CHAPTER VII

THE PURITAN AGE (1620-1660)

I. HISTORICAL SUMMARY

The Puritan Movement. In its broadest sense the Puritan movement may be regarded as a second and greater Renaissance¹, a rebirth of the moral nature of man following the intellectual awakening² of Europe in the fifteenth and sixteenth centuries. In Italy, whose influence had been uppermost in Elizabethan literature, the Renaissance had been essentially³ pagan and sensuous⁴. It had hardly touched the moral nature of man, and it brought little relief from the despotism of rulers. One can hardly read the horrible records of the Medici or the Borgias, or the political observations of Machiavelli, without marveling at the moral and political degradation⁶ of a cultured nation. In the North, especially among the German and English peoples, the Renaissance was accompanied by a moral awakening, and it is precisely⁷ that awakening in England, "that greatest moral and political reform which ever swept over a nation in the short space of half a century," which is meant by the Puritan movement. We shall understand it better if we remember that it had two chief objects: the first was personal righteousness; the second was civil and religious liberty. In other words, it aimed to make men honest and to make them free.

Wrong Ideas of the Puritans.Such a movement should be cleared of all the misconceptions which have clung to it since the Restoration, when the very name of Puritan was made ridiculous by the jeers⁸ of the gay courtiers of Charles II. Though the spirit of the movement was profoundly religious, the Puritans were not a religious sect¹⁰; neither was the Puritan a narrow-minded and gloomy dogmatist, as he is still pictured even in the histories. Pym and Hampden and Eliot and Milton were Puritans; and in the long struggle for human liberty there are few names more honored by freemen everywhere. Cromwell and Thomas Hooker were Puritans; yet Cromwell stood like a rock for religious tolerance¹²; and Thomas Hooker, in Connecticut, gave to the world the first written constitution, in which freemen, before electing their officers, laid down the strict limits of the offices to which they were elected. That is a Puritan document, and it marks one of the greatest achievements in the history of government.

From a religious view point Puritanism included all shades of belief. The name was first given to those who advocated certain changes in the form of worship of the reformed English Church under Elizabeth; but as the ideal of liberty rose in men's minds, and opposed to it were the king and his evil counselors¹³ and the band of intolerant churchmen of whom Laud¹⁴ is the great example, then Puritanism became a great national movement. It included English churchmen as well as extreme Separatists, Calvinists, Covenanters, Catholic noblemen,--all bound together in resistance to despotism in Church and State, and with a passion for liberty and righteousness such as the world has never since seen. Naturally such a movement had its extremes and excesses, and it is from a few zealots and fanatics¹⁷ that most of our misconceptions about the Puritans arise. Life was stern in those days, too stern perhaps, and the intensity¹⁸ of the struggle against despotism made men narrow and hard. In the triumph of Puritanism under Cromwell severe laws were passed, many simple pleasures were forbidden, and an austere¹⁹ standard of living was forced upon an unwilling²⁰ people. So the criticism is made that the wild outbreak of immorality²¹ which followed the restoration of Charles was partly due to the unnatural²² restrictions²³ of the Puritan era. The criticism is just; but we must not forget the whole spirit of the movement. That the Puritan prohibited Maypole dancing and horse racing²⁴ is of small consequence beside the fact that he fought for liberty and justice, that he overthrew²⁵ despotism and made a man's life and property safe from the tyranny of rulers. A great river is not judged by the foam²⁶ on its surface, and certain austere laws and doctrines²⁷ which we have ridiculed²⁹ are but froth on the surface of the mighty³⁰ Puritan current that has flowed steadily³¹, like a river of life, through English and American history since the Age of Elizabeth.

Changing Ideals. The political upheaval³² of the period is summed up in the terrible struggle between the king and Parliament, which resulted in the death of Charles at the block and the establishment of the Commonwealth³³ under Cromwell. For centuries the English people had been wonderfully loyal to their sovereigns; but deeper than their loyalty³⁵ to kings was the old Saxon love for personal liberty. At times, as in the days of Alfred and Elizabeth, the two ideals went hand in hand; but more often they were in open strife³⁶, and a final struggle for supremacy³⁷ was inevitable³⁸. The crisis came when James I, who had received the right of royalty³⁹ from an act of Parliament, began, by the assumption of "divine right," to ignore the Parliament which had created him. Of the civil war which followed in the reign³⁴ of Charles I, and of the triumph of English freedom, it is unnecessary to write here. The blasphemy⁴⁰ of a man's divine right to rule his fellow-men was ended. Modern England began with the charge of Cromwell's brigade of Puritans at Naseby.

Religious Ideals.Religiously the age was one of even greater ferment⁴¹ than that which marked the beginning of the Reformation. A great ideal, the ideal of a national church, was pounding to pieces, like a ship in the breakers, and in the confusion of such an hour the action of the various sects⁴² was like that of frantic⁴³ passengers, each striving to save his possessions from the wreck⁴⁴. The Catholic church, as its name implies, has always held true to the ideal of a united church, a church which, like the great Roman government of the early centuries, can bring the splendor⁴⁵ and authority of Rome to bear upon the humblest village church to the farthest ends of the earth. For a time that mighty ideal dazzled the German and English reformers; but the possibility of a united Protestant church perished with Elizabeth. Then, instead of the world-wide church which was the ideal of Catholicism, came the ideal of a purely⁴⁶ national Protestantism. This was the ideal of Laud and the reactionary⁴⁷ bishops⁴⁹, no less than of the scholarly Richard Hooker, of the rugged⁵⁰ Scotch⁵¹ Covenanters, and of the Puritans of Massachusetts Bay. It is intensely interesting to note that Charles called Irish rebels and Scotch Highlanders to his aid by promising⁵² to restore their national religions; and that the English Puritans, turning to Scotland for help, entered into the solemn Covenant¹⁵ of 1643, establishing a national Presbyterianism, whose object was:

To bring the churches of God in the three kingdoms to uniformity in religion and government, to preserve the rights of Parliament and the liberties of the Kingdom; ... that we and our posterity⁵⁴ may as brethren live in faith and love, and the Lord may delight to live in the midst of us.

In this famous Covenant we see the national, the ecclesiastical, and the personal dream of Puritanism, side by side, in all their grandeur⁵⁵ and simplicity⁵⁶.

Years passed, years of bitter struggle and heartache, before the impossibility of uniting the various Protestant sects was generally recognized. The ideal of a national church died hard, and to its death is due all the religious unrest of the period. Only as we remember the national ideal, and the struggle which it caused, can we understand the amazing life and work of Bunyan, or appreciate the heroic spirit of the American colonists⁵⁷ who left home for a wilderness⁵⁸ in order to give the new ideal of a free church in a free state its practical demonstration⁶¹.

Literary Characteristics. In literature also the Puritan Age was one of confusion, due to the breaking up of old ideals. Mediaeval standards of chivalry⁶³, the impossible loves and romances of which Spenser furnished the types, perished no less surely than the ideal of a national church; and in the absence of any fixed⁶⁴ standard of literary criticism there was nothing to prevent the exaggeration of the "metaphysical" poets, who are the literary parallels to religious sects like the Anabaptists. Poetry took new and startling forms in Donne and Herbert, and prose became as somber⁶⁵ as Burton's Anatomy⁶⁶ of Melancholy⁶⁷. The spiritual gloom which sooner or later fastens upon all the writers of this age, and which is unjustly attributed to Puritan influence, is due to the breaking up of accepted standards in government and religion. No people, from the Greeks to those of our own day, have suffered the loss of old ideals without causing its writers to cry, "Ichabod! the glory has departed." That is the unconscious tendency of literary men in all times, who look backward for their golden age; and it need not concern the student of literature, who, even in the break-up of cherished institutions, looks for some foregleams of a better light which is to break upon the world. This so-called gloomy age produced some minor⁶⁸ poems of exquisite⁶⁹ workmanship, and one great master of verse whose work would glorify⁷⁰ any age or people,--John Milton, in whom the indomitable Puritan spirit finds its noblest expression.

Puritan and Elizabethan Literature There are three main characteristics in which Puritan literature differs from that of the preceding age: (1) Elizabethan literature, with all its diversity, had a marked unity⁷¹ in spirit, resulting from the patriotism⁷² of all classes and their devotion to a queen who, with all her faults, sought first the nation's welfare. Under the Stuarts all this was changed. The kings were the open enemies of the people; the country was divided by the struggle for political and religious liberty; and the literature was as divided in spirit as were the struggling parties. (2) Elizabethan literature is generally inspiring; it throbs⁷³ with youth and hope and vitality⁷⁴. That which follows speaks of age and sadness; even its brightest hours are followed by gloom, and by the pessimism⁷⁵ inseparable from the passing of old standards. (3) Elizabethan literature is intensely romantic; the romance springs from the heart of youth, and believes all things, even the impossible. The great schoolman's credo, "I believe because it is impossible," is a better expression of Elizabethan literature than of medi?val theology. In the literature of the Puritan period one looks in vain for romantic ardor⁷⁷. Even in the lyrics⁷⁹ and love poems a critical, intellectual spirit takes its place, and whatever romance asserts itself is in form rather than in feeling, a fantastic and artificial adornment⁸⁰ of speech rather than the natural utterance⁸¹ of a heart in which sentiment is so strong and true that poetry is its only expression.

II. LITERATURE OF THE PURITAN PERIOD

The Transition Poets. When one attempts to classify the literature of the first half of the seventeenth century, from the death of Elizabeth (1603) to the Restoration (1660), he realizes the impossibility of grouping poets by any accurate standard. The classifications attempted here have small dependence⁸³ upon dates or sovereigns, and are suggestive rather than accurate. Thus Shakespeare and Bacon wrote largely in the reign of James I, but their work is Elizabethan in spirit; and Bunyan is no less a Puritan because he happened to write after the Restoration. The name Metaphysical poets, given by Dr. Johnson, is somewhat suggestive but not descriptive of the followers⁸⁵ of Donne; the name Caroline or Cavalier poets brings to mind the careless temper of the Royalists who followed King Charles with a devotion of which he was unworthy; and the name Spenserian poets recalls the little band of dreamers who clung to Spenser's ideal, even while his romantic medi?val castle was battered⁸⁷ down by Science at the one gate and Puritanism at the other. At the beginning of this bewildering confusion of ideals expressed in literature, we note a few writers who are generally known as Jacobean poets, but whom we have called the Transition poets because, with the later dramatists, they show clearly the changing standards of the age.

Samuel Daniel (1562-1619). Daniel, who is often classed with the first Metaphysical poets, is interesting to us for two reasons,--for his use of the artificial sonnet⁸⁸, and for his literary desertion of Spenser as a model for poets. His Delia, a cycle of sonnets⁸⁹ modeled, perhaps, after Sidney's Astrophel and Stella, helped to fix the custom of celebrating love or friendship by a series of sonnets, to which some pastoral pseudonym⁹⁰ was affixed⁹¹. In his sonnets, many of which rank with Shakespeare's, and in his later poetry, especially the beautiful "Complaint of Rosamond" and his "Civil Wars," he aimed solely⁹² at grace of expression, and became influential⁹³ in giving to English poetry a greater individuality and independence than it had ever known. In matter he set himself squarely against the medi?val tendency:

    Let others sing of kings and paladines
    In aged⁹⁴ accents and untimely words,
    Paint shadows in imaginary lines.

This fling at Spenser and his followers marks the beginning of the modern and realistic school, which sees in life as it is enough poetic⁹⁵ material, without the invention of allegories and impossible heroines. Daniel's poetry, which was forgotten soon after his death, has received probably more homage⁹⁶ than it deserves in the praises of Wordsworth, Southey, Lamb, and Coleridge. The latter says: "Read Daniel, the admirable Daniel. The style and language are just such as any pure and manly⁹⁷ writer of the present day would use. It seems quite modern in comparison with the style of Shakespeare."

The Song Writers. In strong contrast with the above are two distinct groups, the Song Writers and the Spenserian poets. The close of the reign of Elizabeth was marked by an outburst of English songs, as remarkable⁹⁸ in its sudden development as the rise of the drama. Two causes contributed to this result,--the increasing influence of French instead of Italian verse, and the rapid development of music as an art at the close of the sixteenth century. The two song writers best worth studying are Thomas Campion (1567?-1619) and Nicholas Breton (1545?-1626?). Like all the lyric⁷⁸ poets of the age, they are a curious mixture of the Elizabethan and the Puritan standards. They sing of sacred and profane⁹⁹ love with the same zest¹⁰⁰, and a careless love song is often found on the same page with a plea for divine grace.

The Spenserian Poets. Of the Spenserian poets Giles Fletcher and Wither¹⁰¹ are best worth studying. Giles Fletcher (1588?-1623) has at times a strong suggestion of Milton (who was also a follower⁸⁴ of Spenser in his early years) in the noble simplicity and majesty¹⁰² of his lines. His best known work, "Christ's Victory and Triumph" (1610), was the greatest religious poem that had appeared in England since "Piers¹⁰³ Plowman," and is not an unworthy predecessor¹⁰⁴ of Paradise Lost.

The life of George Wither (1588-1667) covers the whole period of English history from Elizabeth to the Restoration, and the enormous volume of his work covers every phase of the literature of two great ages. His life was a varied¹⁰⁵ one; now as a Royalist leader against the Covenanters, and again announcing his Puritan convictions, and suffering in prison for his faith. At his best Wither is a lyric poet of great originality¹⁰⁶, rising at times to positive genius; but the bulk of his poetry is intolerably dull. Students of this period find him interesting as an epitome¹⁰⁷ of the whole age in which he lived; but the average reader is more inclined to note with interest that he published in 1623 Hymns¹⁰⁹ and Songs of the Church, the first hymn¹⁰⁸ book that ever appeared in the English language.

The Metaphysical Poets. This name--which was given by Dr. Johnson in derision, because of the fantastic form of Donne's poetry--is often applied¹¹⁰ to all minor poets of the Puritan Age. We use the term here in a narrower sense, excluding the followers of Daniel and that later group known as the Cavalier poets. It includes Donne, Herbert, Waller, Denham, Cowley, Vaughan, Davenant, Marvell, and Crashaw. The advanced student finds them all worthy⁸⁶ of study, not only for their occasional excellent poetry, but because of their influence on later literature. Thus Richard Crashaw (1613?-1649), the Catholic mystic, is interesting because his troubled life is singularly like Donne's, and his poetry is at times like Herbert's set on fire.[160] Abraham Cowley (1618-1667), who blossomed young and who, at twenty-five, was proclaimed the greatest poet in England, is now scarcely known even by name, but his "Pindaric Odes"[161] set an example which influenced English poetry throughout the eighteenth century. Henry Vaughan (1622-1695) is worthy of study because he is in some respects the forerunner¹¹¹ of Wordsworth;[162] and Andrew Marvell (1621-1678), because of his loyal friendship with Milton, and because his poetry shows the conflict between the two schools of Spenser and Donne. Edmund Waller (1606-1687) stands between the Puritan Age and the Restoration. He was the first to use consistently the "closed" couplet which dominated our poetry for the next century. By this, and especially by his influence over Dryden, the greatest figure of the Restoration, he occupies a larger place in our literature than a reading of his rather tiresome¹¹² poetry would seem to warrant.

Of all these poets, each of whom has his special claim, we can consider here only Donne and Herbert, who in different ways are the types of revolt against earlier forms and standards of poetry. In feeling and imagery both are poets of a high order, but in style and expression they are the leaders of the fantastic school whose influence largely dominated poetry during the half century of the Puritan period.

JOHN DONNE (1573-1631)

Life. The briefest outline of Donne's life shows its intense human interest. He was born in London, the son of a rich iron merchant, at the time when the merchants of England were creating a new and higher kind of princes. On his father's side he came from an old Welsh family, and on his mother's side from the Heywoods and Sir Thomas More's family. Both families were Catholic, and in his early life persecution¹¹³ was brought near; for his brother died in prison for harboring a proscribed¹¹⁴ priest, and his own education could not be continued in Oxford¹¹⁵ and Cambridge because of his religion. Such an experience generally sets a man's religious standards for life; but presently Donne, as he studied law at Lincoln's Inn, was investigating the philosophic¹¹⁶ grounds of all faith. Gradually he left the church in which he was born, renounced¹¹⁷ all denominations¹¹⁸, and called himself simply Christian¹¹⁹. Meanwhile he wrote poetry and shared his wealth with needy¹²⁰ Catholic relatives. He joined the expedition of Essex for Cadiz in 1596, and for the Azores in 1597, and on sea and in camp found time to write poetry. Two of his best poems, "The Storm" and "The Calm," belong to this period. Next he traveled in Europe for three years, but occupied himself with study and poetry. Returning home, he became secretary to Lord Egerton, fell in love with the latter's young niece, Anne More, and married her; for which cause Donne was cast into prison. Strangely enough his poetical¹²¹ work at this time is not a song of youthful romance, but "The Progress of the Soul," a study of transmigration. Years of wandering and poverty followed, until Sir George More forgave the young lovers and made an allowance to his daughter. Instead of enjoying his new comforts, Donne grew more ascetic¹²³ and intellectual in his tastes. He refused also the nattering offer of entering the Church of England and of receiving a comfortable "living." By his "Pseudo Martyr¹²⁴" he attracted the favor of James I, who persuaded him to be ordained¹²⁶, yet left him without any place or employment. When his wife died her allowance ceased, and Donne was left with seven children in extreme poverty. Then he became a preacher, rose rapidly by sheer intellectual force and genius, and in four years was the greatest of English preachers and Dean of St. Paul's Cathedral in London. There he "carried some to heaven in holy raptures¹²⁷ and led others to amend¹²⁸ their lives," and as he leans over the pulpit with intense earnestness is likened by Izaak Walton to "an angel leaning from a cloud."

Here is variety enough to epitomize his age, and yet in all his life, stronger than any impression of outward weal or woe¹²⁹, is the sense of mystery that surrounds Donne. In all his work one finds a mystery, a hiding of some deep thing which the world would gladly know and share, and which is suggested in his haunting little poem, "The Undertaking":

    I have done one braver thing
    Than all the worthies¹³⁰ did;
    And yet a braver thence doth spring,
    Which is, to keep that hid.

Donne's Poetry. Donne's poetry is so uneven¹³¹, at times so startling and fantastic, that few critics would care to recommend it to others. Only a few will read his works, and they must be left to their own browsing¹³², to find what pleases them, like deer which, in the midst of plenty, take a bite here and there and wander on, tasting twenty varieties of food in an hour's feeding. One who reads much will probably bewail Donne's lack of any consistent style or literary standard. For instance, Chaucer and Milton are as different as two poets could well be; yet the work of each is marked by a distinct and consistent style, and it is the style as much as the matter which makes the Tales or the Paradise Lost a work for all time. Donne threw style and all literary standards to the winds; and precisely for this reason he is forgotten, though his great intellect and his genius had marked him as one of those who should do things "worthy to be remembered." While the tendency of literature is to exalt¹³⁴ style at the expense of thought, the world has many men and women who exalt feeling and thought above expression; and to these Donne is good reading. Browning is of the same school, and compels attention. While Donne played havoc¹³⁵ with Elizabethan style, he nevertheless influenced our literature in the way of boldness and originality; and the present tendency is to give him a larger place, nearer to the few great poets, than he has occupied since Ben Jonson declared that he was "the first poet of the world in some things," but likely to perish "for not being understood." For to much of his poetry we must apply his own satiric¹³⁶ verses on another's crudities:

    Infinite work! which doth so far extend
    That none can study it to any end.

GEORGE HERBERT (1593-1633)

"O day most calm, most bright," sang George Herbert, and we may safely take that single line as expressive¹³⁷ of the whole spirit of his writings. Professor Palmer, whose scholarly edition of this poet's works is a model for critics and editors, calls Herbert the first in English poetry who spoke¹³⁸ face to face with God. That may be true; but it is interesting to note that not a poet of the first half of the seventeenth century, not even the gayest of the Cavaliers, but has written some noble verse of prayer or aspiration¹³⁹, which expresses the underlying¹⁴⁰ Puritan spirit of his age. Herbert is the greatest, the most consistent of them all. In all the others the Puritan struggles against the Cavalier, or the Cavalier breaks loose from the restraining Puritan; but in Herbert the struggle is past and peace has come. That his life was not all calm, that the Puritan in him had struggled desperately¹⁴¹ before it subdued¹⁴² the pride and idleness of the Cavalier, is evident to one who reads between his lines:

    I struck the board and cry'd, No more!
              I will abroad.
    What? Shall I ever sigh and pine?
    My lines and life are free, free as the road,
    Loose as the wind.

There speaks the Cavalier of the university and the court; and as one reads to the end of the little poem, which he calls by the suggestive name of "The Collar," he may know that he is reading condensed biography.

Those who seek for faults, for strained imagery and fantastic verse forms in Herbert's poetry, will find them in abundance; but it will better repay the reader to look for the deep thought and fine feeling that are hidden in these wonderful religious lyrics, even in those that appear most artificial. The fact that Herbert's reputation was greater, at times, than Milton's, and that his poems when published after his death had a large sale and influence, shows certainly that he appealed to the men of his age; and his poems will probably be read and appreciated, if only by the few, just so long as men are strong enough to understand the Puritan's spiritual convictions.

Life. Herbert's life is so quiet and uneventful that to relate a few biographical facts can be of little advantage. Only as one reads the whole story by Izaak Walton can he share the gentle spirit of Herbert's poetry. He was born at Montgomery Castle,[163] Wales, 1593, of a noble Welsh family. His university course was brilliant, and after graduation he waited long years in the vain hope of preferment at court. All his life he had to battle against disease, and this is undoubtedly¹⁴³ the cause of the long delay before each new step in his course. Not till he was thirty-seven was he ordained and placed over the little church of Bemerton. How he lived here among plain people, in "this happy corner of the Lord's field, hoping all things and blessing¹⁴⁴ all people, asking his own way to Sion and showing others the way," should be read in Walton. It is a brief life, less than three years of work before being cut off by consumption, but remarkable for the single great purpose and the glorious spiritual strength that shine through physical weakness. Just before his death he gave some manuscripts to a friend, and his message is worthy of John Bunyan:

Deliver this little book to my dear brother Ferrar, and tell him he shall find in it a picture of the many spiritual conflicts that have passed betwixt God and my soul before I could subject mine to the will of Jesus my master, in whose service I have now found perfect freedom. Desire him to read it; and then, if he can think it may turn to the advantage of any dejected poor soul, let it be made public; if not, let him burn it, for I and it are less than the least of God's mercies.

Herbert's Poems. Herbert's chief work, The Temple, consists of over one hundred and fifty short poems suggested by the Church, her holidays and ceremonials, and the experiences of the Christian life. The first poem, "The Church Porch," is the longest and, though polished with a care that foreshadows the classic school, the least poetical. It is a wonderful collection of condensed sermons, wise precepts¹⁴⁵, and moral lessons, suggesting Chaucer's "Good Counsel," Pope's "Essay on Man," and Polonius's advice to Laertes, in Hamlet; only it is more packed with thought than any of these. Of truth-speaking he says:

    Dare to be true. Nothing can need a lie;
    A fault which needs it most grows two thereby¹⁴⁶.

and of calmness in argument:

    Calmness is great advantage: he that lets
    Another chafe¹⁴⁷ may warm him at his fire.

Among the remaining poems of The Temple one of the most suggestive is "The Pilgrimage." Here in six short stanzas¹⁴⁸, every line close-packed with thought, we have the whole of Bunyan's Pilgrim's Progress. The poem was written probably before Bunyan was born, but remembering the wide influence of Herbert's poetry, it is an interesting question whether Bunyan received the idea of his immortal¹⁴⁹ work from this "Pilgrimage." Probably the best known of all his poems is the one called "The Pulley," which generally appears, however under the name "Rest," or "The Gifts of God."

      When God at first made man,
    Having a glass of blessings¹⁵⁰ standing¹⁵¹ by,
    Let us, said he, pour on him all we can:
    Let the world's riches, which dispersed¹⁵² lie,
        Contract into a span.
      So strength first made a way;
    Then beauty flowed; then wisdom, honor, pleasure.
    When almost all was out, God made a stay,
    Perceiving that, alone of all his treasure,
        Rest in the bottom lay.
      For, if I should, said he,
    Bestow¹⁵³ this jewel also on my creature,
    He would adore my gifts instead of me,
    And rest in Nature, not the God of Nature:
        So both should losers be.
      Yet let him keep the rest,
    But keep them with repining restlessness:
    Let him be rich and weary, that at least,
    If goodness lead him not, yet weariness
        May toss him to my breast.

Among the poems which may be read as curiosities of versification, and which arouse the wrath¹⁵⁴ of the critics against the whole metaphysical school, are those like "Easter Wings" and "The Altar," which suggest in the printed form of the poem the thing of which the poet sings. More ingenious is the poem in which rime¹⁵⁵ is made by cutting off the first letter of a preceding word, as in the five stanzas of "Paradise ":

    I bless thee, Lord, because I grow
    Among thy trees, which in a row
    To thee both fruit and order ow.

And more ingenious still are odd conceits¹⁵⁶ like the poem "Heaven," in which Echo, by repeating the last syllable¹⁵⁷ of each line, gives an answer to the poet's questions.

