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My Last Flappers The Jelly-Bean
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This is a Southern story, with the scene laid in the small Lily of Tarleton, Georgia. I have a profound affection for Tarleton, but somehow whenever I write a story about it I receive letters from all over the South denouncing me in no uncertain terms. “The Jelly-Bean,” published in “The Metropolitan,” drew its full share of these admonitory notes.

It was written under strange circumstances shortly after my first novel was published, and, moreover, it was the first story in which I had a collaborator1. For, finding that I was unable to manage the crap-shooting episode, I turned it over to my wife, who, as a Southern girl, was presumably an expert on the technique and terminology3 of that great sectional pastime.
The Camel’s Back

I suppose that of all the stories I have ever written this one cost me the least travail4 and perhaps gave me the most amusement. As to the labor2 involved, it was written during one day in the city of New Orleans, with the express purpose of buying a platinum5 and diamond wrist watch which cost six hundred dollars. I began it at seven in the morning and finished it at two o’clock the same night. It was published in the “Saturday Evening Post” in 1920, and later included in the O. Henry Memorial Collection for the same year. I like it least of all the stories in this volume.

My amusement was derived6 from the fact that the camel part of the story is literally7 true; in fact, I have a standing8 engagement with the gentleman involved to attend the next fancy-dress party to which we are mutually invited, attired9 as the latter part of the camel — this as a sort of atonement for being his historian.
May Day.

This somewhat unpleasant tale, published as a novelette in the “Smart Set” in July, 1920, relates a series of events which took place in the spring of the previous year. Each of the three events made a great impression upon me. In life they were unrelated, except by the general hysteria of that spring which inaugurated the Age of Jazz, but in my story I have tried, unsuccessfully I fear, to weave them into a pattern — a pattern which would give the effect of those months in New York as they appeared to at least one member of what was then the younger generation.
Porcelain10 and Pink.

“And do you write for any other magazines?” inquired the young lady.

“Oh, yes,” I assured her. “I’ve had some stories and plays in the ‘Smart Set,’ for instance ———”

The young lady shivered.

“The ‘Smart Set’!” she exclaimed. “How can you? Why, they publish stuff about girls in blue bathtubs, and silly things like that”

And I had the magnificent joy of telling her that she was referring to “Porcelain and Pink,” which had appeared there several months before.
Fantasies
The Diamond As Big As the Ritz.

These next stories are written in what, were I of imposing11 stature12, I should call my “second manner.” “The Diamond as Big as the Ritz,” which appeared last summer in the “Smart Set,” was designed utterly13 for my own amusement. I was in that familiar mood characterized by a perfect craving14 for luxury, and the story began as an attempt to feed that craving on imaginary foods.

One well-known critic has been pleased to like this extravaganza better than anything I have written. Personally I prefer “The Offshore15 Pirate.” But, to tamper16 slightly with Lincoln: If you like this sort of thing, this, possibly, is the sort of thing you’ll like.
The Curious Case of Benjamin Button.

This story was inspired by a remark of Mark Twain’s to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly17 normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler’s “Note-books.”

The story was published in “Collier’s” last summer and provoked this startling letter from an anonymous18 admirer in Cincinnati:

“Sir —

I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a peice of stationary19 on you but I will.”
Tarquin of Cheapside.

Written almost six years ago, this story is a product of undergraduate days at Princeton. Considerably20 revised, it was published in the “Smart Set” in 1921. At the time of its conception I had but one idea — to be a poet — and the fact that I was interested in the ring of every phrase, that I dreaded21 the obvious in prose if not in plot, shows throughout. Probably the peculiar22 affection I feel for it depends more upon its age than upon any intrinsic merit.
“O Russet Witch!”

