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CHAPTER IX COLLECTORS OF THE SIXTEENTH CENTURY
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   Collectors of the sixteenth century—Character of the time and the artist’s attitude towards the antique—Cellini restores antique statues—New Roman masterpiece discovered in Rome—Decadence1 of art—A protest of Raphael against daily destructions of Roman relics2—First laws prohibiting exportation of Roman finds—Barbaric attitude of a Barberini—First law against the exportation of painting masterpieces.

As we have already observed, centuries in art cannot be separated like horses in stable-boxes. There are periods between one change and another, transitional times that make it impossible to fix any date whatsoever3. Thus we may say, without stating a date, that the sixteenth century not only felt the benefit of the Quattrocento for a certain time, but was itself actually Quattrocento for a score of years or more. The men of the past had not vanished; Riccio, for instance, one of the most active imitators of the antique, died in 1533. But when the sixteenth century began to outline its own character, the cult4 of art, art patronage5 and the passion for collecting fine things are seen to have taken another turn. The Cinquecento has of course magnificent patrons of art, and almost every prince collects something or other. Life is still imbued6 with partiality for the antique.

Lorenzino Medici in playing Brutus and actually killing7 his cousin, Duke Alexander Medici, is reconstructing an old heroic attitude in his learned, pagan mind; Filippo Strozzi—or whoever planned his suicide—makes one think of some hero of Plutarch when he is found dead, apparently8 by his own hand, with a line of Virgil, Exoriare aliquis nostris ex102 ossibus ultur (may an avenger9 arise from my bones), written in his own blood at his side. Painting still deals with subjects from Roman history and so does sculpture, but artists have lost all comprehension of them, a fact still more evident with regard to Biblical subjects. In support of this statement it is sufficient to quote the painting of Paolo Veronese, now in the Academy at Venice, representing Jesus in the house of Levi, one of the artist’s masterpieces, in which Christ is in the company of—Venetian gentlemen of the sixteenth century; but if in this painting disregard for the Oriental side of the scene is carried to an extreme, it must be said that Titian and Tintoretto, and a great many other painters of the time, were no better. This trait, which certainly originated in the good period of the Renaissance10 and which we now find in its full development, indicates that in its more significant and ripest expression the Cinquecento is the logical decline of a past triumph in art, the victim, as it were, of tradition—of tradition and a few artistic11 personalities12, such as Raphael and Michelangelo, who turned a new leaf in art, awakened13 a new feeling, a new overpowering school. Michelangelo, especially, with his fascinating and inimitable style draws a legion of followers14, fostering an art that during the great sculptor15’s life already is ripe for decadence.

Enlightened collectors abound16 in this period, their collections increase daily, but are they really lovers of art as their predecessors17 were, are they worshippers of the antique like the bygone collectors? This is what we ask. In the sixteenth century when art is a tradition of the far past, on the one hand, and on the other, almost a tradition of the recent past, life seems to have taken the selfsame attitude: people are not real lovers of art, but are so merely by tradition. Every well-bred gentleman of the Cinquecento was obliged to have the air of understanding art. Machiavelli might have added an interesting chapter to his Principe to demonstrate how important it was for a prince to be interested in art, even though, perchance, utterly19 indifferent to it in reality. When giving103 instructions in his Cortegiano, as to what a gentleman of his time ought to know, Castiglione adds that he must learn to paint. “Even if this art affords you no pleasure,” advises Castiglione, “it will give you a better understanding of things, and a clearer appreciation20 of the excellency of ancient and modern statues, vases, monuments, medals, cameos, carvings21, and other such objects.”

