Criticisms By Robert Ross

Vol. I. Page 80 Line 3. I demur¹ very much to your statement in this paragraph. Wilde was too much of a student of Greek to have learned anything about controversy² from Whistler. No doubt Whistler was more nimble and more naturally gifted with the power of repartee³, but when Wilde indulged in controversy with his critics, whether he got the best of it or not, he never borrowed the Whistlerian method. Cf. his controversy with Henley over Dorian Gray.

Then whatever you may think of Ruskin, Wilde learnt a great deal about the History and Philosophy of Art from him. He learned more from Pater and he was the friend and intimate of Burne–Jones long before he knew Whistler. I quite agree with your remark that he had “no joy in conflict” and no doubt he had little or no knowledge of the technique of Art in the modern expert’s sense.

[There never was a greater master of controversy than Whistler, and I believe Wilde borrowed his method of making fun of the adversary⁴. Robert Ross’s second point is rather controversial. Shaw agrees with me that Wilde never knew anything really of music or of painting and neither the history nor the so-called philosophy of art makes one a connoisseur⁵ of contemporary masters. F.H.]

Page 94. Last line. For “happy candle” read “Happy Lamp.” It was at the period when oil lamps were put in the middle of the dinner table just before the general introduction of electric light; by putting “candle” you lose the period. Cf. Du Maurier’s pictures of dinner parties in Punch.

Page 115. I venture to think that you should state that Wilde at the end of his story of ‘Mr. W.H.’ definitely says that the theory is all nonsense. It always appeared to me a semi-satire of Shakespearean commentary. I remember Wilde saying to me after it was published that his next Shakespearean book would be a discussion as to whether the commentators⁶ on Hamlet were mad or only pretending to be. I think you take Wilde’s phantasy too seriously but I am not disputing whether you are right or wrong in your opinion of it; but it strikes me as a little solemn when on Page 116 you say that the ‘whole theory is completely mistaken’; but you are quite right when you say that it did Wilde a great deal of harm. [Ross does not seem to realise that if the theory were merely fantastic the public might be excused for condemning⁷ Oscar for playing with such a subject. As a matter of fact I remember Oscar defending the theory to me years later with all earnestness: that’s why I stated my opinion of it. F.H.]

Page 142 Line 19. What Wilde said in front of the curtain was: “I have enjoyed this evening immensely.”

[I seem to remember that Wilde said this; my note was written after a dinner a day or two later when Oscar acted the whole scene over again and probably elaborated his effect. I give the elaboration as most characteristic. F.H.]

Vol. II. Page 357 Line 3. Major Nelson was the name of the Governor at Reading prison. He was one of the most charming men I ever came across. I think he was a little hurt by the “Ballad⁸ of Reading Gaol,” which he fancied rather reflected on him though Major Isaacson was the Governor at the time the soldier was executed. Isaacson was a perfect monster. Wilde sent Nelson copies of his books, “The Ideal Husband” and “The Importance of Being Earnest,” which were published as you remember after the release, and Nelson acknowledged them in a most delightful⁹ way. He is dead now.

[Major Isaacson was the governor who boasted to me that he was knocking the nonsense out of Wilde; he seemed to me almost inhuman¹⁰. My report got him relieved and Nelson appointed in his stead. Nelson was an ideal governor. F.H.]

Page 387. In the First Edition of the “Ballad of Reading Gaol” issued by Methuen I have given the original draft of the poem which was in my hands in September 1897, long before Wilde rejoined Douglas. I will send you a copy of it if you like, but it is much more likely to reach you if you order it through Putnam’s in New York as they are Methuen’s agents. I would like you to see it because it fortifies¹¹ your opinion about Douglas’ ridiculous contention¹²; though I could explode the whole thing by Wilde’s letters to myself from Berneval. Certain verses were indeed added at Naples. I do not know what you will think, but to me they prove the mental decline due to the atmosphere and life that Wilde was leading at the time. Let us be just and say that perhaps Douglas assisted more than he was conscious of in their composition. To me they are terribly poor stuff, but then, unlike yourself, I am a heretic about the Ballad.

