But now over to Red Barns it ain’t so. Red Barns is eight miles away, and from the beginning the two towns sort of set with their backs to each other, and each give out promiscuous{184} that the other didn’t have a future. But, same time, the two towns looked out of the corners of their eyes enough to set quite a few things going for each other unconscious: Red Barns got a new depot5, and Friendship Village instantly petitioned for one. Friendship Village set aside a little park, and Red Barns immediately appropriated for one, with a little edge more ground. Red Barns got a new post office, and Friendship Village started out for a new library. And so on. Just like a couple of boys seeing which could swim out farthest.
Then all of a sudden the Interurban come through Red Barns and left Friendship Village setting quiet out in the meadows eight miles from the track. And of course after that Red Barns shot ahead—Eppleby Holcomb said that on a still night you could hear Red Barns chuckle6. Pretty soon a little knitting factory started up there, and then a big tobacco factory. And being as they had three motion-picture houses to our one, and band concerts all Summer instead of just through July, the folks in Silas Sykes’s Friendship Village Corn Canning Industry and in Timothy Toplady’s Enterprise Pickle Manufactory began to want to go over to Red Barns to work. Two left from Eppleby Holcomb’s Dry Goods Emporium.{185} Even the kitchens of the few sparse7 ones that kept hired help begun to suffer. And the men begun to see that what was what had got to be helped to be something else—same as often happens in commercial circles.
Things was about to this degree when Spring come on. I donno how it is with other people, but with me Spring used to be the signal to run as far as I could from the place I was in, in the hopes, I guess, of getting close up to all outdoors. I used to want to run along country paths all squshy with water, and hang over a fence to try to tell whether it’s a little quail8 or a big meadowlark in the sedge; I wanted to smell the sweet, soft-water smell that Spring rain has. I wanted to watch the crust of the earth move because May was coming up through the mold. I wanted to climb a tree and be a bud. And one morning I got up early bent9 on doing all these things, and ended by poking10 round my garden with a stick to see what was coming up—like you do. It was real early in the morning—not much after six—and Outdoors looked surprised—you know that surprised look of early morning, as if the day had never thought of being born again till it up and happened to it? And I had got to the stage of hanging over the alley11 fence, doing nothing, when little David{186} Beach come by. He was eating a piece of bread, and hurrying.
“Morning, David,” I sings out. “Where’s your fish-pole?”
He stopped running and stopped biting and looked up at me. And then he laughed, sharp and high up.
“Fish-pole!” says he.
“Is it swimming, then?” I says. And then I felt sick all over. For I remembered that David had gone to work in Silas Sykes’s canning factory.
“Oh, David,” I patched it up. “I forgot. You’re a man now.”
At that he put back his thin little shoulders, and stuck out his thin little chest, and held up his sharp little chin. And he said:
“Yup. I’m a man now. I get $2.50 a week, now.”
“Whew!” says I. “When do you bank your first million?”
He grinned and broke into a run again. “I’m docked if I’m late,” he shouts back.
I looked after him. It didn’t seem ten days since he was born. And here he was, of the general contour of a clay pipe, going to work. His father had been crippled in the factory, his mother was half sick, and there were three younger than David, and one older.{187}
“Kind of nice of Silas to give David a job,” I thought. “I don’t suppose he’s worth much to him, he’s so little.”
And that was all I thought, being that most of us uses our heads far more frequent to put hats on than for any other purpose.
Right after breakfast that morning I took a walk down town to pick out my vegetables before the flies done ’em too much violence in Silas Sykes’s store window. And out in front of the store, I come on Silas himself, sprinkling his wilted12 lettuce13.
The minute I see Silas, I knew that something had happened to make him pleased with himself. Not that Silas ain’t always pleased with himself. But that day he looked extra-special self-pleased.
“Hello, Calliope,” he says, “you’re the very one I want to help me.”
That surprised me, but, thinks I, I’ve asked Silas to do so many things he ain’t done that I’ve kind of wore grooves14 in the atmosphere all around him; and I guess he’s took to asking me first when he sees me, for fear I’ll come down on to him with another request. So I followed him into the post-office store where he motioned me with his chin, and this was what he says:{188}
“Calliope,” says he, “how’d you like to help me do a little work for this town?”
I must just of stared at Silas. I can keep from looking surprised, same as the best, when a neighbor comes down on to me, with her eyebrows15 up over a piece of news—and I always do, for I do hate to be expected to play up to other folks’s startled eyebrows. But with these words of Silas’s I give in and stared. For of some eight, nine, ten plans that I’d approached him with to the same end, he had turned down all them, and all me.
“With who?” says I.
“For who?” says he. “Woman, do you realize that taking ’em all together, store and canning factory combined, I’ve got forty-two folks a-working for me?”
“Well!” says I. “Quite a family.”
