and exalting¹³ influence on the heroine throughout the play. A woman who could be so loved — who could be so devotedly¹⁴ and romantically adored — had a hold upon the general sympathy with which nothing less absorbing and complete could have invested her. When I first saw this play and this actor, I could not in forming my lenient¹⁵ judgment¹⁶ of the heroine, forget that she had been the inspiration of a passion of which I had beheld¹⁷ such profound and affecting marks. I said to myself, as a child might have said: “A bad woman could not have been the object of that wonderful tenderness, could not have so subdued¹⁸ that worshipping heart, could not have drawn¹⁹ such tears from such a lover”. I am persuaded that the same effect was wrought²⁰ upon the Parisian audiences, both consciously and unconsciously, to a very great extent, and that what was morally disagreeable in the Dame aux Camelias first got lost in this brilliant halo of romance. I have seen the same play with the same part otherwise acted, and in exact degree as the love became dull and earthy, the heroine descended²¹ from her pedestal.

In Ruy Blas, in the Master of Ravenswood, and in the Lady of Lyons — three dramas in which Mr. Fechter especially shines as a lover, but notably²² in the first — this remarkable power of surrounding the beloved creature, in the eyes of the audience, with the fascination²³ that she has for him, is strikingly displayed. That observer must be cold indeed who does not feel, when Ruy Blas stands in the presence of the young unwedded Queen of Spain, that the air is enchanted²⁴; or, when she bends over him, laying her tender touch upon his bloody²⁵ breast, that it is better so to die than to live apart from her, and that she is worthy²⁶ to be so died for. When the Master of Ravenswood declares his love to Lucy Ashton, and she hers to him, and when in a burst of rapture, he kisses the skirt of her dress, we feel as though we touched it with our lips to stay our goddess from soaring away into the very heavens. And when they plight²⁷ their troth and break the piece of gold, it is we — not Edgar — who quickly exchange our half for the half she was about to hang about her neck, solely²⁸ because the latter has for an instant touched the bosom²⁹ we so dearly love. Again, in the Lady of Lyons: the picture on the easel in the poor cottage studio is not the unfinished portrait of a vain and arrogant³⁰ girl, but becomes the sketch³¹ of a Soul’s high ambition and aspiration³² here and hereafter.

Picturesqueness³³ is a quality above all others pervading³⁵ Mr. Fechter’s assumptions. Himself a skilled painter and sculptor³⁶, learned in the history of costume, and informing those accomplishments³⁷ and that knowledge with a similar infusion³⁸ of romance (for romance is inseparable from the man), he is always a picture — always a picture in its right place in the group, always in true composition with the background of the scene. For picturesqueness of manner, note so trivial a thing as the turn of his hand in beckoning³⁹ from a window, in Ruy Blas, to a personage down in an outer courtyard to come up; or his assumption of the Duke’s livery in the same scene; or his writing a letter from dictation. In the last scene of Victor Hugo’s noble drama, his bearing becomes positively⁴⁰ inspired; and his sudden assumption of the attitude of the headsman, in his denunciation of the Duke and threat to be his executioner, is, so far as I know, one of the most ferociously⁴¹ picturesque³⁴ things conceivable on the stage.

The foregoing use of the word “ferociously” reminds me to remark that this artist is a master of passionate⁴² vehemence⁴³; in which aspect he appears to me to represent, perhaps more than in any other, an interesting union of characteristics of two great nations — the French and the Anglo-Saxon. Born in London of a French mother, by a German father, but reared entirely⁴⁴ in England and in France, there is, in his fury, a combination of French suddenness and impressibility with our more slowly demonstrative Anglo-Saxon way when we get, as we say, “our blood up”, that produces an intensely fiery⁴⁵ result. The fusion⁸ of two races is in it, and one cannot decidedly say that it belongs to either; but one can most decidedly say that it belongs to a powerful concentration of human passion and emotion, and to human nature.