The Cavalier Poets. In the literature of any age there are generally found two distinct tendencies. The first expresses the dominant¹⁵⁸ spirit of the times; the second, a secret or an open rebellion. So in this age, side by side with the serious and rational Puritan, lives the gallant¹⁵⁹ and trivial Cavalier. The Puritan finds expression in the best poetry of the period, from Donne to Milton, and in the prose of Baxter and Bunyan; the Cavalier in a small group of poets,--Herrick, Lovelace, Suckling, and Carew,--who write songs generally in lighter¹⁶⁰ vein¹⁶¹, gay, trivial, often licentious¹⁶², but who cannot altogether escape the tremendous seriousness of Puritanism.

Thomas Carew (1598?-1639?). Carew may be called the inventor of Cavalier love poetry, and to him, more than to any other, is due the peculiar¹⁶³ combination of the sensual and the religious which marked most of the minor poets of the seventeenth century. His poetry is the Spenserian pastoral stripped of its refinement¹⁶⁴ of feeling and made direct, coarse, vigorous. His poems, published in 1640, are generally, like his life, trivial or sensual; but here and there is found one, like the following, which indicates that with the Metaphysical and Cavalier poets a new and stimulating¹⁶⁶ force had entered English literature:

    Ask me no more where Jove bestows¹⁶⁷,
    When June is past, the fading rose,
    For in your beauty's orient deep
    These flowers, as in their causes, sleep.
    Ask me no more where those stars light
    That downwards¹⁶⁸ fall in dead of night,
    For in your eyes they sit, and there
    Fixèd become as in their sphere.
    Ask me no more if east or west
    The phoenix¹⁶⁹ builds her spicy¹⁷⁰ nest,
    For unto you at last she flies,
    And in your fragrant¹⁷¹ bosom¹⁷² dies.

Robert Herrick (1591-1674). Herrick is the true Cavalier, gay, devil-may-care in disposition¹⁷³, but by some freak of fate a clergyman of Dean Prior, in South Devon, a county made famous by him and Blackmore. Here, in a country parish, he lived discontentedly, longing¹⁷⁴ for the joys of London and the Mermaid¹⁷⁵ Tavern¹⁷⁶, his bachelor establishment consisting of an old housekeeper¹⁷⁷, a cat, a dog, a goose, a tame lamb, one hen,--for which he thanked God in poetry because she laid an egg every day,--and a pet pig that drank beer with Herrick out of a tankard. With admirable good nature, Herrick made the best of these uncongenial surroundings. He watched with sympathy the country life about him and caught its spirit in many lyrics, a few of which, like "Corinna's Maying," "Gather ye rosebuds¹⁷⁸ while ye may," and "To Daffodils," are among the best known in our language. His poems cover a wide range, from trivial love songs, pagan in spirit, to hymns of deep religious feeling. Only the best of his poems should be read; and these are remarkable for their exquisite sentiment and their graceful¹⁷⁹, melodious¹⁸⁰ expression. The rest, since they reflect something of the coarseness of his audience, may be passed over in silence.

Late in life Herrick published his one book, Hesperides and Noble Numbers (1648). The latter half contains his religious poems, and one has only to read there the remarkable "Litany" to see how the religious terror that finds expression in Bunyan's Grace Abounding¹⁸¹ could master even the most careless of Cavalier singers.

Suckling and Lovelace. Sir John Suckling (1609-1642) was one of the most brilliant wits of the court of Charles I, who wrote poetry as he exercised a horse or fought a duel¹⁸², because it was considered a gentleman's accomplishment¹⁸³ in those days. His poems, "struck from his wild life like sparks from his rapier," are utterly¹⁸⁴ trivial, and, even in his best known "Ballad¹⁸⁵ Upon a Wedding," rarely rise above mere¹⁸⁶ doggerel¹⁸⁷. It is only the romance of his life--his rich, brilliant, careless youth, and his poverty and suicide in Paris, whither he fled because of his devotion to the Stuarts--that keeps his name alive in our literature.

In his life and poetry Sir Richard Lovelace (1618-1658) offers a remarkable parallel to Suckling, and the two are often classed together as perfect representatives of the followers of King Charles. Lovelace's Lucasta, a volume of love lyrics, is generally on a higher plane than Suckling's work; and a few of the poems like "To Lucasta," and "To Althea, from Prison," deserve the secure place they have won. In the latter occur the oft-quoted lines:

    Stone walls do not a prison make,
        Nor iron bars a cage;
    Minds innocent and quiet take
        That for an hermitage.
    If I have freedom in my love,
        And in my soul am free,
    Angels alone that soar above
        Enjoy such liberty.

JOHN MILTON (1608-1674)

    Thy soul was like a star and dwelt apart;
    Thou hadst a voice whose sound was like the sea--
    Pure as the naked heavens, majestic¹⁸⁸, free;
    So didst thou travel on life's common way
    In cheerful godliness: and yet thy heart
    The lowliest duties on herself did lay.
            (From Wordsworth's "Sonnet on Milton")

Shakespeare and Milton are the two figures that tower conspicuously¹⁸⁹ above the goodly fellowship of men who have made our literature famous. Each is representative of the age that produced him, and together they form a suggestive commentary upon the two forces that rule our humanity,--the force of impulse and the force of a fixed purpose. Shakespeare is the poet of impulse, of the loves, hates, fears, jealousies¹⁹⁰, and ambitions that swayed the men of his age. Milton is the poet of steadfast¹⁹¹ will and purpose, who moves like a god amid the fears and hopes and changing impulses of the world, regarding them as trivial and momentary¹⁹² things that can never swerve¹⁹³ a great soul from its course.

It is well to have some such comparison in mind while studying the literature of the Elizabethan and the Puritan Age. While Shakespeare and Ben Jonson and their unequaled company of wits make merry at the Mermaid Tavern, there is already growing up on the same London street a poet who shall bring a new force into literature, who shall add to the Renaissance culture and love of beauty the tremendous moral earnestness of the Puritan. Such a poet must begin, as the Puritan always began, with his own soul, to discipline and enlighten it, before expressing its beauty in literature. "He that would hope to write well hereafter in laudable things," says Milton, "ought himself to be a true poem; that is, a composition and pattern of the best and most honorable things." Here is a new proposition in art which suggests the lofty ideal of Fra Angelico, that before one can write literature, which is the expression of the ideal, he must first develop in himself the ideal man. Because Milton is human he must know the best in humanity; therefore he studies, giving his days to music, art, and literature, his nights to profound research and meditation¹⁹⁴. But because he knows that man is more than mortal he also prays, depending, as he tells us, on "devout¹⁹⁵ prayer to that Eternal Spirit who can enrich with all utterance and knowledge." Such a poet is already in spirit far beyond the Renaissance, though he lives in the autumn of its glory and associates with its literary masters. "There is a spirit in man," says the old Hebrew poet, "and the inspiration of the Almighty¹⁹⁶ giveth him understanding." Here, in a word, is the secret of Milton's life and writing. Hence his long silences, years passing without a word; and when he speaks it is like the voice of a prophet who begins with the sublime¹⁹⁷ announcement, "The Spirit of the Lord is upon me." Hence his style, producing an impression of sublimity¹⁹⁸, which has been marked for wonder by every historian of our literature. His style was unconsciously sublime because he lived and thought consciously in a sublime atmosphere.

Life of Milton. Milton is like an ideal in the soul, like a lofty mountain on the horizon. We never attain¹⁹⁹ the ideal; we never climb the mountain; but life would be inexpressibly poorer were either to be taken away.

From childhood Milton's parents set him apart for the attainment²⁰⁰ of noble ends, and so left nothing to chance in the matter of training. His father, John Milton, is said to have turned Puritan while a student at Oxford and to have been disinherited by his family; whereupon he settled in London and prospered²⁰¹ greatly as a scrivener, that is, a kind of notary²⁰². In character the elder Milton was a rare combination of scholar and business man, a radical²⁰³ Puritan in politics and religion, yet a musician, whose hymn tunes²⁰⁴ are still sung, and a lover of art and literature. The poet's mother was a woman of refinement and social grace, with a deep interest in religion and in local charities. So the boy grew up in a home which combined the culture of the Renaissance with the piety²⁰⁵ and moral strength of early Puritanism. He begins, therefore, as the heir of one great age and the prophet of another.

Illustration: JOHN MILTON
JOHN MILTON

Apparently²⁰⁶ the elder Milton shared Bacon's dislike for the educational methods of the time and so took charge of his son's training, encouraging his natural tastes, teaching him music, and seeking out a tutor who helped the boy to what he sought most eagerly, not the grammar and mechanism²⁰⁷ of Greek and Latin but rather the stories, the ideals, the poetry that hide in their incomparable literatures. At twelve years we find the boy already a scholar in spirit, unable to rest till after midnight because of the joy with which his study was rewarded. From boyhood two great principles seem to govern Milton's career: one, the love of beauty, of music, art, literature, and indeed of every form of human culture; the other, a steadfast devotion to duty as the highest object in human life.

A brief course at the famous St. Paul's school in London was the prelude²⁰⁸ to Milton's entrance to Christ's College, Cambridge. Here again he followed his natural bent²⁰⁹ and, like Bacon, found himself often in opposition²¹⁰ to the authorities. Aside from some Latin poems, the most noteworthy song of this period of Milton's life is his splendid ode, '"On the Morning of Christ's Nativity," which was begun on Christmas day, 1629. Milton, while deep in the classics, had yet a greater love for his native literature. Spenser was for years his master; in his verse we find every evidence of his "loving study" of Shakespeare, and his last great poems show clearly how he had been influenced by Fletcher's Christ's Victory and Triumph. But it is significant that this first ode rises higher than anything of the kind produced in the famous Age of Elizabeth.

While at Cambridge it was the desire of his parents that Milton should take orders in the Church of England; but the intense love of mental liberty which stamped the Puritan was too strong within him, and he refused to consider the "oath of servitude," as he called it, which would mark his ordination²¹¹. Throughout his life Milton, though profoundly religious, held aloof²¹² from the strife of sects. In belief, he belonged to the extreme Puritans, called Separatists, Independents, Congregationalists, of which our Pilgrim Fathers are the great examples; but he refused to be bound by any creed²¹³ or church discipline:

    As ever in my great Task-Master's eye.

In this last line of one of his sonnets[164] is found Milton's rejection²¹⁴ of every form of outward religious authority in face of the supreme²¹⁵ Puritan principle, the liberty of the individual soul before God.

A long period of retirement²¹⁶ followed Milton's withdrawal²¹⁷ from the university in 1632. At his father's country home in Horton he gave himself up for six years to solitary²¹⁸ reading and study, roaming over the wide fields of Greek, Latin, Hebrew, Spanish, French, Italian, and English literatures, and studying hard at mathematics, science, theology, and music,--a curious combination. To his love of music we owe the melody of all his poetry, and we note it in the rhythm and balance which make even his mighty prose arguments harmonious²¹⁹. In "Lycidas," "L'Allegro," "Il Penseroso," "Arcades," "Comus," and a few "Sonnets," we have the poetic results of this retirement at Horton,--few, indeed, but the most perfect of their kind that our literature has recorded.

Out of solitude²²⁰, where his talent was perfected, Milton entered the busy world where his character was to be proved to the utmost. From Horton he traveled abroad, through France, Switzerland, and Italy, everywhere received with admiration²²¹ for his learning and courtesy, winning the friendship of the exiled Dutch scholar Grotius, in Paris, and of Galileo in his sad imprisonment²²² in Florence.[165] He was on his way to Greece when news reached him of the break between king and parliament. With the practical insight which never deserted²²³ him Milton saw clearly the meaning of the news. His cordial reception in Italy, so chary²²⁴ of praise to anything not Italian, had reawakened in Milton the old desire to write an epic²²⁵ which England would "not willingly let die"; but at thought of the conflict for human freedom all his dreams were flung to the winds. He gave up his travels and literary ambitions and hurried to England. "For I thought it base," he says, "to be traveling at my ease for intellectual culture while my fellow-countrymen at home were fighting for liberty."

Then for nearly twenty years the poet of great achievement and still greater promise disappears. We hear no more songs, but only the prose denunciations and arguments which are as remarkable as his poetry. In all our literature there is nothing more worthy of the Puritan spirit than this laying aside of personal ambitions in order to join in the struggle for human liberty. In his best known sonnet, "On His Blindness," which reflects his grief, not at darkness, but at his abandoned dreams, we catch the sublime spirit of this renunciation.

Milton's opportunity to serve came in the crisis of 1649. The king had been sent to the scaffold, paying the penalty of his own treachery, and England sat shivering at its own deed, like a child or a Russian peasant who in sudden passion resists unbearable²²⁶ brutality²²⁷ and then is afraid of the consequences. Two weeks of anxiety, of terror and silence followed; then appeared Milton's Tenure²²⁸ of Kings and Magistrates²²⁹. To England it was like the coming of a strong man, not only to protect the child, but to justify²³⁰ his blow for liberty. Kings no less than people are subject to the eternal principle of law; the divine right of a people to defend and protect themselves,--that was the mighty argument which calmed a people's dread²³¹ and proclaimed that a new man and a new principle had arisen in England. Milton was called to be Secretary for Foreign Tongues in the new government; and for the next few years, until the end of the Commonwealth, there were two leaders in England, Cromwell the man of action, Milton the man of thought. It is doubtful to which of the two humanity owes most for its emancipation²³² from the tyranny of kings and prelates.

Two things of personal interest deserve mention in this period of Milton's life, his marriage and his blindness. In 1643 he married Mary Powell, a shallow, pleasure-loving girl, the daughter of a Royalist; and that was the beginning of sorrows. After a month, tiring of the austere life of a Puritan household, she abandoned her husband, who, with the same radical reasoning with which he dealt with affairs of state, promptly²³³ repudiated²³⁴ the marriage. His Doctrine²⁸ and Discipline of Divorce and his Tetrachordon are the arguments to justify his position; but they aroused a storm of protest in England, and they suggest to a modern reader that Milton was perhaps as much to blame as his wife, and that he had scant²³⁵ understanding of a woman's nature. When his wife, fearing for her position, appeared before him in tears, all his ponderous²³⁶ arguments were swept aside by a generous impulse; and though the marriage was never a happy one, Milton never again mentioned his wife's desertion. The scene in Paradise Lost, where Eve comes weeping to Adam, seeking peace and pardon, is probably a reflection of a scene in Milton's own household. His wife died in 1653, and a few years later he married another, whom we remember for the sonnet, "Methought I saw my late espoused²³⁷ saint," in which she is celebrated²³⁸. She died after fifteen months, and in 1663 he married a third wife, who helped the blind old man to manage his poor household.

From boyhood the strain on the poet's eyes had grown more and more severe; but even when his sight was threatened he held steadily to his purpose of using his pen in the service of his country. During the king's imprisonment a book appeared called Eikon Basilike (Royal Image), giving a rosy²³⁹ picture of the king's piety, and condemning²⁴⁰ the Puritans. The book speedily became famous and was the source of all Royalist arguments against the Commonwealth. In 1649 appeared Milton's Eikonoklastes (Image Breaker), which demolished²⁴¹ the flimsy arguments of the Eikon Basilike as a charge of Cromwell's Ironsides had overwhelmed the king's followers. After the execution of the king appeared another famous attack upon the Puritans, Defensio Regia pro⁹ Carlo I, instigated²⁴² by Charles II, who was then living in exile. It was written in Latin by Salmasius, a Dutch professor at Leyden, and was hailed by the Royalists as an invincible²⁴³ argument. By order of the Council of State Milton prepared a reply. His eyesight had sadly failed, and he was warned that any further strain would be disastrous²⁴⁴. His reply was characteristic of the man and the Puritan. As he had once sacrificed his poetry, so he was now ready, he said, to sacrifice his eyes also on the altar of English liberty. His magnificent Defensio pro Populo Anglicano is one of the most masterly controversial works in literature. The power of the press was already strongly felt in England, and the new Commonwealth owed its standing partly to Milton's prose, and partly to Cromwell's policy. The Defensio was the last work that Milton saw. Blindness fell upon him ere it was finished, and from 1652 until his death he labored²⁴⁵ in total darkness.

The last part of Milton's life is a picture of solitary grandeur unequaled in literary history. With the Restoration all his labors²⁴⁷ and sacrifices for humanity were apparently wasted. From his retirement he could hear the bells and the shouts that welcomed back a vicious monarch²⁴⁸, whose first act was to set his foot upon his people's neck. Milton was immediately marked for persecution; he remained for months in hiding; he was reduced to poverty, and his books were burned by the public hangman. His daughters, upon whom he depended in his blindness, rebelled at the task of reading to him and recording²⁵⁰ his thoughts. In the midst of all these sorrows we understand, in Samson, the cry of the blind champion of Israel:

    Now blind, disheartened, shamed, dishonored, quelled²⁵¹,
    To what can I be useful? wherein serve
    My nation, and the work from Heaven imposed?
    But to sit idle on the household hearth²⁵²,
    A burdenous drone; to visitants a gaze,
    Or pitied object.

Milton's answer is worthy of his own great life. Without envy or bitterness he goes back to the early dream of an immortal poem and begins with superb consciousness of power to dictate²⁵³ his great epic.

Paradise Lost was finished in 1665, after seven years' labor²⁴⁶ in darkness. With great difficulty he found a publisher, and for the great work, now the most honored poem in our literature, he received less than certain verse makers²⁵⁴ of our day receive for a little song in one of our popular magazines. Its success was immediate²⁴⁹, though, like all his work, it met with venomous criticism. Dryden summed up the impression made on thoughtful minds of his time when he said, "This man cuts us all out, and the ancients too." Thereafter a bit of sunshine came into his darkened home, for the work stamped him as one of the world's great writers, and from England and the Continent pilgrims came in increasing numbers to speak their gratitude²⁵⁵.

The next year Milton began his Paradise Regained²⁵⁶. In 1671 appeared his last important work, Samson Agonistes, the most powerful dramatic poem on the Greek model which our language possesses. The picture of Israel's mighty champion, blind, alone, afflicted²⁵⁷ by thoughtless enemies but preserving a noble ideal to the end, is a fitting close to the life work of the poet himself. For years he was silent, dreaming who shall say what dreams in his darkness, and saying cheerfully to his friends, "Still guides the heavenly vision." He died peacefully in 1674, the most sublime and the most lonely figure in our literature.

Milton's Early Poetry.[166] In his early work Milton appears as the inheritor of all that was best in Elizabethan literature, and his first work, the ode "On the Morning of Christ's Nativity," approaches the high-water mark of lyric poetry in England. In the next six years, from 1631 to 1637, he wrote but little, scarcely more than two thousand lines, but these are among the most exquisite and the most perfectly²⁵⁸ finished in our language.

L'Allegro"L'Allegro" and "II Penseroso" are twin poems, containing many lines and short descriptive passages which linger in the mind like strains of music, and which are known and loved wherever English is spoken. "L'Allegro" (the joyous²⁵⁹ or happy man) is like an excursion into the English fields at sunrise. The air is sweet; birds are singing; a multitude of sights, sounds, fragrances²⁶⁰, fill all the senses; and to this appeal of nature the soul of man responds by being happy, seeing in every flower and hearing in every harmony some exquisite symbol of human life. "Il Penseroso" takes us over the same ground at twilight²⁶¹ and at moonrise. The air is still fresh and fragrant; the symbolism is, if possible, more tenderly beautiful than before; but the gay mood is gone, though its memory lingers in the afterglow of the sunset. A quiet thoughtfulness takes the place of the pure, joyous sensation of the morning, a thoughtfulness which is not sad, though like all quiet moods it is akin⁶² to sadness, and which sounds the deeps of human emotion in the presence of nature. To quote scattered²⁶² lines of either poem is to do injustice²⁶³ to both. They should be read in their entirety the same day, one at morning, the other at eventide, if one is to appreciate their beauty and suggestiveness.

ComusThe "Masque of Comus" is in many respects the most perfect of Milton's poems. It was written in 1634 to be performed at Ludlow Castle before the earl of Bridgewater and his friends. There is a tradition that the earl's three children had been lost in the woods, and, whether true or not, Milton takes the simple theme of a person lost, calls in an Attendant Spirit to protect the wanderer, and out of this, with its natural action and melodious songs, makes the most exquisite pastoral drama that we possess. In form it is a masque, like those gorgeous products of the Elizabethan age of which Ben Jonson was the master. England had borrowed the idea of the masque from Italy and had used it as the chief entertainment at all festivals, until it had become to the nobles of England what the miracle play had been to the common people of a previous generation. Milton, with his strong Puritan spirit, could not be content with the mere entertainment of an idle hour. "Comus" has the gorgeous scenic²⁶⁴ effects, the music and dancing of other masques; but its moral purpose and its ideal teachings are unmistakable. "The Triumph of Virtue²⁶⁵" would be a better name for this perfect little masque, for its theme is that virtue and innocence²⁶⁶ can walk through any peril²⁶⁷ of this world without permanent harm. This eternal triumph of good over evil is proclaimed by the Attendant Spirit who has protected the innocent in this life and who now disappears from mortal sight to resume its life of joy:

    Mortals, that would follow me,
    Love Virtue; she alone is free.
    She can teach ye how to climb
    Higher than the sphery chime;
    Or if Virtue feeble were,
    Heaven itself would stoop to her.

While there are undoubted traces of Jonson and John Fletcher in Milton's "Comus," the poem far surpasses its predecessors²⁶⁸ in the airy beauty and melody of its verses.

LycidasIn the next poem, "Lycidas," a pastoral elegy²⁶⁹ written in 1637, and the last of his Horton poems, Milton is no longer the inheritor of the old age, but the prophet of a new. A college friend, Edward King, had been drowned in the Irish Sea, and Milton follows the poetic custom of his age by representing both his friend and himself in the guise²⁷⁰ of shepherds leading the pastoral life. Milton also uses all the symbolism of his predecessors, introducing fauns, satyrs, and sea nymphs; but again the Puritan is not content with heathen symbolism, and so introduces a new symbol of the Christian shepherd responsible for the souls of men, whom he likens to hungry sheep that look up and are not fed. The Puritans and Royalists at this time were drifting rapidly apart, and Milton uses his new symbolism to denounce the abuses that had crept into the Church. In any other poet this moral teaching would hinder the free use of the imagination; but Milton seems equal to the task of combining high moral purpose with the noblest poetry. In its exquisite finish and exhaustless imagery "Lycidas" surpasses most of the poetry of what is often called the pagan Renaissance.

SonnetsBesides these well-known poems, Milton wrote in this early period a fragmentary masque called "Arcades"; several Latin poems which, like his English, are exquisitely²⁷¹ finished; and his famous "Sonnets," which brought this Italian form of verse nearly to the point of perfection. In them he seldom wrote of love, the usual subject with his predecessors, but of patriotism, duty, music, and subjects of political interest suggested by the struggle into which England was drifting. Among these sonnets each reader must find his own favorites. Those best known and most frequently quoted are "On His Deceased Wife," "To the Nightingale," "On Reaching the Age of Twenty-three," "The Massacre²⁷² in Piedmont," and the two "On His Blindness."

Milton's Prose. Of Milton's prose works there are many divergent opinions, ranging from Macaulay's unbounded praise to the condemnation²⁷³ of some of our modern critics. From a literary view point Milton's prose would be stronger if less violent, and a modern writer would hardly be excused for using his language or his methods; but we must remember the times and the methods of his opponents. In his fiery²⁷⁴ zeal¹⁶ against injustice the poet is suddenly dominated by the soldier's spirit. He first musters²⁷⁵ his facts in battalions²⁷⁶, and charges upon the enemy to crush and overpower without mercy. For Milton hates injustice and, because it is an enemy of his people, he cannot and will not spare it. When the victory is won, he exults²⁷⁷ in a paean²⁷⁸ of victory as soul-stirring as the Song of Deborah. He is the poet again, spite of himself, and his mind fills with magnificent images. Even with a subject so dull, so barren of the bare possibilities of poetry, as his "Animadversions upon the Remonstrants' Defense," he breaks out into an invocation, "Oh, Thou that sittest in light and glory unapproachable, parent of angels and men," which is like a chapter from the Apocalypse. In such passages Milton's prose is, as Taine suggests, "an outpouring of splendors²⁷⁹," which suggests the noblest poetry.

AreopagiticaOn account of their controversial character these prose works are seldom read, and it is probable that Milton never thought of them as worthy of a place in literature. Of them all Areopagitica has perhaps the most permanent interest and is best worth reading. In Milton's time there was a law forbidding the publication of books until they were indorsed by the official censor²⁸⁰. Needless to say, the censor, holding his office and salary by favor, was naturally more concerned with the divine right of kings and bishops than with the delights of literature, and many books were suppressed for no better reason than that they were displeasing²⁸¹ to the authorities. Milton protested against this, as against every other form of tyranny, and his Areopagitica--so called from the Areopagus or Forum²⁸² of Athens, the place of public appeal, and the Mars Hill of St. Paul's address--is the most famous plea in English for the freedom of the press.

Milton's Later Poetry. Undoubtedly the noblest of Milton's works, written when he was blind and suffering, are Paradise Lost, Paradise Regained, and Samson Agonistes. The first is the greatest, indeed the only generally acknowledged epic in our literature since Beowulf; the last is the most perfect specimen²⁸³ of a drama after the Greek method in our language.