In a word, ably or otherwise, with natural disposition22 or not, it was part of good breeding for a gentleman of the sixteenth century to be interested in art and play the connoisseur23. It is from this that the Cinquecento suffers. The patent prince-patron of art, the stock gentleman-collector abounds24, the genuine lover of art is rare. A prince’s house or that of a simple person of good standing18 was considered incomplete if without a collection of some sort. Yet while the artists of the sixteenth century had certainly derived25 no small benefit from their predecessors’ passion for the antique, they had become far too individual, far too engrossed26 in their own art to be susceptible27 to the art of the past. Michelangelo, the artist who lived practically through both centuries, the sculptor whose genius, tremendous and over-individual, was nevertheless responsible for the decadence of sculpture, is a good example of this. He can, like many another Italian artist, show his versatility28 and skill by imitating an art other than his own, as he did with the Sleeping Cupid that deceived Cardinal29 San Giorgio, but when the artist is genuine and gives his own artistic temperament30 full play, craft and virtuosity31 disappear, reminiscence is impossible. Even when the subject and peculiar32 quality of the work suggest imitation and turn thought to the antique, Michelangelo remains33 true to his own grand soul. His Brutus exemplifies the point. It was a Roman subject of classical times, and Michelangelo might easily have been infected by the history of the past and the forms he had admired when interested in the excavation34 of ancient statues in Rome. Yet his Brutus is more Dantesque in its tragic35 lines than Roman.

Cellini, to illustrate36 another aspect, is a different case.104 He can repair antiquities37 for his patron, Cosimo Medici, fairly well, but he, also, is too highly individual to make an excellent imitation of the antique. He tells us that he consented to repair his illustrious patron’s Ganymede because it was a fine Greek work, and, prone38 as he is to self-praise, he tells how stupendously he can do it; but he does not like such work, he calls it arte da Ciabattini (cobbler-work). The fact, however, is that he is too much alive to his time, has too strong an expression of his own art to be skilful39 in imitations. In fact it happened that he had to try his hand at a portrait of Cosimo I, in the guise40 of a Roman emperor. The portrait of the Grand Duke of Tuscany will never deceive any art simpleton, in spite of its elaborate cuirass fit for Augustus. Cellini is too delightfully41 cinquecentesque. The same may be said of him as a medallist. Yet in some of Cellini’s work, especially his medals, the idea of imitating the Romans must have been in his mind, and no doubt he was convinced of his success. Yet he belonged to the group that by their personality influenced others, and when trying his hand at imitation quite congenial to his own artistic temperament he makes something that is at least three-quarters Cellini.

These artists nevertheless admire the art of the past, though with no danger of infection. Michelangelo is entranced when the Laocoön is discovered in a vineyard near the Thermæ of Titus, and goes with his friend Sangallo to see that the precious statue be carefully unearthed42. Partly for the sake of gain, and partly, maybe, for the love of art, Cellini often goes to the Roman Campagna to see what “certain Lombard yokels” have uncovered in their daily spading of the soil. Raphael protests, in a famous document addressed to Leo X, against the continual destruction of Roman relics. His words are worth repeating. After declaring that the Goths and Vandals have not done so much damage to Rome as his contemporaries, Raphael concludes by saying that far too many popes have allowed Roman edifices43 to be ruined simply by permitting the excavation105 of pozzolana (clay) from the ground upon which their foundations rest, that statues and marble ornaments44 are daily burned in ovens and turned into mortar45, that Rome, in fact—the Rome of Raphael’s time—is built with naught46 but mortar made from old statues, the sacred marbles of past glories.

Characteristic also is the fact that this country sees the first protective laws against the exportation of antique art. This would seem to indicate the consideration in which relics of past art were held in Rome. Judging by the way it was applied47, however, even this act serves to show that there was no more genuine a passion for old and precious antiques in the Cinquecento than in the century before. The Roman laws of the sixteenth century are severe, meting48 out punishments to all and sundry49 daring to carry the produce of excavations50 beyond the Papal domains51; but otherwise destruction goes on gaily52, there seems to be no discrimination as to what ought to be saved from the doom53 of destruction and what is not worth keeping. So while edict after edict is promulgated54 in order to safeguard the excavation of statues in Rome and elsewhere, edicts often full of old-fashioned magniloquence, “Prohibition concerning the exportation of marble or metal statues, figures, antiquities and suchlike,” the best buildings in Rome were allowed to fall into utter ruin without a protest. This state of things reached the climax55 of absurdity56 in the seventeenth century when Urban VIII, of the Barberini family, declared the Coliseum a public quarry57, where the citizens might go for the stones they needed for new constructions—an act still commemorated58 in the protest of all lovers of art with the proverbial pun, Quod non fecerunt barbari fecerunt Barberini (What barbarians59 did not do, the Barberini did).