Mr. Fechter has been in the main more accustomed to speak French than to speak English, and therefore he speaks our language with a French accent. But whosoever should suppose that he does not speak English fluently, plainly, distinctly, and with a perfect understanding of the meaning, weight, and value of every word, would be greatly mistaken. Not only is his knowledge of English — extending to the most subtle idiom, or the most recondite⁴⁶ cant⁴⁷ phrase — more extensive than that of many of us who have English for our mother-tongue, but his delivery of Shakespeare’s blank verse is remarkably⁴⁸ facile, musical, and intelligent. To be in a sort of pain for him, as one sometimes is for a foreigner speaking English, or to be in any doubt of his having twenty synonymes at his tongue’s end if he should want one, is out of the question after having been of his audience.

A few words on two of his Shakespearian impersonations, and I shall have indicated enough, in advance of Mr. Fechter’s presentation of himself. That quality of picturesqueness, on which I have already laid stress, is strikingly developed in his Iago, and yet it is so judiciously⁴⁹ governed that his Iago is not in the least picturesque according to the conventional ways of frowning, sneering⁵⁰, diabolically⁵¹ grinning, and elaborately doing everything else that would induce Othello to run him through the body very early in the play. Mr. Fechter’s is the Iago who could, and did, make friends, who could dissect⁵² his master’s soul, without flourishing his scalpel as if it were a walking-stick, who could overpower Emilia by other arts than a sign-of-the-Saracen’s-Head grimness; who could be a boon⁵³ companion without ipso facto warning all beholders off by the portentous⁵⁴ phenomenon; who could sing a song and clink a can naturally enough, and stab men really in the dark — not in a transparent⁵⁵ notification of himself as going about seeking whom to stab. Mr. Fechter’s Iago is no more in the conventional psychological mode than in the conventional hussar pantaloons and boots; and you shall see the picturesqueness of his wearing borne out in his bearing all through the tragedy down to the moment when he becomes invincibly⁵⁶ and consistently dumb.

Perhaps no innovation in Art was ever accepted with so much favour by so many intellectual persons pre-committed to, and preoccupied⁵⁷ by, another system, as Mr. Fechter’s Hamlet. I take this to have been the case (as it unquestionably was in London), not because of its picturesqueness, not because of its novelty, not because of its many scattered⁵⁸ beauties, but because of its perfect consistency⁵⁹ with itself. As the animal-painter said of his favourite picture of rabbits that there was more nature about those rabbits than you usually found in rabbits, so it may be said of Mr. Fechter’s Hamlet, that there was more consistency about that Hamlet than you usually found in Hamlets. Its great and satisfying originality⁶⁰ was in its possessing the merit of a distinctly conceived and executed idea. From the first appearance of the broken glass of fashion and mould of form, pale and worn with weeping for his father’s death, and remotely suspicious of its cause, to his final struggle with Horatio for the fatal cup, there were cohesion⁶¹ and coherence⁶² in Mr. Fechter’s view of the character. Devrient, the German actor, had, some years before in London, fluttered the theatrical⁶³ doves considerably⁶⁴, by such changes as being seated when instructing the players, and like mild departures from established usage; but he had worn, in the main, the old nondescript dress, and had held forth⁶⁵, in the main, in the old way, hovering⁶⁶ between sanity⁶⁷ and madness. I do not remember whether he wore his hair crisply curled short, as if he were going to an everlasting⁶⁸ dancing-master’s party at the Danish court; but I do remember that most other Hamlets since the great Kemble had been bound to do so. Mr. Fechter’s Hamlet, a pale, woebegone Norseman with long flaxen hair, wearing a strange garb⁶⁹ never associated with the part upon the English stage (if ever seen there at all) and making a piratical swoop⁷⁰ upon the whole fleet of little theatrical prescriptions⁷¹ without meaning, or, like Dr. Johnson’s celebrated⁷² friend, with only one idea in them, and that a wrong one, never could have achieved its extraordinary success but for its animation⁷³ by one pervading purpose, to which all changes were made intelligently subservient⁷⁴. The bearing of this purpose on the treatment of Ophelia, on the death of Polonius, and on the old student fellowship between Hamlet and Horatio, was exceedingly striking; and the difference between picturesqueness of stage arrangement for mere⁷⁵ stage effect, and for the elucidation⁷⁶ of a meaning, was well displayed in there having been a gallery of musicians at the Play, and in one of them passing on his way out, with his instrument in his hand, when Hamlet, seeing it, took it from him, to point his talk with Rosencrantz and Guildenstern.