Paradise LostOf the history of the great epic we have some interesting glimpses. In Cambridge there is preserved a notebook of Milton's containing a list of nearly one hundred subjects[167] for a great poem, selected while he was a boy at the university. King Arthur attracted him at first; but his choice finally settled upon the Fall of Man, and we have four separate outlines showing Milton's proposed treatment of the subject. These outlines indicate that he contemplated²⁸⁴ a mighty drama or miracle play; but whether because of Puritan antipathy²⁸⁵ to plays and players, or because of the wretched dramatic treatment of religious subjects which Milton had witnessed in Italy, he abandoned the idea of a play and settled on the form of an epic poem; most fortunately, it must be conceded, for Milton had not the knowledge of men necessary for a drama. As a study of character Paradise Lost would be a grievous failure. Adam, the central character, is something of a prig; while Satan looms²⁸⁶ up a magnificent figure, entirely²⁸⁷ different from the devil of the miracle plays and completely overshadowing the hero both in interest and in manliness²⁸⁸. The other characters, the Almighty, the Son, Raphael, Michael, the angels and fallen spirits, are merely mouthpieces for Milton's declamations, without any personal or human interest. Regarded as a drama, therefore, Paradise Lost could never have been a success; but as poetry, with its sublime imagery, its harmonious verse, its titanic²⁸⁹ background of heaven, hell, and the illimitable void that lies between, it is unsurpassed in any literature.

In 1658 Milton in his darkness sat down to dictate the work which he had planned thirty years before. In order to understand the mighty sweep of the poem it is necessary to sum up the argument of the twelve books, as follows:

Argument of Paradise LostBook I opens with a statement of the subject, the Fall of Man, and a noble invocation for light and divine guidance. Then begins the account of Satan and the rebel angels, their banishment²⁹⁰ from heaven, and their plot to oppose the design of the Almighty by dragging down his children, our first parents, from their state of innocence. The book closes with a description of the land of fire and endless pain where the fallen spirits abide²⁹¹, and the erection of Pandemonium²⁹², the palace of Satan. Book II is a description of the council of evil spirits, of Satan's consent to undertake the temptation of Adam and Eve, and his journey to the gates of hell, which are guarded by Sin and Death. Book III transports us to heaven again. God, foreseeing the fall, sends Raphael to warn Adam and Eve, so that their disobedience shall be upon their own heads. Then the Son offers himself a sacrifice, to take away the sin of the coming disobedience of man. At the end of this book Satan appears in a different scene, meets Uriel, the Angel of the Sun, inquires from him the way to earth, and takes his journey thither²⁹³ disguised as an angel of light. Book IV shows us Paradise and the innocent state of man. An angel guard is set over Eden, and Satan is arrested while tempting²⁹⁴ Eve in a dream, but is curiously²⁹⁵ allowed to go free again. Book V shows us Eve relating her dream to Adam, and then the morning prayer and the daily employment of our first parents. Raphael visits them, is entertained by a banquet (which Eve proposes in order to show him that all God's gifts are not kept in heaven), and tells them of the revolt of the fallen spirits. His story is continued in Book VI. In Book VII we read the story of the creation of the world as Raphael tells it to Adam and Eve. In Book VIII Adam tells Raphael the story of his own life and of his meeting with Eve. Book IX is the story of the temptation by Satan, following the account in Genesis. Book X records the divine judgment²⁹⁶ upon Adam and Eve; shows the construction by Sin and Death of a highway through chaos²⁹⁷ to the earth, and Satan's return to Pandemonium. Adam and Eve repent²⁹⁸ of their disobedience and Satan and his angels are turned into serpents. In Book XI the Almighty accepts Adam's repentance²⁹⁹, but condemns³⁰⁰ him to be banished³⁰¹ from Paradise, and the archangel Michael is sent to execute the sentence. At the end of the book, after Eve's feminine grief at the loss of Paradise, Michael begins a prophetic vision of the destiny of man. Book XII continues Michael's vision. Adam and Eve are comforted by hearing of the future redemption of their race. The poem ends as they wander forth³⁰² out of Paradise and the door closes behind them.

It will be seen that this is a colossal³⁰³ epic, not of a man or a hero, but of the whole race of men; and that Milton's characters are such as no human hand could adequately portray³⁰⁴. But the scenes, the splendors of heaven, the horrors of hell, the serene³⁰⁵ beauty of Paradise, the sun and planets suspended between celestial³⁰⁶ light and gross darkness, are pictured with an imagination that is almost superhuman. The abiding³⁰⁷ interest of the poem is in these colossal pictures, and in the lofty thought and the marvelous melody with which they are impressed on our minds. The poem is in blank verse, and not until Milton used it did we learn the infinite variety and harmony of which it is capable. He played with it, changing its melody and movement on every page, "as an organist out of a single theme develops an unending variety of harmony."

Lamartine has described Paradise Lost as the dream of a Puritan fallen asleep over his Bible, and this suggestive description leads us to the curious fact that it is the dream, not the theology or the descriptions of Bible scenes, that chiefly interests us. Thus Milton describes the separation of earth and water, and there is little or nothing added to the simplicity and strength of Genesis; but the sunset which follows is Milton's own dream, and instantly we are transported to a land of beauty and poetry:

    Now came still Evening on, and Twilight gray
    Had in her sober livery all things clad;
    Silence accompanied; for beast and bird,
    They to their grassy³⁰⁸ couch, these to their nests
    Were slunk, all but the wakeful nightingale.
    She all night long her amorous³⁰⁹ descant³¹⁰ sung:
    Silence was pleased. Now glowed the firmament³¹¹
    With living sapphires³¹²; Hesperus, that led
    The starry³¹³ host, rode brightest, till the Moon,
    Rising in clouded majesty, at length
    Apparent queen, unveiled her peerless light,
    And o'er the dark her silver mantle³¹⁴ threw.

So also Milton's Almighty, considered purely as a literary character, is unfortunately tinged³¹⁵ with the narrow and literal theology of the time. He is a being enormously egotistic, the despot rather than the servant of the universe, seated upon a throne with a chorus of angels about him eternally singing his praises and ministering to a kind of divine vanity. It is not necessary to search heaven for such a character; the type is too common upon earth. But in Satan Milton breaks away from crude medi?val conceptions; he follows the dream again, and gives us a character to admire and understand:

    "Is this the region, this the soil, the clime,"
    Said then the lost Archangel, "this the seat
    That we must change for Heaven?--this mournful gloom
    For that celestial light? Be it so, since He
    Who now is sovran can dispose and bid
    What shall be right: farthest from Him is best,
    Whom reason hath equalled, force hath made supreme
    Above his equals. Farewell, happy fields,
    Where joy forever dwells! Hail, horrors! hail,
    Infernal World! and thou, profoundest Hell,
    Receive thy new possessor--one who brings
    A mind not to be changed by place or time.
    The mind is its own place, and in itself
    Can make a Heaven of Hell, a Hell of Heaven.
    What matter where, if I be still the same,
    And what I should be, all but less than he
    Whom thunder hath made greater? Here at least
    We shall be free; the Almighty hath not built
    Here for his envy, will not drive us hence:
    Here we may reign secure; and, in my choice,
    To reign is worth ambition, though in Hell:
    Better to reign in Hell than serve in Heaven."

In this magnificent heroism³¹⁶ Milton has unconsciously immortalized the Puritan spirit, the same unconquerable spirit that set men to writing poems and allegories when in prison for the faith, and that sent them over the stormy sea in a cockleshell to found a free commonwealth in the wilds of America.

For a modern reader the understanding of Paradise Lost presupposes two things,--a knowledge of the first chapters of the Scriptures³¹⁷, and of the general principles of Calvinistic theology; but it is a pity to use the poem, as has so often been done, to teach a literal acceptance of one or the other. Of the theology of Paradise Lost the least said the better; but to the splendor of the Puritan dream and the glorious melody of its expression no words can do justice. Even a slight acquaintance will make the reader understand why it ranks with the Divina Commedia of Dante, and why it is generally accepted by critics as the greatest single poem in our literature.

Paradise RegainedSoon after the completion of Paradise Lost, Thomas Ellwood, a friend of Milton, asked one day after reading the Paradise manuscript, "But what hast thou to say of Paradise Found?" It was in response to this suggestion that Milton wrote the second part of the great epic, known to us as Paradise Regained. The first tells how mankind, in the person of Adam, fell at the first temptation by Satan and became an outcast from Paradise and from divine grace; the second shows how mankind, in the person of Christ, withstands the tempter and is established once more in the divine favor. Christ's temptation in the wilderness is the theme, and Milton follows the account in the fourth chapter of Matthew's gospel. Though Paradise Regained was Milton's favorite, and though it has many passages of noble thought and splendid imagery equal to the best of Paradise Lost, the poem as a whole falls below the level of the first, and is less interesting to read.

SamsonIn Samson Agonistes Milton turns to a more vital and personal theme, and his genius transfigures the story of Samson, the mighty champion of Israel, now blind and scorned, working as a slave among the Philistines³²⁰. The poet's aim was to present in English a pure tragedy, with all the passion and restraint which marked the old Greek dramas. That he succeeded where others failed is due to two causes: first, Milton himself suggests the hero of one of the Greek tragedies,--his sorrow and affliction give to his noble nature that touch of melancholy and calm dignity which is in perfect keeping with his subject. Second, Milton is telling his own story. Like Samson he had struggled mightily³²¹ against the enemies of his race; he had taken a wife from the Philistines and had paid the penalty; he was blind, alone, scorned by his vain and thoughtless masters. To the essential action of the tragedy Milton could add, therefore, that touch of intense yet restrained personal feeling which carries more conviction than any argument. Samson is in many respects the most convincing of his works. Entirely apart from the interest of its subject and treatment, one may obtain from it a better idea of what great tragedy was among the Greeks than from any other work in our language.

    Nothing is here for tears, nothing to wail¹³³
    Or knock the breast, no weakness, no contempt,
    Dispraise or blame,--nothing but well and fair,
    And what may quiet us in a death so noble.

III. PROSE WRITERS OF THE PURITAN PERIOD

JOHN BUNYAN (1628-1688)

As there is but one poet great enough to express the Puritan spirit, so there is but one commanding prose writer, John Bunyan. Milton was the child of the Renaissance, inheritor of all its culture, and the most profoundly educated man of his age. Bunyan was a poor, uneducated tinker. From the Renaissance he inherited nothing; but from the Reformation he received an excess of that spiritual independence which had caused the Puritan struggle for liberty. These two men, representing the extremes of English life in the seventeenth century, wrote the two works that stand to-day for the mighty Puritan spirit. One gave us the only epic since Beowulf; the other gave us our only great allegory, which has been read more than any other book in our language save the Bible.

Illustration: JOHN BUNYAN
JOHN BUNYAN

Life of Bunyan. Bunyan is an extraordinary figure; we must study him, as well as his books. Fortunately we have his life story in his own words, written with the same lovable modesty³²² and sincerity³²³ that marked all his work. Reading that story now, in Grace Abounding, we see two great influences at work in his life. One, from within, was his own vivid imagination, which saw visions, allegories, parables³²⁴, revelations, in every common event. The other, from without, was the spiritual ferment of the age, the multiplication³²⁵ of strange sects,--Quakers, Free-Willers, Ranters, Anabaptists, Millenarians,--and the untempered zeal of all classes, like an engine without a balance wheel, when men were breaking away from authority and setting up their own religious standards. Bunyan's life is an epitome of that astonishing religious individualism which marked the close of the English Reformation.

He was born in the little village of Elstow, near Bedford, in 1628, the son of a poor tinker. For a little while the boy was sent to school, where he learned to read and write after a fashion; but he was soon busy in his father's shop, where, amid the glowing pots and the fire and smoke of his little forge, he saw vivid pictures of hell and the devils which haunted him all his life. When he was sixteen years old his father married the second time, whereupon Bunyan ran away and became a soldier in the Parliamentary army.

The religious ferment of the age made a tremendous impression on Bunyan's sensitive imagination. He went to church occasionally, only to find himself wrapped in terrors and torments³²⁶ by some fiery itinerant³²⁷ preacher; and he would rush violently away from church to forget his fears by joining in Sunday sports on the village green. As night came on the sports were forgotten, but the terrors returned, multiplied like the evil spirits of the parable⁷⁶. Visions of hell and the demons⁵⁹ swarmed³²⁸ in his brain. He would groan³²⁹ aloud in his remorse³³⁰, and even years afterwards he bemoans³³¹ the sins of his early life. When we look for them fearfully, expecting some shocking crimes and misdemeanors, we find that they consisted of playing ball on Sunday and swearing. The latter sin, sad to say, was begun by listening to his father cursing some obstinate³³² kettle which refused to be tinkered, and it was perfected in the Parliamentary army. One day his terrible swearing scared a woman, "a very loose and ungodly wretch," as he tells us, who reprimanded him for his profanity. The reproach of the poor woman went straight home, like the voice of a prophet. All his profanity left him; he hung down his head with shame. "I wished with all my heart," he says, "that I might be a little child again, that my father might learn me to speak without this wicked way of swearing." With characteristic vehemence³³³ Bunyan hurls³³⁴ himself upon a promise of Scripture³¹⁸, and instantly the reformation begins to work in his soul. He casts out the habit, root and branch, and finds to his astonishment³³⁵ that he can speak more freely and vigorously than before. Nothing is more characteristic of the man than this sudden seizing upon a text, which he had doubtless heard many times before, and being suddenly raised up or cast down by its influence.

With Bunyan's marriage to a good woman the real reformation in his life began. While still in his teens he married a girl as poor as himself. "We came together," he says, "as poor as might be, having not so much household stuff as a dish or spoon between us both." The only dowry which the girl brought to her new home was two old, threadbare books, The Plain Man's Pathway to Heaven, and The Practice of Piety[168] Bunyan read these books, which instantly gave fire to his imagination. He saw new visions and dreamed terrible new dreams of lost souls; his attendance at church grew exemplary; he began slowly and painfully to read the Bible for himself, but because of his own ignorance and the contradictory³³⁶ interpretations³³⁷ of Scripture which he heard on every side, he was tossed about like a feather by all the winds of doctrine.

The record of the next few years is like a nightmare, so terrible is Bunyan's spiritual struggle. One day he feels himself an outcast; the next the companion of angels; the third he tries experiments with the Almighty in order to put his salvation³³⁸ to the proof. As he goes along the road to Bedford he thinks he will work a miracle, like Gideon with his fleece. He will say to the little puddles³³⁹ of water in the horses' tracks, "Be ye dry"; and to all the dry tracks he will say, "Be ye puddles." As he is about to perform the miracle a thought occurs to him: "But go first under yonder hedge and pray that the Lord will make you able to perform a miracle." He goes promptly and prays. Then he is afraid of the test, and goes on his way more troubled than before.

After years of such struggle, chased about between heaven and hell, Bunyan at last emerges into a saner³⁴⁰ atmosphere, even as Pilgrim came out of the horrible Valley of the Shadow. Soon, led by his intense feelings, he becomes an open-air preacher, and crowds of laborers³⁴¹ gather about him on the village green. They listen in silence to his words; they end in groans³⁴² and tears; scores of them amend their sinful lives. For the Anglo-Saxon people are remarkable for this, that however deeply they are engaged in business or pleasure, they are still sensitive as barometers³⁴³ to any true spiritual influence, whether of priest or peasant; they recognize what Emerson calls the "accent of the Holy Ghost," and in this recognition of spiritual leadership lies the secret of their democracy. So this village tinker, with his strength and sincerity, is presently the acknowledged leader of an immense congregation, and his influence is felt throughout England. It is a tribute to his power that, after the return of Charles II, Bunyan was the first to be prohibited from holding public meetings.

Concerning Bunyan's imprisonment in Bedford jail, which followed his refusal to obey the law prohibiting religious meetings without the authority of the Established Church, there is a difference of opinion. That the law was unjust goes without saying; but there was no religious persecution, as we understand the term. Bunyan was allowed to worship when and how he pleased; he was simply forbidden to hold public meetings, which frequently became fierce denunciations of the Established Church and government. His judges pleaded with Bunyan to conform with the law. He refused, saying that when the Spirit was upon him he must go up and down the land, calling on men everywhere to repent. In his refusal we see much heroism, a little obstinacy³⁴⁴, and perhaps something of that desire for martyrdom which tempts⁸² every spiritual leader. That his final sentence to indefinite imprisonment was a hard blow to Bunyan is beyond question. He groaned³⁴⁵ aloud at the thought of his poor family, and especially at the thought of leaving his little blind daughter:

I found myself a man encompassed³⁴⁶ with infirmities; the parting was like pulling the flesh from my bones.... Oh, the thoughts of the hardship I thought my poor blind one might go under would break my heart to pieces. Poor child, thought I, what sorrow thou art like to have for thy portion in this world; thou must be beaten, must beg, suffer hunger, cold, nakedness, and a thousand calamities³⁴⁷, though I cannot now endure that the wind should blow upon thee.[169]

And then, because he thinks always in parables and seeks out most curious texts of Scripture, he speaks of "the two milch kine that were to carry the ark of God into another country and leave their calves³⁴⁸ behind them." Poor cows, poor Bunyan! Such is the mind of this extraordinary man.

With characteristic diligence Bunyan set to work in prison making shoe laces, and so earned a living for his family. His imprisonment lasted for nearly twelve years; but he saw his family frequently, and was for some time a regular preacher in the Baptist church in Bedford. Occasionally he even went about late at night, holding the proscribed meetings and increasing his hold upon the common people. The best result of this imprisonment was that it gave Bunyan long hours for the working of his peculiar mind and for study of his two only books, the King James Bible and Foxe's Book of Martyrs³⁴⁹. The result of his study and meditation was The Pilgrim's Progress, which was probably written in prison, but which for some reason he did not publish till long after his release.

The years which followed are the most interesting part of Bunyan's strange career. The publication of Pilgrim's Progress in 1678 made him the most popular writer, as he was already the most popular preacher, in England. Books, tracts³⁵⁰, sermons, nearly sixty works in all, came from his pen; and when one remembers his ignorance, his painfully slow writing, and his activity as an itinerant preacher, one can only marvel⁵. His evangelistic journeys carried him often as far as London, and wherever he went crowds thronged³⁵¹ to hear him. Scholars, bishops, statesmen went in secret to listen among the laborers, and came away wondering and silent. At Southwark the largest building could not contain the multitude of his hearers; and when he preached in London, thousands would gather in the cold dusk of the winter morning, before work began, and listen until he had made an end of speaking. "Bishop⁴⁸ Bunyan" he was soon called on account of his missionary³⁵² journeys and his enormous influence.

What we most admire in the midst of all this activity is his perfect mental balance, his charity and humor in the strife of many sects. He was badgered for years by petty enemies, and he arouses our enthusiasm by his tolerance, his self-control, and especially by his sincerity. To the very end he retained that simple modesty which no success could spoil. Once when he had preached with unusual power some of his friends waited after the service to congratulate him, telling him what a "sweet sermon" he had delivered. "Aye," said Bunyan, "you need not remind me; the devil told me that before I was out of the pulpit."

For sixteen years this wonderful activity continued without interruption. Then, one day when riding through a cold storm on a labor of love, to reconcile a stubborn man with his own stubborn son, he caught a severe cold and appeared, ill and suffering but rejoicing in his success, at the house of a friend in Reading. He died there a few days later, and was laid away in Bunhill Fields burial ground, London, which has been ever since a campo santo to the faithful.

Works of Bunyan. The world's literature has three great allegories,--Spenser's Faery Queen, Dante's Divina Commedia, and Bunyan's Pilgrim's Progress. The first appeals to poets, the second to scholars, the third to people of every age and condition. Here is a brief outline of the famous work:

Argument of Pilgrim's Progress"As I walked through the wilderness of this world I lighted on a certain place where was a den¹¹ [Bedford jail] and laid me down in that place to sleep; and, as I slept, I dreamed a dream." So the story begins. He sees a man called Christian setting out with a book in his hand and a great load on his back from the city of Destruction. Christian has two objects,--to get rid of his burden, which holds the sins and fears of his life, and to make his way to the Holy City. At the outset Evangelist finds him weeping because he knows not where to go, and points him to a wicket gate on a hill far away. As Christian goes forward his neighbors, friends, wife and children call to him to come back; but he puts his fingers in his ears, crying out, "Life, life, eternal life," and so rushes across the plain.

Then begins a journey in ten stages, which is a vivid picture of the difficulties and triumphs of the Christian life. Every trial, every difficulty, every experience of joy or sorrow, of peace or temptation, is put into the form and discourse³⁵³ of a living character. Other allegorists write in poetry and their characters are shadowy and unreal; but Bunyan speaks in terse³⁵⁴, idiomatic³⁵⁵ prose, and his characters are living men and women. There are Mr. Worldly Wiseman, a self-satisfied and dogmatic kind of man, youthful Ignorance, sweet Piety, courteous³⁵⁶ Demas, garrulous³⁵⁷ Talkative, honest Faithful, and a score of others, who are not at all the bloodless creatures of the Romance of the Rose, but men real enough to stop you on the road and to hold your attention. Scene after scene follows, in which are pictured many of our own spiritual experiences. There is the Slough³⁵⁸ of Despond, into which we all have fallen, out of which Pliable³⁵⁹ scrambles³⁶⁰ on the hither side and goes back grumbling³⁶¹, but through which Christian struggles mightily till Helpful stretches him a hand and drags him out on solid ground and bids him go on his way. Then come Interpreter's house, the Palace Beautiful, the Lions in the way, the Valley of Humiliation³⁶², the hard fight with the demon⁶⁰ Apollyon, the more terrible Valley of the Shadow, Vanity Fair, and the trial of Faithful. The latter is condemned³⁶³ to death by a jury made up of Mr. Blindman, Mr. Nogood, Mr. Heady, Mr. Liveloose, Mr. Hatelight, and others of their kind to whom questions of justice are committed by the jury system. Most famous is Doubting Castle, where Christian and Hopeful are thrown into a dungeon³⁶⁴ by Giant Despair. And then at last the Delectable³⁶⁵ Mountains of Youth, the deep river that Christian must cross, and the city of All Delight and the glorious company of angels that come singing down the streets. At the very end, when in sight of the city and while he can hear the welcome with which Christian is greeted, Ignorance is snatched away to go to his own place; and Bunyan quaintly³⁶⁶ observes, "Then I saw that there was a way to hell even from the gates of heaven as well as from the city of Destruction. So I awoke, and behold³⁶⁷ it was a dream!"

Such, in brief, is the story, the great epic of a Puritan's individual experience in a rough world, just as Paradise Lost was the epic of mankind as dreamed by the great Puritan who had "fallen asleep over his Bible."

Success of Pilgrim's ProgressThe chief fact which confronts the student of literature as he pauses before this great allegory is that it has been translated into seventy-five languages and dialects, and has been read more than any other book save one in the English language.

As for the secret of its popularity, Taine says, "Next to the Bible, the book most widely read in England is the Pilgrim's Progress.... Protestantism is the doctrine of salvation by grace, and no writer has equaled Bunyan in making this doctrine understood." And this opinion is echoed by the majority of our literary historians. It is perhaps sufficient answer to quote the simple fact that Pilgrim's Progress is not exclusively a Protestant study; it appeals to Christians³⁶⁸ of every name, and to Mohammedans and Buddhists³⁶⁹ in precisely the same way that it appeals to Christians. When it was translated into the languages of Catholic countries, like France and Portugal, only one or two incidents were omitted, and the story was almost as popular there as with English readers. The secret of its success is probably simple. It is, first of all, not a procession of shadows repeating the author's declamations, but a real story, the first extended story in our language. Our Puritan fathers may have read the story for religious instruction; but all classes of men have read it because they found in it a true personal experience told with strength, interest, humor,--in a word, with all the qualities that such a story should possess. Young people have read it, first, for its intrinsic worth, because the dramatic interest of the story lured³⁷⁰ them on to the very end; and second, because it was their introduction to true allegory. The child with his imaginative mind--the man also, who has preserved his simplicity--naturally personifies objects, and takes pleasure in giving them powers of thinking and speaking like himself. Bunyan was the first writer to appeal to this pleasant and natural inclination³⁷¹ in a way that all could understand. Add to this the fact that Pilgrim's Progress was the only book having any story interest in the great majority of English and American homes for a full century, and we have found the real reason for its wide reading.

Other Works of BunyanThe Holy War, published in 1665, is the first important work of Bunyan. It is a prose Paradise Lost, and would undoubtedly be known as a remarkable allegory were it not overshadowed by its great rival. Grace Abounding to the Chief of Sinners, published in 1666, twelve years before Pilgrim's Progress, is the work from which we obtain the clearest insight into Bunyan's remarkable life, and to a man with historical or antiquarian tastes it is still excellent reading. In 1682 appeared The Life and Death of Mr. Badman, a realistic character study which is a precursor³⁷² of the modern novel; and in 1684 the second part of Pilgrim's Progress, showing the journey of Christiana and her children to the city of All Delight. Besides these Bunyan published a multitude of treatises³⁷³ and sermons, all in the same style,--direct, simple, convincing, expressing every thought and emotion perfectly in words that even a child can understand. Many of these are masterpieces, admired by workingmen and scholars alike for their thought and expression. Take, for instance, "The Heavenly Footman," put it side by side with the best work of Latimer, and the resemblance in style is startling. It is difficult to realize that one work came from an ignorant tinker and the other from a great scholar, both engaged in the same general work. As Bunyan's one book was the Bible, we have here a suggestion of its influence in all our prose literature.