From this curious inconsistency in the appreciation of art even Tuscany, the cradle of the Renaissance, is not immune. A Medicean law intended, like the Roman one, to prevent the exportation of masterpieces and rare works of art, makes no mention of precious relics of Roman or Etruscan origin,106 nor even of the fine pieces of sculpture that were often excavated60, but considers only the paintings of certain artists of the past school of the Renaissance and those of other contemporary artists, as being worth keeping, so the law declares, for the glory and dignity of Florence. The regulations are given in a second decree, along with a list of the names of the artists concerned, dead and living. Their work must not be taken out of Tuscany. The list is very instructive, for it passes over some of the best artists, such as Botticelli, Credi, the Pollaiolos and others, and prohibits the export of the work of artists that are either unknown to us or are of such mediocrity that it is surprising their work should have been esteemed61 above the average of their day. The following is one of these lists, the first that was made. 1. Michelangelo Buonarroti. 2. Raffaelo da Urbino. 3. Andrea del Sarto. 4. Mecherino (?). 5. Il Rosso Fiorentino. 6. Leonardo da Vinci. 7. Il Franciabigio. 8. Perino del Vaga. 9. Jacopo da Puntormo. 10. Tiziano. 11. Francesco Salviati. 12. Angelo Bronzino. 13. Daniello da Volterra. 14. Fra Bartolommeo di San Marco (Della Porta). 15. Fra Bast. Del Piombo. 16. Filippo di Fra Filippo. 17. Antonio da Correggio. 18. Il Parmigianino.

Without insisting upon a comment that might appear paradoxical, what kind of collectors of art can be expected from people who place in the same list of merit Leonardo, Michelangelo, Titian, with Cecchin Salviati, Perino del Vaga, to say nothing of the now forgotten Mecherino, a painter whose well-deserved oblivion saves us from judging his poor work. In another list other names are added. They are no less grotesque—Santi di Tito Ligozzi, Jacopo da Empoli, etc, in far too good company.

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1 decadence taLyZ     
n.衰落,颓废
参考例句:
  • The decadence of morals is bad for a nation.道德的堕落对国家是不利的。
  • His article has the power to turn decadence into legend.他的文章具有化破朽为神奇的力量。
2 relics UkMzSr     
[pl.]n.遗物,遗迹,遗产;遗体,尸骸
参考例句:
  • The area is a treasure house of archaeological relics. 这个地区是古文物遗迹的宝库。
  • Xi'an is an ancient city full of treasures and saintly relics. 西安是一个有很多宝藏和神圣的遗物的古老城市。
3 whatsoever Beqz8i     
adv.(用于否定句中以加强语气)任何;pron.无论什么
参考例句:
  • There's no reason whatsoever to turn down this suggestion.没有任何理由拒绝这个建议。
  • All things whatsoever ye would that men should do to you,do ye even so to them.你想别人对你怎样,你就怎样对人。
4 cult 3nPzm     
n.异教,邪教;时尚,狂热的崇拜
参考例句:
  • Her books aren't bestsellers,but they have a certain cult following.她的书算不上畅销书,但有一定的崇拜者。
  • The cult of sun worship is probably the most primitive one.太阳崇拜仪式或许是最为原始的一种。
5 patronage MSLzq     
n.赞助,支援,援助;光顾,捧场
