Dancing, then, is indelicate where the women are depraved, and to this it must be added that the women are depraved where the men are indolent. We need not trouble ourselves to consider too curiously13 as to cause and effect. Whether in countries where man is too lazy to be manly14, woman practices deferential15 adjustment of her virtues16 to the loose exactions of his tolerance18, or whether for ladies of indifferent modesty19 their lords will not make exertion20 — these are questions for the ethnologer. It concerns our purpose only to note that the male who sits cross-legged on a rug and permits his female to do the dancing for both gets a quality distinctly inferior to that enjoyed by his more energetic brother, willing himself to take a leg at the game. Doubtless the lazy fellow prefers the loose gamboling of nude21 girls to the decent grace and moderation of a better art, but this, I submit, is an error of taste resulting from imperfect instruction.
And here we are confronted with the ever recurrent question. Is dancing immoral22? The reader who has done me the honor attentively23 to consider the brief descriptions of certain dances, hereinbefore presented will, it is believed, be now prepared to answer that some sorts of dancing indubitably are — a bright and shining example of the type being the exploit wherein women alone perform and men alone admire. But one of the arguments by which it is sought to prove dancing immoral in itself — namely that it provokes evil passions — we are now able to analyze24 with the necessary discrimination, assigning to it its just weight, and tracing its real bearing on the question. Dances like those described (with, I hope a certain delicacy25 and reticence) are undoubtedly26 disturbing to the spectator. They have in that circumstance their raison d’être. As to that, then, there can be no two opinions. But observe the male oriental voluptuary does not himself dance. Why? Partly no doubt, because of his immortal27 indolence, but mainly, I venture to think, because he wishes to enjoy his reprehensible28 emotion, and this can not coexist with muscular activity If the reader — through either immunity29 from improper30 emotion or unfamiliarity31 with muscular activity — entertains a doubt of this, his family physician will be happy to remove it. Nothing is more certain than that the dancing girls of oriental countries themselves feel nothing of what they have the skill to simulate, and the ballet dancer of our own stage is icily unconcerned while kicking together the smouldering embers in the heart of the wigged32 and corseted old beau below her, and playing the duse’s delight with the disobedient imagination of the he Prude posted in the nooks and shadows thoughtfully provided for him. Stendahl frankly33 informs us, “I have had much experience with the danseuses of the —— Theatre at Valence. I am convinced that they are, for the most part, very chaste34. It is because their occupation is too fatiguing35.”
The same author, by the way, says elsewhere
I would wish if I were legislator that they should adopt in France as in Germany the custom of soirées dansantes. Four times a month the young girls go with their mothers to a ball beginning at seven o’clock, ending at midnight and requiring for all expense, a violin and some glasses of water. In an adjacent room, the mothers perhaps a little jealous of the happy education of their daughters play at cards, in a third the fathers find the newspapers and talk politics. Between midnight and one o’clock all the family are reunited and have regained36 the paternal37 roof. The young girls learn to know the young men, the fatuity38, and the indiscretion that follows it, become quickly odious39, in a word they learn how to choose a husband. Some young girls have unfortunate love affairs, but the number of deceived husbands and unhappy households (mauvaises ménages) diminishes in immense proportion.
For an iron education in cold virtue17 there is no school like the position of sitting master to the wall flowers at a church sociable40, but it is humbly41 conjectured42 that even the austere43 morality of a bald headed Prude might receive an added iciness if he would but attend one of these simple dancing bouts44 disguised as a sweet young girl.
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1
minor
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adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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2
embody
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vt.具体表达,使具体化;包含,收录 | |
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3
deduction
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n.减除,扣除,减除额;推论,推理,演绎 | |
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4
noted
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adj.著名的,知名的 | |
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5
conspicuously
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ad.明显地,惹人注目地 | |
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6
superseded
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[医]被代替的,废弃的 | |
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7
aged
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adj.年老的,陈年的 | |
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8
anatomy
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n.解剖学,解剖;功能,结构,组织 | |
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9
beads
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n.(空心)小珠子( bead的名词复数 );水珠;珠子项链 | |
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10
investigator
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n.研究者,调查者,审查者 | |
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11
contemplate
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vt.盘算,计议;周密考虑;注视,凝视 | |
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12
bent
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n.爱好,癖好;adj.弯的;决心的,一心的 | |
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13
curiously
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adv.有求知欲地;好问地;奇特地 | |
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14
manly
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adj.有男子气概的;adv.男子般地,果断地 | |
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15
deferential
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adj. 敬意的,恭敬的 | |
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16
virtues
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美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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17
virtue
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n.德行,美德;贞操;优点;功效,效力 | |
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18
tolerance
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n.宽容;容忍,忍受;耐药力;公差 | |
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19
modesty
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n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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20
exertion
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n.尽力,努力 | |
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21
nude
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adj.裸体的;n.裸体者,裸体艺术品 | |
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22
immoral
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adj.不道德的,淫荡的,荒淫的,有伤风化的 | |
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23
attentively
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adv.聚精会神地;周到地;谛;凝神 | |
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24
analyze
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vt.分析,解析 (=analyse) | |
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25
delicacy
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n.精致,细微,微妙,精良;美味,佳肴 | |
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26
undoubtedly
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adv.确实地,无疑地 | |
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27
immortal
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adj.不朽的;永生的,不死的;神的 | |
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28
reprehensible
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adj.该受责备的 | |
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29
immunity
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n.优惠;免除;豁免,豁免权 | |
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30
improper
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adj.不适当的,不合适的,不正确的,不合礼仪的 | |
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31
unfamiliarity
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32
wigged
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adj.戴假发的 | |
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33
frankly
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adv.坦白地,直率地;坦率地说 | |
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34
chaste
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adj.贞洁的;有道德的;善良的;简朴的 | |
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35
fatiguing
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a.使人劳累的 | |
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36
regained
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复得( regain的过去式和过去分词 ); 赢回; 重回; 复至某地 | |
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37
paternal
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adj.父亲的,像父亲的,父系的,父方的 | |
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38
fatuity
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n.愚蠢,愚昧 | |
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39
odious
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adj.可憎的,讨厌的 | |
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40
sociable
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adj.好交际的,友好的,合群的 | |
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41
humbly
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adv. 恭顺地,谦卑地 | |
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42
conjectured
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推测,猜测,猜想( conjecture的过去式和过去分词 ) | |
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43
austere
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adj.艰苦的;朴素的,朴实无华的;严峻的 | |
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44
bouts
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n.拳击(或摔跤)比赛( bout的名词复数 );一段(工作);(尤指坏事的)一通;(疾病的)发作 | |
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