I was glad I had my pistols. I certainly was bound by no law to allow a ruffian to cut me down, unresisting.
Stooping boughs4 from the old park, gigantic poplars on the other side, and the moonlight over all, made the narrow road to the inn-door picturesque5.
I could not think very clearly just now; events were succeeding one another so rapidly, and I, involved in the action of a drama so extravagant6 and guilty, hardly knew myself or believed my own story, as I slowly paced towards the still open door of the Flying Dragon. No sign of the Colonel, visible or audible, was there. In the hall I inquired. No gentleman had arrived at the inn for the last half hour. I looked into the public room. It was deserted7. The clock struck twelve, and I heard the servant barring the great door. I took my candle. The lights in this rural hostelry were by this time out, and the house had the air of one that had settled to slumber8 for many hours. The cold moonlight streamed in at the window on the landing as I ascended9 the broad staircase; and I paused for a moment to look over the wooded grounds to the turreted10 chateau11, to me, so full of interest. I bethought me, however, that prying12 eyes might read a meaning in this midnight gazing, and possibly the Count himself might, in his jealous mood, surmise13 a signal in this unwonted light in the stair-window of the Dragon Volant.
On opening my room door, with a little start, I met an extremely old woman with the longest face I ever saw; she had what used to be termed a high-cauld-cap on, the white border of which contrasted with her brown and yellow skin, and made her wrinkled face more ugly. She raised her curved shoulders, and looked up in my face, with eyes unnaturally14 black and bright.
“I have lighted a little wood, Monsieur, because the night is chill.”
I thanked her, but she did not go. She stood with her candle in her tremulous fingers.
“Excuse an old woman, Monsieur,” she said; “but what on earth can a young English milord, with all Paris at his feet, find to amuse him in the Dragon Volant?”
Had I been at the age of fairy tales, and in daily intercourse15 with the delightful16 Countess d’Aulnois, I should have seen in this withered17 apparition18, the genius loci, the malignant19 fairy, at the stamp of whose foot the ill-fated tenants20 of this very room had, from time to time, vanished. I was past that, however; but the old woman’s dark eyes were fixed21 on mine with a steady meaning that plainly told me that my secret was known. I was embarrassed and alarmed; I never thought of asking her what business that was of hers.
“These old eyes saw you in the park of the chateau tonight.”
“I!” I began, with all the scornful surprise I could affect.
“It avails nothing, Monsieur; I know why you stay here; and I tell you to begone. Leave this house tomorrow morning, and never come again.”
She lifted her disengaged hand, as she looked at me with intense horror in her eyes.
“There is nothing on earth — I don’t know what you mean,” I answered, “and why should you care about me?”
“I don’t care about you, Monsieur — I care about the honor of an ancient family, whom I served in their happier days, when to be noble was to be honored. But my words are thrown away, Monsieur; you are insolent22. I will keep my secret, and you, yours; that is all. You will soon find it hard enough to divulge23 it.”
The old woman went slowly from the room and shut the door, before I had made up my mind to say anything. I was standing24 where she had left me, nearly five minutes later. The jealousy25 of Monsieur the Count, I assumed, appears to this old creature about the most terrible thing in creation. Whatever contempt I might entertain for the dangers which this old lady so darkly intimated, it was by no means pleasant, you may suppose, that a secret so dangerous should be so much as suspected by a stranger, and that stranger a partisan26 of the Count de St. Alyre.
Ought I not, at all risks, to apprise27 the Countess, who had trusted me so generously, or, as she said herself, so madly, of the fact that our secret was, at least, suspected by another? But was there not greater danger in attempting to communicate? What did the beldame mean by saying, “Keep your secret, and I’ll keep mine?”
I had a thousand distracting questions before me. My progress seemed like a journey through the Spessart, where at every step some new goblin or monster starts from the ground or steps from behind a tree.
Peremptorily28 I dismissed these harassing29 and frightful30 doubts. I secured my door, sat myself down at my table and, with a candle at each side, placed before me the piece of vellum which contained the drawings and notes on which I was to rely for full instructions as to how to use the key.
When I had studied this for awhile I made my investigation31. The angle of the room at the right side of the window was cut off by an oblique32 turn in the wainscot. I examined this carefully, and, on pressure, a small bit of the frame of the woodwork slid aside, and disclosed a key-hole. On removing my finger, it shot back to its place again, with a spring. So far I had interpreted my instructions successfully. A similar search, next the door, and directly under this, was rewarded by a like discovery. The small end of the key fitted this, as it had the upper key-hole; and now, with two or three hard jerks at the key, a door in the panel opened, showing a strip of the bare wall and a narrow, arched doorway33, piercing the thickness of the wall; and within which I saw a screw staircase of stone.
