Here we turned up a little glen with a small burn or brook6 whimpering and dashing along it, making an occasional waterfall, and overhung in some places with mountain ash and weeping birch. We are now, said Scott, treading classic, or rather fairy ground. This is the haunted glen of Thomas the Rhymer, where he met with the queen of fairy land, and this the bogle burn, or goblin brook, along which she rode on her dapple-gray palfrey, with silver bells ringing at the bridle7.
"Here," said he, pausing, "is Huntley Bank, on which Thomas the Rhymer lay musing8 and sleeping when he saw, or dreamt he saw, the queen of Elfland:
"'True Thomas lay on Huntlie bank;
A ferlie he spied wi' his e'e;
And there he saw a ladye bright,
Come riding down by the Eildon tree.
"'Her skirt was o' the grass-green silk,
Her mantle9 o' the velvet10 fyne;
At ilka tett of her horse's mane
Hung fifty siller bells and nine.'"
Here Scott repeated several of the stanzas11 and recounted the circumstance of Thomas the Rhymer's interview with the fairy, and his being transported by her to fairy land—
"And til seven years were gone and past,
True Thomas on earth was never seen."
"It's a fine old story," said he, "and might be wrought12 up into a capital tale."
Scott continued on, leading the way as usual, and limping up the wizard glen, talking as he went, but, as his back was toward me, I could only hear the deep growling13 tones of his voice, like the low breathing of an organ, without distinguishing the words, until pausing, and turning his face toward me, I found he was reciting some scrap14 of border minstrelsy about Thomas the Rhymer. This was continually the case in my ramblings with him about this storied neighborhood. His mind was fraught15 with the traditionary fictions connected with every object around him, and he would breathe it forth as he went, apparently16 as much for his own gratification as for that of his companion.
"Nor hill, nor brook, we paced along,
But had its legend or its song."
His voice was deep and sonorous17, he spoke18 with a Scottish accent, and with somewhat of the Northumbrian "burr," which, to my mind, gave a Doric strength and simplicity19 to his elocution. His recitation of poetry was, at times, magnificent.
I think it was in the course of this ramble20 that my friend Hamlet, the black greyhound, got into a bad scrape. The dogs were beating about the glens and fields as usual, and had been for some time out of sight, when we heard a barking at some distance to the left. Shortly after we saw some sheep scampering21 on the hills, with the dogs after them. Scott applied22 to his lips the ivory whistle, always hanging at his button-hole, and soon called in the culprits, excepting Hamlet. Hastening up a bank which commanded a view along a fold or hollow of the hills, we beheld23 the sable24 prince of Denmark standing25 by the bleeding body of a sheep. The carcass was still warm, the throat bore marks of the fatal grip, and Hamlet's muzzle26 was stained with blood. Never was culprit more completely caught in flagrante delicto. I supposed the doom27 of poor Hamlet to be sealed; for no higher offence can be committed by a dog in a country abounding28 with sheep-walks. Scott, however, had a greater value for his dogs than for his sheep. They were his companions and friends. Hamlet, too, though an irregular, impertinent kind of youngster, was evidently a favorite. He would not for some time believe it could be he who had killed the sheep. It must have been some cur of the neighborhood, that had made off on our approach and left poor Hamlet in the lurch29. Proofs, however, were too strong, and Hamlet was generally condemned30. "Well, well," said Scott, "it's partly my own fault. I have given up coursing for some time past, and the poor dog has had no chance after game to take the fire edge off of him If he was put after a hare occasionally he never would meddle31 with sheep."
I understood, afterward32, that Scott actually got a pony33, and went out now and then coursing with Hamlet, who, in consequence, showed no further inclination34 for mutton.
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1 domains | |
n.范围( domain的名词复数 );领域;版图;地产 | |
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2 pointed | |
adj.尖的,直截了当的 | |
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3 forth | |
adv.向前;向外,往外 | |
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4 antiquated | |
adj.陈旧的,过时的 | |
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5 ballads | |
民歌,民谣,特别指叙述故事的歌( ballad的名词复数 ); 讴 | |
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6 brook | |
n.小河,溪;v.忍受,容让 | |
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7 bridle | |
n.笼头,束缚;vt.抑制,约束;动怒 | |
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8 musing | |
n. 沉思,冥想 adj. 沉思的, 冥想的 动词muse的现在分词形式 | |
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9 mantle | |
n.斗篷,覆罩之物,罩子;v.罩住,覆盖,脸红 | |
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10 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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11 stanzas | |
节,段( stanza的名词复数 ) | |
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12 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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13 growling | |
n.吠声, 咆哮声 v.怒吠, 咆哮, 吼 | |
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14 scrap | |
n.碎片;废料;v.废弃,报废 | |
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15 fraught | |
adj.充满…的,伴有(危险等)的;忧虑的 | |
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16 apparently | |
adv.显然地;表面上,似乎 | |
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17 sonorous | |
adj.响亮的,回响的;adv.圆润低沉地;感人地;n.感人,堂皇 | |
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18 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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19 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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20 ramble | |
v.漫步,漫谈,漫游;n.漫步,闲谈,蔓延 | |
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21 scampering | |
v.蹦蹦跳跳地跑,惊惶奔跑( scamper的现在分词 ) | |
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22 applied | |
adj.应用的;v.应用,适用 | |
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23 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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24 sable | |
n.黑貂;adj.黑色的 | |
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25 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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26 muzzle | |
n.鼻口部;口套;枪(炮)口;vt.使缄默 | |
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27 doom | |
n.厄运,劫数;v.注定,命定 | |
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28 abounding | |
adj.丰富的,大量的v.大量存在,充满,富于( abound的现在分词 ) | |
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29 lurch | |
n.突然向前或旁边倒;v.蹒跚而行 | |
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30 condemned | |
adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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31 meddle | |
v.干预,干涉,插手 | |
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32 afterward | |
adv.后来;以后 | |
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33 pony | |
adj.小型的;n.小马 | |
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34 inclination | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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