MINOR PROSE WRITERS

The Puritan Period is generally regarded as one destitute³⁷⁵ of literary interest; but that was certainly not the result of any lack of books or writers. Says Burton in his Anatomy of Melancholy:

I have ... new books every day, pamphlets, currantoes, stories, whole catalogues of volumes of all sorts, new paradoxes³⁷⁶, opinions, schisms³⁷⁷, heresies³⁷⁸, controversies³⁷⁹ in philosophy and religion. Now come tidings of weddings, maskings, entertainments, jubilees³⁸⁰, embassies, sports, plays; then again, as in a new-shipped scene, treasons, cheatings, tricks, robberies, enormous villainies in all kinds, funerals, deaths, new discoveries, expeditions; now comical, then tragical³⁸¹ matters.....

So the record continues, till one rubs his eyes and thinks he must have picked up by mistake the last literary magazine. And for all these kaleidoscopic³⁸² events there were waiting a multitude of writers, ready to seize the abundant material and turn it to literary account for a tract¹²⁵, an article, a volume, or an encyclopedia³⁸³.

Three Good BooksIf one were to recommend certain of these books as expressive of this age of outward storm and inward calm, there are three that deserve more than a passing notice, namely, the Religio Medici, Holy Living, and The Compleat Angler. The first was written by a busy physician, a supposedly scientific man at that time; the second by the most learned of English churchmen; and the third by a simple merchant and fisherman. Strangely enough, these three great books--the reflections of nature, science, and revelation--all interpret human life alike and tell the same story of gentleness, charity, and noble living. If the age had produced only these three books, we could still be profoundly grateful to it for its inspiring message.

Robert Burton (1577-1640). Burton is famous chiefly as the author of the Anatomy of Melancholy, one of the most astonishing books in all literature, which appeared in 1621. Burton was a clergyman of the Established Church, an incomprehensible genius, given to broodings and melancholy and to reading of every conceivable kind of literature. Thanks to his wonderful memory, everything he read was stored up for use or ornament³⁸⁴, till his mind resembled a huge curiosity shop. All his life he suffered from hypochondria, but curiously traced his malady³⁸⁵ to the stars rather than to his own liver. It is related of him that he used to suffer so from despondency that no help was to be found in medicine or theology; his only relief was to go down to the river and hear the bargemen swear at one another.

Burton's Anatomy was begun as a medical treatise³⁷⁴ on morbidness³⁸⁶, arranged and divided with all the exactness of the schoolmen's demonstration of doctrines; but it turned out to be an enormous hodgepodge of quotations³⁸⁷ and references to authors, known and unknown, living and dead, which seemed to prove chiefly that "much study is a weariness to the flesh." By some freak of taste it became instantly popular, and was proclaimed one of the greatest books in literature. A few scholars still explore it with delight, as a mine of classic wealth; but the style is hopelessly involved, and to the ordinary reader most of his numerous references are now as unmeaning as a hyper-jacobian surface.

Sir Thomas Browne (1605-1682). Browne was a physician who, after much study and travel, settled down to his profession in Norwich; but even then he gave far more time to the investigation³⁸⁸ of natural phenomena³⁸⁹ than to the barbarous practices which largely constituted the "art" of medicine in his day. He was known far and wide as a learned doctor and an honest man, whose scientific studies had placed him in advance of his age, and whose religious views were liberal to the point of heresy³⁹⁰. With this in mind, it is interesting to note, as a sign of the times, that this most scientific doctor was once called to give "expert" testimony³⁹¹ in the case of two old women who were being tried for the capital crime of witchcraft³⁹². He testified under oath that "the fits were natural, but heightened by the devil's co?perating with the witches, at whose instance he [the alleged³⁹³ devil] did the villainies."

Religio MediciBrowne's great work is the Religio Medici, i.e. The Religion of a Physician (1642), which met with most unusual success. "Hardly ever was a book published in Britain," says Oldys, a chronicler who wrote nearly a century later, "that made more noise than the Religio Medici." Its success may be due largely to the fact that, among thousands of religious works, it was one of the few which saw in nature a profound revelation, and which treated purely religious subjects in a reverent³⁹⁴, kindly³⁹⁵, tolerant way, without ecclesiastical bias³⁹⁶. It is still, therefore, excellent reading; but it is not so much the matter as the manner--the charm, the gentleness, the remarkable prose style--which has established the book as one of the classics of our literature.

Two other works of Browne are Vulgar Errors (1646), a curious combination of scientific and credulous³⁹⁷ research in the matter of popular superstition³⁹⁸, and Urn⁵³ Burial, a treatise suggested by the discovery of Roman burial urns³¹⁹ at Walsingham. It began as an inquiry³⁹⁹ into the various methods of burial, but ended in a dissertation⁴⁰⁰ on the vanity of earthly hope and ambitions. From a literary point of view it is Browne's best work, but is less read than the Religio Medici.

Thomas Fuller (1608-1661). Fuller was a clergyman and royalist whose lively style and witty⁴⁰¹ observations would naturally place him with the gay Caroline poets. His best known works are The Holy War, The Holy State and the Profane State, Church History of Britain, and the History of the Worthies of England. The Holy and Profane State is chiefly a biographical record, the first part consisting of numerous historical examples to be imitated, the second of examples to be avoided. The Church History is not a scholarly work, notwithstanding its author's undoubted learning, but is a lively and gossipy account which has at least one virtue, that it entertains the reader. The Worthies, the most widely read of his works, is a racy account of the important men of England. Fuller traveled constantly for years, collecting information from out-of-the-way sources and gaining a minute knowledge of his own country. This, with his overflowing⁴⁰² humor and numerous anecdotes⁴⁰³ and illustrations, makes lively and interesting reading. Indeed, we hardly find a dull page in any of his numerous books.

Jeremy Taylor (1613-1667). Taylor was the greatest of the clergymen who made this period famous, a man who, like Milton, upheld a noble ideal in storm and calm, and himself lived it nobly. He has been called "the Shakespeare of divines," and "a kind of Spenser in a cassock," and both descriptions apply to him very well. His writings, with their exuberant⁴⁰⁴ fancy and their noble diction, belong rather to the Elizabethan than to the Puritan age.

From the large number of his works two stand out as representative of the man himself: The Liberty of Prophesying⁴⁰⁵ (1646), which Hallam calls the first plea for tolerance in religion, on a comprehensive basis and on deep-seated foundations; and The Rules and Exercises of Holy Living (1650). To the latter might be added its companion volume, Holy Dying, published in the following year. The Holy Living and Dying, as a single volume, was for many years read in almost every English cottage. With Baxter's Saints' Rest, Pilgrim's Progress, and the King James Bible, it often constituted the entire library of multitudes of Puritan homes; and as we read its noble words and breathe its gentle spirit, we cannot help wishing that our modern libraries were gathered together on the same thoughtful foundations.

Richard Baxter (1615-1691). This "busiest man of his age" strongly suggests Bunyan in his life and writings. Like Bunyan, he was poor and uneducated, a nonconformist minister, exposed continually to insult and persecution; and, like Bunyan, he threw himself heart and soul into the conflicts of his age, and became by his public speech a mighty power among the common people. Unlike Jeremy Taylor, who wrote for the learned, and whose involved sentences and classical allusions⁴⁰⁶ are sometimes hard to follow, Baxter went straight to his mark, appealing directly to the judgment and feeling of his readers.

The number of his works is almost incredible when one thinks of his busy life as a preacher and the slowness of manual writing. In all, he left nearly one hundred and seventy different works, which if collected would make fifty or sixty volumes. As he wrote chiefly to influence men on the immediate questions of the day, most of this work has fallen into oblivion. His two most famous books are The Saints' Everlasting⁴⁰⁷ Rest and A Call to the Unconverted, both of which were exceedingly popular, running through scores of successive editions, and have been widely read in our own generation.

Izaak Walton (1593-1683). Walton was a small tradesman of London, who preferred trout⁴⁰⁸ brooks⁴⁰⁹ and good reading to the profits of business and the doubtful joys of a city life; so at fifty years, when he had saved a little money, he left the city and followed his heart out into the country. He began his literary work, or rather his recreation, by writing his famous Lives,--kindly and readable appreciations⁴¹⁰ of Donne, Wotton, Hooker, Herbert, and Sanderson, which stand at the beginning of modern biographical writing.

The Compleat AnglerIn 1653 appeared The Compleat Angler, which has grown steadily in appreciation⁴¹¹, and which is probably more widely read than any other book on the subject of fishing. It begins with a conversation between a falconer, a hunter, and an angler; but the angler soon does most of the talking, as fishermen sometimes do; the hunter becomes a disciple⁴¹², and learns by the easy method of hearing the fisherman discourse about his art. The conversations, it must be confessed, are often diffuse⁴¹³ and pedantic⁴¹⁴; but they only make us feel most comfortably sleepy, as one invariably feels after a good day's fishing. So kindly is the spirit of the angler, so exquisite his appreciation of the beauty of the earth and sky, that one returns to the book, as to a favorite trout stream, with the undying expectation of catching⁴¹⁵ something. Among a thousand books on angling it stands almost alone in possessing a charming style, and so it will probably be read as long as men go fishing. Best of all, it leads to a better appreciation of nature, and it drops little moral lessons into the reader's mind as gently as one casts a fly to a wary⁴¹⁶ trout; so that one never suspects his better nature is being angled for. Though we have sometimes seen anglers catch more than they need, or sneak⁴¹⁷ ahead of brother fishermen to the best pools, we are glad, for Walton's sake, to overlook such unaccountable exceptions, and agree with the milkmaid that "we love all anglers, they be such honest, civil, quiet men."

Summary of the Puritan Period. The half century between 1625 and 1675 is called the Puritan period for two reasons: first, because Puritan standards prevailed for a time in England; and second, because the greatest literary figure during all these years was the Puritan, John Milton. Historically the age was one of tremendous conflict. The Puritan struggled for righteousness and liberty, and because he prevailed, the age is one of moral and political revolution. In his struggle for liberty the Puritan overthrew the corrupt⁴¹⁸ monarchy⁴¹⁹, beheaded Charles I, and established the Commonwealth under Cromwell. The Commonwealth lasted but a few years, and the restoration of Charles II in 1660 is often put as the end of the Puritan period. The age has no distinct limits, but overlaps⁴²⁰ the Elizabethan period on one side, and the Restoration period on the other.

The age produced many writers, a few immortal books, and one of the world's great literary leaders. The literature of the age is extremely diverse in character, and the diversity is due to the breaking up of the ideals of political and religious unity. This literature differs from that of the preceding age in three marked ways: (1) It has no unity of spirit, as in the days of Elizabeth, resulting from the patriotic⁴²¹ enthusiasm of all classes. (2) In contrast with the hopefulness and vigor¹⁶⁵ of Elizabethan writings, much of the literature of this period is somber in character; it saddens rather than inspires us. (3) It has lost the romantic impulse of youth, and become critical and intellectual; it makes us think, rather than feel deeply.

In our study we have noted⁴²² (1) the Transition Poets, of whom Daniel is chief; (2) the Song Writers, Campion and Breton; (3) the Spenserian Poets, Wither and Giles Fletcher; (4) the Metaphysical Poets, Donne and Herbert; (5) the Cavalier Poets, Herrick, Carew, Lovelace, and Suckling; (6) John Milton, his life, his early or Horton poems, his militant⁴²³ prose, and his last great poetical works; (7) John Bunyan, his extraordinary life, and his chief work, The Pilgrim's Progress; (8) the Minor Prose Writers, Burton, Browne, Fuller, Taylor, Baxter, and Walton. Three books selected from this group are Browne's Religio Medici, Taylor's Holy Living and Dying, and Walton's Complete Angler.

Selections for Reading. Milton. Paradise Lost, books 1-2, L'Allegro, Il Penseroso, Comus, Lycidas, and selected Sonnets,--all in Standard English Classics; same poems, more or less complete, in various other series; Areopagitica and Treatise on Education, selections, in Manly's English Prose, or Areopagitica in Arber's English Reprints, Clarendon Press Series, Morley's Universal Library, etc.

Minor Poets. Selections from Herrick, edited by Hale, in Athenaeum Press Series; selections from Herrick, Lovelace, Donne, Herbert, etc., in Manly's English Poetry, Golden Treasury⁴²⁴, Oxford Book of English Verse, etc.; Vaughan's Silex Scintillans, in Temple Classics, also in the Aldine Series; Herbert's The Temple, in Everyman's Library, Temple Classics, etc.

Bunyan. The Pilgrim's Progress, in Standard English Classics, Pocket Classics, etc.; Grace Abounding, in Cassell's National Library.

Minor Prose Writers. Wentworth's Selections from Jeremy Taylor; Browne's Religio Medici, Walton's Complete Angler, both in Everyman's Library, Temple Classics, etc.; selections from Taylor, Browne, and Walton in Manly's English Prose, also in Garnett's English Prose.

Bibliography⁴²⁵.[170]

History. Text-book, Montgomery, pp. 238-257; Cheyney, pp. 431-464; Green, ch. 8; Traill; Gardiner.

Special Works. Wakeling's King and Parliament (Oxford Manuals); Gardiner's The First Two Stuarts and the Puritan Revolution; Tulloch's English Puritanism and its Leaders; Lives of Cromwell by Harrison, by Church, and by Morley; Carlyle's Oliver Cromwell's Letters and Speeches.

Literature. Saintsbury's Elizabethan Literature (extends to 1660); Masterman's The Age of Milton; Dowden's Puritan and Anglican.

Milton. Texts, Poetical Works, Globe edition, edited by Masson; Cambridge Poets edition, edited by Moody⁴²⁶; English Prose Writings, edited by Morley, in Carisbrooke Library; also in Bohn's Standard Library.

Masson's Life of John Milton (8 vols.); Life, by Garnett, by Pattison (English Men of Letters). Raleigh's Milton; Trent's John Milton; Corson's Introduction to Milton; Brooke's Milton, in Student's Library; Macaulay's Milton; Lowell's Essays, in Among My Books, and in Latest Literary Essays; M. Arnold's Essay, in Essays in Criticism; Dowden's Essay, in Puritan and Anglican.

Cavalier Poets. Schelling's Seventeenth Century Lyrics, in Athenaeum Press Series; Cavalier and Courtier Lyrists, in Canterbury Poets Series; Gosse's Jacobean Poets; Lovelace, etc., in Library of Old Authors.

Donne. Poems, in Muses⁴²⁷' Library; Life, in Walton's Lives, in Temple Classics, and in Morley's Universal Library; Life, by Gosse; Jessup's John Donne; Dowden's Essay, in New Studies; Stephen's Studies of a Biographer, vol. 3.

Herbert. Palmer's George Herbert; Poems and Prose Selections, edited by Rhys, in Canterbury Poets; Dowden's Essay, in Puritan and Anglican.

Bunyan. Brown's John Bunyan, His Life, Times, and Works; Life, by Venables, and by Froude (English Men of Letters); Essays by Macaulay, by Dowden, supra, and by Woodberry, in Makers of Literature.

Jeremy Taylor. Holy Living, Holy Dying, in Temple Classics, and in Bohn's Standard Library; Selections, edited by Wentworth; Life, by Heber, and by Gosse (English Men of Letters); Dowden's Essay, supra.

Thomas Browne. Works, edited by Wilkin; the same, in Temple Classics, and in Bohn's Library; Religio Medici, in Everyman's Library; essay by Pater, in Appreciations; by Dowden, supra; and by L. Stephen, in Hours in a Library; Life, by Gosse (English Men of Letters).

Izaak Walton. Works, in Temple Classics, Cassell's Library, and Morley's Library; Introduction, in A. Lang's Walton's Complete Angler; Lowell's Essay, in Latest Literary Essays.

Suggestive Questions. 1. What is meant by the Puritan period? What were the objects and the results of the Puritan movement in English history?

2. What are the main characteristics of the literature of this period? Compare it with Elizabethan literature. How did religion and politics affect Puritan literature? Can you quote any passages or name any works which justify your opinion?

3. What is meant by the terms Cavalier poets, Spenserian poets, Metaphysical poets? Name the chief writers of each group. To whom are we indebted for our first English hymn book? Would you call this a work of literature? Why?

4. What are the qualities of Herrick's poetry? What marked contrasts are found in Herrick and in nearly all the poets of this period?

5. Who was George Herbert? For what purpose did he write? What qualities are found in his poetry?

6. Tell briefly⁴²⁸ the story of Milton's life. What are the three periods of his literary work? What is meant by the Horton poems? Compare "L'Allegro" and "Il Penseroso." Are there any Puritan ideals in "Comus"? Why is "Lycidas" often put at the summit of English lyrical poetry? Give the main idea or argument of Paradise Lost. What are the chief qualities of the poem? Describe in outline Paradise Regained and Samson Agonistes. What personal element entered into the latter? What quality strikes you most forcibly in Milton's poetry? What occasioned Milton's prose works? Do they properly belong to literature? Why? Compare Milton and Shakespsare with regard to (1) knowledge of men, (2) ideals of life, (3) purpose in writing.

7. Tell the story of Bunyan's life. What unusual elements are found in his life and writings? Give the main argument of The Pilgrim's Progress. If you read the story before studying literature, tell why you liked or disliked it. Why is it a work for all ages and for all races? What are the chief qualities of Bunyan's style?

8. Who are the minor prose writers of this age? Name the chief works of Jeremy Taylor, Thomas Browne, and Izaak Walton. Can you describe from your own reading any of these works? How does the prose of this age compare in interest with the poetry? (Milton is, of course, excepted in this comparison.)
CHRONOLOGY
Seventeenth Century
HISTORY     LITERATURE
        1621.     Burton's Anatomy of Melancholy
        1623.     Wither's Hymn Book
1625.     Charles I
    Parliament dissolved
1628.     Petition of Right     1629.     Milton's Ode on the Nativity
1630-1640.     King rules without
    Parliament. Puritan migration¹²²
    to New England     1630-1633.     Herbert's poems
        1632-1637.     Milton's Horton poems
1640.     Long Parliament
1642.     Civil War begins     1642.     Browne's Religio Medici
1643.     Scotch Covenant
1643.     Press censorship     1644.     Milton's Areopagitica
1645.     Battle of Naseby;
    triumph of Puritans
1649.     Execution of Charles I.
    Cavalier migration to Virginia
1649-1660.     Commonwealth     1649.     Milton's Tenure of Kings
        1650.     Baxter's Saints' Rest.
            Jeremy Taylor's Holy Living
        1651.     Hobbes's Leviathan
1653-1658.     Cromwell, Protector     1653.     Walton's Complete Angler
1658-1660.     Richard Cromwell
1660.     Restoration of Charles II     1663-1694.     Dryden's dramas
            (next chapter)
        1666.     Bunyan's Grace Abounding
        1667.     Paradise Lost
        1674.     Death of Milton
        1678.     Pilgrim's Progress published
            (written earlier)

1 renaissance   

n.复活，复兴，文艺复兴

参考例句：

• The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
• The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。

2 awakening   

n.觉醒，醒悟 adj.觉醒中的；唤醒的

参考例句：

• the awakening of interest in the environment 对环境产生的兴趣
• People are gradually awakening to their rights. 人们正逐渐意识到自己的权利。

3 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

4 sensuous   

adj.激发美感的；感官的，感觉上的

参考例句：

• Don't get the idea that value of music is commensurate with its sensuous appeal.不要以为音乐的价值与其美的感染力相等。
• The flowers that wreathed his parlor stifled him with their sensuous perfume.包围著客厅的花以其刺激人的香味使他窒息。

5 marvel   

vi.(at)惊叹vt.感到惊异；n.令人惊异的事

参考例句：

• The robot is a marvel of modern engineering.机器人是现代工程技术的奇迹。
• The operation was a marvel of medical skill.这次手术是医术上的一个奇迹。

6 degradation   

n.降级；低落；退化；陵削；降解；衰变

参考例句：

• There are serious problems of land degradation in some arid zones.在一些干旱地带存在严重的土地退化问题。
• Gambling is always coupled with degradation.赌博总是与堕落相联系。

7 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

8 jeers   

n.操纵帆桁下部（使其上下的）索具；嘲讽( jeer的名词复数 )v.嘲笑( jeer的第三人称单数 )

参考例句：

• They shouted jeers at him. 他们大声地嘲讽他。 来自《简明英汉词典》
• The jeers from the crowd caused the speaker to leave the platform. 群众的哄笑使讲演者离开讲台。 来自辞典例句

9 pro   

n.赞成，赞成的意见，赞成者

参考例句：

• The two debating teams argued the question pro and con.辩论的两组从赞成与反对两方面辩这一问题。
• Are you pro or con nuclear disarmament?你是赞成还是反对核裁军？

10 sect   

n.派别，宗教，学派，派系

参考例句：

• When he was sixteen he joined a religious sect.他16岁的时候加入了一个宗教教派。
• Each religious sect in the town had its own church.该城每一个宗教教派都有自己的教堂。

11 den   

n.兽穴；秘密地方；安静的小房间，私室

参考例句：

• There is a big fox den on the back hill.后山有一个很大的狐狸窝。
• The only way to catch tiger cubs is to go into tiger's den.不入虎穴焉得虎子。

12 tolerance   

n.宽容；容忍，忍受；耐药力；公差

参考例句：

• Tolerance is one of his strengths.宽容是他的一个优点。
• Human beings have limited tolerance of noise.人类对噪音的忍耐力有限。

13 counselors   

n.顾问( counselor的名词复数 )；律师；（使馆等的）参赞；（协助学生解决问题的）指导老师

参考例句：

• Counselors began an inquiry into industrial needs. 顾问们开始调查工业方面的需要。 来自《现代英汉综合大词典》
• We have experienced counselors available day and night. ) 这里有经验的法律顾问全天候值班。） 来自超越目标英语 第4册

14 laud   

n.颂歌；v.赞美

参考例句：

• Kathy was very pleased to have graduated cum laud in her class.凯西在班上以优等成绩毕业，她为此而非常高兴。
• We laud him a warmhearted man.我们称赞他是个热心人。

15 covenant   

n.盟约，契约；v.订盟约

参考例句：

• They refused to covenant with my father for the property.他们不愿与我父亲订立财产契约。
• The money was given to us by deed of covenant.这笔钱是根据契约书付给我们的。

16 zeal   

n.热心，热情，热忱

参考例句：

• Revolutionary zeal caught them up,and they joined the army.革命热情激励他们，于是他们从军了。
• They worked with great zeal to finish the project.他们热情高涨地工作，以期完成这个项目。

17 fanatics   

狂热者，入迷者( fanatic的名词复数 )

参考例句：

• The heathen temple was torn down by a crowd of religions fanatics. 异教徒的神殿被一群宗教狂热分子拆除了。
• Placing nukes in the hands of baby-faced fanatics? 把核弹交给一些宗教狂热者手里？

18 intensity   

n.强烈，剧烈；强度；烈度

参考例句：

• I didn't realize the intensity of people's feelings on this issue.我没有意识到这一问题能引起群情激奋。
• The strike is growing in intensity.罢工日益加剧。

19 austere   

adj.艰苦的；朴素的，朴实无华的；严峻的

参考例句：

• His way of life is rather austere.他的生活方式相当简朴。
• The room was furnished in austere style.这间屋子的陈设都很简单朴素。

20 unwilling   

adj.不情愿的

参考例句：

• The natives were unwilling to be bent by colonial power.土著居民不愿受殖民势力的摆布。
• His tightfisted employer was unwilling to give him a raise.他那吝啬的雇主不肯给他加薪。

21 immorality   

n. 不道德, 无道义

参考例句：

• All the churchmen have preached against immorality. 所有牧师都讲道反对不道德的行为。
• Where the European sees immorality and lawlessness, strict law rules in reality. 在欧洲人视为不道德和无规则的地方，事实上都盛行着一种严格的规则。 来自英汉非文学 - 家庭、私有制和国家的起源

22 unnatural   

adj.不自然的；反常的

参考例句：

• Did her behaviour seem unnatural in any way?她有任何反常表现吗？
• She has an unnatural smile on her face.她脸上挂着做作的微笑。

23 restrictions   

约束( restriction的名词复数 )； 管制； 制约因素； 带限制性的条件（或规则）

参考例句：

• I found the restrictions irksome. 我对那些限制感到很烦。
• a snaggle of restrictions 杂乱无章的种种限制

24 racing   

n.竞赛，赛马；adj.竞赛用的，赛马用的

参考例句：

• I was watching the racing on television last night.昨晚我在电视上看赛马。
• The two racing drivers fenced for a chance to gain the lead.两个赛车手伺机竞相领先。

25 overthrew   

overthrow的过去式

参考例句：

• The people finally rose up and overthrew the reactionary regime. 人们终于起来把反动的政权推翻了。
• They overthrew their King. 他们推翻了国王。