“Timothy Toplady’s got twelve employees,” he goes on, “and Eppleby’s got seven in the store. That’s sixty-one girls and women and then ... er....”
“Children,” says I, simple.
“Young folks,” Silas says, smooth. “Sixty-one of ’em. Ain’t that pretty near a club, I’d like to know?”
“Oh,” I says, “a club. A club! And do them sixty-one want to be a club, Silas?”{189}
Silas scowled16. “What you talking?” he says. “Of course they want all you’ll do for ’em. Well, now: Us men has been facing this thing, and it’s so plain that even a woman must see it: Friendship Village is going to empty itself out into Red Barns, same as a skin, if this town don’t get up and do something.”
“True,” says I, attentive17. “Even a woman can take in that much, Silas, if you put it right before her, and lead her up to it, and point it out to her and,” says I, warming up to it, “put blinders on her so’s not to distract her attention from the real fact in hand.”
“What you talking?” says Silas. “I never saw a woman yet that could keep on any one subject no more than a balloon. Well, now, what I thought was this: I thought I’d up and go around with a paper, and see how much everybody’d give, and we’d open an Evening Club somewheres, for the employees—folks’s old furniture and magazines and books and some games—and give ’em a nice time. Here,” says Silas, producing a paper from behind the cheese, “I’ve gone into this thing to the tune18 of Fifty Dollars. Fifty Dollars. And I thought,” says he direct, “that you that’s always so interested in doing things for folks, might put your own name down, and{190} might see some of the other ladies too. And I could report it to our Commercial club meeting next Friday night. After the business session.”
I looked at him, meditative19.
“If it’s all the same to you, Silas,” I says, “I’ll take this paper and go round and see some of these sixty-one women and girls, instead.”
Silas kind of raised up his whole face and left his chin hanging, idle.
“See them women and girls?” says he, some resembling a shout. “What have they got to do with it, I’d like to know?”
“Oh,” says I, “ain’t it some their club too, Silas? I thought the whole thing was on their account.”
Silas used his face like he’d run a draw string down it.
“Women,” he says, “dum women. Their minds ain’t any more logical than—than floor-sweepings with the door open. Didn’t I just tell you that the thing was going to be done for the benefit of Friendship Village and to keep them folks interested in it?”
“Well, but,” I says, “ain’t them folks some Friendship Village too?”
“What’s that got to do with it?” shouts Silas. “Of course they are. Of course we want to help ’em. But they ain’t got anything{191} to do with it. All they got to do with it is to be helped!”
“Is it!” I says. “Is that all, Silas?” And while he was a-gathering20 himself up to reply, I picked up the subscription21 paper. “It can’t do ’em no harm,” I says, “to tell ’em about this. Then if any of ’em is thinking of leaving, it may hold on to ’em till we get a start. If it’s all the same to you, I’ll just run around and see ’em to-day. Mebbe they might help—who knows?”
“You’ll bawl22 the whole thing up,” says Silas. “I wish’t I’d kep’ my mouth shut.”
“Well,” I says, “you’d ought to know by this time that I ain’t any great hand to do things for folks, Silas. I like to do ’em with ’em.”
Silas was starting in to wave both arms when somebody come in for black molasses. And he says to me:
“Well, go on ahead. You’ll roon my whole idea—but go on ahead and see how little hurt you can do. I’ve got to have some lady-help from somewheres,” says he, frank.
“Lady-help,” thinks I, a-proceeding down the street. “Lady-help. That’s me. Kind of auxiliarating around. A member of the General Ladies’ Aid Society. Lady-help. Ain’t it a grand feeling?”{192}
I went straight to Abigail Arnold that keeps the Home Bakery. Abigail lives in the Bakery, and I donno a nicer, homier place in town. She didn’t make the mistake of putting up lace curtains in the store, to catch the dust.... I always wonder when the time’ll come that we’ll be content not to have any curtains to any windows in the living rooms of this earth, but just to let the boughs23 and the sun and the day smile in on us, like loving faces. Fade things? Fade ’em? I wonder they didn’t think of that when they made the sun, and temper it down to keep the carpets good.... Sometimes I dream of a house on a hill, with meadows of grass and the line of the sky and the all-day sun for neighbors, and not a thing to say to ’em: “Keep out. You’ll fade me.” But, “Come in. You’ll feed me.”
Well, Abigail Arnold was making her home-made doughnuts that morning, and the whole place smelled like when you was twelve years old, and struck the back stoop, running, about the time the colander25 was set on the wing of the stove, heaped up with brown, sizzling, doughnut-smelling doughnuts.