参考例句:
  • Though it was not yet noon,there was considerable patronage.虽然时间未到中午,店中已有许多顾客惠顾。
  • I am sorry to say that my patronage ends with this.很抱歉,我的赞助只能到此为止。
6 imbued 0556a3f182102618d8c04584f11a6872     
v.使(某人/某事)充满或激起(感情等)( imbue的过去式和过去分词 );使充满;灌输;激发(强烈感情或品质等)
参考例句:
  • Her voice was imbued with an unusual seriousness. 她的声音里充满着一种不寻常的严肃语气。
  • These cultivated individuals have been imbued with a sense of social purpose. 这些有教养的人满怀着社会责任感。 来自《简明英汉词典》
7 killing kpBziQ     
n.巨额利润;突然赚大钱,发大财
参考例句:
  • Investors are set to make a killing from the sell-off.投资者准备清仓以便大赚一笔。
  • Last week my brother made a killing on Wall Street.上个周我兄弟在华尔街赚了一大笔。
8 apparently tMmyQ     
adv.显然地;表面上,似乎
参考例句:
  • An apparently blind alley leads suddenly into an open space.山穷水尽,豁然开朗。
  • He was apparently much surprised at the news.他对那个消息显然感到十分惊异。
9 avenger avenger     
n. 复仇者
参考例句:
  • "Tom Sawyer, the Black Avenger of the Spanish Main. “我乃西班牙海黑衣侠盗,汤姆 - 索亚。
  • Avenger's Shield-0.26 threat per hit (0.008 threat per second) 飞盾-0.26仇恨每击(0.08仇恨每秒)
10 renaissance PBdzl     
n.复活,复兴,文艺复兴
参考例句:
  • The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
  • The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。
11 artistic IeWyG     
adj.艺术(家)的,美术(家)的;善于艺术创作的
参考例句:
  • The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
  • These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。
12 personalities ylOzsg     
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 )
参考例句:
  • There seemed to be a degree of personalities in her remarks.她话里有些人身攻击的成分。
  • Personalities are not in good taste in general conversation.在一般的谈话中诽谤他人是不高尚的。
13 awakened de71059d0b3cd8a1de21151c9166f9f0     
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到
参考例句:
  • She awakened to the sound of birds singing. 她醒来听到鸟的叫声。
  • The public has been awakened to the full horror of the situation. 公众完全意识到了这一状况的可怕程度。 来自《简明英汉词典》
14 followers 5c342ee9ce1bf07932a1f66af2be7652     
追随者( follower的名词复数 ); 用户; 契据的附面; 从动件
参考例句:
  • the followers of Mahatma Gandhi 圣雄甘地的拥护者
  • The reformer soon gathered a band of followers round him. 改革者很快就获得一群追随者支持他。
15 sculptor 8Dyz4     
n.雕刻家,雕刻家
参考例句:
  • A sculptor forms her material.雕塑家把材料塑造成雕塑品。
  • The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。
16 abound wykz4     
vi.大量存在;(in,with)充满,富于
参考例句:
  • Oranges abound here all the year round.这里一年到头都有很多橙子。
  • But problems abound in the management of State-owned companies.但是在国有企业的管理中仍然存在不少问题。
17 predecessors b59b392832b9ce6825062c39c88d5147     
n.前任( predecessor的名词复数 );前辈;(被取代的)原有事物;前身
参考例句:
  • The new government set about dismantling their predecessors' legislation. 新政府正着手废除其前任所制定的法律。 来自《简明英汉词典》
  • Will new plan be any more acceptable than its predecessors? 新计划比原先的计划更能令人满意吗? 来自《简明英汉词典》
18 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
19 utterly ZfpzM1     
adv.完全地,绝对地
参考例句:
  • Utterly devoted to the people,he gave his life in saving his patients.他忠于人民,把毕生精力用于挽救患者的生命。