When this was written I had just completed the first draft of my second novel, and a natural reaction made me revel23 in a story wherein none of the characters need be taken seriously. And I’m afraid that I was somewhat carried away by the feeling that there was no ordered scheme to which I must conform. After due consideration, however, I have decided24 to let it stand as it is, although the reader may find himself somewhat puzzled at the time element. I had best say that however the years may have dealt with Merlin Grainger, I myself was thinking always in the present. It was published in the “Metropolitan.”
Unclassified Masterpieces
The Lees of Happiness.

Of this story I can say that it came to me in an irresistible25 form, crying to be written. It will be accused perhaps of being a mere26 piece of sentimentality, but, as I saw it, it was a great deal more. If, therefore, it lacks the ring of sincerity27, or even, of tragedy, the fault rests not with the theme but with my handling of it.

It appeared in the “Chicago Tribune,” and later obtained, I believe, the quadruple gold laurel leaf or some such encomium28 from one of the anthologists who at present swarm29 among us. The gentleman I refer to runs as a rule to stark30 melodramas32 with a volcano or the ghost of John Paul Jones in the role of Nemesis33, melodramas carefully disguised by early paragraphs in Jamesian manner which hint dark and subtle complexities34 to follow. On this order:

“The case of Shaw McPhee, curiously35 enough, had no hearing on the almost incredible attitude of Martin Sulo. This is parenthetical and, to at least three observers, whose names for the present I must conceal36, it seems improbable, etc., etc., etc.,” until the poor rat of fiction is at last forced out into the open and the melodrama31 begins.
Mr. Icky

This has the distinction of being the only magazine piece ever written in a New York hotel. The business was done in a bedroom in the Knickerbocker, and shortly afterward37 that memorable38 hostelry closed its doors forever.

When a fitting period of mourning had elapsed it was published in the “Smart Set.”
Jemina.

Written, like “Tarquin of Cheapside,” while I was at Princeton, this sketch39 was published years later in “Vanity Fair.” For its technique I must apologize to Mr. Stephen Leacock.

I have laughed over it a great deal, especially when I first wrote it, but I can laugh over it no longer. Still, as other people tell me it is amusing, I include it here. It seems to me worth preserving a few years — at least until the ennui40 of changing fashions suppresses me, my books, and it together.

With due apologies for this impossible Table of Contents, I tender these tales of the Jazz Age into the hands of those who read as they run and run as they read.