This leads me to the observation with which I have all along desired to conclude: that Mr. Fechter’s romance and picturesqueness are always united to a true artist’s intelligence, and a true artist’s training in a true artist’s spirit. He became one of the company of the Theatre Francais when he was a very young man, and he has cultivated his natural gifts in the best schools. I cannot wish my friend a better audience than he will have in the American people, and I cannot wish them a better actor than they will have in my friend.

The End

1 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

2 appreciation   

n.评价；欣赏；感谢；领会，理解；价格上涨

参考例句：

• I would like to express my appreciation and thanks to you all.我想对你们所有人表达我的感激和谢意。
• I'll be sending them a donation in appreciation of their help.我将送给他们一笔捐款以感谢他们的帮助。

3 acting   

n.演戏，行为，假装；adj.代理的，临时的，演出用的

参考例句：

• Ignore her,she's just acting.别理她，她只是假装的。
• During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。

4 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

5 vigour   

（=vigor）n.智力，体力，精力

参考例句：

• She is full of vigour and enthusiasm.她有热情，有朝气。
• At 40,he was in his prime and full of vigour.他40岁时正年富力强。

6 transpiring   

（事实，秘密等）被人知道( transpire的现在分词 )； 泄露； 显露； 发生

参考例句：

• Excellent, everything is transpiring as the Awareness has foreseen. 好极了，一切都按照“意识”的预言进行。
• But, In the face of all that is transpiring, I realize how meager my knowledge is. 但是，当面对这突发一切时，我才意识到自己的知识有多么贫乏。

7 suffusion   

n.充满

参考例句：

• He suffered from suffusion of blood on the brain. 他患脑溢血。 来自《现代汉英综合大词典》

8 fusion   

n.溶化；熔解；熔化状态，熔和；熔接

参考例句：

• Brass is formed by the fusion of copper and zinc. 黄铜是通过铜和锌的熔合而成的。
• This alloy is formed by the fusion of two types of metal.这种合金是用两种金属熔合而成的。

9 rapture   

n.狂喜；全神贯注；着迷；v.使狂喜

参考例句：

• His speech was received with rapture by his supporters.他的演说受到支持者们的热烈欢迎。
• In the midst of his rapture,he was interrupted by his father.他正欢天喜地，被他父亲打断了。

10 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

11 dame   

n.女士

参考例句：

• The dame tell of her experience as a wife and mother.这位年长妇女讲了她作妻子和母亲的经验。
• If you stick around,you'll have to marry that dame.如果再逗留多一会，你就要跟那个夫人结婚。

12 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

13 exalting   

a.令人激动的，令人喜悦的

参考例句：

• To exert an animating, enlivening, encouraging or exalting influence on someone. 使某人充满活力，对他进行启发，鼓励，或施加影响。
• One of the key ideas in Isaiah 2 is that of exalting or lifting up. 以赛亚书2章特点之一就是赞颂和提升。

14 devotedly   

专心地； 恩爱地； 忠实地； 一心一意地

参考例句：

• He loved his wife devotedly. 他真诚地爱他的妻子。
• Millions of fans follow the TV soap operas devotedly. 千百万观众非常着迷地收看这部电视连续剧。

15 lenient   

adj.宽大的，仁慈的

参考例句：

• The judge was lenient with him.法官对他很宽大。
• It's a question of finding the means between too lenient treatment and too severe punishment.问题是要找出处理过宽和处罚过严的折中办法。

16 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

17 beheld   

v.看，注视( behold的过去式和过去分词 )；瞧；看呀；（叙述中用于引出某人意外的出现）哎哟

参考例句：

• His eyes had never beheld such opulence. 他从未见过这样的财富。 来自《简明英汉词典》
• The soul beheld its features in the mirror of the passing moment. 灵魂在逝去的瞬间的镜子中看到了自己的模样。 来自英汉文学 - 红字