Candle in hand I stepped in. I do not know whether the quality of air, long undisturbed, is peculiar34; to me it has always seemed so, and the damp smell of the old masonry35 hung in this atmosphere. My candle faintly lighted the bare stone wall that enclosed the stair, the foot of which I could not see. Down I went, and a few turns brought me to the stone floor. Here was another door, of the simple, old, oak kind, deep sunk in the thickness of the wall. The large end of the key fitted this. The lock was stiff; I set the candle down upon the stair, and applied36 both hands; it turned with difficulty and, as it revolved37, uttered a shriek38 that alarmed me for my secret.
For some minutes I did not move. In a little time, however, I took courage, and opened the door. The night-air floating in puffed39 out the candle. There was a thicket40 of holly41 and underwood, as dense42 as a jungle, close about the door. I should have been in pitch-darkness, were it not that through the topmost leaves there twinkled, here and there, a glimmer43 of moonshine.
Softly, lest anyone should have opened his window at the sound of the rusty44 bolt, I struggled through this till I gained a view of the open grounds. Here I found that the brushwood spread a good way up the park, uniting with the wood that approached the little temple I have described.
A general could not have chosen a more effectually-covered approach from the Dragon Volant to the trysting-place where hitherto I had conferred with the idol45 of my lawless adoration46.
Looking back upon the old inn I discovered that the stair I descended47 was enclosed in one of those slender turrets48 that decorate such buildings. It was placed at that angle which corresponded with the part of the paneling of my room indicated in the plan I had been studying.
Thoroughly49 satisfied with my experiment I made my way back to the door with some little difficulty, remounted to my room, locked my secret door again; kissed the mysterious key that her hand had pressed that night, and placed it under my pillow, upon which, very soon after, my giddy head was laid, not, for some time, to sleep soundly.
点击收听单词发音
1 vengeance | |
n.报复,报仇,复仇 | |
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2 prelude | |
n.序言,前兆,序曲 | |
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3 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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4 boughs | |
大树枝( bough的名词复数 ) | |
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5 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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6 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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7 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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8 slumber | |
n.睡眠,沉睡状态 | |
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9 ascended | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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10 turreted | |
a.(像炮塔般)旋转式的 | |
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11 chateau | |
n.城堡,别墅 | |
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12 prying | |
adj.爱打听的v.打听,刺探(他人的私事)( pry的现在分词 );撬开 | |
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13 surmise | |
v./n.猜想,推测 | |
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14 unnaturally | |
adv.违反习俗地;不自然地;勉强地;不近人情地 | |
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15 intercourse | |
n.性交;交流,交往,交际 | |
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16 delightful | |
adj.令人高兴的,使人快乐的 | |
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17 withered | |
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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18 apparition | |
n.幽灵,神奇的现象 | |
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19 malignant | |
adj.恶性的,致命的;恶意的,恶毒的 | |
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20 tenants | |
n.房客( tenant的名词复数 );佃户;占用者;占有者 | |
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21 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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22 insolent | |
adj.傲慢的,无理的 | |
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23 divulge | |
v.泄漏(秘密等);宣布,公布 | |
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24 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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25 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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26 partisan | |
adj.党派性的;游击队的;n.游击队员;党徒 | |
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27 apprise | |
vt.通知,告知 | |
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28 peremptorily | |
adv.紧急地,不容分说地,专横地 | |
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29 harassing | |
v.侵扰,骚扰( harass的现在分词 );不断攻击(敌人) | |
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30 frightful | |
adj.可怕的;讨厌的 | |
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31 investigation | |
n.调查,调查研究 | |
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32 oblique | |
adj.斜的,倾斜的,无诚意的,不坦率的 | |
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33 doorway | |
n.门口,(喻)入门;门路,途径 | |
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34 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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35 masonry | |
n.砖土建筑;砖石 | |
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36 applied | |
adj.应用的;v.应用,适用 | |
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37 revolved | |
v.(使)旋转( revolve的过去式和过去分词 );细想 | |
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38 shriek | |
v./n.尖叫,叫喊 | |
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39 puffed | |
adj.疏松的v.使喷出( puff的过去式和过去分词 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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40 thicket | |
n.灌木丛,树林 | |
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41 holly | |
n.[植]冬青属灌木 | |
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42 dense | |
a.密集的,稠密的,浓密的;密度大的 | |
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43 glimmer | |
v.发出闪烁的微光;n.微光,微弱的闪光 | |
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44 rusty | |
adj.生锈的;锈色的;荒废了的 | |
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45 idol | |
n.偶像,红人,宠儿 | |
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46 adoration | |
n.爱慕,崇拜 | |
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47 descended | |
a.为...后裔的,出身于...的 | |
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48 turrets | |
(六角)转台( turret的名词复数 ); (战舰和坦克等上的)转动炮塔; (摄影机等上的)镜头转台; (旧时攻城用的)塔车 | |
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49 thoroughly | |
adv.完全地,彻底地,十足地 | |
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