On our way to the Abbey he gave me some anecdotes6 of Johnny Bower7 to whom his father had alluded8; he was sexton of the parish and custodian9 of the ruin, employed to keep it in order and show it to strangers;—a worthy10 little man, not without ambition in his humble11 sphere. The death of his predecessor12 had been mentioned in the newspapers, so that his name had appeared in print throughout the land. When Johnny succeeded to the guardianship13 of the ruin, he stipulated14 that, on his death, his name should receive like honorable blazon15; with this addition, that it should be from, the pen of Scott. The latter gravely pledged himself to pay this tribute to his memory, and Johnny now lived in the proud anticipation16 of a poetic17 immortality18.
I found Johnny Bower a decent-looking little old man, in blue coat and red waistcoat. He received us with much greeting, and seemed delighted to see my young companion, who was full of merriment and waggery, drawing out his peculiarities19 for my amusement. The old man was one of the most authentic20 and particular of cicerones; he pointed21 out everything in the Abbey that had been described by Scott in his "Lay of the Last Minstrel:" and would repeat, with broad Scottish accent, the passage which celebrated22 it.
Thus, in passing through the cloisters24, he made me remark the beautiful carvings25 of leaves and flowers wrought26 in stone with the most exquisite27 delicacy28, and, notwithstanding the lapse29 of centuries, retaining their sharpness as if fresh from the chisel30; rivalling, as Scott has said, the real objects of which they were imitations:
"Nor herb nor flowret glistened31 there
But was carved in the cloister23 arches as fair."
He pointed out, also, among the carved work a nun's head of much beauty, which he said Scott always stopped to admire—"for the shirra had a wonderful eye for all sic matters."
I would observe that Scott seemed to derive4 more consequence in the neighborhood from being sheriff of the county than from being poet.
In the interior of the Abbey Johnny Bower conducted me to the identical stone on which Stout32 "William of Deloraine" and the monk33 took their seat on that memorable34 night when the wizard's book was to be rescued from the grave. Nay35, Johnny had even gone beyond Scott in the minuteness of his antiquarian research, for he had discovered the very tomb of the wizard, the position of which had been left in doubt by the poet. This he boasted to have ascertained36 by the position of the oriel window, and the direction in which the moonbeams fell at night, through the stained glass, casting the shadow to the red cross on the spot; as had all been specified37 in the poem. "I pointed out the whole to the shirra," said he, "and he could na' gainsay38 but it was varra clear." I found afterward39 that Scott used to amuse himself with the simplicity40 of the old man, and his zeal41 in verifying every passage of the poem, as though it had authentic history, and that he always acquiesced42 in his deductions43. I subjoin the description of the wizard's grave, which called forth44 the antiquarian research of Johnny Bower.
"Lo warrior45! now the cross of red,
Points to the grave of the mighty46 dead;
Slow moved the monk to the broad flag-stone,
Which the bloody47 cross was traced upon:
He pointed to a sacred nook:
An iron bar the warrior took;
And the monk made a sign with his withered48 hand,
The grave's huge portal to expand.
"It was by dint49 of passing strength,
That he moved the massy stone at length.
I would you had been there to see,
How the light broke forth so gloriously,
Streamed upward to the chancel roof,
And through the galleries far aloof50!
And, issuing from the tomb,
Showed the monk's cowl and visage pale,
Danced on the dark brown warrior's mail,
And kissed his waving plume51.
"Before their eyes the wizard lay,
As if he had not been dead a day:
His hoary52 beard in silver rolled,
He seemed some seventy winters old;
A palmer's amice wrapped him round;
With a wrought Spanish baldrie bound,
Like a pilgrim from beyond the sea;
His left hand held his book of might;
A silver cross was in his right:
The lamp was placed beside his knee."
The fictions of Scott had become facts with honest Johnny Bower. From constantly living among the ruins of Melrose Abbey, and pointing out the scenes of the poem, the "Lay of the Last Minstrel" had, in a manner, become interwoven with his whole existence, and I doubt whether he did not now and then mix up his own identity with the personages of some of its cantos.
He could not bear that any other production of the poet should be preferred to the "Lay of the Last Minstrel." "Faith," said he to me, "it's just e'en as gude a thing as Mr. Scott has written—an' if he were stannin' there I'd tell him so—an' then he'd lauff."
He was loud in his praises of the affability of Scott. "He'll come here sometimes," said he, "with great folks in his company, an' the first I know of it is his voice, calling out 'Johnny!—Johnny Bower!'—and when I go out, I am sure to be greeted with a joke or a pleasant word. Hell stand and crack and lauff wi' me, just like an auld53 wife—and to think that of a man who has such an awfu' knowledge o' history!"
One of the ingenious devices on which the worthy little man prided himself, was to place a visitor opposite to the Abbey, with his back to it, and bid him bend down and look at it between his legs. This, he said, gave an entire different aspect to the ruin. Folks admired the plan amazingly, but as to the "leddies," they were dainty on the matter, and contented54 themselves with looking from under their arms. As Johnny Bower piqued55 himself upon showing everything laid down in the poem, there was one passage that perplexed56 him sadly. It was the opening of one of the cantos:
"If thou would'st view fair Melrose aright,
Go visit it by the pale moonlight:
For the gay beams of lightsome day,
Gild57 but to flout58 the ruins gray." etc.
