THE MAN AND HIS WORKS

No one can say where the bones of Machiavelli rest, but modern Florence has decreed him a stately cenotaph in Santa Croce, by the side of her most famous sons; recognizing that, whatever other nations may have found in his works, Italy found in them the idea of her unity¹ and the germs of her renaissance² among the nations of Europe. Whilst it is idle to protest against the world-wide and evil signification of his name, it may be pointed³ out that the harsh construction of his doctrine⁴ which this sinister⁵ reputation implies was unknown to his own day, and that the researches of recent times have enabled us to interpret him more reasonably. It is due to these inquiries⁶ that the shape of an "unholy necromancer," which so long haunted men's vision, has begun to fade.

Machiavelli was undoubtedly⁷ a man of great observation, acuteness, and industry; noting with appreciative⁸ eye whatever passed before him, and with his supreme⁹ literary gift turning it to account in his enforced retirement¹⁰ from affairs. He does not present himself, nor is he depicted¹¹ by his contemporaries, as a type of that rare combination, the successful statesman and author, for he appears to have been only moderately prosperous in his several embassies and political employments. He was misled by Catherina Sforza, ignored by Louis XII, overawed by Cesare Borgia; several of his embassies were quite barren of results; his attempts to fortify¹² Florence failed, and the soldiery that he raised astonished everybody by their cowardice¹³. In the conduct of his own affairs he was timid and time-serving; he dared not appear by the side of Soderini, to whom he owed so much, for fear of compromising himself; his connection with the Medici was open to suspicion, and Giuliano appears to have recognized his real forte¹⁴ when he set him to write the "History of Florence," rather than employ him in the state. And it is on the literary side of his character, and there alone, that we find no weakness and no failure.

Although the light of almost four centuries has been focused on "The Prince," its problems are still debatable and interesting, because they are the eternal problems between the ruled and their rulers. Such as they are, its ethics¹⁵ are those of Machiavelli's contemporaries; yet they cannot be said to be out of date so long as the governments of Europe rely on material rather than on moral forces. Its historical incidents and personages become interesting by reason of the uses which Machiavelli makes of them to illustrate¹⁶ his theories of government and conduct.

Leaving out of consideration those maxims¹⁷ of state which still furnish some European and eastern statesmen with principles of action, "The Prince" is bestrewn with truths that can be proved at every turn. Men are still the dupes of their simplicity¹⁸ and greed, as they were in the days of Alexander VI. The cloak of religion still conceals¹⁹ the vices²⁰ which Machiavelli laid bare in the character of Ferdinand of Aragon. Men will not look at things as they really are, but as they wish them to be—and are ruined. In politics there are no perfectly²¹ safe courses; prudence²² consists in choosing the least dangerous ones. Then—to pass to a higher plane—Machiavelli reiterates²³ that, although crimes may win an empire, they do not win glory. Necessary wars are just wars, and the arms of a nation are hallowed when it has no other resource but to fight.

It is the cry of a far later day than Machiavelli's that government should be elevated into a living moral force, capable of inspiring the people with a just recognition of the fundamental principles of society; to this "high argument" "The Prince" contributes but little. Machiavelli always refused to write either of men or of governments otherwise than as he found them, and he writes with such skill and insight that his work is of abiding²⁴ value. But what invests "The Prince" with more than a merely artistic²⁵ or historical interest is the incontrovertible truth that it deals with the great principles which still guide nations and rulers in their relationship with each other and their neighbours.

In translating "The Prince" my aim has been to achieve at all costs an exact literal rendering²⁶ of the original, rather than a fluent paraphrase²⁷ adapted to the modern notions of style and expression. Machiavelli was no facile phrasemonger; the conditions under which he wrote obliged him to weigh every word; his themes were lofty, his substance grave, his manner nobly plain and serious. "Quis eo fuit unquam in partiundis rebus²⁸, in definiendis, in explanandis pressior?" In "The Prince," it may be truly said, there is reason assignable, not only for every word, but for the position of every word. To an Englishman of Shakespeare's time the translation of such a treatise²⁹ was in some ways a comparatively easy task, for in those times the genius of the English more nearly resembled that of the Italian language; to the Englishman of to-day it is not so simple. To take a single example: the word "intrattenere," employed by Machiavelli to indicate the policy adopted by the Roman Senate towards the weaker states of Greece, would by an Elizabethan be correctly rendered "entertain," and every contemporary reader would understand what was meant by saying that "Rome entertained the Aetolians and the Achaeans without augmenting³⁰ their power." But to-day such a phrase would seem obsolete³¹ and ambiguous, if not unmeaning: we are compelled to say that "Rome maintained friendly relations with the Aetolians," etc., using four words to do the work of one. I have tried to preserve the pithy³² brevity of the Italian so far as was consistent with an absolute fidelity³³ to the sense. If the result be an occasional asperity³⁴ I can only hope that the reader, in his eagerness to reach the author's meaning, may overlook the roughness of the road that leads him to it.