  • I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。
20 appreciation Pv9zs     
n.评价;欣赏;感谢;领会,理解;价格上涨
参考例句:
  • I would like to express my appreciation and thanks to you all.我想对你们所有人表达我的感激和谢意。
  • I'll be sending them a donation in appreciation of their help.我将送给他们一笔捐款以感谢他们的帮助。
21 carvings 3ccde9120da2aaa238c9785046cb8f86     
n.雕刻( carving的名词复数 );雕刻术;雕刻品;雕刻物
参考例句:
  • The desk was ornamented with many carvings. 这桌子装饰有很多雕刻物。 来自《简明英汉词典》
  • Shell carvings are a specialty of the town. 贝雕是该城的特产。 来自《简明英汉词典》
22 disposition GljzO     
n.性情,性格;意向,倾向;排列,部署
参考例句:
  • He has made a good disposition of his property.他已对财产作了妥善处理。
  • He has a cheerful disposition.他性情开朗。
23 connoisseur spEz3     
n.鉴赏家,行家,内行
参考例句:
  • Only the real connoisseur could tell the difference between these two wines.只有真正的内行才能指出这两种酒的区别。
  • We are looking for a connoisseur of French champagne.我们想找一位法国香槟酒品酒专家。
24 abounds e383095f177bb040b7344dc416ce6761     
v.大量存在,充满,富于( abound的第三人称单数 )
参考例句:
  • The place abounds with fruit, especially pears and peaches. 此地盛产水果,尤以梨桃著称。 来自《现代汉英综合大词典》
  • This country abounds with fruit. 这个国家盛产水果。 来自《现代汉英综合大词典》
25 derived 6cddb7353e699051a384686b6b3ff1e2     
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取
参考例句:
  • Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
  • He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》
26 engrossed 3t0zmb     
adj.全神贯注的
参考例句:
  • The student is engrossed in his book.这名学生正在专心致志地看书。
  • No one had ever been quite so engrossed in an evening paper.没人会对一份晚报如此全神贯注。
27 susceptible 4rrw7     
adj.过敏的,敏感的;易动感情的,易受感动的
参考例句:
  • Children are more susceptible than adults.孩子比成人易受感动。
  • We are all susceptible to advertising.我们都易受广告的影响。
28 versatility xiQwT     
n.多才多艺,多样性,多功能
参考例句:
  • Versatility is another of your strong points,but don't overdo it by having too many irons in the fire.你还有一个长处是多才多艺,但不要揽事太多而太露锋芒。
  • This versatility comes from a dual weather influence.这种多样性是由于双重的气候影响而形成的。
29 cardinal Xcgy5     
n.(天主教的)红衣主教;adj.首要的,基本的
参考例句:
  • This is a matter of cardinal significance.这是非常重要的事。
  • The Cardinal coloured with vexation. 红衣主教感到恼火,脸涨得通红。
30 temperament 7INzf     
n.气质,性格,性情
参考例句:
  • The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
  • Success often depends on temperament.成功常常取决于一个人的性格。
31 virtuosity RHQyJ     
n.精湛技巧
参考例句:
  • At that time,his virtuosity on the trumpet had no parallel in jazz.那时,他高超的小号吹奏技巧在爵士乐界无人能比。
  • As chemists began to pry out my secret they discovered my virtuosity.化学家开始探讨我的秘密,他们发现了我的精湛技巧。
32 peculiar cinyo     
adj.古怪的,异常的;特殊的,特有的
参考例句:
  • He walks in a peculiar fashion.他走路的样子很奇特。
  • He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。
33 remains 1kMzTy     
n.剩余物,残留物;遗体,遗迹
参考例句:
  • He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
  • The remains of the meal were fed to the dog.残羹剩饭喂狗了。
34 excavation RiKzY     
n.挖掘,发掘;被挖掘之地
参考例句:
  • The bad weather has hung up the work of excavation.天气不好耽误了挖掘工作。
  • The excavation exposed some ancient ruins.这次挖掘暴露出一些古遗迹。
