At length, the professorship of metaphysics becoming vacant, he received the appointment. The emoluments13 of this office, though small, supplied his necessities, and, not long after, on obtaining a more lucrative14 station in the University, he was relieved from his embarrassments15.
Hitherto, he had devoted16 himself almost exclusively to Jurisprudence, History and Languages, and had never tried his hand at poetical17 composition. Indeed, he had ever felt a strange aversion to the study of poetry, and, although he had read the Latin Poets, and composed Latin Poems, it was more for the sake of proficiency18 in the language, than for pleasure, or, in his own words, “as a sick man swallows bitter draughts19, not because they are grateful to the palate, but, because they are recommended by the physicians.”
He now, however, seemed inspired by a new ambition, and set himself to imitate one of Juvenal’s Satires. Encouraged by his unexpected facility, he projected and composed an original poem. Its success, when published, surpassed that of any work previously20 written in the Danish language. Judicious21 critics heartily22 commended it, and some even looked upon it as introducing a new era in the national literature. It was also published in Sweden and Germany, and raised the author’s reputation abroad. He next published five more Satires, prefixing to each a short preface, unfolding the writer’s design. His poetical productions were a source of more honor than gain, and, becoming weary of almost profitless pursuits, he abandoned poetry, and devoted himself to his former studies.
Nevertheless, the solicitations of friends prevailed upon him to turn his attention to Dramatic composition. Here he was equally successful. His comedies were received with great applause, and still hold possession of the stage. Like his Satires, they were intended to expose fashionable vice23 and folly24. They are twenty-five in number. The names of several will give some notion of their general character —The Babbling25 Barber; Always Busy and Doing Nothing; The Treacherous26 Step-father; The Political Tinman.
His health being impaired27 by unintermitted literary labor9, he determined28 to seek relief from the baths of Aix-la-Chapelle. He did not derive29 from them the benefit he anticipated, but, after spending the winter in Paris, returned home with renewed health and spirits. His next publication, was a Satirical Poem, entitled “Metamorphosis,” in which brutes30 and trees are transformed into men. This was the last of his poetical efforts.
For several years he had been engaged in preparing ”A General Ecclesiastical History from the origin of Christianity to the Reformation of Luther,” which he now published. This production, the author affirms, was written with perfect impartiality31. He sometimes censured32 the Fathers, praised heretics, when they deserved it, and occasionally even commended the Popes. It was extremely popular, though all were not pleased with its liberal spirit. A Comparative Biography of Asiatic and Indian Heroes, after Plutarch’s style; A short Historical Account of his Native Town; The Narrative of Niels Klim; His Autobiography; and a History of the Jewish Nation, digested from the works of Josephus, Prideaux, and Basnage, close the list of his works.
“The Journey to the World under ground,” or ”Narrative of Niels Klim,” had been written for a long time, but he had refrained from printing it from an unwillingness33 to provoke enmity. But the importunity34 of friends, and the generous offer of a bookseller finally prevailed, and he put it into the printer’s hands. The following account of this performance is abridged35 from his autobiography.
There are many persons of both sexes in my country, who believe in fairies and supernatural beings, and who are ready to swear, that they have been conveyed by spirits to hills and mountain caves. This superstition36 is ridiculed37 in Klim, the hero of the tale. He is supposed to be transported to the world under ground, where he meets with some surprising adventures. Many strange creatures inhabit this new world; trees, for instance, are introduced, endowed with speech, and musical instruments discuss questions of philosophy and finance. Amongst the characters, those geniuses, who perceive everything at a glance, but penetrate38 nothing, are conspicuous39. People of quick perception, whom we use to admire, are despised by the Potuans, who look upon them as idle loungers, that, though always moving, make no progress. Prudent40 men, on the contrary, who measure their own strength, and advance cautiously, are greatly esteemed41 by that nation, though with us they pass for fools or cowards. The Potuans and Martinians are examples of both these extremes. By the former Klim was considered a blockhead, on account of the quickness of his perceptions; by the latter he was equally despised for the slowness of his apprehension42. To Klim, who measures virtues43 and vices45 by the ordinary standard, everything is a paradox46; but what he at first condemns47, he admires and extols48 after deliberation; so that the object of the whole work is to correct popular errors, and to distinguish the semblance49 of virtue44 and vice from the reality. Its subordinate design is to expose the monstrous50 fictions, which some authors obtrude51 upon us in their descriptions of remote countries.