“Set right down,” she says, “and have one.” And so I done. And for a few minutes Silas and Red Barns and Friendship Village and the {193}industrial and social relations of the entire country slipped away and was sunk in that nice-tasting, crumpy cake. Ain’t it wonderful—well, we’d ought not to bother to go off into that; but sometimes I could draw near to the whole human race just thinking how every one of us loves a fresh doughnut, et in somebody’s kitchen. It’s a sign and symbol of how alike we are—and I donno but it means something, something big.
But with the last crumb26 I come back to commerce.
“Abigail,” I says, “Silas wants to start a club for his and Timothy’s and Eppleby’s employees.”
“Huh!” says Abigail, sticking her fork down in the kettle. “What’s the profit? Ain’t I getting nasty in my old age?” she adds solemn. “I meant, Go on. Tell me about it.”
I done so, winding27 up about the meeting to be held the coming Friday in Post-Office Hall, at which Silas was to report on the progress of the club, after the business session. And she see it like I see it: That a club laid on to them sixty-one people had got to be managed awful wise—or what was to result would be considerable more like the stuff put into milk to preserve it than like the good, rich, thick cream that milk knows how to give, so be you treat it right.{194}
Abigail said she’d help—she’s one of them new women—oh, I ain’t afraid of the word—she’s one of them new women that catches fire at a big thing to be done in the world just as sure as another kind of woman flares28 up when her poor little pride is hurt. I’ve seen ’em both in action, and so have you. And we made out a list—in between doughnuts—of them sixty-one women and girls and children that was working in Friendship Village, and we divided up the list according to which of us was best friends with which of ’em—you know that’s a sort of thing you can’t leave out in the sort of commercial enterprise we was embarking29 on—and we agreed to start out separate, right after supper, and see what turned out to be what.
I went first to see Mary Beach, little David Beach’s sister. They lived about half a mile from the village on a little triangle of land that had been sold off from both sides and left because it was boggy30. They had a little drab house, with thick lips. David’s mother set outside the door with a big clothes-basketful of leggings beside her. She was a strong, straight creature with a mass of gray hair, and a way of putting her hands on her knees when she talked, and eyes that said: “I know and I think,” and not “I’m sure I can’t tell,” like so many eyes are built{195} to represent. Mary that I’d come to see might have been a person in a portrait—she was that kind of girl. And little David was there, laying sprawled31 out on the floor taking a clock to pieces and putting the items in a pie-tin.
“You won’t care,” says Mis’ Beach, “if I keep on with the leggings?”
“Leggings?” says I.
She nodded to the basket. “It’s bad pairs,” she said. “They leave me catch up the dropped stitches.”
“How much do they give you?” says I, brutal32. If it had been Silas Sykes I’d never have dreamt of asking him how much anybody give him for anything. But—well, sometimes we hound folks and hang folks and ask folks questions, merely because they’re poor.
“Six cents a dozen,” she says.
I remember they had a fly-paper on the window sill, and the caught flies and the uncaught ones whirred and buzzed. I can see the room: The floor that sagged33, the walls that cracked, the hot, nameless smell of it. And in it a woman with the strength and the figure of a race that hasn’t got here yet, and three children—one of them beautiful, and David, taking a clock to pieces and putting it together again, without ever having been taught. You know all about{196} it—and so did I. And while I set there talking with her, I couldn’t keep my mind on anything else but that hole of a home, and the three splendid beings chained there, like folks in a bad dream. Someway I never get used to it, and I know I never shall. It makes me feel as if I was looking on the inside of a table spoon and seeing things twisted, and saying: “Already such things can’t be. Already they sound old and false—like thumbscrews!”
And the worst of it was, David’s mother was so used to it. She was so bitter used to it. And oh—don’t things turn round in the world? A few years before if somebody like me had gone to see her, I’d of been telling her to be resigned, and to make the best of her lot, and trying to give her to understand that the Lord had meant it personal. And instead, when she said she was doing nice, I longed to say to her:
“No, no, Mis’ Beach! Don’t you make that mistake. You ain’t doing nice. As long as you think you are, this world is being held back. It’s you that’s got to help folks to know that you aren’t doing nice. And to make folks wonder why.”
But I didn’t say it to her. I s’pose I haven’t got that far—yet.
She said she’d like to come to the club that{197} Silas proposed, and Mary, she said she’d come. They didn’t question much about it—they merely accepted it and said they’d come. And I went out into the April after-supper light, with a bird or two twittering sleepy, and an orange and lemon and water-melon sunset doing its best to attract my attention, and I says out loud to April in general:
“A club. A club. So we’re going to help that house with a club.”
