But in this case sundry2 prefatory remarks became necessary. It was essential that they should be inserted into this volume in order that certain things might be made plain. The questions were: How and where? After giving the matter considerable thought I decided3 to slip them in right here, included, as they are, with the body of the text and further disguised by masquerading themselves under a chapter heading, with a view in mind of hoodwinking you into pursuing the course of what briefly4 I have to say touching5 on the circumstances attending the production of the main contents. Let me explain:
Chapter II, coming immediately after this one, was written first of all; written as an independent contribution to American letters. At the time of writing it I had no thought that out of it, subsequently, would grow material for additional and supplementary6 offerings upon the same general theme and inter-related themes. It had a basis of verity7, as all things in this life properly should have, but I shall not attempt to deny that largely it deals with what more or less is figurative and fanciful. The incident of the finding of the missing will in the ruins of the old mill is a pure figment of the imagination; so, too, the passage relating to the search for the lost heir (Page 55) and the startling outcome of that search.
Three years later, actual events in the meantime having sufficiently8 justified9 the taking of such steps, I prepared the matter which here is presented in Chapters III, IV and V, inclusive. Intervened then a break of approximately two years more, when the tale was completed substantially in its present form. In all of these latter installments10 I adhered closely to facts, merely adding here and there sprinklings of fancy, like dashes of paprika on a stew11, in order to give, as I fondly hoped, spice to my recital12.
One of the prime desires now, in consolidating13 the entire narrative14 within these covers, is to round out, from inception15 to finish, the record of our strange adventures in connection with our quest for an abandoned farm and on our becoming abandoned farmers, trusting that others, following our examples, may perhaps profit in some small degree by our mistakes as here set forth16 and perhaps ultimately when their dreams have come true, too, share in that proud joy of possession which is ours. Another object, largely altruistic17 in its nature, is to afford opportunity for the reader, by comparison of the chronological18 sub-divisions into which the story falls, to decide whether with the passage of time, my style of writing shows a tendency toward improvement or an increasing and enhanced faultiness. Those who feel inclined to write me upon the subject are notified that the author is most sensible in this regard, being ever ready to welcome criticism, provided only the criticism be favorable in tone. Finally there is herewith confessed a third motive19, namely, an ambition that a considerable number of persons may see their way clear to buy this book.
Quite aside from my chief aim as a writer, which is from time to time to enrich our native literature, I admit to sharing with nearly all writers and with practically all publishers a possibly selfish but not altogether unnatural20 craving21. When I have prepared the material for a volume I desire that the volume may sell, which means royalties22, which means cash in hand. The man who labors23 for art's sake alone nearly always labors for art's sake alone; at least usually he appears to get very little else out of his toil24 while he is alive. After his death posterity25 may enshrine him, but posterity, as some one has aptly said, butters no parsnips. I may state that I am almost passionately26 fond of my parsnips, well-buttered. My publisher is also one of our leading parsnip-lovers. These facts should be borne in mind by prospective27 purchasers of the book.
I believe that is about all I would care to say in the introductory phase. With these few remarks, therefore, the attention of the reader respectfully is directed to Chapter II and points beyond.
点击收听单词发音
1 inclination | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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2 sundry | |
adj.各式各样的,种种的 | |
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3 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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4 briefly | |
adv.简单地,简短地 | |
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5 touching | |
adj.动人的,使人感伤的 | |
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6 supplementary | |
adj.补充的,附加的 | |
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7 verity | |
n.真实性 | |
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8 sufficiently | |
adv.足够地,充分地 | |
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9 justified | |
a.正当的,有理的 | |
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10 installments | |
部分( installment的名词复数 ) | |
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11 stew | |
n.炖汤,焖,烦恼;v.炖汤,焖,忧虑 | |
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12 recital | |
n.朗诵,独奏会,独唱会 | |
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13 consolidating | |
v.(使)巩固, (使)加强( consolidate的现在分词 );(使)合并 | |
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14 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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15 inception | |
n.开端,开始,取得学位 | |
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16 forth | |
adv.向前;向外,往外 | |
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17 altruistic | |
adj.无私的,为他人着想的 | |
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18 chronological | |
adj.按年月顺序排列的,年代学的 | |
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19 motive | |
n.动机,目的;adv.发动的,运动的 | |
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20 unnatural | |
adj.不自然的;反常的 | |
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21 craving | |
n.渴望,热望 | |
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22 royalties | |
特许权使用费 | |
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23 labors | |
v.努力争取(for)( labor的第三人称单数 );苦干;详细分析;(指引擎)缓慢而困难地运转 | |
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24 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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25 posterity | |
n.后裔,子孙,后代 | |
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26 passionately | |
ad.热烈地,激烈地 | |
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27 prospective | |
adj.预期的,未来的,前瞻性的 | |
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