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1 collaborator gw3zSz     
n.合作者,协作者
参考例句:
  • I need a collaborator to help me. 我需要个人跟我合作,帮我的忙。
  • His collaborator, Hooke, was of a different opinion. 他的合作者霍克持有不同的看法。
2 labor P9Tzs     
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦
参考例句:
  • We are never late in satisfying him for his labor.我们从不延误付给他劳动报酬。
  • He was completely spent after two weeks of hard labor.艰苦劳动两周后,他已经疲惫不堪了。
3 terminology spmwD     
n.术语;专有名词
参考例句:
  • He particularly criticized the terminology in the document.他特别批评了文件中使用的术语。
  • The article uses rather specialized musical terminology.这篇文章用了相当专业的音乐术语。
4 travail ZqhyZ     
n.阵痛;努力
参考例句:
  • Mothers know the travail of giving birth to a child.母亲们了解分娩时的痛苦。
  • He gained the medal through his painful travail.他通过艰辛的努力获得了奖牌。
5 platinum CuOyC     
n.白金
参考例句:
  • I'll give her a platinum ring.我打算送给她一枚白金戒指。
  • Platinum exceeds gold in value.白金的价值高于黄金。
6 derived 6cddb7353e699051a384686b6b3ff1e2     
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取
参考例句:
  • Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
  • He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》
7 literally 28Wzv     
adv.照字面意义,逐字地;确实
参考例句:
  • He translated the passage literally.他逐字逐句地翻译这段文字。
  • Sometimes she would not sit down till she was literally faint.有时候,她不走到真正要昏厥了,决不肯坐下来。
8 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
9 attired 1ba349e3c80620d3c58c9cc6c01a7305     
adj.穿着整齐的v.使穿上衣服,使穿上盛装( attire的过去式和过去分词 )
参考例句:
  • The bride was attired in white. 新娘穿一身洁白的礼服。 来自《简明英汉词典》
  • It is appropriate that everyone be suitably attired. 人人穿戴得体是恰当的。 来自《简明英汉词典》
10 porcelain USvz9     
n.瓷;adj.瓷的,瓷制的
参考例句:
  • These porcelain plates have rather original designs on them.这些瓷盘的花纹很别致。
  • The porcelain vase is enveloped in cotton.瓷花瓶用棉花裹着。
11 imposing 8q9zcB     
adj.使人难忘的,壮丽的,堂皇的,雄伟的
参考例句:
  • The fortress is an imposing building.这座城堡是一座宏伟的建筑。
  • He has lost his imposing appearance.他已失去堂堂仪表。
12 stature ruLw8     
n.(高度)水平,(高度)境界,身高,身材
参考例句:
  • He is five feet five inches in stature.他身高5英尺5英寸。
  • The dress models are tall of stature.时装模特儿的身材都较高。
13 utterly ZfpzM1     
adv.完全地,绝对地
参考例句:
  • Utterly devoted to the people,he gave his life in saving his patients.他忠于人民,把毕生精力用于挽救患者的生命。
  • I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。
14 craving zvlz3e     
n.渴望,热望
参考例句:
  • a craving for chocolate 非常想吃巧克力
  • She skipped normal meals to satisfy her craving for chocolate and crisps. 她不吃正餐,以便满足自己吃巧克力和炸薯片的渴望。
15 offshore FIux8     
adj.海面的,吹向海面的;adv.向海面
参考例句:
  • A big program of oil exploration has begun offshore.一个大规模的石油勘探计划正在近海展开。
  • A gentle current carried them slowly offshore.和缓的潮流慢慢地把他们带离了海岸。
16 tamper 7g3zom     
v.干预,玩弄,贿赂,窜改,削弱,损害
参考例句:
  • Do not tamper with other's business.不要干预别人的事。
  • They had strict orders not to tamper with the customs of the minorities.他们得到命令严禁干涉少数民族的风俗习惯。
17 perfectly 8Mzxb     
adv.完美地,无可非议地,彻底地
参考例句:
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
18 anonymous lM2yp     
adj.无名的;匿名的;无特色的
参考例句:
  • Sending anonymous letters is a cowardly act.寄匿名信是懦夫的行为。
  • The author wishes to remain anonymous.作者希望姓名不公开。
19 stationary CuAwc     
adj.固定的,静止不动的
参考例句:
  • A stationary object is easy to be aimed at.一个静止不动的物体是容易瞄准的。
  • Wait until the bus is stationary before you get off.你要等公共汽车停稳了再下车。
20 considerably 0YWyQ     
adv.极大地;相当大地;在很大程度上
参考例句:
  • The economic situation has changed considerably.经济形势已发生了相当大的变化。