35 tragic inaw2     
adj.悲剧的,悲剧性的,悲惨的
参考例句:
  • The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
  • Charles was a man doomed to tragic issues.查理是个注定不得善终的人。
36 illustrate IaRxw     
v.举例说明,阐明;图解,加插图
参考例句:
  • The company's bank statements illustrate its success.这家公司的银行报表说明了它的成功。
  • This diagram will illustrate what I mean.这个图表可说明我的意思。
37 antiquities c0cf3d8a964542256e19beef0e9faa29     
n.古老( antiquity的名词复数 );古迹;古人们;古代的风俗习惯
参考例句:
  • There is rest and healing in the contemplation of antiquities. 欣赏古物有休息和疗养之功。 来自辞典例句
  • Bertha developed a fine enthusiasm for the antiquities of London. 伯沙对伦敦的古迹产生了很大的热情。 来自辞典例句
38 prone 50bzu     
adj.(to)易于…的,很可能…的;俯卧的
参考例句:
  • Some people are prone to jump to hasty conclusions.有些人往往作出轻率的结论。
  • He is prone to lose his temper when people disagree with him.人家一不同意他的意见,他就发脾气。
39 skilful 8i2zDY     
(=skillful)adj.灵巧的,熟练的
参考例句:
  • The more you practise,the more skilful you'll become.练习的次数越多,熟练的程度越高。
  • He's not very skilful with his chopsticks.他用筷子不大熟练。
40 guise JeizL     
n.外表,伪装的姿态
参考例句:
  • They got into the school in the guise of inspectors.他们假装成视察员进了学校。
  • The thief came into the house under the guise of a repairman.那小偷扮成个修理匠进了屋子。
41 delightfully f0fe7d605b75a4c00aae2f25714e3131     
大喜,欣然
参考例句:
  • The room is delightfully appointed. 这房子的设备令人舒适愉快。 来自《现代汉英综合大词典》
  • The evening is delightfully cool. 晚间凉爽宜人。 来自《现代汉英综合大词典》
42 unearthed e4d49b43cc52eefcadbac6d2e94bb832     
出土的(考古)
参考例句:
  • Many unearthed cultural relics are set forth in the exhibition hall. 展览馆里陈列着许多出土文物。
  • Some utensils were in a state of decay when they were unearthed. 有些器皿在出土时已经残破。
43 edifices 26c1bcdcaf99b103a92f85d17e87712e     
n.大建筑物( edifice的名词复数 )
参考例句:
  • They complain that the monstrous edifices interfere with television reception. 他们抱怨说,那些怪物般的庞大建筑,干扰了电视接收。 来自辞典例句
  • Wealthy officials and landlords built these queer edifices a thousand years ago. 有钱的官吏和地主在一千年前就修建了这种奇怪的建筑物。 来自辞典例句
44 ornaments 2bf24c2bab75a8ff45e650a1e4388dec     
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 )
参考例句:
  • The shelves were chock-a-block with ornaments. 架子上堆满了装饰品。
  • Playing the piano sets up resonance in those glass ornaments. 一弹钢琴那些玻璃饰物就会产生共振。 来自《简明英汉词典》
45 mortar 9EsxR     
n.灰浆,灰泥;迫击炮;v.把…用灰浆涂接合
参考例句:
  • The mason flushed the joint with mortar.泥工用灰浆把接缝处嵌平。
  • The sound of mortar fire seemed to be closing in.迫击炮的吼声似乎正在逼近。
46 naught wGLxx     
n.无,零 [=nought]
参考例句:
  • He sets at naught every convention of society.他轻视所有的社会习俗。
  • I hope that all your efforts won't go for naught.我希望你的努力不会毫无结果。
47 applied Tz2zXA     
adj.应用的;v.应用,适用
参考例句:
  • She plans to take a course in applied linguistics.她打算学习应用语言学课程。
  • This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。
48 meting eeeaa4c92e1112f32e8aa90d1c9b204b     
v.(对某人)施以,给予(处罚等)( mete的现在分词 )
参考例句:
  • The manager was strict and fair in meting out rewards and punishments. 经理赏罚严明。 来自互联网
  • Doris Crockford. Mr. Potter. I can't believe I'm meting you at last. 我叫桃瑞丝。韦斯莱。波特先生。我真不敢相信,总算见到您了。 来自互联网