26 foam   

v./n.泡沫，起泡沫

参考例句：

• The glass of beer was mostly foam.这杯啤酒大部分是泡沫。
• The surface of the water is full of foam.水面都是泡沫。

27 doctrines   

n.教条( doctrine的名词复数 )；教义；学说；（政府政策的）正式声明

参考例句：

• To modern eyes, such doctrines appear harsh, even cruel. 从现代的角度看，这样的教义显得苛刻，甚至残酷。 来自《简明英汉词典》
• His doctrines have seduced many into error. 他的学说把许多人诱入歧途。 来自《现代汉英综合大词典》

28 doctrine   

n.教义；主义；学说

参考例句：

• He was impelled to proclaim his doctrine.他不得不宣扬他的教义。
• The council met to consider changes to doctrine.宗教议会开会考虑更改教义。

29 ridiculed   

v.嘲笑，嘲弄，奚落( ridicule的过去式和过去分词 )

参考例句：

• Biosphere 2 was ultimately ridiculed as a research debade, as exfravagant pseudoscience. 生物圈2号最终被讥讽为科研上的大失败，代价是昂贵的伪科学。 来自《简明英汉词典》
• She ridiculed his insatiable greed. 她嘲笑他的贪得无厌。 来自《简明英汉词典》

30 mighty   

adj.强有力的；巨大的

参考例句：

• A mighty force was about to break loose.一股巨大的力量即将迸发而出。
• The mighty iceberg came into view.巨大的冰山出现在眼前。

31 steadily   

adv.稳定地；不变地；持续地

参考例句：

• The scope of man's use of natural resources will steadily grow.人类利用自然资源的广度将日益扩大。
• Our educational reform was steadily led onto the correct path.我们的教学改革慢慢上轨道了。

32 upheaval   

n.胀起，(地壳)的隆起；剧变，动乱

参考例句：

• It was faced with the greatest social upheaval since World War Ⅱ.它面临第二次世界大战以来最大的社会动乱。
• The country has been thrown into an upheaval.这个国家已经陷入动乱之中。

33 commonwealth   

n.共和国，联邦，共同体

参考例句：

• He is the chairman of the commonwealth of artists.他是艺术家协会的主席。
• Most of the members of the Commonwealth are nonwhite.英联邦的许多成员国不是白人国家。

34 reign   

n.统治时期，统治，支配，盛行；v.占优势

参考例句：

• The reign of Queen Elizabeth lapped over into the seventeenth century.伊丽莎白王朝延至17世纪。
• The reign of Zhu Yuanzhang lasted about 31 years.朱元璋统治了大约三十一年。

35 loyalty   

n.忠诚，忠心

参考例句：

• She told him the truth from a sense of loyalty.她告诉他真相是出于忠诚。
• His loyalty to his friends was never in doubt.他对朋友的一片忠心从来没受到怀疑。

36 strife   

n.争吵，冲突，倾轧，竞争

参考例句：

• We do not intend to be drawn into the internal strife.我们不想卷入内乱之中。
• Money is a major cause of strife in many marriages.金钱是造成很多婚姻不和的一个主要原因。

37 supremacy   

n.至上；至高权力

参考例句：

• No one could challenge her supremacy in gymnastics.她是最优秀的体操运动员，无人能胜过她。
• Theoretically,she holds supremacy as the head of the state.从理论上说，她作为国家的最高元首拥有至高无上的权力。

38 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

39 royalty   

n.皇家，皇族

参考例句：

• She claims to be descended from royalty.她声称她是皇室后裔。
• I waited on tables，and even catered to royalty at the Royal Albert Hall.我做过服务生， 甚至在皇家阿伯特大厅侍奉过皇室的人。

40 blasphemy   

n.亵渎，渎神

参考例句：

• His writings were branded as obscene and a blasphemy against God.他的著作被定为淫秽作品，是对上帝的亵渎。
• You have just heard his blasphemy!你刚刚听到他那番亵渎上帝的话了！

41 ferment   

vt.使发酵；n./vt.（使）激动，（使）动乱

参考例句：

• Fruit juices ferment if they are kept a long time.果汁若是放置很久，就会发酵。
• The sixties were a time of theological ferment.六十年代是神学上骚动的时代。

42 sects   

n.宗派，教派( sect的名词复数 )

参考例句：

• Members of these sects are ruthlessly persecuted and suppressed. 这些教派的成员遭到了残酷的迫害和镇压。 来自《简明英汉词典》
• He had subdued the religious sects, cleaned up Saigon. 他压服了宗教派别，刷新了西贡的面貌。 来自辞典例句

43 frantic   

adj.狂乱的，错乱的，激昂的

参考例句：

• I've had a frantic rush to get my work done.我急急忙忙地赶完工作。
• He made frantic dash for the departing train.他发疯似地冲向正开出的火车。

44 wreck   

n.失事，遇难；沉船；vt.(船等)失事，遇难

参考例句：

• Weather may have been a factor in the wreck.天气可能是造成这次失事的原因之一。
• No one can wreck the friendship between us.没有人能够破坏我们之间的友谊。

45 splendor   

n.光彩；壮丽，华丽；显赫，辉煌

参考例句：

• Never in his life had he gazed on such splendor.他生平从没有见过如此辉煌壮丽的场面。
• All the splendor in the world is not worth a good friend.人世间所有的荣华富贵不如一个好朋友。

46 purely   

adv.纯粹地，完全地

参考例句：

• I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
• This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。

47 reactionary   

n.反动者，反动主义者；adj.反动的，反动主义的，反对改革的

参考例句：

• They forced thousands of peasants into their reactionary armies.他们迫使成千上万的农民参加他们的反动军队。
• The reactionary ruling clique was torn by internal strife.反动统治集团内部勾心斗角，四分五裂。

48 bishop   

n.主教，（国际象棋）象

参考例句：

• He was a bishop who was held in reverence by all.他是一位被大家都尊敬的主教。
• Two years after his death the bishop was canonised.主教逝世两年后被正式封为圣者。

49 bishops   

（基督教某些教派管辖大教区的）主教( bishop的名词复数 )； （国际象棋的）象

参考例句：

• Each player has two bishops at the start of the game. 棋赛开始时，每名棋手有两只象。
• "Only sheriffs and bishops and rich people and kings, and such like. “他劫富济贫，抢的都是郡长、主教、国王之类的富人。

50 rugged   

adj.高低不平的，粗糙的，粗壮的，强健的

参考例句：

• Football players must be rugged.足球运动员必须健壮。
• The Rocky Mountains have rugged mountains and roads.落基山脉有崇山峻岭和崎岖不平的道路。

51 scotch   

n.伤口，刻痕；苏格兰威士忌酒；v.粉碎，消灭，阻止；adj.苏格兰(人)的

参考例句：

• Facts will eventually scotch these rumours.这种谣言在事实面前将不攻自破。
• Italy was full of fine views and virtually empty of Scotch whiskey.意大利多的是美景，真正缺的是苏格兰威士忌。

52 promising   

adj.有希望的，有前途的

参考例句：

• The results of the experiments are very promising.实验的结果充满了希望。
• We're trying to bring along one or two promising young swimmers.我们正设法培养出一两名有前途的年轻游泳选手。

53 urn   

n.（有座脚的）瓮；坟墓；骨灰瓮

参考例句：

• The urn was unearthed entire.这只瓮出土完整无缺。
• She put the big hot coffee urn on the table and plugged it in.她将大咖啡壶放在桌子上,接上电源。

54 posterity   

n.后裔，子孙，后代

参考例句：

• Few of his works will go down to posterity.他的作品没有几件会流传到后世。
• The names of those who died are recorded for posterity on a tablet at the back of the church.死者姓名都刻在教堂后面的一块石匾上以便后人铭记。

55 grandeur   

n.伟大，崇高，宏伟，庄严，豪华

参考例句：

• The grandeur of the Great Wall is unmatched.长城的壮观是独一无二的。
• These ruins sufficiently attest the former grandeur of the place.这些遗迹充分证明此处昔日的宏伟。

56 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

57 colonists   

n.殖民地开拓者，移民，殖民地居民( colonist的名词复数 )

参考例句：

• Colonists from Europe populated many parts of the Americas. 欧洲的殖民者移居到了美洲的许多地方。 来自《简明英汉词典》
• Some of the early colonists were cruel to the native population. 有些早期移居殖民地的人对当地居民很残忍。 来自《简明英汉词典》

58 wilderness   

n.杳无人烟的一片陆地、水等，荒漠

参考例句：

• She drove the herd of cattle through the wilderness.她赶着牛群穿过荒野。
• Education in the wilderness is not a matter of monetary means.荒凉地区的教育不是钱财问题。

59 demons   

n.恶人( demon的名词复数 )；恶魔；精力过人的人；邪念

参考例句：

• demons torturing the sinners in Hell 地狱里折磨罪人的魔鬼
• He is plagued by demons which go back to his traumatic childhood. 他为心魔所困扰，那可追溯至他饱受创伤的童年。 来自《简明英汉词典》

60 demon   

n.魔鬼，恶魔

参考例句：

• The demon of greed ruined the miser's happiness.贪得无厌的恶习毁掉了那个守财奴的幸福。
• He has been possessed by the demon of disease for years.他多年来病魔缠身。

61 demonstration   

n.表明，示范，论证，示威

参考例句：

• His new book is a demonstration of his patriotism.他写的新书是他的爱国精神的证明。
• He gave a demonstration of the new technique then and there.他当场表演了这种新的操作方法。

62 akin   

adj.同族的，类似的

参考例句：

• She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
• Listening to his life story is akin to reading a good adventure novel.听他的人生故事犹如阅读一本精彩的冒险小说。

63 chivalry   

n.骑士气概，侠义；（男人）对女人彬彬有礼，献殷勤

参考例句：

• The Middle Ages were also the great age of chivalry.中世纪也是骑士制度盛行的时代。
• He looked up at them with great chivalry.他非常有礼貌地抬头瞧她们。

64 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

65 somber   

adj.昏暗的，阴天的，阴森的，忧郁的

参考例句：

• He had a somber expression on his face.他面容忧郁。
• His coat was a somber brown.他的衣服是暗棕色的。

66 anatomy   

n.解剖学，解剖；功能，结构，组织

参考例句：

• He found out a great deal about the anatomy of animals.在动物解剖学方面，他有过许多发现。
• The hurricane's anatomy was powerful and complex.对飓风的剖析是一项庞大而复杂的工作。

67 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

68 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

69 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

70 glorify   

vt.颂扬，赞美，使增光，美化

参考例句：

• Politicians have complained that the media glorify drugs.政治家们抱怨媒体美化毒品。
• We are all committed to serving the Lord and glorifying His name in the best way we know.我们全心全意敬奉上帝，竭尽所能颂扬他的美名。

71 unity   

n.团结，联合，统一；和睦，协调

参考例句：

• When we speak of unity,we do not mean unprincipled peace.所谓团结，并非一团和气。
• We must strengthen our unity in the face of powerful enemies.大敌当前，我们必须加强团结。

72 patriotism   

n.爱国精神，爱国心，爱国主义

参考例句：

• His new book is a demonstration of his patriotism.他写的新书是他的爱国精神的证明。
• They obtained money under the false pretenses of patriotism.他们以虚伪的爱国主义为借口获得金钱。

73 throbs   

体内的跳动( throb的名词复数 )

参考例句：

• My finger throbs with the cut. 我的手指因切伤而阵阵抽痛。
• We should count time by heart throbs, in the cause of right. 我们应该在正确的目标下，以心跳的速度来计算时间。

74 vitality   

n.活力，生命力，效力

参考例句：

• He came back from his holiday bursting with vitality and good health.他度假归来之后，身强体壮，充满活力。
• He is an ambitious young man full of enthusiasm and vitality.他是个充满热情与活力的有远大抱负的青年。

75 pessimism   

n.悲观者，悲观主义者，厌世者

参考例句：

• He displayed his usual pessimism.他流露出惯有的悲观。
• There is the note of pessimism in his writings.他的著作带有悲观色彩。

76 parable   

n.寓言，比喻

参考例句：

• This is an ancient parable.这是一个古老的寓言。
• The minister preached a sermon on the parable of the lost sheep.牧师讲道时用了亡羊的比喻。

77 ardor   

n.热情，狂热

参考例句：

• His political ardor led him into many arguments.他的政治狂热使他多次卷入争论中。
• He took up his pursuit with ardor.他满腔热忱地从事工作。

78 lyric   

n.抒情诗，歌词；adj.抒情的

参考例句：

• This is a good example of Shelley's lyric poetry.这首诗是雪莱抒情诗的范例。
• His earlier work announced a lyric talent of the first order.他的早期作品显露了一流的抒情才华。

79 lyrics   

n.歌词

参考例句：

• music and lyrics by Rodgers and Hart 由罗杰斯和哈特作词作曲
• The book contains lyrics and guitar tablatures for over 100 songs. 这本书有100多首歌的歌词和吉他奏法谱。

80 adornment   

n.装饰；装饰品

参考例句：

• Lucie was busy with the adornment of her room.露西正忙着布置她的房间。
• Cosmetics are used for adornment.化妆品是用来打扮的。

81 utterance   

n.用言语表达，话语，言语

参考例句：

• This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
• My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽，泣不成声。

82 tempts   

v.引诱或怂恿（某人）干不正当的事( tempt的第三人称单数 )；使想要

参考例句：

• It tempts the eye to dream. 这种景象会使眼睛产生幻觉。 来自辞典例句
• This is the tidbit which tempts his insectivorous fate. 就是这一点东西引诱它残杀昆虫。 来自互联网

83 dependence   

n.依靠，依赖；信任，信赖；隶属

参考例句：

• Doctors keep trying to break her dependence of the drug.医生们尽力使她戒除毒瘾。
• He was freed from financial dependence on his parents.他在经济上摆脱了对父母的依赖。

84 follower   

n.跟随者；随员；门徒；信徒

参考例句：

• He is a faithful follower of his home football team.他是他家乡足球队的忠实拥护者。
• Alexander is a pious follower of the faith.亚历山大是个虔诚的信徒。

85 followers   

追随者( follower的名词复数 )； 用户； 契据的附面； 从动件

参考例句：

• the followers of Mahatma Gandhi 圣雄甘地的拥护者
• The reformer soon gathered a band of followers round him. 改革者很快就获得一群追随者支持他。

86 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

87 battered   

adj.磨损的；v.连续猛击；磨损

参考例句：

• He drove up in a battered old car.他开着一辆又老又破的旧车。
• The world was brutally battered but it survived.这个世界遭受了惨重的创伤,但它还是生存下来了。

88 sonnet   

n.十四行诗

参考例句：

• The composer set a sonnet to music.作曲家为一首十四行诗谱了曲。
• He wrote a sonnet to his beloved.他写了一首十四行诗，献给他心爱的人。

89 sonnets   

n.十四行诗( sonnet的名词复数 )

参考例句：

• Keats' reputation as a great poet rests largely upon the odes and the later sonnets. 作为一个伟大的诗人，济慈的声誉大部分建立在他写的长诗和后期的十四行诗上。 来自《简明英汉词典》
• He referred to the manuscript circulation of the sonnets. 他谈到了十四行诗手稿的流行情况。 来自辞典例句

90 pseudonym   

n.假名，笔名

参考例句：

• Eric Blair wrote under the pseudonym of George Orwell.埃里克·布莱尔用乔治·奧威尔这个笔名写作。
• Both plays were published under the pseudonym of Philip Dayre.两个剧本都是以菲利普·戴尔的笔名出版的。

91 affixed   

adj.[医]附着的，附着的v.附加( affix的过去式和过去分词 )；粘贴；加以；盖（印章）

参考例句：

• The label should be firmly affixed to the package. 这张标签应该牢牢地贴在包裹上。
• He affixed the sign to the wall. 他将标记贴到墙上。 来自《简明英汉词典》

92 solely   

adv.仅仅，唯一地

参考例句：

• Success should not be measured solely by educational achievement.成功与否不应只用学业成绩来衡量。
• The town depends almost solely on the tourist trade.这座城市几乎完全靠旅游业维持。

93 influential   

adj.有影响的，有权势的

参考例句：

• He always tries to get in with the most influential people.他总是试图巴结最有影响的人物。
• He is a very influential man in the government.他在政府中是个很有影响的人物。

94 aged   

adj.年老的，陈年的

参考例句：

• He had put on weight and aged a little.他胖了，也老点了。
• He is aged,but his memory is still good.他已年老，然而记忆力还好。

95 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

96 homage   

n.尊敬，敬意，崇敬

参考例句：

• We pay homage to the genius of Shakespeare.我们对莎士比亚的天才表示敬仰。
• The soldiers swore to pay their homage to the Queen.士兵们宣誓效忠于女王陛下。

97 manly   

adj.有男子气概的；adv.男子般地，果断地

参考例句：

• The boy walked with a confident manly stride.这男孩以自信的男人步伐行走。
• He set himself manly tasks and expected others to follow his example.他给自己定下了男子汉的任务，并希望别人效之。

98 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

99 profane   

adj.亵神的，亵渎的；vt.亵渎，玷污

参考例句：

• He doesn't dare to profane the name of God.他不敢亵渎上帝之名。
• His profane language annoyed us.他亵渎的言语激怒了我们。

100 zest   

n.乐趣；滋味，风味；兴趣

参考例句：

• He dived into his new job with great zest.他充满热情地投入了新的工作。
• He wrote his novel about his trip to Asia with zest.他兴趣浓厚的写了一本关于他亚洲之行的小说。

101 wither   

vt.使凋谢，使衰退，(用眼神气势等)使畏缩；vi.枯萎，衰退，消亡

参考例句：

• She grows as a flower does-she will wither without sun.她象鲜花一样成长--没有太阳就会凋谢。
• In autumn the leaves wither and fall off the trees.秋天，树叶枯萎并从树上落下来。

102 majesty   

n.雄伟，壮丽，庄严，威严；最高权威，王权

参考例句：

• The king had unspeakable majesty.国王有无法形容的威严。
• Your Majesty must make up your mind quickly!尊贵的陛下，您必须赶快做出决定！

103 piers   

n.水上平台( pier的名词复数 )；（常设有娱乐场所的）突堤；柱子；墙墩

参考例句：

• Most road bridges have piers rising out of the vally. 很多公路桥的桥墩是从河谷里建造起来的。 来自辞典例句
• At these piers coasters and landing-craft would be able to discharge at all states of tide. 沿岸航行的海船和登陆艇，不论潮汐如何涨落，都能在这种码头上卸载。 来自辞典例句

104 predecessor   

n.前辈，前任

参考例句：

• It will share the fate of its predecessor.它将遭受与前者同样的命运。
• The new ambassador is more mature than his predecessor.新大使比他的前任更成熟一些。

105 varied   

adj.多样的，多变化的

参考例句：

• The forms of art are many and varied.艺术的形式是多种多样的。
• The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。

106 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

107 epitome   

n.典型，梗概

参考例句：

• He is the epitome of goodness.他是善良的典范。
• This handbook is a neat epitome of everyday hygiene.这本手册概括了日常卫生的要点。

108 hymn   

n.赞美诗，圣歌，颂歌

参考例句：

• They sang a hymn of praise to God.他们唱着圣歌，赞美上帝。
• The choir has sung only two verses of the last hymn.合唱团只唱了最后一首赞美诗的两个段落。

109 hymns   

n.赞美诗，圣歌，颂歌( hymn的名词复数 )

参考例句：

• At first, they played the hymns and marches familiar to them. 起初他们只吹奏自己熟悉的赞美诗和进行曲。 来自英汉非文学 - 百科语料821
• I like singing hymns. 我喜欢唱圣歌。 来自辞典例句

110 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

111 forerunner   

n.前身，先驱（者），预兆，祖先

参考例句：

• She is a forerunner of the modern women's movement.她是现代妇女运动的先驱。
• Penicillin was the forerunner of modern antibiotics.青霉素是现代抗生素的先导。

112 tiresome   

adj.令人疲劳的，令人厌倦的

参考例句：

• His doubts and hesitations were tiresome.他的疑惑和犹豫令人厌烦。
• He was tiresome in contending for the value of his own labors.他老为他自己劳动的价值而争强斗胜，令人生厌。

113 persecution   

n. 迫害,烦扰

参考例句：

• He had fled from France at the time of the persecution. 他在大迫害时期逃离了法国。
• Their persecution only serves to arouse the opposition of the people. 他们的迫害只激起人民对他们的反抗。

114 proscribed   

v.正式宣布（某事物）有危险或被禁止( proscribe的过去式和过去分词 )

参考例句：

• They are proscribed by federal law from owning guns. 根据联邦法律的规定，他们不准拥有枪支。 来自辞典例句
• In earlier days, the church proscribed dancing and cardplaying. 从前，教会禁止跳舞和玩牌。 来自辞典例句

115 Oxford   

n.牛津（英国城市）

参考例句：

• At present he has become a Professor of Chemistry at Oxford.他现在已是牛津大学的化学教授了。
• This is where the road to Oxford joins the road to London.这是去牛津的路与去伦敦的路的汇合处。

116 philosophic   

adj.哲学的，贤明的

参考例句：

• It was a most philosophic and jesuitical motorman.这是个十分善辩且狡猾的司机。
• The Irish are a philosophic as well as a practical race.爱尔兰人是既重实际又善于思想的民族。

117 renounced   

v.声明放弃( renounce的过去式和过去分词 )；宣布放弃；宣布与…决裂；宣布摒弃

参考例句：

• We have renounced the use of force to settle our disputes. 我们已再次宣布放弃使用武力来解决争端。 来自《简明英汉词典》
• Andrew renounced his claim to the property. 安德鲁放弃了财产的所有权。 来自《简明英汉词典》

118 denominations   

n.宗派( denomination的名词复数 )；教派；面额；名称

参考例句：

• Christians of all denominations attended the conference. 基督教所有教派的人都出席了这次会议。
• The service was attended by Christians of all denominations. 这次礼拜仪式各教派的基督徒都参加了。 来自《简明英汉词典》

119 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

120 needy   

adj.贫穷的，贫困的，生活艰苦的

参考例句：

• Although he was poor,he was quite generous to his needy friends.他虽穷，但对贫苦的朋友很慷慨。
• They awarded scholarships to needy students.他们给贫苦学生颁发奖学金。

121 poetical   

adj.似诗人的；诗一般的；韵文的；富有诗意的

参考例句：

• This is a poetical picture of the landscape. 这是一幅富有诗意的风景画。 来自《简明英汉词典》
• John is making a periphrastic study in a worn-out poetical fashion. 约翰正在对陈腐的诗风做迂回冗长的研究。 来自辞典例句

122 migration   

n.迁移，移居，（鸟类等的）迁徙

参考例句：

• Swallows begin their migration south in autumn.燕子在秋季开始向南方迁移。
• He described the vernal migration of birds in detail.他详细地描述了鸟的春季移居。

123 ascetic   

adj.禁欲的；严肃的

参考例句：

• The hermit followed an ascetic life-style.这个隐士过的是苦行生活。
• This is achieved by strict celibacy and ascetic practices.这要通过严厉的独身生活和禁欲修行而达到。

124 martyr   

n.烈士，殉难者；vt.杀害，折磨，牺牲

参考例句：

• The martyr laid down his life for the cause of national independence.这位烈士是为了民族独立的事业而献身的。
• The newspaper carried the martyr's photo framed in black.报上登载了框有黑边的烈士遗像。

125 tract   

n.传单，小册子，大片(土地或森林)

参考例句：

• He owns a large tract of forest.他拥有一大片森林。
• He wrote a tract on this subject.他曾对此写了一篇短文。

126 ordained   

v.任命（某人）为牧师( ordain的过去式和过去分词 )；授予（某人）圣职；（上帝、法律等）命令；判定

参考例句：

• He was ordained in 1984. 他在一九八四年被任命为牧师。 来自《简明英汉词典》
• He was ordained priest. 他被任命为牧师。 来自辞典例句

127 raptures   

极度欢喜( rapture的名词复数 )

参考例句：

• Her heart melted away in secret raptures. 她暗自高兴得心花怒放。
• The mere thought of his bride moves Pinkerton to raptures. 一想起新娘，平克顿不禁心花怒放。

128 amend   

vt.修改，修订，改进；n.[pl.]赔罪，赔偿

参考例句：

• The teacher advised him to amend his way of living.老师劝他改变生活方式。
• You must amend your pronunciation.你必须改正你的发音。

129 woe   

n.悲哀，苦痛，不幸，困难；int.用来表达悲伤或惊慌

参考例句：

• Our two peoples are brothers sharing weal and woe.我们两国人民是患难与共的兄弟。
• A man is well or woe as he thinks himself so.自认祸是祸，自认福是福。

130 worthies   

应得某事物( worthy的名词复数 )； 值得做某事； 可尊敬的； 有（某人或事物）的典型特征

参考例句：

• The world is peopled with worthies, and workers, useful and clever. 世界上住着高尚的人，劳动的人，有用又聪明。
• The former worthies have left us a rich cultural heritage. 前贤给我们留下了丰富的文化遗产。

