I said to myself that my hero should work his way through life as I had seen real living men work theirs — that he should never get a shilling he had not earned — that no sudden turns should lift him in a moment to wealth and high station; that whatever small competency he might gain, should be won by the sweat of his brow; that, before he could find so much as an arbour to sit down in, he should master at least half the ascent7 of “the Hill of Difficulty;” that he should not even marry a beautiful girl or a lady of rank. As Adam’s son he should share Adam’s doom8, and drain throughout life a mixed and moderate cup of enjoyment9.
In the sequel, however, I find that publishers in general scarcely approved of this system, but would have liked something more imaginative and poetical10 — something more consonant11 with a highly wrought12 fancy, with a taste for pathos13, with sentiments more tender, elevated, unworldly. Indeed, until an author has tried to dispose of a manuscript of this kind, he can never know what stores of romance and sensibility lie hidden in breasts he would not have suspected of casketing such treasures. Men in business are usually thought to prefer the real; on trial the idea will be often found fallacious: a passionate14 preference for the wild, wonderful, and thrilling — the strange, startling, and harrowing — agitates15 divers16 souls that show a calm and sober surface.
Such being the case, the reader will comprehend that to have reached him in the form of a printed book, this brief narrative17 must have gone through some struggles — which indeed it has. And after all, its worst struggle and strongest ordeal18 is yet to come but it takes comfort — subdues19 fear — leans on the staff of a moderate expectation — and mutters under its breath, while lifting its eye to that of the public,
“He that is low need fear no fall.”
Currer Bell.
The foregoing preface was written by my wife with a view to the publication of “The Professor,” shortly after the appearance of “Shirley.” Being dissuaded20 from her intention, the authoress made some use of the materials in a subsequent work —“Villette,” As, however, these two stories are in most respects unlike, it has been represented to me that I ought not to withhold21 “The Professor” from the public. I have therefore consented to its publication.
A. B. Nicholls
Haworth Parsonage, September 22nd, 1856.
Haworth Parsonage, September 22nd, 1856.
点击收听单词发音
1 solicited | |
v.恳求( solicit的过去式和过去分词 );(指娼妇)拉客;索求;征求 | |
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2 previously | |
adv.以前,先前(地) | |
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3 ornamented | |
adj.花式字体的v.装饰,点缀,美化( ornament的过去式和过去分词 ) | |
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4 redundant | |
adj.多余的,过剩的;(食物)丰富的;被解雇的 | |
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5 homely | |
adj.家常的,简朴的;不漂亮的 | |
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6 procures | |
v.(努力)取得, (设法)获得( procure的第三人称单数 );拉皮条 | |
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7 ascent | |
n.(声望或地位)提高;上升,升高;登高 | |
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8 doom | |
n.厄运,劫数;v.注定,命定 | |
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9 enjoyment | |
n.乐趣;享有;享用 | |
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10 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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11 consonant | |
n.辅音;adj.[音]符合的 | |
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12 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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13 pathos | |
n.哀婉,悲怆 | |
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14 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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15 agitates | |
搅动( agitate的第三人称单数 ); 激怒; 使焦虑不安; (尤指为法律、社会状况的改变而)激烈争论 | |
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16 divers | |
adj.不同的;种种的 | |
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17 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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18 ordeal | |
n.苦难经历,(尤指对品格、耐力的)严峻考验 | |
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19 subdues | |
征服( subdue的第三人称单数 ); 克制; 制服 | |
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20 dissuaded | |
劝(某人)勿做某事,劝阻( dissuade的过去式和过去分词 ) | |
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21 withhold | |
v.拒绝,不给;使停止,阻挡 | |
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