49 sundry CswwL     
adj.各式各样的,种种的
参考例句:
  • This cream can be used to treat sundry minor injuries.这种药膏可用来治各种轻伤。
  • We can see the rich man on sundry occasions.我们能在各种场合见到那个富豪。
50 excavations 185c90d3198bc18760370b8a86c53f51     
n.挖掘( excavation的名词复数 );开凿;开凿的洞穴(或山路等);(发掘出来的)古迹
参考例句:
  • The excavations are open to the public. 发掘现场对公众开放。
  • This year's excavations may reveal ancient artifacts. 今年的挖掘可能会发现史前古器物。 来自辞典例句
51 domains e4e46deb7f9cc58c7abfb32e5570b6f3     
n.范围( domain的名词复数 );领域;版图;地产
参考例句:
  • The theory of thermodynamics links the macroscopic and submicroscopic domains. 热力学把宏观世界同亚微观世界联系起来。 来自辞典例句
  • All three flow domains are indicated by shading. 所有三个流动区域都是用阴影部分表示的。 来自辞典例句
52 gaily lfPzC     
adv.欢乐地,高兴地
参考例句:
  • The children sing gaily.孩子们欢唱着。
  • She waved goodbye very gaily.她欢快地挥手告别。
53 doom gsexJ     
n.厄运,劫数;v.注定,命定
参考例句:
  • The report on our economic situation is full of doom and gloom.这份关于我们经济状况的报告充满了令人绝望和沮丧的调子。
  • The dictator met his doom after ten years of rule.独裁者统治了十年终于完蛋了。
54 promulgated a4e9ce715ee72e022795b8072a6e618f     
v.宣扬(某事物)( promulgate的过去式和过去分词 );传播;公布;颁布(法令、新法律等)
参考例句:
  • Hence China has promulgated more than 30 relevant laws, statutes and regulations. 中国为此颁布的法律、法规和规章多达30余项。 来自汉英非文学 - 白皮书
  • The shipping industry promulgated a voluntary code. 航运业对自律守则进行了宣传。 来自辞典例句
55 climax yqyzc     
n.顶点;高潮;v.(使)达到顶点
参考例句:
  • The fifth scene was the climax of the play.第五场是全剧的高潮。
  • His quarrel with his father brought matters to a climax.他与他父亲的争吵使得事态发展到了顶点。
56 absurdity dIQyU     
n.荒谬,愚蠢;谬论
参考例句:
  • The proposal borders upon the absurdity.这提议近乎荒谬。
  • The absurdity of the situation made everyone laugh.情况的荒谬可笑使每个人都笑了。
57 quarry ASbzF     
n.采石场;v.采石;费力地找
参考例句:
  • Michelangelo obtained his marble from a quarry.米开朗基罗从采石场获得他的大理石。
  • This mountain was the site for a quarry.这座山曾经有一个采石场。
58 commemorated 5095d6b593f459f1eacbc41739a5f72f     
v.纪念,庆祝( commemorate的过去式和过去分词 )
参考例句:
  • Lincoln commemorated the soldiers killed in the battle in his address. 林肯在演说中表扬阵亡将士。 来自辞典例句
  • You'll be commemorated for killing a spy, and be specially discharged. 你们每杀一个间谍将会被记录到特殊档案。 来自电影对白
59 barbarians c52160827c97a5d2143268a1299b1903     
n.野蛮人( barbarian的名词复数 );外国人;粗野的人;无教养的人
参考例句:
  • The ancient city of Rome fell under the iron hooves of the barbarians. 古罗马城在蛮族的铁蹄下沦陷了。 来自《简明英汉词典》
  • It conquered its conquerors, the barbarians. 它战胜了征服者——蛮族。 来自英汉非文学 - 历史
60 excavated 3cafdb6f7c26ffe41daf7aa353505858     
v.挖掘( excavate的过去式和过去分词 );开凿;挖出;发掘
参考例句:
  • The site has been excavated by archaeologists. 这个遗址已被考古学家发掘出来。
  • The archaeologists excavated an ancient fortress. 考古学家们发掘出一个古堡。 来自《简明英汉词典》
61 esteemed ftyzcF     
adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为
参考例句:
  • The art of conversation is highly esteemed in France. 在法国十分尊重谈话技巧。 来自《简明英汉词典》
  • He esteemed that he understood what I had said. 他认为已经听懂我说的意思了。 来自《简明英汉词典》


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