18 subdued   

adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词

参考例句：

• He seemed a bit subdued to me. 我觉得他当时有点闷闷不乐。
• I felt strangely subdued when it was all over. 一切都结束的时候，我却有一种奇怪的压抑感。

19 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

20 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

21 descended   

a.为...后裔的，出身于...的

参考例句：

• A mood of melancholy descended on us. 一种悲伤的情绪袭上我们的心头。
• The path descended the hill in a series of zigzags. 小路呈连续的之字形顺着山坡蜿蜒而下。

22 notably   

adv.值得注意地，显著地，尤其地，特别地

参考例句：

• Many students were absent,notably the monitor.许多学生缺席，特别是连班长也没来。
• A notably short,silver-haired man,he plays basketball with his staff several times a week.他个子明显较为矮小，一头银发，每周都会和他的员工一起打几次篮球。

23 fascination   

n.令人着迷的事物，魅力，迷恋

参考例句：

• He had a deep fascination with all forms of transport.他对所有的运输工具都很着迷。
• His letters have been a source of fascination to a wide audience.广大观众一直迷恋于他的来信。

24 enchanted   

adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词

参考例句：

• She was enchanted by the flowers you sent her. 她非常喜欢你送给她的花。
• He was enchanted by the idea. 他为这个主意而欣喜若狂。

25 bloody   

adj.非常的的；流血的；残忍的；adv.很；vt.血染

参考例句：

• He got a bloody nose in the fight.他在打斗中被打得鼻子流血。
• He is a bloody fool.他是一个十足的笨蛋。

26 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

27 plight   

n.困境，境况，誓约，艰难；vt.宣誓，保证，约定

参考例句：

• The leader was much concerned over the plight of the refugees.那位领袖对难民的困境很担忧。
• She was in a most helpless plight.她真不知如何是好。

28 solely   

adv.仅仅，唯一地

参考例句：

• Success should not be measured solely by educational achievement.成功与否不应只用学业成绩来衡量。
• The town depends almost solely on the tourist trade.这座城市几乎完全靠旅游业维持。

29 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。

30 arrogant   

adj.傲慢的，自大的

参考例句：

• You've got to get rid of your arrogant ways.你这骄傲劲儿得好好改改。
• People are waking up that he is arrogant.人们开始认识到他很傲慢。

31 sketch   

n.草图；梗概；素描；v.素描；概述

参考例句：

• My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
• I will send you a slight sketch of the house.我将给你寄去房屋的草图。

32 aspiration   

n.志向，志趣抱负；渴望；(语)送气音；吸出

参考例句：

• Man's aspiration should be as lofty as the stars.人的志气应当象天上的星星那么高。
• Young Addison had a strong aspiration to be an inventor.年幼的爱迪生渴望成为一名发明家。

33 picturesqueness   

参考例句：

• The picturesqueness of the engineer's life was always attractive to Presley. 这司机的丰富多彩的生活，始终叫普瑞斯莱醉心。
• Philip liked the daring picturesqueness of the Americans'costume. 菲利浦喜欢美国人装束的那种粗犷的美。

34 picturesque   

adj.美丽如画的，（语言）生动的，绘声绘色的

参考例句：

• You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
• That was a picturesque phrase.那是一个形象化的说法。

35 pervading   

v.遍及，弥漫( pervade的现在分词 )

参考例句：

• an all-pervading sense of gloom 无处不在的沮丧感
• a pervading mood of fear 普遍的恐惧情绪

36 sculptor   

n.雕刻家，雕刻家

参考例句：

• A sculptor forms her material.雕塑家把材料塑造成雕塑品。
• The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。

37 accomplishments   

n.造诣；完成( accomplishment的名词复数 )；技能；成绩；成就

参考例句：

• It was one of the President's greatest accomplishments. 那是总统最伟大的成就之一。
• Among her accomplishments were sewing,cooking,playing the piano and dancing. 她的才能包括缝纫、烹调、弹钢琴和跳舞。 来自《现代英汉综合大词典》

38 infusion   

n.灌输

参考例句：

• Old families need an infusion of new blood from time to time.古老的家族需要不时地注入新鲜血液。
• Careful observation of the infusion site is necessary.必须仔细观察输液部位。