Then I stopped to Mis’ Cripps’s boarding house. Mis’ Cripps’s boarding house faces the railroad tracks, and I never went by there without seeing her milk bottles all set out on her porch, indelicate, like some of the kitchen lining34 showing. Bettie Forkaw and Libbie Collins and Rose Miller35 and Lizzie Lane, pickle factory girls, lived there. They were all home, out on the smoky porch, among the milk bottles, laughing and talking and having a grand time. They had sleeves above their elbows and waists turned in at the throat with ruffles36 of cheap lace, and hair braided in bunches over their ears and dragged low on their foreheads, and they had long, shiney beads37 round their necks, and square, shiney buckles38 on their low shoes. Betty was pretty and laughed loud and had uncovered-looking eyes. Libbie was big and strong and{198} still. Rose was thin, and she had less blood and more bones than anybody I ever see. And Lizzie—Lizzie might have been a freshman39 in any college you might name. She’d have done just as good work in figures as she did in pickles—only cucumbers come her way and class-rooms didn’t.
“Hello, girls,” I says, “how are you to-night? Do you want to be a club?”
“To do what?” says they.
“Have a good time,” says I. “Have music—eat a little something—dance—read a little, maybe. And ask your friends there. A club, you know.”
After we’d talked it over, all four of ’em said yes, they wished they had some place to go evenings and wouldn’t it be fine to have some place give to ’em where they could go. I didn’t discuss it over with ’em at all—but I done the same thing I’d done before, and that I cannot believe anybody has the right to ask, no matter how rich the questioner or how poor the questionee.
“Girls,” I says, “you all work for Silas Sykes, don’t you? How much do you get a week?”
They told me ready enough: Five and Six Dollars apiece, it was.
“Gracious,” I says, “how can you use up so much?” And they laughed and thought it was{199} a joke. And I went along to the next place—and my thoughts come slowly gathering in from the edges of my head and formed here and there in kind of clots40, that got acted on by things I begun to see was happening in my town, just as casual as meat bills and grocery bills—just as casual as school bells and church bells.
For the next two days I went to see them on my list. And then nights I’d go back and sit on my porch and look over to Red Barns that was posting itself as a nice, hustling41, up-to-date little town, with plenty of business opportunities. And then I’d look up and down Friendship Village that was getting ready for its Business meeting in Post-Office Hall on Friday night, and trying its best to keep up with its “business reputation.” And then I’d go on to some more homes of the workers that was keeping up their share in the commercial life of Friendship Village. And then my thoughts would bring up at Silas’s club house, with the necessary old furniture and magazines and games laid out somewheres, tasty. And the little clots of thought in my brain somehow stuck there. And I couldn’t think through them, on to what was what.
Then something happened that put a little window in the side of what was the matter with Silas’s plan. And I begun to see light.{200}
The second night I was sitting on my porch when I heard my back gate slam. My back gate has a chain for a spring, weighted with a pail of stones, and when it slams the earth trembles, and I have time to get my hands out of the suds or dough24 or whatever; and it’s real handy and practical. This time there come trotting42 round my house David Beach. My, my but he was a nice little soul. He had bright eyes, that looked up quick as a rabbit’s. And a smile that slipped on and off, swift as a frisking squirrel. And he had little darting43 movements, like a chipmunk’s. There was something wild about him, like the wind. Silas’s pickle factory did seem a queer place for us to have put him.
“Look, Miss Marsh44!” he says. And he was holding out his clock. “I got it all together,” he says, “and it’ll go. And it’ll go right.”
“Did you now?” I says. And it was true. He had. It did. That little alarm clock was ticking away like a jeweller-done job.... Yes, Silas’s pickle factory did seem a queer place for us to have put him.
When the little lad had gone off through the dusk, with his clock under his arm, I looked down the street after him. And I thought of this skill of his. And then I thought of the $2.50 a week Silas was giving him for shelling{201} corn. And then I thought of this club that was to keep him and the rest of ’em contented45. And I begun to see, dim, just the particular kinds of fools we was making of ourselves.
There was yet one thing more happened that wasn’t so much a window as a door. The next night was to be the Business Men’s meeting, and just before supper I went to pay my last visit on my list. It was out to the County House to see the superintendent’s niece that had just resigned from Eppleby’s store, and that they were afraid was going to Red Barns to work.
The County House. Ain’t that a magnificent name? Don’t we love to drape over our bones and our corpses46 some flying banner of a word like sarcophagus? The County House sets on a hill. A hill is a grand place for a County House. “Look at me,” the County House can say, “I’m what a beneficent and merciful people can do for its unfit.” And I never go by one that I don’t want to shout back at it: “Yes. Look at you. You’re our biggest confession47 of our biggest sham48. What right have we, in Nineteen Hundred Anything, to have any unfit left?”
Right in front of the County House is a cannon49. I never figured out the fitness of having a cannon there—in fact, I never can figure out the fitness{202} of having a cannon anywhere. But one thing I’ve always noticed: When public buildings and such do have cannon out in front of them, they’re always pointing away from the house. Never toward the house. Always going to shoot somebody else. That don’t seem to me etiquette51. If we must keep cannon for ornament52, aren’t we almost civilized53 enough to turn ’em around?
