Men and women come sailing all together, vast numbers in each boat, many of the women with castanets, which they strike, while some of the men pipe during the whole period of the voyage; the remainder of the voyagers, male and female, sing the while, and make a clapping with their hands. When they arrive opposite to any town on the banks of the stream they approach the shore, and while some of the women continue to play and sing, others call aloud to the females of the place and load them with abuse, a certain number dancing and others standing16 up, uncovering themselves. Proceeding17 in this way all along the river course they reach Bubastis, where they celebrate the feast with abundant sacrifice.
Of the mysteries of Isis and Osiris, in which dancing played an important part, the character of the ceremonies is matter of dim conjecture18; but from the hints that have come down to us like significant shrugs19 and whispers from a discreet20 past, which could say a good deal more if it had a mind to, I hasten to infer that they were no better than they should have been.
Naturally the dances for amusement of others were regulated in movement and gesture to suit the taste of patrons: for the refined, decency21 and moderation; for the wicked, a soup?on of the other kind of excellence22. In the latter case the buffoon23, an invariable adjunct, committed a thousand extravagances, and was a dear, delightful24, naughty ancient Egyptian buffoon. These dances were performed by both men and women; sometimes together, more frequently in separate parties. The men seem to have confined themselves mostly to exercises requiring strength of leg and arm. The figures on the tombs represent men in lively and vigorous postures25, some in attitude preliminary to leaping, others in the air. This feature of agility27 would be a novelty in the oriental dances of to-day; the indolent male spectator being satisfied with a slow, voluptuous28 movement congenial to his disposition29. When, on the contrary, the performance of our prehistoric30 friends was governed and determined31 by ideas of grace, there were not infrequently from six to eight musical instruments, the harp32, guitar, double-pipe, lyre, and tambourine33 of the period being most popular, and these commonly accompanied by a clapping of hands to mark the time.
As with the Greeks, dancers were had in at dinner to make merry; for although the upper-class Egyptian was forbidden to practice the art, either as an accomplishment or for the satisfaction of his emotional nature, it was not considered indecorous to hire professionals to perform before him and his female and young. The she dancer usually habited herself in a loose, flowing robe, falling to the ankles and bound at the waist, while about the hips34 was fastened a narrow, ornate girdle. This costume — in point of opacity35 imperfectly superior to a gentle breeze — is not always discernible in the sculptures; but it is charitably believed that the pellucid36 garment, being merely painted over the figures, has been ravished away by the hand of Time — the wretch37!
One of the dances was a succession of pleasing attitudes, the hands and arms rendering38 important assistance — the body bending backward and forward and swaying laterally39, the figurante sometimes half-kneeling, and in that position gracefully40 posturing41, and again balanced on one foot, the arms and hands waving slowly in time to the music. In another dance, the pirouette and other figures dear to the bald-headed beaux of the modern play-house, were practiced in the familiar way. Four thousand years ago, the senses of the young ancient Egyptian — wild, heady lad! — were kicked into confusion by the dark-skinned belle42 of the ballet, while senility, with dimmed eyes, rubbed its dry hands in feverish43 approval at the self-same feat26. Dear, dear, but it was a bad world four thousand years ago!
Sometimes they danced in pairs, men with men and women with women, indifferently, the latter arrangement seeming to us preferable by reason of the women’s conspicuously44 superior grace and almost equal agility; for it is in evidence on the tombs that tumblers and acrobats45 were commonly of the softer sex. Some of the attitudes were similar to those which drew from Socrates the ungallant remark that women were capable of learning anything which you will that they should know. The figures in this pas de deux appear frequently to have terminated in what children, with their customary coarseness of speech, are pleased to call “wringing the dish-clout”— clasping the hands, throwing the arms above the head and turning rapidly, each as on a pivot46, without loosing the hands of the other, and resting again in position.
Sometimes, with no other music than the percussion47 of hands, a man would execute a pas seul, which it is to be presumed he enjoyed. Again, with a riper and better sense of musical methods, the performer accompanied himself, or, as in this case it usually was, herself, on the double-pipes, the guitar or the tambourine, while the familiar hand-clapping was done by attendants. A step not unlike that of the abominable48 clog49 dance of the “variety” stage and “music hall” of the present day consisted in striking the heel of first one foot and then the other, the hands and arms being employed to diminish the monotony of the movement. For amusement and instruction of the vulgar, buffoons50 in herds51 of ten or more in fested the streets, hopping52 and posing to the sound of a drum.