In consequence of this admonition, many of the most devout59 pilgrims to the ruin could not be contented with a daylight inspection60, and insisted it could be nothing unless seen by the light of the moon. Now, unfortunately, the moon shines but for a part of the month; and, what is still more unfortunate, is very apt in Scotland to be obscured by clouds and mists. Johnny was sorely puzzled, therefore, how to accommodate his poetry-struck visitors with this indispensable moonshine. At length, in a lucky moment, he devised a substitute. This was a great double tallow candle stuck upon the end of a pole, with which he could conduct his visitors about the ruins on dark nights, so much to their satisfaction that, at length, he began to think it even preferable to the moon itself. "It does na light up a' the Abbey at since, to be sure," he would say, "but then you can shift it about and show the auld ruin bit by bit, whiles the moon only shines on one side."
Honest Johnny Bower! so many years have elapsed since the time I treat of, that it is more than probable his simple head lies beneath the walls of his favorite Abbey. It is to be hoped his humble ambition has been gratified, and his name recorded by the pen of the man he so loved and honored.
点击收听单词发音
1 sprightly | |
adj.愉快的,活泼的 | |
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2 anecdote | |
n.轶事,趣闻,短故事 | |
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3 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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4 derive | |
v.取得;导出;引申;来自;源自;出自 | |
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5 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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6 anecdotes | |
n.掌故,趣闻,轶事( anecdote的名词复数 ) | |
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7 bower | |
n.凉亭,树荫下凉快之处;闺房;v.荫蔽 | |
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8 alluded | |
提及,暗指( allude的过去式和过去分词 ) | |
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9 custodian | |
n.保管人,监护人;公共建筑看守 | |
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10 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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11 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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12 predecessor | |
n.前辈,前任 | |
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13 guardianship | |
n. 监护, 保护, 守护 | |
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14 stipulated | |
vt.& vi.规定;约定adj.[法]合同规定的 | |
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15 blazon | |
n.纹章,装饰;精确描绘;v.广布;宣布 | |
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16 anticipation | |
n.预期,预料,期望 | |
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17 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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18 immortality | |
n.不死,不朽 | |
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19 peculiarities | |
n. 特质, 特性, 怪癖, 古怪 | |
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20 authentic | |
a.真的,真正的;可靠的,可信的,有根据的 | |
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21 pointed | |
adj.尖的,直截了当的 | |
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22 celebrated | |
adj.有名的,声誉卓著的 | |
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23 cloister | |
n.修道院;v.隐退,使与世隔绝 | |
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24 cloisters | |
n.(学院、修道院、教堂等建筑的)走廊( cloister的名词复数 );回廊;修道院的生活;隐居v.隐退,使与世隔绝( cloister的第三人称单数 ) | |
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25 carvings | |
n.雕刻( carving的名词复数 );雕刻术;雕刻品;雕刻物 | |
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26 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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27 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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28 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
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29 lapse | |
n.过失,流逝,失效,抛弃信仰,间隔;vi.堕落,停止,失效,流逝;vt.使失效 | |
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30 chisel | |
n.凿子;v.用凿子刻,雕,凿 | |
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31 glistened | |
v.湿物闪耀,闪亮( glisten的过去式和过去分词 ) | |
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33 monk | |
n.和尚,僧侣,修道士 | |
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34 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
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35 nay | |
adv.不;n.反对票,投反对票者 | |
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36 ascertained | |
v.弄清,确定,查明( ascertain的过去式和过去分词 ) | |
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37 specified | |
adj.特定的 | |
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38 gainsay | |
v.否认,反驳 | |
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39 afterward | |
adv.后来;以后 | |
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40 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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41 zeal | |
n.热心,热情,热忱 | |
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42 acquiesced | |
v.默认,默许( acquiesce的过去式和过去分词 ) | |
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43 deductions | |
扣除( deduction的名词复数 ); 结论; 扣除的量; 推演 | |
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44 forth | |
adv.向前;向外,往外 | |
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45 warrior | |
n.勇士,武士,斗士 | |
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46 mighty | |
adj.强有力的;巨大的 | |
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47 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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48 withered | |
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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49 dint | |
n.由于,靠;凹坑 | |
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50 aloof | |
adj.远离的;冷淡的,漠不关心的 | |
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51 plume | |
n.羽毛;v.整理羽毛,骚首弄姿,用羽毛装饰 | |
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52 hoary | |
adj.古老的;鬓发斑白的 | |
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53 auld | |
adj.老的,旧的 | |
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54 contented | |
adj.满意的,安心的,知足的 | |
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55 piqued | |
v.伤害…的自尊心( pique的过去式和过去分词 );激起(好奇心) | |
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56 perplexed | |
adj.不知所措的 | |
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57 gild | |
vt.给…镀金,把…漆成金色,使呈金色 | |
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58 flout | |
v./n.嘲弄,愚弄,轻视 | |
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59 devout | |
adj.虔诚的,虔敬的,衷心的 (n.devoutness) | |
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60 inspection | |
n.检查,审查,检阅 | |
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