Seems the superintendent’s niece wasn’t going to Red Barns at all—she’d merely resigned to be married and had gone to town to buy things—a part of being married which competes with the ceremony, neck and neck, for importance. In the passageway, the matron called me in the office. She was a tall, thick woman with a way of putting her hand on your back to marshal you, as mothers do little children in getting them down an aisle54. Yes, she was a marshaling woman.
“Look here,” says the matron, proud.
They’d put a glass case up in the office and it was all hung with work—crocheted55 things, knit and embroidered56 things, fringed things. “Did by the inmates57,” says she, proud. That word “inmates” is to the word “people” what the word “support” is to the word “share.” It’s a word we could spare.{203}
I looked at the things in the case—hours and hours and hours the fingers of the women upstairs had worked on ’em—intricate counting, difficult stitches, pretty patterns. And each of them was marked with a price tag. The County House inmates had got ’em hung out there in the hope of earning a little money. One was a bed-spread—a whole crocheted bed-spread. And one—one was a dress crocheted from collar to hem4, and hung on with all sorts of crazy crocheted ends and tassels58 so—I knew—to make the job last a little longer. And when I saw that, I grabbed the tall, thick matron by the arm and I shook her a little.
“What was we doing,” I says, “that these folks wasn’t taught to do some kind of work so’s they could have kept out of the poor house?”
She looked at me odd and cool.
“Why,” she said, “my dear Miss Marsh, it’s being in here that gives ’em the leisure to make the things at all!”
What was the use of talking to her? And besides being unreasonable59, she was one of them that you’re awful put to it to keep from being able not to right down dislike. And I went along the passage thinking: “She acts like the way things are is the way things ought to be.{204} But it always seems to me that the way things ought to be is the best way things could be. For the earth ain’t so full of the fulness thereof but that we could all do something to make it a little more so.”
And then the thing happened that opened the door to all I’d been thinking about, and let me slip through inside.
Being I was there, I dropped in a minute to see old Grandma Stuart. She was one of the eighty “inmates.” Up in the ward50 where she was sitting, there were twenty beds. And between each two beds was a shelf and a washbasin, and over it a hook. And old Grandma Stuart sat there by her bed and her shelf and her hook. She was old and white, and she had fine wrinkles, like a dead flower. She drew me down to her, with her cold hands.
“Miss Marsh,” she said, “I got two-three things.”
“Yes,” I says, “well, that’s nice,” I says. And wondered if that was the right thing to say to her.
“But I ain’t got any box,” she says. “They keep the things and bring ’em to us clean every time. And I ain’t got any box.”
“That’s so, you ain’t,” says I, looking at her shelf.{205}
“I put my things in my dress,” she says, “but they always fall out. And I’ve got to stop to pick ’em up. And she don’t like it.”
No. The matron wouldn’t like it. I knew that. She was one of them that the thing was the thing even if it was something else.
“And so I thought,” says Grandma Stuart, “that if I had a pocket, I could put my things in that. I thought they wouldn’t fall out if I had a pocket. She says she can’t be making pockets for every one. But I keep thinking if I had a pocket.... It’s these things I’ve got,” she says.
She took from her dress three things: A man’s knife, a child’s ring, and a door-key.
“It was the extry key to my house,” she said. “I—brought it along. And I thought if I had a pocket....”
...I sat there with her till the lights come out. I promised to come next day and bring her a little calico pocket. And then I set and let her talk to me—about how things use’ to be. When at last the matron come to take ’em away to be fed, I went out, and I ran down the road in the dark. And it was one of the times when the world of life is right close up, and you can all but touch it, and you can almost hear what it says, and you know that it can hear{206} you—yes, and you almost know that it’s waiting, eager, to hear what you are going to say to it. For one force breathes through things, trying to let us know it’s there. It was speaking to me through that wrecked61 home of Grandma Stuart’s—through the man’s knife, the child’s ring, the door-key; and through the pitiful, clever, crocheted stuff in the glass case in the County House; and through David, and through all them that we were trying to fix up a club for—like a pleasant plaster for something that couldn’t be touched by the remedy.
Out there in the soft night, the world looked different. I donno if you’ll know what I mean, but it was like the world I knew had suddenly slipped inside another world—like a shell; and the other one was bigger and better and cut in a pattern that we haven’t grown to—yet. In the west a little new moon was showing inside the gold circle of the big coming full moon. And it seemed to me as if the world that I was in must be just the little thin promise of the world that could be—if we knew. Sometimes we do know. Sometimes, for just a minute, we see it. That night was a night when I know that I saw. After you see, you never forget.
“Life is something else than what we think it is,” I says to myself as I ran along the road in the{207} dark. “It’s something better than we think it is.”
