I had delayed and looked about me, specially10, at every door I passed, as the Marquis and I had agreed; but he had not yet appeared.
While I was thus employed, in the very luxury of lazy amusement, I saw a gilded11 sedan chair, or, rather, a Chinese palanquin, exhibiting the fantastic exuberance12 of “Celestial” decoration, borne forward on gilded poles by four richly-dressed Chinese; one with a wand in his hand marched in front, and another behind; and a slight and solemn man, with a long black beard, a tall fez, such as a dervish is represented as wearing, walked close to its side. A strangely-embroidered13 robe fell over his shoulders, covered with hieroglyphic14 symbols; the embroidery15 was in black and gold, upon a variegated16 ground of brilliant colors. The robe was bound about his waist with a broad belt of gold, with cabalistic devices traced on it in dark red and black; red stockings, and shoes embroidered with gold, and pointed17 and curved upward at the toes, in Oriental fashion, appeared below the skirt of the robe. The man’s face was dark, fixed18, and solemn, and his eyebrows19 black, and enormously heavy — he carried a singular-looking book under his arm, a wand of polished black wood in his other hand, and walked with his chin sunk on his breast, and his eyes fixed upon the floor. The man in front waved his wand right and left to clear the way for the advancing palanquin, the curtains of which were closed; and there was something so singular, strange and solemn about the whole thing, that I felt at once interested.
I was very well pleased when I saw the bearers set down their burthen within a few yards of the spot on which I stood.
The bearers and the men with the gilded wands forthwith clapped their hands, and in silence danced round the palanquin a curious and half-frantic dance, which was yet, as to figures and postures21, perfectly22 methodical. This was soon accompanied by a clapping of hands and a ha-ha-ing, rhythmically23 delivered.
While the dance was going on a hand was lightly laid on my arm, and, looking round, a black domino with a white cross stood beside me.
“I am so glad I have found you,” said the Marquis; “and at this moment. This is the best group in the rooms. You must speak to the wizard. About an hour ago I lighted upon them, in another salon1, and consulted the oracle24 by putting questions. I never was more amazed. Although his answers were a little disguised it was soon perfectly plain that he knew every detail about the business, which no one on earth had heard of but myself, and two or three other men, about the most cautious Persons in France. I shall never forget that shock. I saw other people who consulted him, evidently as much surprised and more frightened than I. I came with the Count de St. Alyre and the Countess.”
He nodded toward a thin figure, also in a domino. It was the Count.
“Come,” he said to me, “I’ll introduce you.”
I followed, you may suppose, readily enough.
The Marquis presented me, with a very prettily-turned allusion25 to my fortunate intervention26 in his favor at the Belle27 étoile; and the Count overwhelmed me with polite speeches, and ended by saying, what pleased me better still:
“The Countess is near us, in the next salon but one, chatting with her old friend the Duchesse d’Argensaque; I shall go for her in a few minutes; and when I bring her here, she shall make your acquaintance; and thank you, also, for your assistance, rendered with so much courage when we were so very disagreeably interrupted.”
“You must, positively28, speak with the magician,” said the Marquis to the Count de St. Alyre, “you will be so much amused. I did so; and, I assure you, I could not have anticipated such answers! I don’t know what to believe.”
“Really! Then, by all means, let us try,” he replied.
We three approached, together, the side of the palanquin, at which the black-bearded magician stood.
A young man, in a Spanish dress, who, with a friend at his side, had just conferred with the conjuror29, was saying, as he passed us by:
“Ingenious mystification! Who is that in the palanquin? He seems to know everybody!”
The Count, in his mask and domino, moved along, stiffly, with us, toward the palanquin. A clear circle was maintained by the Chinese attendants, and the spectators crowded round in a ring.
One of these men — he who with a gilded wand had preceded the procession — advanced, extending his empty hand, palm upward.
“Money?” inquired the Count.
“Gold,” replied the usher30.
The Count placed a piece of money in his hand; and I and the Marquis were each called on in turn to do likewise as we entered the circle. We paid accordingly.
The conjuror stood beside the palanquin, its silk curtain in his hand; his chin sunk, with its long, jet-black beard, on his chest; the outer hand grasping the black wand, on which he leaned; his eyes were lowered, as before, to the ground; his face looked absolutely lifeless. Indeed, I never saw face or figure so moveless, except in death. The first question the Count put, was: “Am I married, or unmarried?”
The conjuror drew back the curtain quickly, and placed his ear toward a richly-dressed Chinese, who sat in the litter; withdrew his head, and closed the curtain again; and then answered: “Yes.”
The same preliminary was observed each time, so that the man with the black wand presented himself, not as a prophet, but as a medium; and answered, as it seemed, in the words of a greater than himself.