131 uneven   

adj.不平坦的，不规则的，不均匀的

参考例句：

• The sidewalk is very uneven—be careful where you walk.这人行道凹凸不平—走路时请小心。
• The country was noted for its uneven distribution of land resources.这个国家以土地资源分布不均匀出名。

132 browsing   

v.吃草( browse的现在分词 )；随意翻阅；（在商店里）随便看看；（在计算机上）浏览信息

参考例句：

• He sits browsing over[through] a book. 他坐着翻阅书籍。 来自《简明英汉词典》
• Cattle is browsing in the field. 牛正在田里吃草。 来自《简明英汉词典》

133 wail   

vt./vi.大声哀号，恸哭；呼啸，尖啸

参考例句：

• Somewhere in the audience an old woman's voice began plaintive wail.观众席里，一位老太太伤心地哭起来。
• One of the small children began to wail with terror.小孩中的一个吓得大哭起来。

134 exalt   

v.赞扬，歌颂，晋升，提升

参考例句：

• She thanked the President to exalt her.她感谢总统提拔她。
• His work exalts all those virtues that we,as Americans,are taught to hold dear.他的作品颂扬了所有那些身为美国人应该珍视的美德。

135 havoc   

n.大破坏，浩劫，大混乱，大杂乱

参考例句：

• The earthquake wreaked havoc on the city.地震对这个城市造成了大破坏。
• This concentration of airborne firepower wrought havoc with the enemy forces.这次机载火力的集中攻击给敌军造成很大破坏。

136 satiric   

adj.讽刺的，挖苦的

参考例句：

• Looking at her satiric parent she only gave a little laugh.她望着她那挖苦人的父亲，只讪讪地笑了一下。
• His satiric poem spared neither the politicians nor the merchants.政客们和商人们都未能免于遭受他的诗篇的讽刺。

137 expressive   

adj.表现的，表达…的，富于表情的

参考例句：

• Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
• He had a mobile,expressive,animated face.他有一张多变的，富于表情的，生动活泼的脸。

138 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。

139 aspiration   

n.志向，志趣抱负；渴望；(语)送气音；吸出

参考例句：

• Man's aspiration should be as lofty as the stars.人的志气应当象天上的星星那么高。
• Young Addison had a strong aspiration to be an inventor.年幼的爱迪生渴望成为一名发明家。

140 underlying   

adj.在下面的，含蓄的，潜在的

参考例句：

• The underlying theme of the novel is very serious.小说隐含的主题是十分严肃的。
• This word has its underlying meaning.这个单词有它潜在的含义。

141 desperately   

adv.极度渴望地，绝望地，孤注一掷地

参考例句：

• He was desperately seeking a way to see her again.他正拼命想办法再见她一面。
• He longed desperately to be back at home.他非常渴望回家。

142 subdued   

adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词

参考例句：

• He seemed a bit subdued to me. 我觉得他当时有点闷闷不乐。
• I felt strangely subdued when it was all over. 一切都结束的时候，我却有一种奇怪的压抑感。

143 undoubtedly   

adv.确实地，无疑地

参考例句：

• It is undoubtedly she who has said that.这话明明是她说的。
• He is undoubtedly the pride of China.毫无疑问他是中国的骄傲。

144 blessing   

n.祈神赐福；祷告；祝福，祝愿

参考例句：

• The blessing was said in Hebrew.祷告用了希伯来语。
• A double blessing has descended upon the house.双喜临门。

145 precepts   

n.规诫，戒律，箴言( precept的名词复数 )

参考例句：

• They accept the Prophet's precepts but reject some of his strictures. 他们接受先知的教训，但拒绝他的种种约束。 来自《现代英汉综合大词典》
• The legal philosopher's concern is to ascertain the true nature of all the precepts and norms. 法哲学家的兴趣在于探寻所有规范和准则的性质。 来自辞典例句

146 thereby   

adv.因此，从而

参考例句：

• I have never been to that city,,ereby I don't know much about it.我从未去过那座城市，因此对它不怎么熟悉。
• He became a British citizen,thereby gaining the right to vote.他成了英国公民，因而得到了投票权。

147 chafe   

v.擦伤；冲洗；惹怒

参考例句：

• The foaming waves chafe against the rocky shore.汹涌的波涛猛烈地冲击着礁岸。
• A stiff collar may chafe your neck.硬的衣领会擦伤你的脖子。

148 stanzas   

节，段( stanza的名词复数 )

参考例句：

• The poem has six stanzas. 这首诗有六小节。
• Stanzas are different from each other in one poem. 诗中节与节差异颇大。

149 immortal   

adj.不朽的；永生的，不死的；神的

参考例句：

• The wild cocoa tree is effectively immortal.野生可可树实际上是不会死的。
• The heroes of the people are immortal!人民英雄永垂不朽！

150 blessings   

n.（上帝的）祝福( blessing的名词复数 )；好事；福分；因祸得福

参考例句：

• Afflictions are sometimes blessings in disguise. 塞翁失马，焉知非福。 来自《简明英汉词典》
• We don't rely on blessings from Heaven. 我们不靠老天保佑。 来自《现代汉英综合大词典》

151 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

152 dispersed   

adj. 被驱散的, 被分散的, 散布的

参考例句：

• The clouds dispersed themselves. 云散了。
• After school the children dispersed to their homes. 放学后，孩子们四散回家了。

153 bestow   

v.把…赠与，把…授予；花费

参考例句：

• He wished to bestow great honors upon the hero.他希望将那些伟大的荣誉授予这位英雄。
• What great inspiration wiII you bestow on me?你有什么伟大的灵感能馈赠给我？

154 wrath   

n.愤怒，愤慨，暴怒

参考例句：

• His silence marked his wrath. 他的沉默表明了他的愤怒。
• The wrath of the people is now aroused. 人们被激怒了。

155 rime   

n.白霜；v.使蒙霜

参考例句：

• The field was covered with rime in the early morning.清晨地里覆盖着一层白霜。
• Coleridge contributed the famous Rime of the Ancient Mariner.柯勒律治贡献了著名的《老水手之歌》。

156 conceits   

高傲( conceit的名词复数 )； 自以为； 巧妙的词语； 别出心裁的比喻

参考例句：

• He jotted down the conceits of his idle hours. 他记下了闲暇时想到的一些看法。
• The most grotesque fantastic conceits haunted him in his bed at night. 夜晚躺在床上的时候，各种离奇怪诞的幻想纷至沓来。

157 syllable   

n.音节；vt.分音节

参考例句：

• You put too much emphasis on the last syllable.你把最后一个音节读得太重。
• The stress on the last syllable is light.最后一个音节是轻音节。

158 dominant   

adj.支配的，统治的；占优势的；显性的；n.主因，要素，主要的人(或物)；显性基因

参考例句：

• The British were formerly dominant in India.英国人从前统治印度。
• She was a dominant figure in the French film industry.她在法国电影界是个举足轻重的人物。

159 gallant   

adj.英勇的，豪侠的；(向女人)献殷勤的

参考例句：

• Huang Jiguang's gallant deed is known by all men. 黄继光的英勇事迹尽人皆知。
• These gallant soldiers will protect our country.这些勇敢的士兵会保卫我们的国家的。

160 lighter   

n.打火机，点火器；驳船；v.用驳船运送；light的比较级

参考例句：

• The portrait was touched up so as to make it lighter.这张画经过润色，色调明朗了一些。
• The lighter works off the car battery.引燃器利用汽车蓄电池打火。

161 vein   

n.血管，静脉；叶脉，纹理；情绪；vt.使成脉络

参考例句：

• The girl is not in the vein for singing today.那女孩今天没有心情唱歌。
• The doctor injects glucose into the patient's vein.医生把葡萄糖注射入病人的静脉。

162 licentious   

adj.放纵的，淫乱的

参考例句：

• She felt uncomfortable for his licentious act.她对他放肆的行为感到有点不舒服。
• The licentious monarch helped bring about his country's downfall.这昏君荒淫无道，加速了这个国家的灭亡。

163 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

164 refinement   

n.文雅；高尚；精美；精制；精炼

参考例句：

• Sally is a woman of great refinement and beauty. 莎莉是个温文尔雅又很漂亮的女士。
• Good manners and correct speech are marks of refinement.彬彬有礼和谈吐得体是文雅的标志。

165 vigor   

n.活力，精力，元气

参考例句：

• The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
• She didn't want to be reminded of her beauty or her former vigor.现在，她不愿人们提起她昔日的美丽和以前的精力充沛。

166 stimulating   

adj.有启发性的，能激发人思考的

参考例句：

• shower gel containing plant extracts that have a stimulating effect on the skin 含有对皮肤有益的植物精华的沐浴凝胶
• This is a drug for stimulating nerves. 这是一种兴奋剂。

167 bestows   

赠给，授予( bestow的第三人称单数 )

参考例句：

• Second, Xie Lingyun bestows on basic subject and emotion connotation. 谢灵运赋的基本主题及情感内涵。
• And the frigid climate bestows Heilongjiang rich resources of ice and snow. 寒冷的气候赋予了其得天独厚的冰雪资源。

168 downwards   

adj./adv.向下的（地），下行的（地）

参考例句：

• He lay face downwards on his bed.他脸向下伏在床上。
• As the river flows downwards,it widens.这条河愈到下游愈宽。

169 phoenix   

n.凤凰，长生(不死)鸟；引申为重生

参考例句：

• The airline rose like a phoenix from the ashes.这家航空公司又起死回生了。
• The phoenix worship of China is fetish worship not totem adoration.中国凤崇拜是灵物崇拜而非图腾崇拜。

170 spicy   

adj.加香料的；辛辣的，有风味的

参考例句：

• The soup tasted mildly spicy.汤尝起来略有点辣。
• Very spicy food doesn't suit her stomach.太辣的东西她吃了胃不舒服。

171 fragrant   

adj.芬香的，馥郁的，愉快的

参考例句：

• The Fragrant Hills are exceptionally beautiful in late autumn.深秋的香山格外美丽。
• The air was fragrant with lavender.空气中弥漫薰衣草香。

172 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。

173 disposition   

n.性情，性格；意向，倾向；排列，部署

参考例句：

• He has made a good disposition of his property.他已对财产作了妥善处理。
• He has a cheerful disposition.他性情开朗。

174 longing   

n.（for）渴望

参考例句：

• Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
• His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。

175 mermaid   

n.美人鱼

参考例句：

• How popular would that girl be with the only mermaid mom!和人鱼妈妈在一起，那个女孩会有多受欢迎！
• The little mermaid wasn't happy because she didn't want to wait.小美人鱼不太高兴，因为她等不及了。

176 tavern   

n.小旅馆，客栈；小酒店

参考例句：

• There is a tavern at the corner of the street.街道的拐角处有一家酒馆。
• Philip always went to the tavern,with a sense of pleasure.菲利浦总是心情愉快地来到这家酒菜馆。

177 housekeeper   

n.管理家务的主妇，女管家

参考例句：

• A spotless stove told us that his mother is a diligent housekeeper.炉子清洁无瑕就表明他母亲是个勤劳的主妇。
• She is an economical housekeeper and feeds her family cheaply.她节约持家，一家人吃得很省。

178 rosebuds   

蔷薇花蕾，妙龄少女，初入社交界的少女( rosebud的名词复数 )

参考例句：

• Gather ye rosebuds while ye may. 花开堪折直须折。
• Gather ye rosebuds while ye may. 有花堪折直须折，莫待花无空折枝。

179 graceful   

adj.优美的，优雅的；得体的

参考例句：

• His movements on the parallel bars were very graceful.他的双杠动作可帅了!
• The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。

180 melodious   

adj.旋律美妙的，调子优美的，音乐性的

参考例句：

• She spoke in a quietly melodious voice.她说话轻声细语，嗓音甜美。
• Everybody was attracted by her melodious voice.大家都被她悦耳的声音吸引住了。

181 abounding   

adj.丰富的，大量的v.大量存在，充满，富于( abound的现在分词 )

参考例句：

• Ahead lay the scalloped ocean and the abounding blessed isles. 再往前是水波荡漾的海洋和星罗棋布的宝岛。 来自英汉文学 - 盖茨比
• The metallic curve of his sheep-crook shone silver-bright in the same abounding rays. 他那弯柄牧羊杖上的金属曲线也在这一片炽盛的火光下闪着银亮的光。 来自辞典例句

182 duel   

n./v.决斗；(双方的)斗争

参考例句：

• The two teams are locked in a duel for first place.两个队为争夺第一名打得难解难分。
• Duroy was forced to challenge his disparager to duel.杜洛瓦不得不向诋毁他的人提出决斗。

183 accomplishment   

n.完成，成就，（pl.）造诣，技能

参考例句：

• The series of paintings is quite an accomplishment.这一系列的绘画真是了不起的成就。
• Money will be crucial to the accomplishment of our objectives.要实现我们的目标，钱是至关重要的。

184 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

185 ballad   

n.歌谣，民谣，流行爱情歌曲

参考例句：

• This poem has the distinctive flavour of a ballad.这首诗有民歌风味。
• This is a romantic ballad that is pure corn.这是一首极为伤感的浪漫小曲。

186 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

187 doggerel   

n.拙劣的诗，打油诗

参考例句：

• The doggerel doesn't filiate itself.这首打油诗没有标明作者是谁。
• He styled his poem doggerel.他把他的这首诗歌叫做打油诗。

188 majestic   

adj.雄伟的，壮丽的，庄严的，威严的，崇高的

参考例句：

• In the distance rose the majestic Alps.远处耸立着雄伟的阿尔卑斯山。
• He looks majestic in uniform.他穿上军装显得很威风。

189 conspicuously   

ad.明显地，惹人注目地

参考例句：

• France remained a conspicuously uneasy country. 法国依然是个明显不太平的国家。
• She figured conspicuously in the public debate on the issue. 她在该问题的公开辩论中很引人注目。

190 jealousies   

n.妒忌( jealousy的名词复数 )；妒羡

参考例句：

• They were divided by mutual suspicion and jealousies. 他们因为相互猜疑嫉妒而不和。 来自《现代汉英综合大词典》
• I am tired of all these jealousies and quarrels. 我厌恶这些妒忌和吵架的语言。 来自辞典例句

191 steadfast   

adj.固定的，不变的，不动摇的；忠实的；坚贞不移的

参考例句：

• Her steadfast belief never left her for one moment.她坚定的信仰从未动摇过。
• He succeeded in his studies by dint of steadfast application.由于坚持不懈的努力他获得了学业上的成功。

192 momentary   

adj.片刻的，瞬息的；短暂的

参考例句：

• We are in momentary expectation of the arrival of you.我们无时无刻不在盼望你的到来。
• I caught a momentary glimpse of them.我瞥了他们一眼。

193 swerve   

v.突然转向，背离；n．转向，弯曲，背离

参考例句：

• Nothing will swerve him from his aims.什么也不能使他改变目标。
• Her car swerved off the road into a 6ft high brick wall.她的车突然转向冲出了马路，撞向6英尺高的一面砖墙。

194 meditation   

n.熟虑，（尤指宗教的）默想，沉思，（pl.）冥想录

参考例句：

• This peaceful garden lends itself to meditation.这个恬静的花园适于冥想。
• I'm sorry to interrupt your meditation.很抱歉，我打断了你的沉思。

195 devout   

adj.虔诚的，虔敬的，衷心的 (n.devoutness)

参考例句：

• His devout Catholicism appeals to ordinary people.他对天主教的虔诚信仰感染了普通民众。
• The devout man prayed daily.那位虔诚的男士每天都祈祷。

196 almighty   

adj.全能的，万能的；很大的，很强的

参考例句：

• Those rebels did not really challenge Gods almighty power.这些叛徒没有对上帝的全能力量表示怀疑。
• It's almighty cold outside.外面冷得要命。

197 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

198 sublimity   

崇高，庄严，气质高尚

参考例句：

• It'suggests no crystal waters, no picturesque shores, no sublimity. 这决不会叫人联想到晶莹的清水，如画的两岸，雄壮的气势。
• Huckleberry was filled with admiration of Tom's facility in writing, and the sublimity of his language. 对汤姆流利的书写、响亮的内容，哈克贝利心悦诚服。

199 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

200 attainment   

n.达到，到达；［常pl.］成就，造诣

参考例句：

• We congratulated her upon her attainment to so great an age.我们祝贺她高寿。
• The attainment of the success is not easy.成功的取得并不容易。

201 prospered   

成功，兴旺( prosper的过去式和过去分词 )

参考例句：

• The organization certainly prospered under his stewardship. 不可否认，这个组织在他的管理下兴旺了起来。
• Mr. Black prospered from his wise investments. 布莱克先生由于巧妙的投资赚了不少钱。

202 notary   

n.公证人，公证员

参考例句：

• She is the town clerk and a certified public accountant and notary public.她身兼城镇文书、执业会计师和公证人数职。
• That notary is authorised to perform the certain legal functions.公证人被授权执行某些法律职能。

203 radical   

n.激进份子，原子团，根号；adj.根本的，激进的，彻底的

参考例句：

• The patient got a radical cure in the hospital.病人在医院得到了根治。
• She is radical in her demands.她的要求十分偏激。

204 tunes   

n.曲调，曲子( tune的名词复数 )v.调音( tune的第三人称单数 )；调整；（给收音机、电视等）调谐；使协调

参考例句：

• a potpourri of tunes 乐曲集锦
• When things get a bit too much, she simply tunes out temporarily. 碰到事情太棘手时，她干脆暂时撒手不管。 来自《简明英汉词典》

205 piety   

n.虔诚，虔敬

参考例句：

• They were drawn to the church not by piety but by curiosity.他们去教堂不是出于虔诚而是出于好奇。
• Experience makes us see an enormous difference between piety and goodness.经验使我们看到虔诚与善意之间有着巨大的区别。

206 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

207 mechanism   

n.机械装置；机构，结构

参考例句：

• The bones and muscles are parts of the mechanism of the body.骨骼和肌肉是人体的组成部件。
• The mechanism of the machine is very complicated.这台机器的结构是非常复杂的。

208 prelude   

n.序言，前兆，序曲

参考例句：

• The prelude to the musical composition is very long.这首乐曲的序曲很长。
• The German invasion of Poland was a prelude to World War II.德国入侵波兰是第二次世界大战的序幕。

209 bent   

n.爱好，癖好；adj.弯的；决心的，一心的

参考例句：

• He was fully bent upon the project.他一心扑在这项计划上。
• We bent over backward to help them.我们尽了最大努力帮助他们。

210 opposition   

n.反对，敌对

参考例句：

• The party leader is facing opposition in his own backyard.该党领袖在自己的党內遇到了反对。
• The police tried to break down the prisoner's opposition.警察设法制住了那个囚犯的反抗。

211 ordination   

n.授任圣职

参考例句：

• His ordination gives him the right to conduct a marriage or a funeral.他的晋升圣职使他有权主持婚礼或葬礼。
• The vatican said the ordination places the city's catholics in a "very delicate and difficult decision."教廷说，这个任命使得这个城市的天主教徒不得不做出“非常棘手和困难的决定”。

212 aloof   

adj.远离的；冷淡的，漠不关心的

参考例句：

• Never stand aloof from the masses.千万不可脱离群众。
• On the evening the girl kept herself timidly aloof from the crowd.这小女孩在晚会上一直胆怯地远离人群。

213 creed   

n.信条；信念，纲领

参考例句：

• They offended against every article of his creed.他们触犯了他的每一条戒律。
• Our creed has always been that business is business.我们的信条一直是公私分明。

214 rejection   

n.拒绝，被拒，抛弃，被弃

参考例句：

• He decided not to approach her for fear of rejection.他因怕遭拒绝决定不再去找她。
• The rejection plunged her into the dark depths of despair.遭到拒绝使她陷入了绝望的深渊。

215 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

216 retirement   

n.退休，退职

参考例句：

• She wanted to enjoy her retirement without being beset by financial worries.她想享受退休生活而不必为金钱担忧。
• I have to put everything away for my retirement.我必须把一切都积蓄起来以便退休后用。

217 withdrawal   

n.取回，提款；撤退，撤军；收回，撤销

参考例句：

• The police were forced to make a tactical withdrawal.警方被迫进行战术撤退。
• They insisted upon a withdrawal of the statement and a public apology.他们坚持要收回那些话并公开道歉。

218 solitary   

adj.孤独的，独立的，荒凉的；n.隐士

参考例句：

• I am rather fond of a solitary stroll in the country.我颇喜欢在乡间独自徜徉。
• The castle rises in solitary splendour on the fringe of the desert.这座城堡巍然耸立在沙漠的边际，显得十分壮美。

219 harmonious   

adj.和睦的，调和的，和谐的，协调的

参考例句：

• Their harmonious relationship resulted in part from their similar goals.他们关系融洽的部分原因是他们有着相似的目标。
• The room was painted in harmonious colors.房间油漆得色彩调和。

220 solitude   

n. 孤独; 独居,荒僻之地,幽静的地方

参考例句：

• People need a chance to reflect on spiritual matters in solitude. 人们需要独处的机会来反思精神上的事情。
• They searched for a place where they could live in solitude. 他们寻找一个可以过隐居生活的地方。

221 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

222 imprisonment   

n.关押，监禁，坐牢

参考例句：

• His sentence was commuted from death to life imprisonment.他的判决由死刑减为无期徒刑。
• He was sentenced to one year's imprisonment for committing bigamy.他因为犯重婚罪被判入狱一年。

223 deserted   

adj.荒芜的，荒废的，无人的，被遗弃的

参考例句：

• The deserted village was filled with a deathly silence.这个荒废的村庄死一般的寂静。
• The enemy chieftain was opposed and deserted by his followers.敌人头目众叛亲离。

224 chary   

adj.谨慎的，细心的

参考例句：

• She started a chary descent of the stairs.她开始小心翼翼地下楼梯。
• She is chary of strangers.她见到陌生人会害羞。

225 epic   

n.史诗，叙事诗；adj.史诗般的，壮丽的

参考例句：

• I gave up my epic and wrote this little tale instead.我放弃了写叙事诗，而写了这个小故事。
• They held a banquet of epic proportions.他们举行了盛大的宴会。

226 unbearable   

adj.不能容忍的；忍受不住的

参考例句：

• It is unbearable to be always on thorns.老是处于焦虑不安的情况中是受不了的。
• The more he thought of it the more unbearable it became.他越想越觉得无法忍受。

227 brutality   

n.野蛮的行为，残忍，野蛮

参考例句：

• The brutality of the crime has appalled the public. 罪行之残暴使公众大为震惊。
• a general who was infamous for his brutality 因残忍而恶名昭彰的将军

228 tenure   

n.终身职位；任期；(土地)保有权，保有期

参考例句：

• He remained popular throughout his tenure of the office of mayor.他在担任市长的整个任期内都深得民心。
• Land tenure is a leading political issue in many parts of the world.土地的保有权在世界很多地区是主要的政治问题。

229 magistrates   

地方法官，治安官( magistrate的名词复数 )

参考例句：

• to come up before the magistrates 在地方法院出庭
• He was summoned to appear before the magistrates. 他被传唤在地方法院出庭。

230 justify   

vt.证明…正当(或有理)，为…辩护

参考例句：

• He tried to justify his absence with lame excuses.他想用站不住脚的借口为自己的缺席辩解。
• Can you justify your rude behavior to me?你能向我证明你的粗野行为是有道理的吗？

231 dread   

vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧

参考例句：

• We all dread to think what will happen if the company closes.我们都不敢去想一旦公司关门我们该怎么办。
• Her heart was relieved of its blankest dread.她极度恐惧的心理消除了。

232 emancipation   

n.（从束缚、支配下）解放

参考例句：

• We must arouse them to fight for their own emancipation. 我们必须唤起他们为其自身的解放而斗争。 来自《简明英汉词典》
• They rejoiced over their own emancipation. 他们为自己的解放感到欢欣鼓舞。 来自《简明英汉词典》

233 promptly   

adv.及时地，敏捷地

参考例句：

• He paid the money back promptly.他立即还了钱。
• She promptly seized the opportunity his absence gave her.她立即抓住了因他不在场给她创造的机会。

234 repudiated   

v.（正式地）否认( repudiate的过去式和过去分词 )；拒绝接受；拒绝与…往来；拒不履行（法律义务）

参考例句：

• All slanders and libels should be repudiated. 一切诬蔑不实之词，应予推倒。 来自《现代汉英综合大词典》
• The Prime Minister has repudiated racist remarks made by a member of the Conservative Party. 首相已经驳斥了一个保守党成员的种族主义言论。 来自辞典例句

235 scant   

adj.不充分的，不足的；v.减缩，限制，忽略

参考例句：

• Don't scant the butter when you make a cake.做糕饼时不要吝惜奶油。
• Many mothers pay scant attention to their own needs when their children are small.孩子们小的时候，许多母亲都忽视自己的需求。

236 ponderous   

adj.沉重的，笨重的，(文章)冗长的

参考例句：

• His steps were heavy and ponderous.他的步伐沉重缓慢。
• It was easy to underestimate him because of his occasionally ponderous manner.由于他偶尔现出的沉闷的姿态，很容易使人小看了他。

237 espoused   

v.（决定）支持，拥护（目标、主张等）( espouse的过去式和过去分词 )