39 beckoning   

adj.引诱人的，令人心动的v.（用头或手的动作）示意，召唤( beckon的现在分词 )

参考例句：

• An even more beautiful future is beckoning us on. 一个更加美好的未来在召唤我们继续前进。 来自辞典例句
• He saw a youth of great radiance beckoning to him. 他看见一个丰神飘逸的少年向他招手。 来自辞典例句

40 positively   

adv.明确地，断然，坚决地；实在，确实

参考例句：

• She was positively glowing with happiness.她满脸幸福。
• The weather was positively poisonous.这天气着实讨厌。

41 ferociously   

野蛮地，残忍地

参考例句：

• The buck shook his antlers ferociously. 那雄鹿猛烈地摇动他的鹿角。
• At intervals, he gritted his teeth ferociously. 他不时狠狠的轧平。

42 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

43 vehemence   

n.热切；激烈；愤怒

参考例句：

• The attack increased in vehemence.进攻越来越猛烈。
• She was astonished at his vehemence.她对他的激昂感到惊讶。

44 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

45 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

46 recondite   

adj.深奥的，难解的

参考例句：

• Her poems are modishly experimental in style and recondite in subject-matter.她的诗在风格上是时髦的实验派，主题艰深难懂。
• To a craftsman,the ancient article with recondite and scholastic words was too abstruse to understand.可是对一个车轮师父而言，这些之乎者也的文言文是太深而难懂的。

47 cant   

n.斜穿，黑话，猛扔

参考例句：

• The ship took on a dangerous cant to port.船只出现向左舷危险倾斜。
• He knows thieves'cant.他懂盗贼的黑话。

48 remarkably   

ad.不同寻常地，相当地

参考例句：

• I thought she was remarkably restrained in the circumstances. 我认为她在那种情况下非常克制。
• He made a remarkably swift recovery. 他康复得相当快。

49 judiciously   

adv.明断地，明智而审慎地

参考例句：

• Let's use these intelligence tests judiciously. 让我们好好利用这些智力测试题吧。 来自《简明英汉词典》
• His ideas were quaint and fantastic. She brought him judiciously to earth. 他的看法荒廖古怪，她颇有见识地劝他面对现实。 来自辞典例句

50 sneering   

嘲笑的，轻蔑的

参考例句：

• "What are you sneering at?" “你冷笑什么？” 来自子夜部分
• The old sorceress slunk in with a sneering smile. 老女巫鬼鬼崇崇地走进来，冷冷一笑。

51 diabolically   

参考例句：

• His writing could be diabolically satiric. 他的作品极具讽刺性。 来自互联网

52 dissect   

v.分割；解剖

参考例句：

• In biology class we had to dissect a frog.上生物课时我们得解剖青蛙。
• Not everyone can dissect and digest the public information they receive.不是每个人都可以解析和消化他们得到的公共信息的。

53 boon   

n.恩赐，恩物，恩惠

参考例句：

• A car is a real boon when you live in the country.在郊外居住，有辆汽车确实极为方便。
• These machines have proved a real boon to disabled people.事实证明这些机器让残疾人受益匪浅。

54 portentous   

adj.不祥的，可怕的，装腔作势的

参考例句：

• The present aspect of society is portentous of great change.现在的社会预示着重大变革的发生。
• There was nothing portentous or solemn about him.He was bubbling with humour.他一点也不装腔作势或故作严肃，浑身散发着幽默。

55 transparent   

adj.明显的，无疑的；透明的

参考例句：

• The water is so transparent that we can see the fishes swimming.水清澈透明，可以看到鱼儿游来游去。
• The window glass is transparent.窗玻璃是透明的。

56 invincibly   

adv.难战胜地，无敌地

参考例句：

• Invincibly, the troops moved forward. 这支军队一路前进，所向披靡。 来自互联网

57 preoccupied   

adj.全神贯注的，入神的；被抢先占有的；心事重重的v.占据（某人）思想，使对…全神贯注，使专心于( preoccupy的过去式)

参考例句：

• He was too preoccupied with his own thoughts to notice anything wrong. 他只顾想着心事，没注意到有什么不对。
• The question of going to the Mount Tai preoccupied his mind. 去游泰山的问题盘踞在他心头。 来自《简明英汉词典》