Two or three questions followed, the answers to which seemed to amuse the Marquis very much; but the point of which I could not see, for I knew next to nothing of the Count’s peculiarities31 and adventures.
“Does my wife love me?” asked he, playfully.
“As well as you deserve.”
“Whom do I love best in the world?”
“Self.”
“Oh! That I fancy is pretty much the case with everyone. But, putting myself out of the question, do I love anything on earth better than my wife?”
“Her diamonds.”
“Oh!” said the Count. The Marquis, I could see, laughed.
“Is it true,” said the Count, changing the conversation peremptorily32, “that there has been a battle in Naples?”
“No; in France.”
“Indeed,” said the Count, satirically, with a glance round.
“And may I inquire between what powers, and on what particular quarrel?”
“Between the Count and Countess de St. Alyre, and about a document they subscribed33 on the 25th July, 1811.”
The Marquis afterwards told me that this was the date of their marriage settlement.
The Count stood stock-still for a minute or so; and one could fancy that they saw his face flushing through his mask.
Nobody, but we two, knew that the inquirer was the Count de St. Alyre.
I thought he was puzzled to find a subject for his next question; and, perhaps, repented34 having entangled35 himself in such a colloquy36. If so, he was relieved; for the Marquis, touching37 his arms, whispered.
“Look to your right, and see who is coming.”
I looked in the direction indicated by the Marquis, and I saw a gaunt figure stalking toward us. It was not a masque. The face was broad, scarred, and white. In a word, it was the ugly face of Colonel Gaillarde, who, in the costume of a corporal of the Imperial Guard, with his left arm so adjusted as to look like a stump38, leaving the lower part of the coat-sleeve empty, and pinned up to the breast. There were strips of very real sticking-plaster across his eyebrow20 and temple, where my stick had left its mark, to score, hereafter, among the more honorable scars of war.
点击收听单词发音
1 salon | |
n.[法]沙龙;客厅;营业性的高级服务室 | |
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2 salons | |
n.(营业性质的)店( salon的名词复数 );厅;沙龙(旧时在上流社会女主人家的例行聚会或聚会场所);(大宅中的)客厅 | |
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3 suite | |
n.一套(家具);套房;随从人员 | |
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4 thronged | |
v.成群,挤满( throng的过去式和过去分词 ) | |
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5 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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6 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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7 hilarity | |
n.欢乐;热闹 | |
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8 extemporized | |
v.即兴创作,即席演奏( extemporize的过去式和过去分词 ) | |
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9 monologue | |
n.长篇大论,(戏剧等中的)独白 | |
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10 specially | |
adv.特定地;特殊地;明确地 | |
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11 gilded | |
a.镀金的,富有的 | |
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12 exuberance | |
n.丰富;繁荣 | |
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13 embroidered | |
adj.绣花的 | |
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14 hieroglyphic | |
n.象形文字 | |
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15 embroidery | |
n.绣花,刺绣;绣制品 | |
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16 variegated | |
adj.斑驳的,杂色的 | |
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17 pointed | |
adj.尖的,直截了当的 | |
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18 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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19 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
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20 eyebrow | |
n.眉毛,眉 | |
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21 postures | |
姿势( posture的名词复数 ); 看法; 态度; 立场 | |
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22 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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23 rhythmically | |
adv.有节奏地 | |
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24 oracle | |
n.神谕,神谕处,预言 | |
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25 allusion | |
n.暗示,间接提示 | |
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26 intervention | |
n.介入,干涉,干预 | |
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27 belle | |
n.靓女 | |
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28 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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29 conjuror | |
n.魔术师,变戏法者 | |
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30 usher | |
n.带位员,招待员;vt.引导,护送;vi.做招待,担任引座员 | |
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31 peculiarities | |
n. 特质, 特性, 怪癖, 古怪 | |
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32 peremptorily | |
adv.紧急地,不容分说地,专横地 | |
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33 subscribed | |
v.捐助( subscribe的过去式和过去分词 );签署,题词;订阅;同意 | |
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34 repented | |
对(自己的所为)感到懊悔或忏悔( repent的过去式和过去分词 ) | |
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35 entangled | |
adj.卷入的;陷入的;被缠住的;缠在一起的v.使某人(某物/自己)缠绕,纠缠于(某物中),使某人(自己)陷入(困难或复杂的环境中)( entangle的过去式和过去分词 ) | |
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36 colloquy | |
n.谈话,自由讨论 | |
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37 touching | |
adj.动人的,使人感伤的 | |
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38 stump | |
n.残株,烟蒂,讲演台;v.砍断,蹒跚而走 | |
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