As I ran, I stopped in to Mis’ Beach’s house and asked for something. “Oh, Mis’ Beach,” I says, “Oh, David! Will you let me take something? Will you let me borrow the clock you put together without anybody telling you how? Just for this evening?”
They said they would and they didn’t question that, particular, either. And I took the clock. And being David was going for the yeast62, he came out with me, and we went on together. He ran beside me, the little lad, with his hand in mine. And as I ran, it seemed to me that I wasn’t Calliope Marsh any more, but that I was the immemorial woman, running with the immemorial child, toward the hope of the better thing, always the better thing.
Past the Post-Office Hall I went, already lighted for the Business Meeting, and on to Abigail Arnold’s Home Bakery.
Abigail was sitting, dressed and ready, with her list in her hand. But when she saw me she burst out with some strange excitement in her face:
“Calliope!” she says. “Silas has been here. He said you hadn’t handed in your report. I—I don’t think he expects you to go to the meeting. I know he didn’t expect me.”{208}
“Didn’t he now?” I says. “Very well then, he didn’t. Are you ready?”
“But, Calliope——” says she.
“Are you a business woman in this town, or are you not?” I asked her.
Abigail has had her Bakery for twenty years now, and has paid off its mortgage that her husband bequeathed her.
“Come,” says I. And she did.
We went down the street to the Post-Office store building, all lighted up. We went up the stairs, and slipped into some seats by the door. I don’t think Silas, the chairman, see us come in. He can’t of, because he failed to explode. He just kept on conducting the meeting called to consider the future prosperity of Friendship Village and balancing on his toes.
While they talked, I set there, looking at them. Sixty men or so they were—the men that had made Friendship Village. Yes, such as it was, these men had made it. It was Silas that had built up his business and added to it, till he employed forty-two folks. Timothy Toplady had done the same and had encouraged three-four others to come in to open up new things for the town. It was Timothy stood back of Zittelhof when he added furniture to his undertaking63 business, and that started the {209}agitation for the cheese factory out in the hills, and that got the whole county excited about having good roads. And it was these men and Eppleby Holcomb and some others that had got the new bridge and the water works and more than these. And while I set there looking at them, it come flooding over me the skill and the energy and the patience and the dogged hard work that it had meant for them sixty men to get us where we were, and from my heart I was thankful to ’em. And then I put my mind on what they were a-saying:
“An up-to-date, hustling little town,” I kept hearing. “The newer business methods.” “Good openings.” “Opportunities for hustlers.” “Need of live wires.” “Encourage industry.” “Advance the town, advance the town, advance the town.” And the thoughts that had been formed in no account clots in my head suddenly took shape in one thought, with the whole of day-light turned on to it.
So, as quick as the business part seemed to me to be done, I rose up and told Silas we had our reports to make, Abigail and me, about the Evening Club.
“Well,” says Silas, “this whole thing is being done irregular. Most irregular. But you go on ahead, and we’ll be glad to listen if you think{210} you have anything to say, bearing on to—er—what we’re up to.”
And that was all right, and I took it so, because it was meant right.
I donno what there was to be afraid of. All of those men we’d known for years. We’d worked with ’em shoulder to shoulder in church affairs. We’d stood equal to ’em in school affairs, and often agreed with ’em. We’d even repeatedly paid one of ’em our taxes. And yet because it was a Business Men’s meeting, we felt kind of abashed64 or askant or something, Abigail and me.
Abigail reported first, about the thirty odd she’d been to see. “But,” she winds up, “Calliope’s got something to say that I agree to, over and above the report. We’ve talked it over, her and me, and—” she adds with her nice dignity, “as a Friendship Village business woman, I’m going to leave her speak for me.”
So I said what I had to say about them I’d been to see, and what they had said about the club. And then I come to the heart of it, and I held up David’s little clock. I told ’em about it, and about him. I suppose everybody else has stories to tell like David’s, about the folks, young or old, that is living graves, little or big, of the kind of skill and energy and patience that{211} they’ve never had the chance or the courage or the little will-power inside ’em—to develop. And there it stays in ’em, undeveloped, till they die. I believe it’s truer of all of us—of you and me—than we’ve any idea of. And this is what I tried to say to ’em that night, when I showed ’em David’s little clock. I didn’t say anything about the girls to Mis’ Cripps’s boarding house—I kept them, and the rest of ’em, in my heart, along with that crocheted dress up to the County House, and Grandma Stuart’s wreck60 of a home—the man’s knife, the child’s ring, the door-key. And I says:
“Now, we’ve visited all these folks that the Evening Club was thought of for. And we’ve found most of ’em in favor of having the club. I’m free to confess that I hoped some of ’em wouldn’t be. I hoped some of ’em would say they’d rather be paid better wages than to be give a club. But perhaps it’s all right. Mebbe the club is one step more we’ve got to take before we can get down to the big thing underneath65 it all. But it ain’t the last step—and I’d almost rather not bother with it—I’d almost rather get on to the big thing right away.”