58 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

59 consistency   

n.一贯性，前后一致，稳定性；(液体的)浓度

参考例句：

• Your behaviour lacks consistency.你的行为缺乏一贯性。
• We appreciate the consistency and stability in China and in Chinese politics.我们赞赏中国及其政策的连续性和稳定性。

60 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

61 cohesion   

n.团结，凝结力

参考例句：

• I had to bring some cohesion into the company.我得使整个公司恢复凝聚力。
• The power of culture is deeply rooted in the vitality,creativity and cohesion of a nation. 文化的力量，深深熔铸在民族的生命力、创造力和凝聚力之中。

62 coherence   

n.紧凑；连贯；一致性

参考例句：

• There was no coherence between the first and the second half of the film.这部电影的前半部和后半部没有连贯性。
• Environmental education is intended to give these topics more coherence.环境教育的目的是使这些课题更加息息相关。

63 theatrical   

adj.剧场的，演戏的；做戏似的，做作的

参考例句：

• The final scene was dismayingly lacking in theatrical effect.最后一场缺乏戏剧效果，叫人失望。
• She always makes some theatrical gesture.她老在做些夸张的手势。

64 considerably   

adv.极大地；相当大地；在很大程度上

参考例句：

• The economic situation has changed considerably.经济形势已发生了相当大的变化。
• The gap has narrowed considerably.分歧大大缩小了。

65 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

66 hovering   

鸟( hover的现在分词 )； 靠近（某事物）； （人）徘徊； 犹豫

参考例句：

• The helicopter was hovering about 100 metres above the pad. 直升机在离发射台一百米的上空盘旋。
• I'm hovering between the concert and the play tonight. 我犹豫不决今晚是听音乐会还是看戏。

67 sanity   

n.心智健全，神智正常，判断正确

参考例句：

• I doubt the sanity of such a plan.我怀疑这个计划是否明智。
• She managed to keep her sanity throughout the ordeal.在那场磨难中她始终保持神志正常。

68 everlasting   

adj.永恒的，持久的，无止境的

参考例句：

• These tyres are advertised as being everlasting.广告上说轮胎持久耐用。
• He believes in everlasting life after death.他相信死后有不朽的生命。

69 garb   

n.服装，装束

参考例句：

• He wore the garb of a general.他身着将军的制服。
• Certain political,social,and legal forms reappear in seemingly different garb.一些政治、社会和法律的形式在表面不同的外衣下重复出现。

70 swoop   

n.俯冲，攫取；v.抓取，突然袭击

参考例句：

• The plane made a swoop over the city.那架飞机突然向这座城市猛降下来。
• We decided to swoop down upon the enemy there.我们决定突袭驻在那里的敌人。

71 prescriptions   

药( prescription的名词复数 )； 处方； 开处方； 计划

参考例句：

• The hospital of traditional Chinese medicine installed a computer to fill prescriptions. 中医医院装上了电子计算机来抓药。
• Her main job was filling the doctor's prescriptions. 她的主要工作就是给大夫开的药方配药。

72 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

73 animation   

n.活泼，兴奋，卡通片／动画片的制作

参考例句：

• They are full of animation as they talked about their childhood.当他们谈及童年的往事时都非常兴奋。
• The animation of China made a great progress.中国的卡通片制作取得很大发展。

74 subservient   

adj.卑屈的，阿谀的

参考例句：

• He was subservient and servile.他低声下气、卑躬屈膝。
• It was horrible to have to be affable and subservient.不得不强作欢颜卖弄风骚，真是太可怕了。

75 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

76 elucidation   

n.说明，阐明

参考例句：

• The advertising copy is the elucidation text,which must be written according to the formula of AIDA. 文案是说明文，应基本遵照AIDA公式来写作。 来自互联网
• Fourth, a worm hole, elucidation space-time can stretch, compression, rent, also is deduced time-travel this idea. 第四，有了虫洞，就说明时空可以被拉伸、压缩、撕裂，也就推导出了时空旅行这个想法。 来自互联网