Sudbury was the painter’s studio. It is now a clean, well-built, and slightly uninteresting provincial18 town, with a population of about eight thousand. But, said a commercial traveller to me, as I was deploring19 the barrenness of the land, “It is a good place for business.” It lies in the flat country of the valley of the Stour, a river which expands into a lake when the waters are out. When Gainsborough was a boy it was ancient and picturesque20—and dirty. At any rate it is thus described in a poem written by Daniel Herbert, one of the old Noncons., a bunting manufacturer, and occasional preacher in the old meeting-house, who tells us
I live at Sudbury, that dirty place,
Where are a few poor sinners saved by grace.
p. 54—Well, the dirt is gone; but when as late as the disfranchisement of the burgh, for bribery21 and corruption22, which took place early in the reign23 of Queen Victoria, when the free and independent returned to Parliament a gentleman of colour, renowned24 for his vanity and wealth, it was evident that a good many poor sinners remained who had not been saved by grace.
Allan Cunningham treats the marriage of Gainsborough as all conventional writers do. The lady—her name was Margaret Burr, and she had £200 a year of her own—made Gainsborough “a prudent25, a kind, and a submissive wife.” As the lady was but sixteen, and her husband was eighteen, at the time of their wedding, one cannot be surprised to find at a later period Gainsborough looking upon his wife as a somewhat unsuitable companion. Cunningham writes, “The courtship was short. The young pair left Sudbury, leased a small house at a rent of £24 a year in Ipswich, and, making themselves happy in mutual26 love, conceived they were settled for life.”
Sudbury was the birth-place of Enfield, whose Speaker was a well-known text book in the past generation. Then our William Durbyn, author of the well-known Commentary on the Epistle of Jude, was also born there. He died a martyr17 for the truth’s sake in Newgate in 1685. The Grammar School of Sudbury dates as far back as 1591. Protestant as the town was, the Sudbury burghers marched to Framlingham to defend Mary’s rights against the attempted usurpation27 of Northumberland and his faction28, she assuring them of her protection in the observance of their religion—a promise she shamefully29 failed to keep. It seems that Wilson, the Sudbury lecturer and preacher, was so harassed30 by the Bishop14 and Archbishop, that with Winthrop, afterwards Governor of Massachusetts, he went over with a large band of the later Pilgrim Fathers to New England. Sudbury itself at one time seems to have rejoiced in a Christian31 toleration as refreshing32 as it was rare. In 1670, or thereabouts, it p. 55was the practice of the Nonconformists to preach in All Saints Church, while one of the early pastors33 of the Congregational Church lived with his family in All Saints Vicarage for eleven years. It appears from the town records that this church was without a regular incumbent for a long time, and that after the Dutch war, the church was used as a prison for the Dutch prisoners, there being at one time 500 of them quartered in the town.
The country round the old town—the town of Gainsborough’s boyhood—must have been singularly picturesque. The boy painter saw in it a beauty which he never forget; he told Thicknesse, his first patron, that “there was not a picturesque clump34 of trees, nor even a single tree of any beauty; no, nor hedge-row, stem or root,” in or around his native town, which was not from his earliest years treasured in his memory. It is interesting to note the painter’s progress. As you walk from the railway you come to Friar Street, where the painter married and took a house for a short while. A few steps further on bring you to Sepulchre Street, and you see the site of the house where he was born, opposite which is now the Christopher Inn. There was a large garden behind the house; and it was there the young artist sketched35 the face of the culprit whom he watched steal his father’s pears. That was his first attempt at portrait-painting, and a very successful one, as it led to the conviction of the culprit. The Pear Tree is still shown. Apparently36 Sudbury is famous for its pears. I saw many of them in the gardens belonging to some of the better houses. It was a pleasure for me to attempt to follow in the artist’s steps. For instance, I made my way to Brandon Wood, where the poet loved to go sketching37. If the town is improved so as to be almost unrecognisable, the features of the country remain the same; nature builds more enduringly than man. There are trees in Brandon Wood that might have been there in Gainsborough’s time. Over the Essex border, a couple of miles off, is a landscape which still remains38 as it is drawn39 in our National p. 56Gallery. His paintings of a view near Sudbury and a neighbouring church are more or less still true to life.
Modern Sudbury seems to know but little of her most distinguished40 son. It is true that he left it at the age of eighteen to take up his residence at Ipswich, then at Bath, and afterwards in London, where he was somewhat of a rival to Sir Joshua Reynolds, and where he achieved fame and fortune as one of the founders41 of the Royal Academy. It is true that he sleeps not on the banks of the Stour, but on those of the Royal Thames at Kew, the village dear to his patron, George III. But Sudbury is singularly careless of the artist’s memory. As I passed the Liberal Club I accosted42 a respectable individual—I assume he was such, as he was evidently a member of the club—and in answer to my enquiries (he was an elderly man) he said, “I have lived in Sudbury all my life, and have no idea where Gainsborough was born,” but he did point me out the residence of Mr. Duport, a relative of the artist’s, and where some of his family portraits were preserved; but I am unable to state whether they are there now, as the house was shut up. There ought to be a good many of Gainsborough’s early attempts to be found in Sudbury, as he was very liberal in giving them to his friends. It is not too late for Sudbury to wipe off the reproach of her neglect. It is not too late to mark the sites illustrated43 by his genius; or to do honour to the memory of her greatest glory; or to show to the lads of the Grammar School there what one of its alumni did, and how he did it, and what he became. In these days culture and education are supposed to work wonders. In the career of Gainsborough, we note the success of one who had little of either, but who did wonders, nevertheless, by his industry and genius alone. We may note that after Gainsborough left his native town he rarely seems to have visited the place, only occasionally to give his vote on the Tory side.