“May I ask,” snaps out Silas, clean forgetting his chairmanshipping and acting66 like he was{212} talking to me in the Post-Office store beside the cheese, “may I ask what you mean by the ‘big thing’?”
“Oh,” I says, “that’s what I’ve been thinking about while I set here. Oh,” I says, “you men—you’ve made the town. You’ve done everything once. Do it again—now when the next thing is here to do. You’ve done your best with your own property and your own homes. Now do your best with folks!”
“Ain’t that the purpose of this here club we’re a-talking about?” says Silas. “Ain’t that what I been a-saying? What do you mean—folks?” Silas winds up, irritable67. Silas knows customers, agents, correspondents, partners, clients, colleagues, opponents, plaintiffs, defendants68 and competitors. But he don’t know folks.
“Folks,” I says. “Why, folks, Silas. Why, here in this room with you that we say have made Friendship Village, are setting them sixty-one employees of yours that have helped make it too. And all the tens that will come afterward69, and that have come before to help to make the village by the work of their hands. They belong—they’re the village. They’re us. Oh, let’s not do things for them—let’s do things with them. Let’s meet all together, employers{213} and employees, men and women, and let’s take up together the job of being a town. Let’s not any of us have more than our share, and then deal out little clubs, and old furniture, and magazines, and games to the rest of us. You men are finding out that all your old catch words about advancing the town and making business opportunities, have got something lacking in them, after all. And us women are beginning to see that twenty houses to a block, each keeping clean and orderly and planted on its own hook, each handing out old clothes and toys down to the Flats, each living its own life of cleanliness and home and victual-giving-at-Christmas, that that ain’t being a town after all. It isn’t enough. Oh, deep inside us all ain’t there something that says, I ain’t you, nor you, nor you, nor five thousand of you. I’m all of you. I’m one. ‘When,’ it says, ‘are you going to understand, that not till I can act like one, one united one, can I give any glimpse whatever of what people might be?’ Don’t let’s us go on advancing business and multiplying our little clubs and philanthropies. Instead, let’s get together—in the kind of meetings they use’ to have in the old first days in America—and let’s just talk over the next step in what’s to become of us. Let’s dream—real far. Let’s dream farther{214} than gift-giving—and on up to wages—and mebbe a good deal farther than that. Let’s dream the farthest that folks could go....”
I didn’t know but they’d think I was crazy. But I’d be glad to be that kind of crazy. And the glory is that more folks and more folks are getting crazy the same way.
But they didn’t think so—I know they didn’t. Because when I got through, they clapped their hands, hard and hearty—all but Silas, that don’t think a chairman had ought to show any pleased emotion. And times now when I’m lonesome, I like to remember the rest of the talk, and it warms my heart to remember it, and I like to think about it.
For we give up having the club. Nobody said much of anything more about it, after we got Silas silenced. And this was the notice we put the next night in the Friendship Evening Daily. Nobody knows better than I the long road that there is to travel before we can really do what we dreamed out a little bit about. Nobody better than I knows how slow it is going to be. But I tell you, it is going to be. And the notice we put in the paper was the first little step we took. And I believe that notice holds the heart of to-day.{215}
It said:
“Will all them that’s interested in seeing Friendship Village made as much a town as it could be, for all of us and for the children of all of us, meet together in Post-Office Hall to-morrow night, at 7 o’clock, to talk over if we’re doing it as good as we could.”
For there was business. And then there was big business. But the biggest business is taking employers and employees, and all men and women—yes, and inmates too—and turning them into folks.