参考例句：

• They espoused the notion of equal opportunity for all in education. 他们赞同在教育方面人人机会均等的观念。
• The ideas she espoused were incomprehensible to me. 她所支持的意见令我难以理解。 来自《简明英汉词典》

238 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

239 rosy   

adj.美好的，乐观的，玫瑰色的

参考例句：

• She got a new job and her life looks rosy.她找到一份新工作，生活看上去很美好。
• She always takes a rosy view of life.她总是对生活持乐观态度。

240 condemning   

v.（通常因道义上的原因而）谴责( condemn的现在分词 )；宣判；宣布…不能使用；迫使…陷于不幸的境地

参考例句：

• The government issued a statement condemning the killings. 政府发表声明谴责这些凶杀事件。
• I concur with the speaker in condemning what has been done. 我同意发言者对所做的事加以谴责。 来自《现代英汉综合大词典》

241 demolished   

v.摧毁( demolish的过去式和过去分词 )；推翻；拆毁（尤指大建筑物）；吃光

参考例句：

• The factory is due to be demolished next year. 这个工厂定于明年拆除。
• They have been fighting a rearguard action for two years to stop their house being demolished. 两年来，为了不让拆除他们的房子，他们一直在进行最后的努力。

242 instigated   

v.使（某事物）开始或发生，鼓动( instigate的过去式和过去分词 )

参考例句：

• The government has instigated a programme of economic reform. 政府已实施了经济改革方案。
• He instigated the revolt. 他策动了这次叛乱。 来自《现代汉英综合大词典》

243 invincible   

adj.不可征服的，难以制服的

参考例句：

• This football team was once reputed to be invincible.这支足球队曾被誉为无敌的劲旅。
• The workers are invincible as long as they hold together.只要工人团结一致，他们就是不可战胜的。

244 disastrous   

adj.灾难性的，造成灾害的；极坏的，很糟的

参考例句：

• The heavy rainstorm caused a disastrous flood.暴雨成灾。
• Her investment had disastrous consequences.She lost everything she owned.她的投资结果很惨，血本无归。

245 labored   

adj.吃力的，谨慎的v.努力争取(for)( labor的过去式和过去分词 )；苦干；详细分析；（指引擎）缓慢而困难地运转

参考例句：

• I was close enough to the elk to hear its labored breathing. 我离那头麋鹿非常近，能听见它吃力的呼吸声。 来自辞典例句
• They have labored to complete the job. 他们努力完成这一工作。 来自辞典例句

246 labor   

n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦

参考例句：

• We are never late in satisfying him for his labor.我们从不延误付给他劳动报酬。
• He was completely spent after two weeks of hard labor.艰苦劳动两周后，他已经疲惫不堪了。

247 labors   

v.努力争取(for)( labor的第三人称单数 )；苦干；详细分析；（指引擎）缓慢而困难地运转

参考例句：

• He was tiresome in contending for the value of his own labors. 他老为他自己劳动的价值而争强斗胜，令人生厌。 来自辞典例句
• Farm labors used to hire themselves out for the summer. 农业劳动者夏季常去当雇工。 来自辞典例句

248 monarch   

n.帝王，君主，最高统治者

参考例句：

• The monarch's role is purely ceremonial.君主纯粹是个礼仪职位。
• I think myself happier now than the greatest monarch upon earth.我觉得这个时候比世界上什么帝王都快乐。

249 immediate   

adj.立即的；直接的，最接近的；紧靠的

参考例句：

• His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
• We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。

250 recording   

n.录音，记录

参考例句：

• How long will the recording of the song take?录下这首歌得花多少时间？
• I want to play you a recording of the rehearsal.我想给你放一下彩排的录像。

251 quelled   

v.（用武力）制止，结束，镇压( quell的过去式和过去分词 )

参考例句：

• Thanks to Kao Sung-nien's skill, the turmoil had been quelled. 亏高松年有本领，弹压下去。 来自汉英文学 - 围城
• Mr. Atkinson was duly quelled. 阿特金森先生被及时地将了一军。 来自辞典例句

252 hearth   

n.壁炉炉床，壁炉地面

参考例句：

• She came and sat in a chair before the hearth.她走过来，在炉子前面的椅子上坐下。
• She comes to the hearth,and switches on the electric light there.她走到壁炉那里，打开电灯。

253 dictate   

v.口授；(使)听写；指令，指示，命令

参考例句：

• It took him a long time to dictate this letter.口述这封信花了他很长时间。
• What right have you to dictate to others?你有什么资格向别人发号施令？

254 makers   

n.制造者，制造商（maker的复数形式）

参考例句：

• The makers of the product assured us that there had been no sacrifice of quality. 这一产品的制造商向我们保证说他们没有牺牲质量。
• The makers are about to launch out a new product. 制造商们马上要生产一种新产品。 来自《简明英汉词典》

255 gratitude   

adj.感激，感谢

参考例句：

• I have expressed the depth of my gratitude to him.我向他表示了深切的谢意。
• She could not help her tears of gratitude rolling down her face.她感激的泪珠禁不住沿着面颊流了下来。

256 regained   

复得( regain的过去式和过去分词 )； 赢回； 重回； 复至某地

参考例句：

• The majority of the people in the world have regained their liberty. 世界上大多数人已重获自由。
• She hesitated briefly but quickly regained her poise. 她犹豫片刻，但很快恢复了镇静。

257 afflicted   

使受痛苦，折磨( afflict的过去式和过去分词 )

参考例句：

• About 40% of the country's population is afflicted with the disease. 全国40%左右的人口患有这种疾病。
• A terrible restlessness that was like to hunger afflicted Martin Eden. 一阵可怕的、跟饥饿差不多的不安情绪折磨着马丁·伊登。

258 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

259 joyous   

adj.充满快乐的；令人高兴的

参考例句：

• The lively dance heightened the joyous atmosphere of the scene.轻快的舞蹈给这场戏渲染了欢乐气氛。
• They conveyed the joyous news to us soon.他们把这一佳音很快地传递给我们。

260 fragrances   

n.芳香，香味( fragrance的名词复数 )；香水

参考例句：

• The bath oil comes in various fragrances. 这种沐浴油有不同的香味。
• This toilet soap lathers so nicely and has several fragrances. 这种香皂起泡很多，并且有好几种香味。 来自《现代汉英综合大词典》

261 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

262 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

263 injustice   

n.非正义，不公正，不公平，侵犯（别人的）权利

参考例句：

• They complained of injustice in the way they had been treated.他们抱怨受到不公平的对待。
• All his life he has been struggling against injustice.他一生都在与不公正现象作斗争。

264 scenic   

adj.自然景色的，景色优美的

参考例句：

• The scenic beauty of the place entranced the visitors.这里的美丽风光把游客们迷住了。
• The scenic spot is on northwestern outskirts of Beijing.这个风景区位于北京的西北远郊。

265 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

266 innocence   

n.无罪；天真；无害

参考例句：

• There was a touching air of innocence about the boy.这个男孩有一种令人感动的天真神情。
• The accused man proved his innocence of the crime.被告人经证实无罪。

267 peril   

n.(严重的)危险；危险的事物

参考例句：

• The refugees were in peril of death from hunger.难民有饿死的危险。
• The embankment is in great peril.河堤岌岌可危。

268 predecessors   

n.前任( predecessor的名词复数 )；前辈；（被取代的）原有事物；前身

参考例句：

• The new government set about dismantling their predecessors' legislation. 新政府正着手废除其前任所制定的法律。 来自《简明英汉词典》
• Will new plan be any more acceptable than its predecessors? 新计划比原先的计划更能令人满意吗？ 来自《简明英汉词典》

269 elegy   

n.哀歌，挽歌

参考例句：

• Good heavens,what would be more tragic than that elegy!天哪，还有什么比那首挽歌更悲伤的呢！
• His book is not intended to be a complete history but a personal elegy.他的书与其说是一部完整的历史，更像是一篇个人挽歌。

270 guise   

n.外表，伪装的姿态

参考例句：

• They got into the school in the guise of inspectors.他们假装成视察员进了学校。
• The thief came into the house under the guise of a repairman.那小偷扮成个修理匠进了屋子。

271 exquisitely   

adv.精致地；强烈地；剧烈地；异常地

参考例句：

• He found her exquisitely beautiful. 他觉得她异常美丽。 来自《简明英汉词典》
• He wore an exquisitely tailored gray silk and accessories to match. 他穿的是做工非常考究的灰色绸缎衣服，还有各种配得很协调的装饰。 来自教父部分

272 massacre   

n.残杀，大屠杀；v.残杀，集体屠杀

参考例句：

• There was a terrible massacre of villagers here during the war.在战争中，这里的村民惨遭屠杀。
• If we forget the massacre,the massacre will happen again!忘记了大屠杀，大屠杀就有可能再次发生！

273 condemnation   

n.谴责; 定罪

参考例句：

• There was widespread condemnation of the invasion. 那次侵略遭到了人们普遍的谴责。
• The jury's condemnation was a shock to the suspect. 陪审团宣告有罪使嫌疑犯大为震惊。

274 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

275 musters   

v.集合，召集，集结（尤指部队）( muster的第三人称单数 )；（自他人处）搜集某事物；聚集；激发

参考例句：

• The garrison musters eighty men. 驻军共有八十名。 来自辞典例句
• Musters were being taken through England in view of wars with Scotland and France. 一群群队伍在带领下正穿过英格兰，期待与苏格兰和法兰西开战。 来自互联网

276 battalions   

n.（陆军的）一营（大约有一千兵士）( battalion的名词复数 )；协同作战的部队；军队；（组织在一起工作的）队伍

参考例句：

• God is always on the side of the strongest battalions. 上帝总是帮助强者。 来自《现代汉英综合大词典》
• Two battalions were disposed for an attack on the air base. 配置两个营的兵力进攻空军基地。 来自《现代汉英综合大词典》

277 exults   

狂喜，欢跃( exult的第三人称单数 )

参考例句：

• Success exactly exults him. 成功确使他高兴。
• Strong man exults in his delighting in such exercises as call his muscles into action. 大力士喜欢炫耀自己的膂力，酷嗜锻炼肌肉之类的运动。

278 paean   

n.赞美歌，欢乐歌

参考例句：

• She struck up the first paean on the grand piano.她开始在那架大钢琴上演奏起第一首颂歌。
• The novel is a paean to the end of empire.该小说奏响了一个帝国落寞的赞歌。

279 splendors   

n.华丽( splendor的名词复数 )；壮丽；光辉；显赫

参考例句：

• The sun rose presently and sent its unobstructed splendors over the land. 没多大工夫，太阳就出来了，毫无阻碍，把它的光华异彩散布在大地之上。 来自辞典例句
• Her mortal frame could not endure the splendors of the immortal radiance. 她那世人的肉身禁不住炽热的神光。 来自辞典例句

280 censor   

n./vt.审查，审查员；删改

参考例句：

• The film has not been viewed by the censor.这部影片还未经审查人员审查。
• The play was banned by the censor.该剧本被查禁了。

281 displeasing   

不愉快的，令人发火的

参考例句：

• Such conduct is displeasing to your parents. 这种行为会使你的父母生气的。
• Omit no harsh line, smooth away no displeasing irregularity. 不能省略任何刺眼的纹路，不能掩饰任何讨厌的丑处。

282 forum   

n.论坛，讨论会

参考例句：

• They're holding a forum on new ways of teaching history.他们正在举行历史教学讨论会。
• The organisation would provide a forum where problems could be discussed.这个组织将提供一个可以讨论问题的平台。

283 specimen   

n.样本，标本

参考例句：

• You'll need tweezers to hold up the specimen.你要用镊子来夹这标本。
• This specimen is richly variegated in colour.这件标本上有很多颜色。

284 contemplated   

adj. 预期的 动词contemplate的过去分词形式

参考例句：

• The doctor contemplated the difficult operation he had to perform. 医生仔细地考虑他所要做的棘手的手术。
• The government has contemplated reforming the entire tax system. 政府打算改革整个税收体制。

285 antipathy   

n.憎恶；反感，引起反感的人或事物

参考例句：

• I feel an antipathy against their behaviour.我对他们的行为很反感。
• Some people have an antipathy to cats.有的人讨厌猫。

286 looms   

n.织布机( loom的名词复数 )v.隐约出现，阴森地逼近( loom的第三人称单数 )；隐约出现，阴森地逼近

参考例句：

• All were busily engaged,men at their ploughs,women at their looms. 大家都很忙，男的耕田，女的织布。 来自《简明英汉词典》
• The factory has twenty-five looms. 那家工厂有25台织布机。 来自《简明英汉词典》

287 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

288 manliness   

刚毅

参考例句：

• She was really fond of his strength, his wholesome looks, his manliness. 她真喜欢他的坚强，他那健康的容貌，他的男子气概。
• His confidence, his manliness and bravery, turn his wit into wisdom. 他的自信、男子气概和勇敢将他的风趣变为智慧。

289 titanic   

adj.巨人的，庞大的，强大的

参考例句：

• We have been making titanic effort to achieve our purpose.我们一直在作极大的努力，以达到我们的目的。
• The island was created by titanic powers and they are still at work today.台湾岛是由一个至今仍然在运作的巨大力量塑造出来的。

290 banishment   

n.放逐，驱逐

参考例句：

• Qu Yuan suffered banishment as the victim of a court intrigue. 屈原成为朝廷中钩心斗角的牺牲品，因而遭到放逐。 来自《现代汉英综合大词典》
• He was sent into banishment. 他被流放。 来自辞典例句

291 abide   

vi.遵守；坚持；vt.忍受

参考例句：

• You must abide by the results of your mistakes.你必须承担你的错误所造成的后果。
• If you join the club,you have to abide by its rules.如果你参加俱乐部，你就得遵守它的规章。

292 pandemonium   

n.喧嚣，大混乱

参考例句：

• The whole lobby was a perfect pandemonium,and the din was terrific.整个门厅一片嘈杂，而且喧嚣刺耳。
• I had found Adlai unperturbed in the midst of pandemonium.我觉得艾德莱在一片大混乱中仍然镇定自若。

293 thither   

adv.向那里；adj.在那边的，对岸的

参考例句：

• He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
• He tramped hither and thither.他到处流浪。

294 tempting   

a.诱人的, 吸引人的

参考例句：

• It is tempting to idealize the past. 人都爱把过去的日子说得那么美好。
• It was a tempting offer. 这是个诱人的提议。

295 curiously   

adv.有求知欲地；好问地；奇特地

参考例句：

• He looked curiously at the people.他好奇地看着那些人。
• He took long stealthy strides. His hands were curiously cold.他迈着悄没声息的大步。他的双手出奇地冷。

296 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

297 chaos   

n.混乱，无秩序

参考例句：

• After the failure of electricity supply the city was in chaos.停电后，城市一片混乱。
• The typhoon left chaos behind it.台风后一片混乱。

298 repent   

v.悔悟，悔改，忏悔，后悔

参考例句：

• He has nothing to repent of.他没有什么要懊悔的。
• Remission of sins is promised to those who repent.悔罪者可得到赦免。

299 repentance   

n.懊悔

参考例句：

• He shows no repentance for what he has done.他对他的所作所为一点也不懊悔。
• Christ is inviting sinners to repentance.基督正在敦请有罪的人悔悟。

300 condemns   

v.（通常因道义上的原因而）谴责( condemn的第三人称单数 )；宣判；宣布…不能使用；迫使…陷于不幸的境地

参考例句：

• Her widowhood condemns her to a lonely old age. 守寡使她不得不过着孤独的晚年生活。 来自《简明英汉词典》
• The public opinion condemns prostitution. 公众舆论遣责卖淫。 来自《现代汉英综合大词典》

301 banished   

v.放逐，驱逐( banish的过去式和过去分词 )

参考例句：

• He was banished to Australia, where he died five years later. 他被流放到澳大利亚，五年后在那里去世。
• He was banished to an uninhabited island for a year. 他被放逐到一个无人居住的荒岛一年。 来自《简明英汉词典》

302 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

303 colossal   

adj.异常的，庞大的

参考例句：

• There has been a colossal waste of public money.一直存在巨大的公款浪费。
• Some of the tall buildings in that city are colossal.那座城市里的一些高层建筑很庞大。

304 portray   

v.描写，描述；画(人物、景象等)

参考例句：

• It is difficult to portray feelings in words.感情很难用言语来描写。
• Can you portray the best and worst aspects of this job?您能描述一下这份工作最好与最坏的方面吗？

305 serene   

adj. 安详的，宁静的，平静的

参考例句：

• He has entered the serene autumn of his life.他已进入了美好的中年时期。
• He didn't speak much,he just smiled with that serene smile of his.他话不多，只是脸上露出他招牌式的淡定的微笑。

306 celestial   

adj.天体的；天上的

参考例句：

• The rosy light yet beamed like a celestial dawn.玫瑰色的红光依然象天上的朝霞一样绚丽。
• Gravity governs the motions of celestial bodies.万有引力控制着天体的运动。

307 abiding   

adj.永久的，持久的，不变的

参考例句：

• He had an abiding love of the English countryside.他永远热爱英国的乡村。
• He has a genuine and abiding love of the craft.他对这门手艺有着真挚持久的热爱。

308 grassy   

adj.盖满草的；长满草的

参考例句：

• They sat and had their lunch on a grassy hillside.他们坐在长满草的山坡上吃午饭。
• Cattle move freely across the grassy plain.牛群自由自在地走过草原。

309 amorous   

adj.多情的；有关爱情的

参考例句：

• They exchanged amorous glances and clearly made known their passions.二人眉来眼去，以目传情。
• She gave him an amorous look.她脉脉含情的看他一眼。

310 descant   

v.详论，絮说；n.高音部

参考例句：

• You need not descant upon my shortcomings.你不必絮说我的缺点。
• An elderly woman,arms crossed,sang the descant.一位双臂交叉的老妇人演唱了高音部。

311 firmament   

n.苍穹；最高层

参考例句：

• There are no stars in the firmament.天空没有一颗星星。
• He was rich,and a rising star in the political firmament.他十分富有，并且是政治高层一颗冉冉升起的新星。

312 sapphires   

n.蓝宝石，钢玉宝石( sapphire的名词复数 )；蔚蓝色

参考例句：

• Again there was that moment of splintered sapphires before the lids, dropping like scales, extinguished it. 她眼眶中又闪烁出蓝宝石的光彩，接着眼睑象鱼鳞般地垂落下来，双目又黯然失色了。 来自辞典例句
• She also sported a somewhat gawdy gold watch set with diamonds and sapphires. 她还收到一块镶着钻石和蓝宝石的金表。 来自辞典例句

313 starry   

adj.星光照耀的, 闪亮的

参考例句：

• He looked at the starry heavens.他瞧着布满星星的天空。
• I like the starry winter sky.我喜欢这满天星斗的冬夜。

314 mantle   

n.斗篷，覆罩之物，罩子；v.罩住，覆盖，脸红

参考例句：

• The earth had donned her mantle of brightest green.大地披上了苍翠欲滴的绿色斗篷。
• The mountain was covered with a mantle of snow.山上覆盖着一层雪。

315 tinged   

v.（使）发丁丁声( ting的过去式和过去分词 )

参考例句：

• memories tinged with sadness 略带悲伤的往事
• white petals tinged with blue 略带蓝色的白花瓣

316 heroism   

n.大无畏精神，英勇

参考例句：

• He received a medal for his heroism.他由于英勇而获得一枚奖章。
• Stories of his heroism resounded through the country.他的英雄故事传遍全国。

317 scriptures   

经文，圣典( scripture的名词复数 )； 经典

参考例句：

• Here the apostle Peter affirms his belief that the Scriptures are 'inspired'. 使徒彼得在此表达了他相信《圣经》是通过默感写成的。
• You won't find this moral precept in the scriptures. 你在《圣经》中找不到这种道德规范。

318 scripture   

n.经文，圣书，手稿；Scripture:(常用复数)《圣经》，《圣经》中的一段

参考例句：

• The scripture states that God did not want us to be alone.圣经指出上帝并不是想让我们独身一人生活。
• They invoked Hindu scripture to justify their position.他们援引印度教的经文为他们的立场辩护。

319 urns   

n.壶( urn的名词复数 )；瓮；缸；骨灰瓮

参考例句：

• Wine utensils unearthed include jars, urns, pots, bowls and cups. 发掘出的酒器皿有瓶、瓮、罐、壶、碗和杯子。 来自互联网
• Ernie yearned to learn to turn urns. 呕尼渴望学会转咖啡壶。 来自互联网

320 philistines   

n.市侩，庸人( philistine的名词复数 )；庸夫俗子

参考例句：

• He accused those who criticized his work of being philistines. 他指责那些批评他的作品的人是对艺术一窍不通。 来自辞典例句
• As an intellectual Goebbels looked down on the crude philistines of the leading group in Munich. 戈培尔是个知识分子，看不起慕尼黑领导层不学无术的市侩庸人。 来自辞典例句

321 mightily   

ad.强烈地；非常地

参考例句：

• He hit the peg mightily on the top with a mallet. 他用木槌猛敲木栓顶。
• This seemed mightily to relieve him. 干完这件事后，他似乎轻松了许多。

322 modesty   

n.谦逊，虚心，端庄，稳重，羞怯，朴素

参考例句：

• Industry and modesty are the chief factors of his success.勤奋和谦虚是他成功的主要因素。
• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。

323 sincerity   

n.真诚，诚意；真实

参考例句：

• His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
• He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。

324 parables   

n.（圣经中的）寓言故事( parable的名词复数 )

参考例句：

• Jesus taught in parables. 耶酥以比喻讲道。 来自《简明英汉词典》
• In the New Testament are the parables and miracles. 《新约》则由寓言利奇闻趣事构成。 来自辞典例句

325 multiplication   

n.增加，增多，倍增；增殖，繁殖；乘法

参考例句：

• Our teacher used to drum our multiplication tables into us.我们老师过去老是让我们反覆背诵乘法表。
• The multiplication of numbers has made our club building too small.会员的增加使得我们的俱乐部拥挤不堪。

326 torments   

（肉体或精神上的）折磨，痛苦( torment的名词复数 )； 造成痛苦的事物[人]

参考例句：

• He released me from my torments. 他解除了我的痛苦。
• He suffered torments from his aching teeth. 他牙痛得难受。

327 itinerant   

adj.巡回的；流动的

参考例句：

• He is starting itinerant performance all over the world.他正在世界各地巡回演出。
• There is a general debate nowadays about the problem of itinerant workers.目前，针对流动工人的问题展开了普遍的争论。

328 swarmed   

密集( swarm的过去式和过去分词 )； 云集； 成群地移动； 蜜蜂或其他飞行昆虫成群地飞来飞去

参考例句：

• When the bell rang, the children swarmed out of the school. 铃声一响，孩子们蜂拥而出离开了学校。
• When the rain started the crowd swarmed back into the hotel. 雨一开始下，人群就蜂拥回了旅社。

329 groan   

vi./n.呻吟，抱怨；(发出)呻吟般的声音

参考例句：

• The wounded man uttered a groan.那个受伤的人发出呻吟。
• The people groan under the burden of taxes.人民在重税下痛苦呻吟。

330 remorse   

n.痛恨，悔恨，自责

参考例句：

• She had no remorse about what she had said.她对所说的话不后悔。
• He has shown no remorse for his actions.他对自己的行为没有任何悔恨之意。

331 bemoans   

v.为（某人或某事）抱怨( bemoan的第三人称单数 )；悲悼；为…恸哭；哀叹

参考例句：

• He always bemoans the shortage of funds for research. 他总是叹息研究经费不足。 来自互联网

332 obstinate   

adj.顽固的，倔强的，不易屈服的，较难治愈的

参考例句：

• She's too obstinate to let anyone help her.她太倔强了，不会让任何人帮她的。
• The trader was obstinate in the negotiation.这个商人在谈判中拗强固执。

333 vehemence   

n.热切；激烈；愤怒

参考例句：

• The attack increased in vehemence.进攻越来越猛烈。
• She was astonished at his vehemence.她对他的激昂感到惊讶。

334 hurls   

v.猛投，用力掷( hurl的第三人称单数 )；大声叫骂

参考例句：

• Jane really hurls herself into learning any new song, doesn't she? 对任何新歌，简都会一心一意去学，对吗？ 来自《简明英汉词典》
• The necromancer hurls a bolt of dark energies against his enemies. 亡灵法师向对手射出一道带着黑暗能量的影束。 来自互联网

335 astonishment   

n.惊奇，惊异

参考例句：

• They heard him give a loud shout of astonishment.他们听见他惊奇地大叫一声。
• I was filled with astonishment at her strange action.我对她的奇怪举动不胜惊异。

336 contradictory   

adj.反驳的，反对的，抗辩的；n.正反对，矛盾对立

参考例句：

• The argument is internally contradictory.论据本身自相矛盾。
• What he said was self-contradictory.他讲话前后不符。

337 interpretations   

n.解释( interpretation的名词复数 )；表演；演绎；理解

参考例句：

• This passage is open to a variety of interpretations. 这篇文章可以有各种不同的解释。 来自《简明英汉词典》
• The involved and abstruse passage makes several interpretations possible. 这段艰涩的文字可以作出好几种解释。 来自《现代汉英综合大词典》