The following is a list of the works of Machiavelli:

Principal works. Discorso sopra le cose di Pisa, 1499; Del modo di trattare i popoli della Valdichiana ribellati, 1502; Del modo tenuto dal duca Valentino nell' ammazzare Vitellozzo Vitelli, Oliverotto da Fermo, etc., 1502; Discorso sopra la provisione del danaro, 1502; Decennale primo (poem in terza rima), 1506; Ritratti delle cose dell' Alemagna, 1508-12; Decennale secondo, 1509; Ritratti delle cose di Francia, 1510; Discorsi sopra la prima deca di T. Livio, 3 vols., 1512-17; Il Principe, 1513; Andria, comedy translated from Terence, 1513 (?); Mandragola, prose comedy in five acts, with prologue³⁵ in verse, 1513; Della lingua (dialogue), 1514; Clizia, comedy in prose, 1515 (?); Belfagor arcidiavolo (novel), 1515; Asino d'oro (poem in terza rima), 1517; Dell' arte della guerra, 1519-20; Discorso sopra il riformare lo stato di Firenze, 1520; Sommario delle cose della citta di Lucca, 1520; Vita di Castruccio Castracani da Lucca, 1520; Istorie fiorentine, 8 books, 1521-5; Frammenti storici, 1525.

Other poems include Sonetti, Canzoni, Ottave, and Canti carnascialeschi.

Editions. Aldo, Venice, 1546; della Tertina, 1550; Cambiagi, Florence, 6 vols., 1782-5; dei Classici, Milan, 10 1813; Silvestri, 9 vols., 1820-2; Passerini, Fanfani, Milanesi, 6 vols. only published, 1873-7.

Minor³⁶ works. Ed. F. L. Polidori, 1852; Lettere familiari, ed. E. Alvisi, 1883, 2 editions, one with excisions; Credited Writings, ed. G. Canestrini, 1857; Letters to F. Vettori, see A. Ridolfi, Pensieri intorno allo scopo di N. Machiavelli nel libro Il Principe, etc.; D. Ferrara, The Private Correspondence of Nicolo Machiavelli, 1929.

1 unity   

n.团结，联合，统一；和睦，协调

参考例句：

• When we speak of unity,we do not mean unprincipled peace.所谓团结，并非一团和气。
• We must strengthen our unity in the face of powerful enemies.大敌当前，我们必须加强团结。

2 renaissance   

n.复活，复兴，文艺复兴

参考例句：

• The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
• The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。

3 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

4 doctrine   

n.教义；主义；学说

参考例句：

• He was impelled to proclaim his doctrine.他不得不宣扬他的教义。
• The council met to consider changes to doctrine.宗教议会开会考虑更改教义。

5 sinister   

adj.不吉利的，凶恶的，左边的

参考例句：

• There is something sinister at the back of that series of crimes.在这一系列罪行背后有险恶的阴谋。
• Their proposals are all worthless and designed out of sinister motives.他们的建议不仅一钱不值，而且包藏祸心。

6 inquiries   

n.调查( inquiry的名词复数 )；疑问；探究；打听

参考例句：

• He was released on bail pending further inquiries. 他获得保释，等候进一步调查。
• I have failed to reach them by postal inquiries. 我未能通过邮政查询与他们取得联系。 来自《现代汉英综合大词典》

7 undoubtedly   

adv.确实地，无疑地

参考例句：

• It is undoubtedly she who has said that.这话明明是她说的。
• He is undoubtedly the pride of China.毫无疑问他是中国的骄傲。

8 appreciative   

adj.有鉴赏力的，有眼力的；感激的

参考例句：

• She was deeply appreciative of your help.她对你的帮助深表感激。
• We are very appreciative of their support in this respect.我们十分感谢他们在这方面的支持。

9 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

10 retirement   

n.退休，退职

参考例句：

• She wanted to enjoy her retirement without being beset by financial worries.她想享受退休生活而不必为金钱担忧。
• I have to put everything away for my retirement.我必须把一切都积蓄起来以便退休后用。

11 depicted   

描绘，描画( depict的过去式和过去分词 )； 描述

参考例句：

• Other animals were depicted on the periphery of the group. 其他动物在群像的外围加以修饰。
• They depicted the thrilling situation to us in great detail. 他们向我们详细地描述了那激动人心的场面。

12 fortify   

v.强化防御，为…设防；加强，强化

参考例句：

• This country will fortify the coastal areas.该国将加强沿海地区的防御。
• This treaty forbade the United States to fortify the canal.此条约禁止美国对运河设防。

13 cowardice   

n.胆小，怯懦

参考例句：

• His cowardice reflects on his character.他的胆怯对他的性格带来不良影响。
• His refusal to help simply pinpointed his cowardice.他拒绝帮助正显示他的胆小。

14 forte   

n.长处，擅长；adj.(音乐)强音的

参考例句：

• Her forte is playing the piano.她擅长弹钢琴。
• His forte is to show people around in the company.他最拿手的就是向大家介绍公司。

15 ethics   

n.伦理学；伦理观，道德标准

参考例句：

• The ethics of his profession don't permit him to do that.他的职业道德不允许他那样做。
• Personal ethics and professional ethics sometimes conflict.个人道德和职业道德有时会相互抵触。

