From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly3 put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints4 and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
This he perched upon a tripod —
Crouched5 beneath its dusky cover —
Stretched his hand, enforcing silence —
Said, “Be motionless, I beg you!”
Mystic, awful was the process.
All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
First the Governor, the Father:
He suggested velvet6 curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll7 of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate8 the distance
With a look of pensive9 meaning,
As of ducks that die ill tempests.
Grand, heroic was the notion:
Yet the picture failed entirely10:
Failed, because he moved a little,
Moved, because he couldn’t help it.
Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully11 she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet13
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered14, chattered,
Like a monkey in the forest.
“Am I sitting still?” she asked him.
“Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?”
And the picture failed completely.
Next the Son, the Stunning–Cantab:
He suggested curves of beauty,
Curves pervading15 all his figure,
Which the eye might follow onward16,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of ‘The Stones of Venice,’
‘Seven Lamps of Architecture,’
‘Modern Painters,’ and some others);
And perhaps he had not fully12
Understood his author’s meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.
Next to him the eldest17 daughter:
She suggested very little,
Only asked if he would take her
With her look of ‘passive beauty.’
Her idea of passive beauty
Was a squinting18 of the left-eye,
Was a drooping19 of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils20.
Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn’t heard it;
But, when pointedly21 appealed to,
Smiled in his peculiar22 manner,
Coughed and said it ‘didn’t matter,’
Bit his lip and changed the subject.
Nor in this was he mistaken,
As the picture failed completely.
So in turn the other sisters.
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved23 of:
Called him Johnny, ‘Daddy’s Darling,’
Called him Jacky, ‘Scrubby School-boy.’
And, so awful was the picture,
In comparison the others
Seemed, to one’s bewildered fancy,
To have partially24 succeeded.
Finally my Hiawatha
Tumbled all the tribe together,
(‘Grouped’ is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness25.
Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
‘Giving one such strange expressions —
Sullen26, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!’
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant27 voices,
As of dogs that howl in concert,
As of cats that wail28 in chorus.
But my Hiawatha’s patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty29 hurry,
Stating that he would not stand it,
Stating in emphatic30 language
What he’d be before he’d stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
点击收听单词发音
1 jingle | |
n.叮当声,韵律简单的诗句;v.使叮当作响,叮当响,押韵 | |
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2 candid | |
adj.公正的,正直的;坦率的 | |
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3 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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4 joints | |
接头( joint的名词复数 ); 关节; 公共场所(尤指价格低廉的饮食和娱乐场所) (非正式); 一块烤肉 (英式英语) | |
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5 crouched | |
v.屈膝,蹲伏( crouch的过去式和过去分词 ) | |
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6 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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7 scroll | |
n.卷轴,纸卷;(石刻上的)漩涡 | |
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8 contemplate | |
vt.盘算,计议;周密考虑;注视,凝视 | |
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9 pensive | |
a.沉思的,哀思的,忧沉的 | |
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10 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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11 gracefully | |
ad.大大方方地;优美地 | |
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12 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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13 bouquet | |
n.花束,酒香 | |
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14 chattered | |
(人)喋喋不休( chatter的过去式 ); 唠叨; (牙齿)打战; (机器)震颤 | |
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15 pervading | |
v.遍及,弥漫( pervade的现在分词 ) | |
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16 onward | |
adj.向前的,前进的;adv.向前,前进,在先 | |
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17 eldest | |
adj.最年长的,最年老的 | |
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18 squinting | |
斜视( squint的现在分词 ); 眯着眼睛; 瞟; 从小孔或缝隙里看 | |
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19 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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20 nostrils | |
鼻孔( nostril的名词复数 ) | |
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21 pointedly | |
adv.尖地,明显地 | |
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22 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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23 disapproved | |
v.不赞成( disapprove的过去式和过去分词 ) | |
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24 partially | |
adv.部分地,从某些方面讲 | |
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25 likeness | |
n.相像,相似(之处) | |
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26 sullen | |
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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27 discordant | |
adj.不调和的 | |
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28 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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29 mighty | |
adj.强有力的;巨大的 | |
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30 emphatic | |
adj.强调的,着重的;无可置疑的,明显的 | |
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