There may yet be letters of Gainsborough to appear, to interest the reading public. The latest published is that which Mr. Redgrave has reprinted. It bears the p. 57date of 1776. It was written to his sister in what Mr. Redgrave describes as a clear, graceful44 hand. It throws a little light on his character.
“What will become of me, time must show; I can only say that my present position with regard to encouragement is all that heart can wish; but as all worldly success is precarious45, I don’t build happiness or the expectation of it upon present appearances. I have built upon sandy foundations all my life long. All I know is that I live at a full thousand a year’s expense, and will work hard and do my best to get through withal; and if that will not do let them take their lot of blame and suffering that fall short of their duty both towards me and themselves. Had I been blessed with your penetration46 and blind eyes towards foolish pleasures, I had steered47 my course better; but we are born with different passions and gifts, and I have only to hope that the great Giver of all will make better allowances for us than we make for one another.”
So far it is clear Gainsborough feels the helpless and unsatisfactory character of his past life. We then have an insight—not very pleasant—into his family relationships. He speaks of his wife as “weak and good, and never much forward to humour his happiness.” His eldest48 daughter, Peggy, “is a sensible good girl, but insolent49 and proud in her behaviour to me at times.” Then his second daughter, Molly, he detects apparently writing letters to a Mr. Fischer, against whom the painter had long been on his guard. “I have never suffered that worthy50 gentleman ever to be in their company since I came to London, and behold51, while I had my eye upon Peggy, the other slyboots has, I suppose, been the object all along.” And Molly wins the day and marries Mr. Fischer after all. Of domestic felicity the great artist seems to have had but a small share. Perhaps that was his own fault.
Sudbury ought to be more patronised than it is. Its river affords ample opportunities for boating; and it has a Temperance Hotel—perhaps the best in all Suffolk—where the tourist may rest and be thankful.
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1 dissenters | |
n.持异议者,持不同意见者( dissenter的名词复数 ) | |
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2 rev | |
v.发动机旋转,加快速度 | |
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3 graveyard | |
n.坟场 | |
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4 bequests | |
n.遗赠( bequest的名词复数 );遗产,遗赠物 | |
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5 incumbent | |
adj.成为责任的,有义务的;现任的,在职的 | |
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6 favourable | |
adj.赞成的,称赞的,有利的,良好的,顺利的 | |
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7 pious | |
adj.虔诚的;道貌岸然的 | |
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8 remarkable | |
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9 regularity | |
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10 adroit | |
adj.熟练的,灵巧的 | |
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11 dissenting | |
adj.不同意的 | |
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12 celebrated | |
adj.有名的,声誉卓著的 | |
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13 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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14 bishop | |
n.主教,(国际象棋)象 | |
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15 skull | |
n.头骨;颅骨 | |
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16 skulls | |
颅骨( skull的名词复数 ); 脑袋; 脑子; 脑瓜 | |
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17 martyr | |
n.烈士,殉难者;vt.杀害,折磨,牺牲 | |
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18 provincial | |
adj.省的,地方的;n.外省人,乡下人 | |
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19 deploring | |
v.悲叹,痛惜,强烈反对( deplore的现在分词 ) | |
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20 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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21 bribery | |
n.贿络行为,行贿,受贿 | |
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22 corruption | |
n.腐败,堕落,贪污 | |
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23 reign | |
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24 renowned | |
adj.著名的,有名望的,声誉鹊起的 | |
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25 prudent | |
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26 mutual | |
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27 usurpation | |
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28 faction | |
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29 shamefully | |
可耻地; 丢脸地; 不体面地; 羞耻地 | |
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30 harassed | |
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31 Christian | |
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32 refreshing | |
adj.使精神振作的,使人清爽的,使人喜欢的 | |
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33 pastors | |
n.(基督教的)牧师( pastor的名词复数 ) | |
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34 clump | |
n.树丛,草丛;vi.用沉重的脚步行走 | |
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35 sketched | |
v.草拟(sketch的过去式与过去分词形式) | |
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36 apparently | |
adv.显然地;表面上,似乎 | |
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37 sketching | |
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38 remains | |
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39 drawn | |
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40 distinguished | |
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41 founders | |
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42 accosted | |
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43 illustrated | |
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44 graceful | |
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45 precarious | |
adj.不安定的,靠不住的;根据不足的 | |
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46 penetration | |
n.穿透,穿人,渗透 | |
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47 steered | |
v.驾驶( steer的过去式和过去分词 );操纵;控制;引导 | |
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48 eldest | |
adj.最年长的,最年老的 | |
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49 insolent | |
adj.傲慢的,无理的 | |
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50 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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51 behold | |
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