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1
robin
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| n.知更鸟，红襟鸟 | |
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2
spurt
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| v.喷出；突然进发；突然兴隆 | |
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3
pickle
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| n.腌汁，泡菜；v.腌，泡 | |
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4
hem
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| n.贴边，镶边；vt.缝贴边；(in)包围，限制 | |
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5
depot
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| n.仓库，储藏处；公共汽车站；火车站 | |
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6
chuckle
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| vi.／n.轻声笑，咯咯笑 | |
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7
sparse
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| adj.稀疏的，稀稀落落的，薄的 | |
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8
quail
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| n.鹌鹑；vi.畏惧，颤抖 | |
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9
bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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10
poking
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| n. 刺，戳，袋 vt. 拨开，刺，戳 vi. 戳，刺，捅，搜索，伸出，行动散慢 | |
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11
alley
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| n.小巷，胡同；小径，小路 | |
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12
wilted
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| （使）凋谢，枯萎( wilt的过去式和过去分词 ) | |
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13
lettuce
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| n.莴苣；生菜 | |
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14
grooves
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| n.沟( groove的名词复数 )；槽；老一套；（某种）音乐节奏v.沟( groove的第三人称单数 )；槽；老一套；（某种）音乐节奏 | |
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15
eyebrows
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| 眉毛( eyebrow的名词复数 ) | |
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16
scowled
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| 怒视，生气地皱眉( scowl的过去式和过去分词 ) | |
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17
attentive
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| adj.注意的，专心的；关心(别人)的，殷勤的 | |
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18
tune
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| n.调子；和谐，协调；v.调音，调节，调整 | |
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19
meditative
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| adj.沉思的，冥想的 | |
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20
gathering
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| n.集会，聚会，聚集 | |
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21
subscription
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| n.预订，预订费，亲笔签名，调配法，下标（处方） | |
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22
bawl
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| v.大喊大叫，大声地喊，咆哮 | |
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23
boughs
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| 大树枝( bough的名词复数 ) | |
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24
dough
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| n.生面团；钱，现款 | |
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25
colander
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| n.滤器，漏勺 | |
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26
crumb
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| n.饼屑，面包屑，小量 | |
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27
winding
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| n.绕，缠，绕组，线圈 | |
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28
flares
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| n.喇叭裤v.（使）闪耀( flare的第三人称单数 )；（使）（船舷）外倾；（使）鼻孔张大；（使）（衣裙、酒杯等）呈喇叭形展开 | |
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29
embarking
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| 乘船( embark的现在分词 )； 装载； 从事 | |
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30
boggy
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| adj.沼泽多的 | |
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31
sprawled
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| v.伸开四肢坐[躺]( sprawl的过去式和过去分词)；蔓延；杂乱无序地拓展；四肢伸展坐着（或躺着） | |
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32
brutal
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| adj.残忍的，野蛮的，不讲理的 | |
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33
sagged
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| 下垂的 | |
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34
lining
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| n.衬里，衬料 | |
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35
miller
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| n.磨坊主 | |
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36
ruffles
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| 褶裥花边( ruffle的名词复数 ) | |
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37
beads
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| n.（空心）小珠子( bead的名词复数 )；水珠；珠子项链 | |
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38
buckles
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| 搭扣，扣环( buckle的名词复数 ) | |
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39
freshman
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| n.大学一年级学生(可兼指男女) | |
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40
clots
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| n.凝块( clot的名词复数 )；血块；蠢人；傻瓜v.凝固( clot的第三人称单数 ) | |
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41
hustling
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| 催促（hustle的现在分词形式） | |
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42
trotting
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| 小跑，急走( trot的现在分词 )； 匆匆忙忙地走 | |
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43
darting
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| v.投掷，投射( dart的现在分词 )；向前冲，飞奔 | |
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44
marsh
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| n.沼泽，湿地 | |
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45
contented
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| adj.满意的，安心的，知足的 | |
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46
corpses
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| n.死尸，尸体( corpse的名词复数 ) | |
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47
confession
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| n.自白，供认，承认 | |
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48
sham
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| n./adj.假冒(的)，虚伪(的) | |
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49
cannon
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| n.大炮，火炮；飞机上的机关炮 | |
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50
ward
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| n.守卫，监护，病房，行政区，由监护人或法院保护的人（尤指儿童）；vt.守护，躲开 | |
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51
etiquette
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| n.礼仪，礼节；规矩 | |
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52
ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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53
civilized
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| a.有教养的，文雅的 | |
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54
aisle
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| n.（教堂、教室、戏院等里的）过道，通道 | |
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55
crocheted
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| v.用钩针编织( crochet的过去式和过去分词 ) | |
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56
embroidered
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| adj．绣花的 | |
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57
inmates
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| n.囚犯( inmate的名词复数 ) | |
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58
tassels
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| n.穗( tassel的名词复数 )；流苏状物；（植物的）穗；玉蜀黍的穗状雄花v.抽穗， （玉米）长穗须( tassel的第三人称单数 )；使抽穗， （为了使作物茁壮生长）摘去穗状雄花；用流苏装饰 | |
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59
unreasonable
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| adj.不讲道理的，不合情理的，过度的 | |
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60
wreck
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| n.失事，遇难；沉船；vt.(船等)失事，遇难 | |
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61
wrecked
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| adj.失事的，遇难的 | |
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62
yeast
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| n.酵母；酵母片；泡沫；v.发酵；起泡沫 | |
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63
undertaking
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| n.保证，许诺，事业 | |
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64
abashed
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| adj.窘迫的，尴尬的v.使羞愧，使局促，使窘迫( abash的过去式和过去分词 ) | |
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65
underneath
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| adj.在...下面，在...底下；adv.在下面 | |
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66
acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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67
irritable
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| adj.急躁的；过敏的；易怒的 | |
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68
defendants
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| 被告( defendant的名词复数 ) | |
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69
afterward
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| adv.后来；以后 | |
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