338 salvation   

n.（尤指基督）救世，超度，拯救，解困

参考例句：

• Salvation lay in political reform.解救办法在于政治改革。
• Christians hope and pray for salvation.基督教徒希望并祈祷灵魂得救。

339 puddles   

n.水坑， （尤指道路上的）雨水坑( puddle的名词复数 )

参考例句：

• The puddles had coalesced into a small stream. 地面上水洼子里的水汇流成了一条小溪。
• The road was filled with puddles from the rain. 雨后路面到处是一坑坑的积水。 来自《简明英汉词典》

340 saner   

adj.心智健全的( sane的比较级 )；神志正常的；明智的；稳健的

参考例句：

• He seemed wiser than Hurstwood, saner and brighter than Drouet. 他看上去比赫斯渥明智，比杜洛埃稳舰聪明。 来自英汉文学 - 嘉莉妹妹
• Such brooding didn't make him any saner. 然而，苦思冥想并没有使他头脑清醒。 来自辞典例句

341 laborers   

n.体力劳动者，工人( laborer的名词复数 )；（熟练工人的）辅助工

参考例句：

• Laborers were trained to handle 50-ton compactors and giant cranes. 工人们接受操作五十吨压土机和巨型起重机的训练。 来自《现代英汉综合大词典》
• Wage-labour rests exclusively on competition between the laborers. 雇佣劳动完全是建立在工人的自相竞争之上的。 来自英汉非文学 - 共产党宣言

342 groans   

n.呻吟，叹息( groan的名词复数 )；呻吟般的声音v.呻吟( groan的第三人称单数 )；发牢骚；抱怨；受苦

参考例句：

• There were loud groans when he started to sing. 他刚开始歌唱时有人发出了很大的嘘声。 来自《简明英汉词典》
• It was a weird old house, full of creaks and groans. 这是所神秘而可怕的旧宅，到处嘎吱嘎吱作响。 来自《简明英汉词典》

343 barometers   

气压计，晴雨表( barometer的名词复数 )

参考例句：

• Fixed cistern barometers are used as a standard for checking aneroid barometers. 固定槽式气压计可以作为标准件去检验无液气压计。
• Fixed cistern barometers are used as a standard for checking. 固定槽式气压计可以作为标准件去检验。

344 obstinacy   

n.顽固；（病痛等）难治

参考例句：

• It is a very accountable obstinacy.这是一种完全可以理解的固执态度。
• Cindy's anger usually made him stand firm to the point of obstinacy.辛迪一发怒，常常使他坚持自见，并达到执拗的地步。

345 groaned   

v.呻吟( groan的过去式和过去分词 )；发牢骚；抱怨；受苦

参考例句：

• He groaned in anguish. 他痛苦地呻吟。
• The cart groaned under the weight of the piano. 大车在钢琴的重压下嘎吱作响。 来自《简明英汉词典》

346 encompassed   

v.围绕( encompass的过去式和过去分词 )；包围；包含；包括

参考例句：

• The enemy encompassed the city. 敌人包围了城市。 来自《简明英汉词典》
• I have encompassed him with every protection. 我已经把他保护得严严实实。 来自英汉文学 - 双城记

347 calamities   

n.灾祸，灾难( calamity的名词复数 )；不幸之事

参考例句：

• They will only triumph by persevering in their struggle against natural calamities. 他们只有坚持与自然灾害搏斗，才能取得胜利。 来自《现代汉英综合大词典》
• One moment's false security can bring a century of calamities. 图一时之苟安，贻百年之大患。 来自《现代汉英综合大词典》

348 calves   

n.(calf的复数)笨拙的男子，腓；腿肚子( calf的名词复数 )；牛犊；腓；小腿肚v.生小牛( calve的第三人称单数 )；（冰川）崩解；生（小牛等），产（犊）；使（冰川）崩解

参考例句：

• a cow suckling her calves 给小牛吃奶的母牛
• The calves are grazed intensively during their first season. 小牛在生长的第一季里集中喂养。 来自《简明英汉词典》

349 martyrs   

n.martyr的复数形式；烈士( martyr的名词复数 )；殉道者；殉教者；乞怜者（向人诉苦以博取同情）

参考例句：

• the early Christian martyrs 早期基督教殉道者
• They paid their respects to the revolutionary martyrs. 他们向革命烈士致哀。 来自《现代汉英综合大词典》

350 tracts   

大片土地( tract的名词复数 )； 地带； （体内的）道； （尤指宣扬宗教、伦理或政治的）短文

参考例句：

• vast tracts of forest 大片大片的森林
• There are tracts of desert in Australia. 澳大利亚有大片沙漠。

351 thronged   

v.成群，挤满( throng的过去式和过去分词 )

参考例句：

• Mourners thronged to the funeral. 吊唁者蜂拥着前来参加葬礼。 来自《简明英汉词典》
• The department store was thronged with people. 百货商店挤满了人。 来自《现代英汉综合大词典》

352 missionary   

adj.教会的，传教(士)的；n.传教士

参考例句：

• She taught in a missionary school for a couple of years.她在一所教会学校教了两年书。
• I hope every member understands the value of missionary work. 我希望教友都了解传教工作的价值。

353 discourse   

n.论文，演说；谈话；话语；vi.讲述，著述

参考例句：

• We'll discourse on the subject tonight.我们今晚要谈论这个问题。
• He fell into discourse with the customers who were drinking at the counter.他和站在柜台旁的酒客谈了起来。

354 terse   

adj.(说话，文笔)精炼的，简明的

参考例句：

• Her reply about the matter was terse.她对此事的答复简明扼要。
• The president issued a terse statement denying the charges.总统发表了一份简短的声明，否认那些指控。

355 idiomatic   

adj.成语的，符合语言习惯的

参考例句：

• In our reading we should always be alert for idiomatic expressions.我们在阅读过程中应经常注意惯用法。
• In his lecture,he bore down on the importance of idiomatic usage in a language.他在演讲中着重强调了语言中习惯用法的重要性。

356 courteous   

adj.彬彬有礼的，客气的

参考例句：

• Although she often disagreed with me,she was always courteous.尽管她常常和我意见不一，但她总是很谦恭有礼。
• He was a kind and courteous man.他为人友善，而且彬彬有礼。

357 garrulous   

adj.唠叨的，多话的

参考例句：

• He became positively garrulous after a few glasses of wine.他几杯葡萄酒下肚之后便唠唠叨叨说个没完。
• My garrulous neighbour had given away the secret.我那爱唠叨的邻居已把秘密泄露了。

358 slough   

v.蜕皮，脱落，抛弃

参考例句：

• He was not able to slough off the memories of the past.他无法忘记过去。
• A cicada throws its slough.蝉是要蜕皮的。

359 pliable   

adj.易受影响的；易弯的；柔顺的，易驾驭的

参考例句：

• Willow twigs are pliable.柳条很软。
• The finely twined baskets are made with young,pliable spruce roots.这些编织精美的篮子是用柔韧的云杉嫩树根编成的。

360 scrambles   

n.抢夺( scramble的名词复数 )v.快速爬行( scramble的第三人称单数 )；攀登；争夺；（军事飞机）紧急起飞

参考例句：

• The breaking of symmetry scrambles the underlying order of nature. 对称性的破坏会打乱自然界的根本秩序。 来自互联网
• The move comes as Japan scrambles for ways to persuade women to have more babies. 这一行动的出现正值日本政府想尽各种办法鼓励妇女多生育孩子。 来自互联网

361 grumbling   

adj. 喃喃鸣不平的, 出怨言的

参考例句：

• She's always grumbling to me about how badly she's treated at work. 她总是向我抱怨她在工作中如何受亏待。
• We didn't hear any grumbling about the food. 我们没听到过对食物的抱怨。

362 humiliation   

n.羞辱

参考例句：

• He suffered the humiliation of being forced to ask for his cards.他蒙受了被迫要求辞职的羞辱。
• He will wish to revenge his humiliation in last Season's Final.他会为在上个季度的决赛中所受的耻辱而报复的。

363 condemned   

adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词

参考例句：

• He condemned the hypocrisy of those politicians who do one thing and say another. 他谴责了那些说一套做一套的政客的虚伪。
• The policy has been condemned as a regressive step. 这项政策被认为是一种倒退而受到谴责。

364 dungeon   

n.地牢，土牢

参考例句：

• They were driven into a dark dungeon.他们被人驱赶进入一个黑暗的地牢。
• He was just set free from a dungeon a few days ago.几天前，他刚从土牢里被放出来。

365 delectable   

adj.使人愉快的；美味的

参考例句：

• What delectable food you cook!你做的食品真好吃！
• But today the delectable seafood is no longer available in abundance.但是今天这种可口的海味已不再大量存在。

366 quaintly   

adv.古怪离奇地

参考例句：

• "I don't see what that's got to do with it,'said the drummer quaintly. “我看不出这和你的事有什么联系，"杜洛埃说道，他感到莫名其妙。 来自英汉文学 - 嘉莉妹妹
• He is quaintly dressed, what a strange one he is. 他一身的奇装异服，真是另类！

367 behold   

v.看，注视，看到

参考例句：

• The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
• The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。

368 Christians   

n.基督教徒( Christian的名词复数 )

参考例句：

• Christians of all denominations attended the conference. 基督教所有教派的人都出席了这次会议。
• His novel about Jesus caused a furore among Christians. 他关于耶稣的小说激起了基督教徒的公愤。

369 Buddhists   

n.佛教徒( Buddhist的名词复数 )

参考例句：

• The Jesuits in a phase of ascendancy, persecuted and insulted the Buddhists with great acrimony. 处于地位上升阶段的耶稣会修士迫害佛教徒，用尖刻的语言辱骂他们。 来自英汉非文学 - 历史
• The return of Saivite rule to central Java had brought no antagonism between Buddhists and Hindus. 湿婆教在中爪哇恢复统治后，并没有导致佛教徒与印度教徒之间的对立。 来自辞典例句

370 lured   

吸引，引诱（lure的过去式与过去分词形式）

参考例句：

• The child was lured into a car but managed to escape. 那小孩被诱骗上了车，但又设法逃掉了。
• Lured by the lust of gold,the pioneers pushed onward. 开拓者在黄金的诱惑下，继续奋力向前。

371 inclination   

n.倾斜；点头；弯腰；斜坡；倾度；倾向；爱好

参考例句：

• She greeted us with a slight inclination of the head.她微微点头向我们致意。
• I did not feel the slightest inclination to hurry.我没有丝毫着急的意思。

372 precursor   

n.先驱者；前辈；前任；预兆；先兆

参考例句：

• Error is often the precursor of what is correct.错误常常是正确的先导。
• He said that the deal should not be seen as a precursor to a merger.他说该笔交易不应该被看作是合并的前兆。

373 treatises   

n.专题著作，专题论文，专著( treatise的名词复数 )

参考例句：

• Many treatises in different languages have been published on pigeons. 关于鸽类的著作，用各种文字写的很多。 来自辞典例句
• Many other treatises incorporated the new rigor. 许多其它的专题论文体现了新的严密性。 来自辞典例句

374 treatise   

n.专著；(专题)论文

参考例句：

• The doctor wrote a treatise on alcoholism.那位医生写了一篇关于酗酒问题的论文。
• This is not a treatise on statistical theory.这不是一篇有关统计理论的论文。

375 destitute   

adj.缺乏的；穷困的

参考例句：

• They were destitute of necessaries of life.他们缺少生活必需品。
• They are destitute of common sense.他们缺乏常识。

376 paradoxes   

n.似非而是的隽语，看似矛盾而实际却可能正确的说法( paradox的名词复数 )；用于语言文学中的上述隽语；有矛盾特点的人[事物，情况]

参考例句：

• Contradictions and paradoxes arose in increasing numbers. 矛盾和悖论越来越多。 来自辞典例句
• As far as these paradoxes are concerned, the garden definitely a heterotopia. 就这些吊诡性而言，花园无疑地是个异质空间。 来自互联网

377 schisms   

n.教会分立，分裂( schism的名词复数 )

参考例句：

378 heresies   

n.异端邪说，异教( heresy的名词复数 )

参考例句：

• However, life would be pleasanter if Rhett would recant his heresies. 不过，如果瑞德放其他的那套异端邪说，生活就会惬意得多。 来自飘（部分）
• The heresy of heresies was common sense. 一切异端当中顶大的异端——那便是常识。 来自英汉文学

379 controversies   

争论

参考例句：

• We offer no comment on these controversies here. 对于这些争议，我们在这里不作任何评论。 来自英汉非文学 - 历史
• The controversies surrounding population growth are unlikely to subside soon. 围绕着人口增长问题的争论看来不会很快平息。 来自辞典例句

380 jubilees   

n.周年纪念( jubilee的名词复数 )

参考例句：

381 tragical   

adj. 悲剧的, 悲剧性的

参考例句：

• One day she was pink and flawless; another pale and tragical. 有的时候，她就娇妍、完美；另有的时候，她就灰白戚楚。
• Even Mr. Clare began to feel tragical at the dairyman's desperation. 连克莱先生看到牛奶商这样无计奈何的样子，都觉得凄惨起来。

382 kaleidoscopic   

adj.千变万化的

参考例句：

• London is a kaleidoscopic world.伦敦是个天花筒般的世界。
• The transfer of administrative personnel in that colony was so frequent as to create kaleidoscopic effect.在那个殖民地，官员调动频繁，就象走马灯似的。

383 encyclopedia   

n.百科全书

参考例句：

• The encyclopedia fell to the floor with a thud.那本百科全书砰的一声掉到地上。
• Geoff is a walking encyclopedia.He knows about everything.杰夫是个活百科全书，他什么都懂。

384 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

385 malady   

n.病，疾病(通常做比喻)

参考例句：

• There is no specific remedy for the malady.没有医治这种病的特效药。
• They are managing to control the malady into a small range.他们设法将疾病控制在小范围之内。

386 morbidness   

（精神的）病态

参考例句：

• Too much self-inspection leads to morbidness; too little conducts to careless and hasty action. 不过过度的自我检讨会成为病态，检讨不足则又导致行事粗心草率。 来自互联网

387 quotations   

n.引用( quotation的名词复数 )；[商业]行情（报告）；（货物或股票的）市价；时价

参考例句：

• The insurance company requires three quotations for repairs to the car. 保险公司要修理这辆汽车的三家修理厂的报价单。 来自《简明英汉词典》
• These quotations cannot readily be traced to their sources. 这些引语很难查出出自何处。 来自《现代汉英综合大词典》

388 investigation   

n.调查，调查研究

参考例句：

• In an investigation,a new fact became known, which told against him.在调查中新发现了一件对他不利的事实。
• He drew the conclusion by building on his own investigation.他根据自己的调查研究作出结论。

389 phenomena   

n.现象

参考例句：

• Ade couldn't relate the phenomena with any theory he knew.艾德无法用他所知道的任何理论来解释这种现象。
• The object of these experiments was to find the connection,if any,between the two phenomena.这些实验的目的就是探索这两种现象之间的联系，如果存在着任何联系的话。

390 heresy   

n.异端邪说；异教

参考例句：

• We should denounce a heresy.我们应该公开指责异端邪说。
• It might be considered heresy to suggest such a notion.提出这样一个观点可能会被视为异端邪说。

391 testimony   

n.证词；见证，证明

参考例句：

• The testimony given by him is dubious.他所作的证据是可疑的。
• He was called in to bear testimony to what the police officer said.他被传入为警官所说的话作证。

392 witchcraft   

n.魔法，巫术

参考例句：

• The woman practising witchcraft claimed that she could conjure up the spirits of the dead.那个女巫说她能用魔法召唤亡灵。
• All these things that you call witchcraft are capable of a natural explanation.被你们统统叫做巫术的那些东西都可以得到合情合理的解释。

393 alleged   

a.被指控的，嫌疑的

参考例句：

• It was alleged that he had taken bribes while in office. 他被指称在任时收受贿赂。
• alleged irregularities in the election campaign 被指称竞选运动中的不正当行为

394 reverent   

adj.恭敬的，虔诚的

参考例句：

• He gave reverent attention to the teacher.他恭敬地听老师讲课。
• She said the word artist with a gentle,understanding,reverent smile.她说作家一词时面带高雅，理解和虔诚的微笑。

395 kindly   

adj.和蔼的，温和的，爽快的；adv.温和地，亲切地

参考例句：

• Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
• A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。

396 bias   

n.偏见，偏心，偏袒；vt.使有偏见

参考例句：

• They are accusing the teacher of political bias in his marking.他们在指控那名教师打分数有政治偏见。
• He had a bias toward the plan.他对这项计划有偏见。

397 credulous   

adj.轻信的，易信的

参考例句：

• You must be credulous if she fooled you with that story.连她那种话都能把你骗倒，你一定是太容易相信别人了。
• Credulous attitude will only make you take anything for granted.轻信的态度只会使你想当然。

398 superstition   

n.迷信，迷信行为

参考例句：

• It's a common superstition that black cats are unlucky.认为黑猫不吉祥是一种很普遍的迷信。
• Superstition results from ignorance.迷信产生于无知。

399 inquiry   

n.打听，询问，调查，查问

参考例句：

• Many parents have been pressing for an inquiry into the problem.许多家长迫切要求调查这个问题。
• The field of inquiry has narrowed down to five persons.调查的范围已经缩小到只剩5个人了。

400 dissertation   

n.（博士学位）论文，学术演讲，专题论文

参考例句：

• He is currently writing a dissertation on the Somali civil war.他目前正在写一篇关于索马里内战的论文。
• He was involved in writing his doctoral dissertation.他在聚精会神地写他的博士论文。

401 witty   

adj.机智的，风趣的

参考例句：

• Her witty remarks added a little salt to the conversation.她的妙语使谈话增添了一些风趣。
• He scored a bull's-eye in their argument with that witty retort.在他们的辩论中他那一句机智的反驳击中了要害。

402 overflowing   

n. 溢出物,溢流 adj. 充沛的，充满的 动词overflow的现在分词形式

参考例句：

• The stands were overflowing with farm and sideline products. 集市上农副产品非常丰富。
• The milk is overflowing. 牛奶溢出来了。

403 anecdotes   

n.掌故，趣闻，轶事( anecdote的名词复数 )

参考例句：

• amusing anecdotes about his brief career as an actor 关于他短暂演员生涯的趣闻逸事
• He related several anecdotes about his first years as a congressman. 他讲述自己初任议员那几年的几则轶事。 来自《简明英汉词典》

404 exuberant   

adj.充满活力的；（植物）繁茂的

参考例句：

• Hothouse plants do not possess exuberant vitality.在温室里培养出来的东西，不会有强大的生命力。
• All those mother trees in the garden are exuberant.果园里的那些母树都长得十分茂盛。

405 prophesying   

v.预告，预言( prophesy的现在分词 )

参考例句：

• Every man praying or prophesying, having his head covered, dishonoureth his head. 凡男人祷告或是讲道（道或作说预言下同）若蒙着头，就是羞辱自己的头。 来自互联网
• Prophesying was the only human art that couldn't be improved by practice. 预言是唯一的一项无法经由练习而改善的人类技术。 来自互联网

406 allusions   

暗指，间接提到( allusion的名词复数 )

参考例句：

• We should not use proverbs and allusions indiscriminately. 不要滥用成语典故。
• The background lent itself to allusions to European scenes. 眼前的情景容易使人联想到欧洲风光。

407 everlasting   

adj.永恒的，持久的，无止境的

参考例句：

• These tyres are advertised as being everlasting.广告上说轮胎持久耐用。
• He believes in everlasting life after death.他相信死后有不朽的生命。

408 trout   

n.鳟鱼；鲑鱼(属)

参考例句：

• Thousands of young salmon and trout have been killed by the pollution.成千上万的鲑鱼和鳟鱼的鱼苗因污染而死亡。
• We hooked a trout and had it for breakfast.我们钓了一条鳟鱼，早饭时吃了。

409 brooks   

n.小溪( brook的名词复数 )

参考例句：

• Brooks gave the business when Haas caught him with his watch. 哈斯抓到偷他的手表的布鲁克斯时，狠狠地揍了他一顿。 来自《简明英汉词典》
• Ade and Brooks exchanged blows yesterday and they were severely punished today. 艾德和布鲁克斯昨天打起来了，今天他们受到严厉的惩罚。 来自《简明英汉词典》

410 appreciations   

n.欣赏( appreciation的名词复数 )；感激；评定；（尤指土地或财产的）增值

参考例句：

• Do you usually appreciations to yourself and others? Explain. 你有常常给自己和别人称赞吗？请解释一下。 来自互联网
• What appreciations would you have liked to receive? 你希望接受什么样的感激和欣赏？ 来自互联网

411 appreciation   

n.评价；欣赏；感谢；领会，理解；价格上涨

参考例句：

• I would like to express my appreciation and thanks to you all.我想对你们所有人表达我的感激和谢意。
• I'll be sending them a donation in appreciation of their help.我将送给他们一笔捐款以感谢他们的帮助。

412 disciple   

n.信徒，门徒，追随者

参考例句：

• Your disciple failed to welcome you.你的徒弟没能迎接你。
• He was an ardent disciple of Gandhi.他是甘地的忠实信徒。

413 diffuse   

v.扩散；传播；adj.冗长的；四散的，弥漫的

参考例句：

• Direct light is better for reading than diffuse light.直射光比漫射光更有利于阅读。
• His talk was so diffuse that I missed his point.他的谈话漫无边际，我抓不住他的要点。

414 pedantic   

adj.卖弄学问的；迂腐的

参考例句：

• He is learned,but neither stuffy nor pedantic.他很博学，但既不妄自尊大也不卖弄学问。
• Reading in a pedantic way may turn you into a bookworm or a bookcase,and has long been opposed.读死书会变成书呆子，甚至于成为书橱，早有人反对过了。

415 catching   

adj.易传染的，有魅力的，迷人的，接住

参考例句：

• There are those who think eczema is catching.有人就是认为湿疹会传染。
• Enthusiasm is very catching.热情非常富有感染力。

416 wary   

adj.谨慎的，机警的，小心的

参考例句：

• He is wary of telling secrets to others.他谨防向他人泄露秘密。
• Paula frowned,suddenly wary.宝拉皱了皱眉头，突然警惕起来。

417 sneak   

vt.潜行(隐藏,填石缝)；偷偷摸摸做；n.潜行；adj.暗中进行

参考例句：

• He raised his spear and sneak forward.他提起长矛悄悄地前进。
• I saw him sneak away from us.我看见他悄悄地从我们身边走开。

418 corrupt   

v.贿赂，收买；adj.腐败的，贪污的

参考例句：

• The newspaper alleged the mayor's corrupt practices.那家报纸断言市长有舞弊行为。
• This judge is corrupt.这个法官贪污。

419 monarchy   

n.君主，最高统治者；君主政体，君主国

参考例句：

• The monarchy in England plays an important role in British culture.英格兰的君主政体在英国文化中起重要作用。
• The power of the monarchy in Britain today is more symbolical than real.今日英国君主的权力多为象徵性的，无甚实际意义。

420 overlaps   

v.部分重叠( overlap的第三人称单数 )；（物体）部份重叠；交叠；（时间上）部份重叠

参考例句：

• The style in these two books largely overlaps. 这两本书的文体有许多处是一致的。 来自《现代英汉综合大词典》
• The new office overlaps the functions of the one already in existence. 新机构的职能与那个现存机构的职能部分重叠。 来自辞典例句

421 patriotic   

adj.爱国的，有爱国心的

参考例句：

• His speech was full of patriotic sentiments.他的演说充满了爱国之情。
• The old man is a patriotic overseas Chinese.这位老人是一位爱国华侨。

422 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

423 militant   

adj.激进的，好斗的；n.激进分子，斗士

参考例句：

• Some militant leaders want to merge with white radicals.一些好斗的领导人要和白人中的激进派联合。
• He is a militant in the movement.他在那次运动中是个激进人物。

424 treasury   

n.宝库；国库，金库；文库

参考例句：

• The Treasury was opposed in principle to the proposals.财政部原则上反对这些提案。
• This book is a treasury of useful information.这本书是有价值的信息宝库。

425 bibliography   

n.参考书目；(有关某一专题的)书目

参考例句：

• There is a useful bibliography at the end of each chapter.在每一章后附有一份有用的参考书目。
• The production of this bibliography is totally automated.这个目录的编制过程全是自动化的。

426 moody   

adj.心情不稳的，易怒的，喜怒无常的

参考例句：

• He relapsed into a moody silence.他又重新陷于忧郁的沉默中。
• I'd never marry that girl.She's so moody.我决不会和那女孩结婚的。她太易怒了。

427 muses   

v.沉思，冥想( muse的第三人称单数 )；沉思自语说（某事）

参考例句：

• We have listened too long to the courtly muses of Europe. 欧洲那种御用的诗才，我们已经听够了。 来自辞典例句
• Shiki muses that this is, at least, probably the right atmosphere. 志贵觉得这至少是正确的气氛。 来自互联网

428 briefly   

adv.简单地，简短地

参考例句：

• I want to touch briefly on another aspect of the problem.我想简单地谈一下这个问题的另一方面。
• He was kidnapped and briefly detained by a terrorist group.他被一个恐怖组织绑架并短暂拘禁。