As illustrating53 the versatility54 of the dance, its wide capacities of adaptation to human emotional needs, I may mention here the procession of women to the tomb of a friend or relative Punishing the tambourine or dara booka drum, and bearing branches of palm or other symbolic55 vegetables, these sprightly56 mourners passed through the streets with songs and dances which, under the circumstances, can hardly have failed eminently57 to gratify the person so fortunate as to have his memory honored by so delicate and appropriate observance.
点击收听单词发音
1 colossal | |
adj.异常的,庞大的 | |
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2 vestiges | |
残余部分( vestige的名词复数 ); 遗迹; 痕迹; 毫不 | |
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3 civilizing | |
v.使文明,使开化( civilize的现在分词 ) | |
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4 accomplishment | |
n.完成,成就,(pl.)造诣,技能 | |
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5 modifications | |
n.缓和( modification的名词复数 );限制;更改;改变 | |
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6 antiquity | |
n.古老;高龄;古物,古迹 | |
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7 pious | |
adj.虔诚的;道貌岸然的 | |
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8 jigs | |
n.快步舞(曲)极快地( jig的名词复数 );夹具v.(使)上下急动( jig的第三人称单数 ) | |
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9 depicted | |
描绘,描画( depict的过去式和过去分词 ); 描述 | |
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10 refinement | |
n.文雅;高尚;精美;精制;精炼 | |
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11 distinguished | |
adj.卓越的,杰出的,著名的 | |
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12 rites | |
仪式,典礼( rite的名词复数 ) | |
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13 commendable | |
adj.值得称赞的 | |
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14 exuberance | |
n.丰富;繁荣 | |
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15 zeal | |
n.热心,热情,热忱 | |
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16 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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17 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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18 conjecture | |
n./v.推测,猜测 | |
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19 shrugs | |
n.耸肩(以表示冷淡,怀疑等)( shrug的名词复数 ) | |
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20 discreet | |
adj.(言行)谨慎的;慎重的;有判断力的 | |
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21 decency | |
n.体面,得体,合宜,正派,庄重 | |
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22 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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23 buffoon | |
n.演出时的丑角 | |
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24 delightful | |
adj.令人高兴的,使人快乐的 | |
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25 postures | |
姿势( posture的名词复数 ); 看法; 态度; 立场 | |
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26 feat | |
n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
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27 agility | |
n.敏捷,活泼 | |
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28 voluptuous | |
adj.肉欲的,骄奢淫逸的 | |
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29 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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30 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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31 determined | |
adj.坚定的;有决心的 | |
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32 harp | |
n.竖琴;天琴座 | |
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33 tambourine | |
n.铃鼓,手鼓 | |
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34 hips | |
abbr.high impact polystyrene 高冲击强度聚苯乙烯,耐冲性聚苯乙烯n.臀部( hip的名词复数 );[建筑学]屋脊;臀围(尺寸);臀部…的 | |
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35 opacity | |
n.不透明;难懂 | |
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36 pellucid | |
adj.透明的,简单的 | |
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37 wretch | |
n.可怜的人,不幸的人;卑鄙的人 | |
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38 rendering | |
n.表现,描写 | |
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39 laterally | |
ad.横向地;侧面地;旁边地 | |
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40 gracefully | |
ad.大大方方地;优美地 | |
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41 posturing | |
做出某种姿势( posture的现在分词 ) | |
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42 belle | |
n.靓女 | |
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43 feverish | |
adj.发烧的,狂热的,兴奋的 | |
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44 conspicuously | |
ad.明显地,惹人注目地 | |
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45 acrobats | |
n.杂技演员( acrobat的名词复数 );立场观点善变的人,主张、政见等变化无常的人 | |
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46 pivot | |
v.在枢轴上转动;装枢轴,枢轴;adj.枢轴的 | |
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47 percussion | |
n.打击乐器;冲突,撞击;震动,音响 | |
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48 abominable | |
adj.可厌的,令人憎恶的 | |
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49 clog | |
vt.塞满,阻塞;n.[常pl.]木屐 | |
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50 buffoons | |
n.愚蠢的人( buffoon的名词复数 );傻瓜;逗乐小丑;滑稽的人 | |
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51 herds | |
兽群( herd的名词复数 ); 牧群; 人群; 群众 | |
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52 hopping | |
n. 跳跃 动词hop的现在分词形式 | |
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53 illustrating | |
给…加插图( illustrate的现在分词 ); 说明; 表明; (用示例、图画等)说明 | |
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54 versatility | |
n.多才多艺,多样性,多功能 | |
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55 symbolic | |
adj.象征性的,符号的,象征主义的 | |
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56 sprightly | |
adj.愉快的,活泼的 | |
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57 eminently | |
adv.突出地;显著地;不寻常地 | |
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