Page 411. In fairness to Gide: Gide is describing Wilde after he had come back from Naples in the year 1898, not in 1897, when he had just come out of prison.

Appendix Page 438 Line 20. Forgive me if I say it, but I think your method of sneering¹⁴ at Curzon unworthy of Frank Harris. Sneer¹³ by all means; but not in that particular way.

[Robert Ross is mistaken here: no sneer was intended. I added Curzon’s title to avoid giving myself the air of an intimate. F.H.]

Page 488 Line 17. You really are wrong about Mellor’s admiration¹⁵ for Wilde. He liked his society but loathed¹⁶ his writing. I was quite angry in 1900 when Mellor came to see me at Mentone (after Wilde’s death, of course), when he said he could never see any merit whatever in Wilde’s plays or books. However the point is a small one.

Page 490 Line 6. The only thing I can claim to have invented in connection with Wilde were the two titles “De Profundis” and “The Ballad of Reading Gaol,” for which let me say I can produce documentary evidence. The publication of “De Profundis” was delayed for a month in 1905 because I could not decide on what to call it. It happened to catch on but I do not think it a very good title.

Page 555 Line 18. Do you happen to have compared Douglas’ translation of Salome in Lane’s First edition (with Beardsley’s illustrations) with Lane’s Second edition (with Beardsley’s illustrations) or Lane’s little editions (without Beardsley’s illustrations)? Or have you ever compared the aforesaid First edition with the original? Douglas’ translation omits a great deal of the text and is actually wrong as a rendering¹⁷ of the text in many cases. I have had this out with a good many people. I believe Douglas is to this day sublimely¹⁸ unconscious that his text, of which there were never more than 500 copies issued in England, has been entirely¹⁹ scrapped²⁰; his name at my instance was removed from the current issues for the very good reason that the new translation is not his. But this is merely an observation not a correction.

[I talked this matter over with Douglas more than once. He did not know French well; but he could understand it and he was a rarely good translator as his version of a Baudelaire sonnet²¹ shows. In any dispute as to the value of a word or phrase I should prefer his opinion to Oscar’s. But Ross is doubtless right on this point. F.H.]

Appendix Page 587. Your memory is at fault here. The charge against Horatio Lloyd was of a normal kind. It was for exposing himself to nursemaids in the gardens of the Temple.

[I have corrected this as indeed I have always used Ross’s corrections on matters of fact. F.H.]

Page 596 Line 13. I think there ought to be a capital “E” in exhibition to emphasise²² that it is the 1900 Exhibition in Paris.

1 demur   

v．表示异议，反对

参考例句：

• Without demur, they joined the party in my rooms. 他们没有推辞就到我的屋里一起聚餐了。
• He accepted the criticism without demur. 他毫无异议地接受了批评。

2 controversy   

n.争论，辩论，争吵

参考例句：

• That is a fact beyond controversy.那是一个无可争论的事实。
• We ran the risk of becoming the butt of every controversy.我们要冒使自己在所有的纷争中都成为众矢之的的风险。

3 repartee   

n.机敏的应答

参考例句：

• This diplomat possessed an excellent gift for repartee.这位外交官具有卓越的应对才能。
• He was a brilliant debater and his gift of repartee was celebrated.他擅长辩论，以敏于应答著称。

4 adversary   

adj.敌手，对手

参考例句：

• He saw her as his main adversary within the company.他将她视为公司中主要的对手。
• They will do anything to undermine their adversary's reputation.他们会不择手段地去损害对手的名誉。

5 connoisseur   

n.鉴赏家，行家，内行

参考例句：

• Only the real connoisseur could tell the difference between these two wines.只有真正的内行才能指出这两种酒的区别。
• We are looking for a connoisseur of French champagne.我们想找一位法国香槟酒品酒专家。

