But in the times I speak of, supper was still a substantial meal, and its hour was approaching. This was consolatory8. Three-quarters of an hour, however, still interposed. How was I to dispose of that interval9?
I had two or three idle books, it is true, as companions-companions; but there are many moods in which one cannot read. My novel lay with my rug and walking-stick on the sofa, and I did not care if the heroine and the hero were both drowned together in the water barrel that I saw in the inn-yard under my window. I took a turn or two up and down my room, and sighed, looking at myself in the glass, adjusted my great white “choker,” folded and tied after Brummel, the immortal10 “Beau,” put on a buff waist-coat and my blue swallow-tailed coat with gilt11 buttons; I deluged12 my pocket-handkerchief with Eau-de-Cologne (we had not then the variety of bouquets13 with which the genius of perfumery has since blessed us) I arranged my hair, on which I piqued14 myself, and which I loved to groom15 in those days. That dark-brown chevelure, with a natural curl, is now represented by a few dozen perfectly16 white hairs, and its place — a smooth, bald, pink head — knows it no more. But let us forget these mortifications. It was then rich, thick, and dark-brown. I was making a very careful toilet. I took my unexceptionable hat from its case, and placed it lightly on my wise head, as nearly as memory and practice enabled me to do so, at that very slight inclination17 which the immortal person I have mentioned was wont18 to give to his. A pair of light French gloves and a rather club-like knotted walking-stick, such as just then came into vogue19 for a year or two again in England, in the phraseology of Sir Walter Scott’s romances “completed my equipment.”
All this attention to effect, preparatory to a mere20 lounge in the yard, or on the steps of the Belle21 étoile, was a simple act of devotion to the wonderful eyes which I had that evening beheld22 for the first time, and never, never could forget! In plain terms, it was all done in the vague, very vague hope that those eyes might behold23 the unexceptionable get-up of a melancholy24 slave, and retain the image, not altogether without secret approbation25.
As I completed my preparations the light failed me; the last level streak26 of sunlight disappeared, and a fading twilight27 only remained. I sighed in unison28 with the pensive29 hour, and threw open the window, intending to look out for a moment before going downstairs. I perceived instantly that the window underneath30 mine was also open, for I heard two voices in conversation, although I could not distinguish what they were saying.
The male voice was peculiar31; it was, as I told you, reedy and nasal. I knew it, of course, instantly. The answering voice spoke32 in those sweet tones which I recognized only too easily. The dialogue was only for a minute; the repulsive33 male voice laughed, I fancied, with a kind of devilish satire34, and retired35 from the window, so that I almost ceased to hear it.
The other voice remained nearer the window, but not so near as at first.
It was not an altercation36; there was evidently nothing the least exciting in the colloquy37. What would I not have given that it had been a quarrel — a violent one — and I the redresser38 of wrongs, and the defender39 of insulted beauty! Alas40! so far as I could pronounce upon the character of the tones I heard, they might be as tranquil41 a pair as any in existence. In a moment more the lady began to sing an odd little chanson. I need not remind you how much farther the voice is heard singing than speaking. I could distinguish the words. The voice was of that exquisitely42 sweet kind which is called, I believe, a semi-contralto; it had something pathetic, and something, I fancied, a little mocking in its tones. I venture a clumsy, but adequate translation of the words:
“Death and Love, together mated,
Watch and wait in ambuscade;
At early morn, or else belated,
They meet and mark the man or maid.
Burning sigh, or breath that freezes,
Numbs43 or maddens man or maid;
Death or Love the victim seizes,
Breathing from their ambuscade.”
“Enough, Madame!” said the old voice, with sudden severity. “We do not desire, I believe, to amuse the grooms44 and hostlers in the yard with our music.”
The lady’s voice laughed gaily45.
“You desire to quarrel, Madame!” And the old man, I presume, shut down the window. Down it went, at all events, with a rattle46 that might easily have broken the glass.
Of all thin partitions, glass is the most effectual excluder of sound. I heard no more, not even the subdued47 hum of the colloquy.
What a charming voice this Countess had! How it melted, swelled48, and trembled! How it moved, and even agitated49 me! What a pity that a hoarse50 old jackdaw should have power to crow down such a Philomel! “Alas! what a life it is!” I moralized, wisely. “That beautiful Countess, with the patience of an angel and the beauty of a Venus and the accomplishments51 of all the Muses52, a slave! She knows perfectly who occupies the apartments over hers; she heard me raise my window. One may conjecture53 pretty well for whom that music was intended — aye, old gentleman, and for whom you suspected it to be intended.”
