Undeterred by the weather, Miss Jessie set off this morning on the longest ride she had yet undertaken. She had heard — through one of my brother’s laborers1, I believe — of the actual existence, in this nineteenth century, of no less a personage than a Welsh Bard2, who was to be found at a distant farmhouse3 far beyond the limits of Owen’s property. The prospect4 of discovering this remarkable5 relic6 of past times hurried her off, under the guidance of her ragged7 groom8, in a high state of excitement, to see and hear the venerable man. She was away the whole day, and for the first time since her visit she kept us waiting more than half an hour for dinner. The moment we all sat down to table, she informed us, to Morgan’s great delight, that the bard was a rank impostor.
“Why, what did you expect to see?” I asked.
“A Welsh patriarch, to be sure, with a long white beard, flowing robes, and a harp9 to match,” answered Miss Jessie.
“And what did you find?”
“A highly-respectable middle-aged10 rustic11; a smiling, smoothly-shaven, obliging man, dressed in a blue swallow-tailed coat, with brass12 buttons, and exhibiting his bardic13 legs in a pair of extremely stout14 and comfortable corduroy trousers.”
“But he sang old Welsh songs, surely?”
“Sang! I’ll tell you what he did. He sat down on a Windsor chair, without a harp; he put his hands in his pockets, cleared his throat, looked up at the ceiling, and suddenly burst into a series of the shrillest falsetto screeches15 I ever heard in my life. My own private opinion is that he was suffering from hydrophobia. I have lost all belief, henceforth and forever, in bards16 — all belief in everything, in short, except your very delightful17 stories and this remarkably18 good dinner.”
Ending with that smart double fire of compliments to her hosts, the Queen of Hearts honored us all three with a smile of approval, and transferred her attention to her knife and fork.
The number drawn19 to-night was One. On examination of the Purple Volume, it proved to be my turn to read again.
“Our story to-night,” I said, “contains the narrative20 of a very remarkable adventure which really befell me when I was a young man. At the time of my life when these events happened I was dabbling21 in literature when I ought to have been studying law, and traveling on the Continent when I ought to have been keeping my terms at Lincoln’s Inn. At the outset of the story, you will find that I refer to the county in which I lived in my youth, and to a neighboring family possessing a large estate in it. That county is situated22 in a part of England far away from The Glen Tower, and that family is therefore not to be associated with any present or former neighbors of ours in this part of the world.”
After saying these necessary words of explanation, I opened the first page, and began the story of my Own Adventure. I observed that my audience started a little as I read the title, which I must add, in my own defense23, had been almost forced on my choice by the peculiar24 character of the narrative. It was “MAD MONKTON.”
点击收听单词发音
1 laborers | |
n.体力劳动者,工人( laborer的名词复数 );(熟练工人的)辅助工 | |
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2 bard | |
n.吟游诗人 | |
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3 farmhouse | |
n.农场住宅(尤指主要住房) | |
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4 prospect | |
n.前景,前途;景色,视野 | |
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5 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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6 relic | |
n.神圣的遗物,遗迹,纪念物 | |
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7 ragged | |
adj.衣衫褴褛的,粗糙的,刺耳的 | |
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8 groom | |
vt.给(马、狗等)梳毛,照料,使...整洁 | |
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9 harp | |
n.竖琴;天琴座 | |
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10 middle-aged | |
adj.中年的 | |
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11 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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12 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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13 bardic | |
adj.吟游诗人的 | |
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15 screeches | |
n.尖锐的声音( screech的名词复数 )v.发出尖叫声( screech的第三人称单数 );发出粗而刺耳的声音;高叫 | |
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16 bards | |
n.诗人( bard的名词复数 ) | |
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17 delightful | |
adj.令人高兴的,使人快乐的 | |
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18 remarkably | |
ad.不同寻常地,相当地 | |
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19 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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20 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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21 dabbling | |
v.涉猎( dabble的现在分词 );涉足;浅尝;少量投资 | |
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22 situated | |
adj.坐落在...的,处于某种境地的 | |
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23 defense | |
n.防御,保卫;[pl.]防务工事;辩护,答辩 | |
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24 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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