Preface.

After a quarter of a century these, brief and searching tales of Arthur Morrison’s still keep the breath of life in them — modest but precious salvages¹ from the high washings and roarings of the eighteen-nineties. The decade — the last of the Victorian age, as of the century — was so fecund² that some Englishman has spread out its record to the proportions of a book. It was a time of youngsters, of literary rebellions, of adventures in new forms. No great three-decker sailed out of it, but what a host there was of smaller craft, rakish and impudent³ — the first “Jungle Book,” the “Dolly Dialogues,” “The Second Mrs. Tanqueray,” the first plays and criticisms of George Bernard Shaw, “Sherlock Holmes,” the matriculation pieces of H.G. Wells, Jerome K. Jerome, Hewlett, “Dodo” Benson, Hichens and so on, and all the best of Gissing and Wilde. Think of the novelties of one year only, 1894: “The Green Carnation,” “Salomé,” “The Prisoner of Zenda,” the “Dolly Dialogues,” Gissing’s “In the Year of Jubilee,” the first “Jungle Book,” “Arms and the Man,” “Round the Red Lamp,” and, not least, these “Tales of Mean Streets.”

In the whole lot there was no book or play, save it be Wilde’s “Salomé,” that caused more gabble than the one here printed again, nor was any destined⁴ to hold its public longer. “The Prisoner of Zenda,” chewed to bits on the stage, is now almost as dead as Baal; not even the stock companies in the oil towns set any store by it. So with “The Green Carnation,” “Round the Red Lamp,” the “Dolly Dialogues,” and even “Arms and the Man,” and, I am almost tempted⁵ to add, the “Jungle Book.” But “Tales of Mean Streets” is still on its legs. People read it, talk about it, ask for it in the bookstores; periodically it gets out of print. Well, here it is once more, and perhaps a new generation is ready for it, or the older generation — so young and full of fine enthusiasm in 1894! — will want to read it again.

The causes of its success are so plain that they scarcely need pointing out. It was not only a sound and discreet⁶ piece of writing, with people in it who were fully⁷ alive; there was also a sort of news in it, and even a touch of the truculent⁸. What the news uncovered was something near and yet scarcely known or even suspected: the amazing life of the London East End, the sewer⁹ of England and of Christendom. Morrison, in brief, brought on a whole new company of comedians¹⁰ and set them to playing novel pieces, tragedy and farce¹¹. He made them, in his light tales, more real than any solemn Blue Book or polemic¹² had ever made them, and by a great deal; he not only created plausible¹³ characters, but lighted up the whole dark scene behind them. People took joy in the book as fiction, and pondered it as a fact. It got a kind of double fame, as a work of art and as social document — a very dubious¹⁴ and dangerous kind of fame in most cases, for the document usually swallows the work of art. But here the document has faded, and what remains¹⁵ is the book.

At the start, as I say, there was a sort of challenge in it as well as news: it was, in a sense, a flouting¹⁶ of Victorian complacency, a headlong leap into the unmentionable. Since Dickens’ time there had been no such plowing¹⁷ up of sour soils. Other men of the decade, true enough, issued challenges too, but that was surely not its dominant¹⁸ note. On the contrary, it was rather romantic, ameliorative, sweet-singing; its high god was Kipling, the sentimental¹⁹ optimist²⁰. The Empire was flourishing; the British public was in good humor; life seemed a lovely thing. In the midst of all this the voice of Morrison had a raucous²¹ touch of it. He was amusing and interesting, but he was also somewhat disquieting²², and even alarming. If this London of his really existed — and inquiry²³ soon showed that it did — then there was a rift²⁴ somewhere in the lute²⁵, and a wart²⁶ on the graceful²⁷ body politic²⁸.

Now all such considerations are forgotten, and there remains only the book of excellent tales. It has been imitated almost as much as “Plain Tales From the Hills,” and to much better effect. The note seems likely to be a permanent one in our fiction. Now and then it appears to die out, but not for long. A year ago I thought it was doing so — and then came the “Limehouse Nights” of Thomas Burke, and James Stephens’ “Hunger.” Both go back to “Tales of Mean Streets” as plainly as vers libre goes back to Mother Goose.

H.L. Mencken.
Baltimore, 1918.

1 salvages   

海上营救( salvage的名词复数 )； 抢救出的财产； 救援费； 经加工后重新利用的废物

参考例句：

• A man salvages coal at a cinder dump site in Changzhi, Shanxi province China. 中国山西长治，一名男子在煤渣处理站捡拾煤炭。

2 fecund   

adj.多产的，丰饶的，肥沃的

参考例句：

• The pampas are still among the most fecund lands in the world.南美大草原仍然是世界上最肥沃的土地之一。
• They have a fecund soil.他们有肥沃的土地。

3 impudent   

adj.鲁莽的，卑鄙的，厚颜无耻的

参考例句：

• She's tolerant toward those impudent colleagues.她对那些无礼的同事采取容忍的态度。
• The teacher threatened to kick the impudent pupil out of the room.老师威胁着要把这无礼的小学生撵出教室。

4 destined   

adj.命中注定的；(for)以…为目的地的

参考例句：

• It was destined that they would marry.他们结婚是缘分。
• The shipment is destined for America.这批货物将运往美国。

5 tempted   

v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词）

参考例句：

• I was sorely tempted to complain, but I didn't. 我极想发牢骚，但还是没开口。
• I was tempted by the dessert menu. 甜食菜单馋得我垂涎欲滴。

6 discreet   

adj.(言行)谨慎的；慎重的；有判断力的

参考例句：

• He is very discreet in giving his opinions.发表意见他十分慎重。
• It wasn't discreet of you to ring me up at the office.你打电话到我办公室真是太鲁莽了。