16 illustrate   

v.举例说明，阐明；图解，加插图

参考例句：

• The company's bank statements illustrate its success.这家公司的银行报表说明了它的成功。
• This diagram will illustrate what I mean.这个图表可说明我的意思。

17 maxims   

n.格言，座右铭( maxim的名词复数 )

参考例句：

• Courts also draw freely on traditional maxims of construction. 法院也自由吸收传统的解释准则。 来自英汉非文学 - 行政法
• There are variant formulations of some of the maxims. 有些准则有多种表达方式。 来自辞典例句

18 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

19 conceals   

v.隐藏，隐瞒，遮住( conceal的第三人称单数 )

参考例句：

• He conceals his worries behind a mask of nonchalance. 他装作若无其事，借以掩饰内心的不安。 来自《简明英汉词典》
• Drunkenness reveals what soberness conceals. 酒醉吐真言。 来自《简明英汉词典》

20 vices   

缺陷( vice的名词复数 )； 恶习； 不道德行为； 台钳

参考例句：

• In spite of his vices, he was loved by all. 尽管他有缺点，还是受到大家的爱戴。
• He vituperated from the pulpit the vices of the court. 他在教堂的讲坛上责骂宫廷的罪恶。

21 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

22 prudence   

n.谨慎，精明，节俭

参考例句：

• A lack of prudence may lead to financial problems.不够谨慎可能会导致财政上出现问题。
• The happy impute all their success to prudence or merit.幸运者都把他们的成功归因于谨慎或功德。

23 reiterates   

反复地说，重申( reiterate的第三人称单数 )

参考例句：

• The Chinese government reiterates that the question of Taiwan is China's internal affair. 中国政府重申，台湾问题是中国的内政。 来自汉英非文学 - 汉英文件
• Wang Jianzhou reiterates a fact and a viewpoint in Davos. 王建宙在达沃斯重申一个事实和一个观点。

24 abiding   

adj.永久的，持久的，不变的

参考例句：

• He had an abiding love of the English countryside.他永远热爱英国的乡村。
• He has a genuine and abiding love of the craft.他对这门手艺有着真挚持久的热爱。

25 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

26 rendering   

n.表现，描写

参考例句：

• She gave a splendid rendering of Beethoven's piano sonata.她精彩地演奏了贝多芬的钢琴奏鸣曲。
• His narrative is a super rendering of dialect speech and idiom.他的叙述是方言和土语最成功的运用。

27 paraphrase   

vt.将…释义，改写；n.释义，意义

参考例句：

• You may read the prose paraphrase of this poem.你可以看一下这首诗的散文释义。
• Paraphrase the following sentences or parts of sentences using your own words.用你自己的话解释下面的句子或句子的一部分。

28 rebus   

n.谜,画谜

参考例句：

• A picture of a cat on a log is a rebus for catalog.谜画中有一只猫（cat）站在一块木头（a log）上，谜底是catalog（目录）。
• Most people know a sort of puzzle called rebus.大多数人都知道有一种称为画谜的猜谜。

29 treatise   

n.专著；(专题)论文

参考例句：

• The doctor wrote a treatise on alcoholism.那位医生写了一篇关于酗酒问题的论文。
• This is not a treatise on statistical theory.这不是一篇有关统计理论的论文。

30 augmenting   

使扩张

参考例句：

• My business was now constantly augmenting, and my circumstances growing daily easier. 现在，我的业务不断扩大，我的境况日益安逸。
• I spent a penitential weekend augmenting the green acceptable. 我临时唯有利用周末在每顶绿帽子上加一点红色上去，以免男性来宾不肯戴上。

31 obsolete   

adj.已废弃的，过时的

参考例句：

• These goods are obsolete and will not fetch much on the market.这些货品过时了，在市场上卖不了高价。
• They tried to hammer obsolete ideas into the young people's heads.他们竭力把陈旧思想灌输给青年。

32 pithy   

adj.(讲话或文章)简练的

参考例句：

• Many of them made a point of praising the film's pithy dialogue.他们中很多人特别赞扬了影片精炼的对白。
• His pithy comments knocked the bottom out of my argument.他精辟的评论驳倒了我的论点。

33 fidelity   

n.忠诚，忠实；精确

参考例句：

• There is nothing like a dog's fidelity.没有什么能比得上狗的忠诚。
• His fidelity and industry brought him speedy promotion.他的尽职及勤奋使他很快地得到晋升。

34 asperity   

n.粗鲁，艰苦

参考例句：

• He spoke to the boy with asperity.他严厉地对那男孩讲话。
• The asperity of the winter had everybody yearning for spring.严冬之苦让每个人都渴望春天。

35 prologue   

n.开场白，序言；开端，序幕

参考例句：

• A poor wedding is a prologue to misery.不幸的婚姻是痛苦的开始。
• The prologue to the novel is written in the form of a newspaper account.这本小说的序言是以报纸报道的形式写的。

36 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。