6 commentators   

n.评论员( commentator的名词复数 )；时事评论员；注释者；实况广播员

参考例句：

• Sports commentators repeat the same phrases ad nauseam. 体育解说员翻来覆去说着同样的词语，真叫人腻烦。
• Television sports commentators repeat the same phrases ad nauseam. 电视体育解说员说来说去就是那么几句话，令人厌烦。 来自《简明英汉词典》

7 condemning   

v.（通常因道义上的原因而）谴责( condemn的现在分词 )；宣判；宣布…不能使用；迫使…陷于不幸的境地

参考例句：

• The government issued a statement condemning the killings. 政府发表声明谴责这些凶杀事件。
• I concur with the speaker in condemning what has been done. 我同意发言者对所做的事加以谴责。 来自《现代英汉综合大词典》

8 ballad   

n.歌谣，民谣，流行爱情歌曲

参考例句：

• This poem has the distinctive flavour of a ballad.这首诗有民歌风味。
• This is a romantic ballad that is pure corn.这是一首极为伤感的浪漫小曲。

9 delightful   

adj.令人高兴的，使人快乐的

参考例句：

• We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
• Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。

10 inhuman   

adj.残忍的，不人道的，无人性的

参考例句：

• We must unite the workers in fighting against inhuman conditions.我们必须使工人们团结起来反对那些难以忍受的工作条件。
• It was inhuman to refuse him permission to see his wife.不容许他去看自己的妻子是太不近人情了。

11 fortifies   

筑防御工事于( fortify的第三人称单数 )； 筑堡于； 增强； 强化（食品）

参考例句：

12 contention   

n.争论，争辩，论战；论点，主张

参考例句：

• The pay increase is the key point of contention. 加薪是争论的焦点。
• The real bone of contention,as you know,is money.你知道，争论的真正焦点是钱的问题。

13 sneer   

v.轻蔑；嘲笑；n.嘲笑，讥讽的言语

参考例句：

• He said with a sneer.他的话中带有嘲笑之意。
• You may sneer,but a lot of people like this kind of music.你可以嗤之以鼻，但很多人喜欢这种音乐。

14 sneering   

嘲笑的，轻蔑的

参考例句：

• "What are you sneering at?" “你冷笑什么？” 来自子夜部分
• The old sorceress slunk in with a sneering smile. 老女巫鬼鬼崇崇地走进来，冷冷一笑。

15 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

16 loathed   

v.憎恨，厌恶( loathe的过去式和过去分词 )；极不喜欢

参考例句：

• Baker loathed going to this red-haired young pup for supplies. 面包师傅不喜欢去这个红头发的自负的傻小子那里拿原料。 来自《简明英汉词典》
• Therefore, above all things else, he loathed his miserable self! 因此，他厌恶不幸的自我尤胜其它！ 来自英汉文学 - 红字

17 rendering   

n.表现，描写

参考例句：

• She gave a splendid rendering of Beethoven's piano sonata.她精彩地演奏了贝多芬的钢琴奏鸣曲。
• His narrative is a super rendering of dialect speech and idiom.他的叙述是方言和土语最成功的运用。

18 sublimely   

高尚地，卓越地

参考例句：

• In devotion woman is sublimely superior to man. 怜悯是女子胜过男子的德性之一。
• She was sublimely unaware of how foolish she looked. 她根本不知道她的样子多愚蠢。

19 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

20 scrapped   

废弃(scrap的过去式与过去分词)； 打架

参考例句：

• This machine is so old that it will soon have to be scrapped. 这架机器太旧，快报废了。
• It had been thought that passport controls would be scrapped. 人们曾认为会放开护照管制。

21 sonnet   

n.十四行诗

参考例句：

• The composer set a sonnet to music.作曲家为一首十四行诗谱了曲。
• He wrote a sonnet to his beloved.他写了一首十四行诗，献给他心爱的人。

22 emphasise   

vt.加强...的语气，强调，着重

参考例句：

• What special feature do you think I should emphasise? 你认为我该强调什么呢？
• The exercises heavily emphasise the required readings.练习非常强调必须的阅读。