  • The gap has narrowed considerably.分歧大大缩小了。
21 dreaded XuNzI3     
adj.令人畏惧的;害怕的v.害怕,恐惧,担心( dread的过去式和过去分词)
参考例句:
  • The dreaded moment had finally arrived. 可怕的时刻终于来到了。
  • He dreaded having to spend Christmas in hospital. 他害怕非得在医院过圣诞节不可。 来自《用法词典》
22 peculiar cinyo     
adj.古怪的,异常的;特殊的,特有的
参考例句:
  • He walks in a peculiar fashion.他走路的样子很奇特。
  • He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。
23 revel yBezQ     
vi.狂欢作乐,陶醉;n.作乐,狂欢
参考例句:
  • She seems to revel in annoying her parents.她似乎以惹父母生气为乐。
  • The children revel in country life.孩子们特别喜欢乡村生活。
24 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
25 irresistible n4CxX     
adj.非常诱人的,无法拒绝的,无法抗拒的
参考例句:
  • The wheel of history rolls forward with an irresistible force.历史车轮滚滚向前,势不可挡。
  • She saw an irresistible skirt in the store window.她看见商店的橱窗里有一条叫人着迷的裙子。
26 mere rC1xE     
adj.纯粹的;仅仅,只不过
参考例句:
  • That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
  • It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。
27 sincerity zyZwY     
n.真诚,诚意;真实
参考例句:
  • His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
  • He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。
28 encomium pp7xA     
n.赞颂;颂词
参考例句:
  • He pronounced a splendid encomium upon her in the forum.他在广场上为她作了华丽的赞颂。
  • We hear only encomiums to it.我们只听到对它的溢美之词。
29 swarm dqlyj     
n.(昆虫)等一大群;vi.成群飞舞;蜂拥而入
参考例句:
  • There is a swarm of bees in the tree.这树上有一窝蜜蜂。
  • A swarm of ants are moving busily.一群蚂蚁正在忙碌地搬家。
30 stark lGszd     
adj.荒凉的;严酷的;完全的;adv.完全地
参考例句:
  • The young man is faced with a stark choice.这位年轻人面临严峻的抉择。
  • He gave a stark denial to the rumor.他对谣言加以完全的否认。
31 melodrama UCaxb     
n.音乐剧;情节剧
参考例句:
  • We really don't need all this ridiculous melodrama!别跟我们来这套荒唐的情节剧表演!
  • White Haired Woman was a melodrama,but in certain spots it was deliberately funny.《白毛女》是一出悲剧性的歌剧,但也有不少插科打诨。
32 melodramas 17090c641da59707945b55af397d4a07     
情节剧( melodrama的名词复数 )
参考例句:
  • It was the operatic version of the Chinese costume melodramas so loved by television audiences. 这是电视观众最喜爱的一个中国故事的歌剧版本。
33 nemesis m51zt     
n.给以报应者,复仇者,难以对付的敌手
参考例句:
  • Uncritical trust is my nemesis.盲目的相信一切害了我自己。
  • Inward suffering is the worst of Nemesis.内心的痛苦是最厉害的惩罚。
34 complexities b217e6f6e3d61b3dd560522457376e61     
复杂性(complexity的名词复数); 复杂的事物
参考例句:
  • The complexities of life bothered him. 生活的复杂使他困惑。
  • The complexities of life bothered me. 生活的杂乱事儿使我心烦。
35 curiously 3v0zIc     
adv.有求知欲地;好问地;奇特地
参考例句:
  • He looked curiously at the people.他好奇地看着那些人。
  • He took long stealthy strides. His hands were curiously cold.他迈着悄没声息的大步。他的双手出奇地冷。
36 conceal DpYzt     
v.隐藏,隐瞒,隐蔽
参考例句:
  • He had to conceal his identity to escape the police.为了躲避警方,他只好隐瞒身份。
  • He could hardly conceal his joy at his departure.他几乎掩饰不住临行时的喜悦。
37 afterward fK6y3     
adv.后来;以后
参考例句:
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
38 memorable K2XyQ     
adj.值得回忆的,难忘的,特别的,显著的
参考例句:
  • This was indeed the most memorable day of my life.这的确是我一生中最值得怀念的日子。
  • The veteran soldier has fought many memorable battles.这个老兵参加过许多难忘的战斗。
39 sketch UEyyG     
n.草图;梗概;素描;v.素描;概述
参考例句:
  • My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
  • I will send you a slight sketch of the house.我将给你寄去房屋的草图。
40 ennui 3mTyU     
n.怠倦,无聊
参考例句:
  • Since losing his job,he has often experienced a profound sense of ennui.他自从失业以来,常觉百无聊赖。
  • Took up a hobby to relieve the ennui of retirement.养成一种嗜好以消除退休后的无聊。


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