“The Narrative of Niels Klim,” though written so many years ago, contains many satirical hits, exceedingly applicable to the present time; thus showing that what appears to one age to be a whim52 altogether new, may be, in fact, only some old notion newly promulgated53. Greater liberties were allowed at that period in literature than would now be permitted. Holberg’s humorous productions are not wholly free from a fault, whose existence the taste of any age may explain, but does not excuse.
After living in competency for many years in Copenhagen, he was, in 1747, created a baron54 by the king of Denmark. He died in 1754.
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1 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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2 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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3 versatility | |
n.多才多艺,多样性,多功能 | |
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4 treatises | |
n.专题著作,专题论文,专著( treatise的名词复数 ) | |
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5 treatise | |
n.专著;(专题)论文 | |
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6 satires | |
讽刺,讥讽( satire的名词复数 ); 讽刺作品 | |
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7 Oxford | |
n.牛津(英国城市) | |
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8 labors | |
v.努力争取(for)( labor的第三人称单数 );苦干;详细分析;(指引擎)缓慢而困难地运转 | |
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9 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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10 autobiography | |
n.自传 | |
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11 abiding | |
adj.永久的,持久的,不变的 | |
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12 pecuniary | |
adj.金钱的;金钱上的 | |
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13 emoluments | |
n.报酬,薪水( emolument的名词复数 ) | |
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14 lucrative | |
adj.赚钱的,可获利的 | |
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15 embarrassments | |
n.尴尬( embarrassment的名词复数 );难堪;局促不安;令人难堪或耻辱的事 | |
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16 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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17 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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18 proficiency | |
n.精通,熟练,精练 | |
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19 draughts | |
n. <英>国际跳棋 | |
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20 previously | |
adv.以前,先前(地) | |
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21 judicious | |
adj.明智的,明断的,能作出明智决定的 | |
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22 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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23 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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24 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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25 babbling | |
n.胡说,婴儿发出的咿哑声adj.胡说的v.喋喋不休( babble的现在分词 );作潺潺声(如流水);含糊不清地说话;泄漏秘密 | |
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26 treacherous | |
adj.不可靠的,有暗藏的危险的;adj.背叛的,背信弃义的 | |
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27 impaired | |
adj.受损的;出毛病的;有(身体或智力)缺陷的v.损害,削弱( impair的过去式和过去分词 ) | |
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28 determined | |
adj.坚定的;有决心的 | |
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29 derive | |
v.取得;导出;引申;来自;源自;出自 | |
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30 brutes | |
兽( brute的名词复数 ); 畜生; 残酷无情的人; 兽性 | |
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31 impartiality | |
n. 公平, 无私, 不偏 | |
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32 censured | |
v.指责,非难,谴责( censure的过去式 ) | |
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33 unwillingness | |
n. 不愿意,不情愿 | |
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34 importunity | |
n.硬要,强求 | |
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35 abridged | |
削减的,删节的 | |
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36 superstition | |
n.迷信,迷信行为 | |
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37 ridiculed | |
v.嘲笑,嘲弄,奚落( ridicule的过去式和过去分词 ) | |
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38 penetrate | |
v.透(渗)入;刺入,刺穿;洞察,了解 | |
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39 conspicuous | |
adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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40 prudent | |
adj.谨慎的,有远见的,精打细算的 | |
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41 esteemed | |
adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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42 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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43 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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44 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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45 vices | |
缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
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46 paradox | |
n.似乎矛盾却正确的说法;自相矛盾的人(物) | |
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47 condemns | |
v.(通常因道义上的原因而)谴责( condemn的第三人称单数 );宣判;宣布…不能使用;迫使…陷于不幸的境地 | |
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48 extols | |
v.赞颂,赞扬,赞美( extol的第三人称单数 ) | |
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49 semblance | |
n.外貌,外表 | |
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50 monstrous | |
adj.巨大的;恐怖的;可耻的,丢脸的 | |
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51 obtrude | |
v.闯入;侵入;打扰 | |
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52 whim | |
n.一时的兴致,突然的念头;奇想,幻想 | |
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53 promulgated | |
v.宣扬(某事物)( promulgate的过去式和过去分词 );传播;公布;颁布(法令、新法律等) | |
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54 baron | |
n.男爵;(商业界等)巨头,大王 | |
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