7 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

8 truculent   

adj.野蛮的，粗野的

参考例句：

• He was seen as truculent,temperamental,too unwilling to tolerate others.他们认为他为人蛮横无理，性情暴躁，不大能容人。
• He was in no truculent state of mind now.这会儿他心肠一点也不狠毒了。

9 sewer   

n.排水沟，下水道

参考例句：

• They are tearing up the street to repair a sewer. 他们正挖开马路修下水道。
• The boy kicked a stone into the sewer. 那个男孩把一石子踢进了下水道。

10 comedians   

n.喜剧演员，丑角( comedian的名词复数 )

参考例句：

• The voice was rich, lordly, Harvardish, like all the boring radio comedians'imitations. 声音浑厚、威严，俨然是哈佛出身的气派，就跟无线电里所有的滑稽演员叫人已经听腻的模仿完全一样。 来自辞典例句
• He distracted them by joking and imitating movie and radio comedians. 他用开玩笑的方法或者模仿电影及广播中的滑稽演员来对付他们。 来自辞典例句

11 farce   

n.闹剧，笑剧，滑稽戏；胡闹

参考例句：

• They played a shameful role in this farce.他们在这场闹剧中扮演了可耻的角色。
• The audience roared at the farce.闹剧使观众哄堂大笑。

12 polemic   

n.争论，论战

参考例句：

• He launched into a fierce polemic against the government's policies.他猛烈地抨击政府的政策。
• He wrote a splendid polemic in my favour.他写了一篇出色的文章为我辩护。

13 plausible   

adj.似真实的，似乎有理的，似乎可信的

参考例句：

• His story sounded plausible.他说的那番话似乎是真实的。
• Her story sounded perfectly plausible.她的说辞听起来言之有理。

14 dubious   

adj.怀疑的，无把握的；有问题的，靠不住的

参考例句：

• What he said yesterday was dubious.他昨天说的话很含糊。
• He uses some dubious shifts to get money.他用一些可疑的手段去赚钱。

15 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

16 flouting   

v.藐视，轻视( flout的现在分词 )

参考例句：

• By selling alcohol to minors,the shop is deliberately flouting the law. 向未成年人出售烈性酒，是商店故意犯罪法。 来自口语例句
• By selling alcohol to minor, the shop is deliberately flouting the law. 向未成年人出售烈性酒，是商店故意犯法。 来自互联网

17 plowing   

v.耕( plow的现在分词 )；犁耕；费力穿过

参考例句：

• "There are things more important now than plowing, Sugar. "如今有比耕种更重要的事情要做呀，宝贝儿。 来自飘（部分）
• Since his wife's death, he has been plowing a lonely furrow. 从他妻子死后，他一直过着孤独的生活。 来自辞典例句

18 dominant   

adj.支配的，统治的；占优势的；显性的；n.主因，要素，主要的人(或物)；显性基因

参考例句：

• The British were formerly dominant in India.英国人从前统治印度。
• She was a dominant figure in the French film industry.她在法国电影界是个举足轻重的人物。

19 sentimental   

adj.多愁善感的，感伤的

参考例句：

• She's a sentimental woman who believes marriage comes by destiny.她是多愁善感的人，她相信姻缘命中注定。
• We were deeply touched by the sentimental movie.我们深深被那感伤的电影所感动。

20 optimist   

n.乐观的人，乐观主义者

参考例句：

• We are optimist and realist.我们是乐观主义者，又是现实主义者。
• Peter,ever the optimist,said things were bound to improve.一向乐观的皮特说，事情必定是会好转的。

21 raucous   

adj.(声音)沙哑的，粗糙的

参考例句：

• I heard sounds of raucous laughter upstairs.我听见楼上传来沙哑的笑声。
• They heard a bottle being smashed,then more raucous laughter.他们听见酒瓶摔碎的声音，然后是一阵更喧闹的笑声。

22 disquieting   

adj.令人不安的，令人不平静的v.使不安，使忧虑，使烦恼( disquiet的现在分词 )

参考例句：

• The news from the African front was disquieting in the extreme. 非洲前线的消息极其令人不安。 来自英汉文学
• That locality was always vaguely disquieting, even in the broad glare of afternoon. 那一带地方一向隐隐约约使人感到心神不安甚至在下午耀眼的阳光里也一样。 来自辞典例句

23 inquiry   

n.打听，询问，调查，查问

参考例句：

• Many parents have been pressing for an inquiry into the problem.许多家长迫切要求调查这个问题。
• The field of inquiry has narrowed down to five persons.调查的范围已经缩小到只剩5个人了。

24 rift   

n.裂口，隙缝，切口；v.裂开，割开，渗入

参考例句：

• He was anxious to mend the rift between the two men.他急于弥合这两个人之间的裂痕。
• The sun appeared through a rift in the clouds.太阳从云层间隙中冒出来。

25 lute   

n.琵琶，鲁特琴

参考例句：

• He idly plucked the strings of the lute.他漫不经心地拨弄着鲁特琴的琴弦。
• He knows how to play the Chinese lute.他会弹琵琶。

26 wart   

n.疣，肉赘；瑕疵

参考例句：

• What does the medicaments with remedial acuteness wet best wart have?治疗尖锐湿疣最好的药物有什么？
• Flat wart is generally superficial,or sometimes a slight itching.扁平疣一般是不痛不痒的，或偶有轻微痒感。

27 graceful   

adj.优美的，优雅的；得体的

参考例句：

• His movements on the parallel bars were very graceful.他的双杠动作可帅了!
• The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。

28 politic   

adj.有智虑的；精明的；v.从政

参考例句：

• He was too politic to quarrel with so important a personage.他很聪明，不会与这么重要的人争吵。
• The politic man tried not to offend people.那个精明的人尽量不得罪人。