In a very agreeable flutter I left my room and, descending54 the stairs, passed the Count’s door very much at my leisure. There was just a chance that the beautiful songstress might emerge. I dropped my stick on the lobby, near their door, and you may be sure it took me some little time to pick it up! Fortune, nevertheless, did not favor me. I could not stay on the lobby all night picking up my stick, so I went down to the hall.
I consulted the clock, and found that there remained but a quarter of an hour to the moment of supper.
Everyone was roughing it now, every inn in confusion; people might do at such a juncture55 what they never did before. Was it just possible that, for once, the Count and Countess would take their chairs at the table-d’h?te?
点击收听单词发音
1 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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2 impatience | |
n.不耐烦,急躁 | |
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3 suspense | |
n.(对可能发生的事)紧张感,担心,挂虑 | |
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4 appreciable | |
adj.明显的,可见的,可估量的,可觉察的 | |
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5 tattoo | |
n.纹身,(皮肤上的)刺花纹;vt.刺花纹于 | |
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6 flattens | |
变平,使(某物)变平( flatten的第三人称单数 ); 彻底打败某人,使丢脸; 停止增长(或上升); (把身体或身体部位)紧贴… | |
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7 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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8 consolatory | |
adj.慰问的,可藉慰的 | |
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9 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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10 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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11 gilt | |
adj.镀金的;n.金边证券 | |
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12 deluged | |
v.使淹没( deluge的过去式和过去分词 );淹没;被洪水般涌来的事物所淹没;穷于应付 | |
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13 bouquets | |
n.花束( bouquet的名词复数 );(酒的)芳香 | |
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14 piqued | |
v.伤害…的自尊心( pique的过去式和过去分词 );激起(好奇心) | |
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15 groom | |
vt.给(马、狗等)梳毛,照料,使...整洁 | |
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16 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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17 inclination | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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18 wont | |
adj.习惯于;v.习惯;n.习惯 | |
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19 Vogue | |
n.时髦,时尚;adj.流行的 | |
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20 mere | |
adj.纯粹的;仅仅,只不过 | |
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21 belle | |
n.靓女 | |
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22 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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23 behold | |
v.看,注视,看到 | |
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24 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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25 approbation | |
n.称赞;认可 | |
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26 streak | |
n.条理,斑纹,倾向,少许,痕迹;v.加条纹,变成条纹,奔驰,快速移动 | |
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27 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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28 unison | |
n.步调一致,行动一致 | |
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29 pensive | |
a.沉思的,哀思的,忧沉的 | |
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30 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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31 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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32 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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33 repulsive | |
adj.排斥的,使人反感的 | |
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34 satire | |
n.讽刺,讽刺文学,讽刺作品 | |
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35 retired | |
adj.隐退的,退休的,退役的 | |
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36 altercation | |
n.争吵,争论 | |
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37 colloquy | |
n.谈话,自由讨论 | |
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38 redresser | |
改正[修正,调整,补偿]者;解调器 | |
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39 defender | |
n.保卫者,拥护者,辩护人 | |
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40 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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41 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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42 exquisitely | |
adv.精致地;强烈地;剧烈地;异常地 | |
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43 numbs | |
v.使麻木,使麻痹( numb的第三人称单数 ) | |
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44 grooms | |
n.新郎( groom的名词复数 );马夫v.照料或梳洗(马等)( groom的第三人称单数 );使做好准备;训练;(给动物)擦洗 | |
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45 gaily | |
adv.欢乐地,高兴地 | |
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46 rattle | |
v.飞奔,碰响;激怒;n.碰撞声;拨浪鼓 | |
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47 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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48 swelled | |
增强( swell的过去式和过去分词 ); 肿胀; (使)凸出; 充满(激情) | |
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49 agitated | |
adj.被鼓动的,不安的 | |
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50 hoarse | |
adj.嘶哑的,沙哑的 | |
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51 accomplishments | |
n.造诣;完成( accomplishment的名词复数 );技能;成绩;成就 | |
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52 muses | |
v.沉思,冥想( muse的第三人称单数 );沉思自语说(某事) | |
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53 conjecture | |
n./v.推测,猜测 | |
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54 descending | |
n. 下行 adj. 下降的 | |
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55 juncture | |
n.时刻,关键时刻,紧要关头 | |
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