Introduction

George Eliot, or Mary Ann Evans, was born at Arbury Farm, in the parish of Chilvers Coton, Warwickshire, on the 22nd of November, 1819. She was the fifth and last child of her father by his second wife — of that father whose sound sense and integrity she so keenly appreciated, and who was to a certain extent the original of her famous characters of Adam Bede and Caleb Garth.

Both during and after her schooldays George Eliot’s history was that of a mind continually out-growing its conditions. She became an excellent housewife and a devoted¹ daughter, but her nature was too large for so cramped² a life. ‘You may try,’ she writes in Daniel Deronda, ‘but you can never imagine what it is to have a man’s force of genius in you, and to suffer the slavery of being a girl.’

While her powers were growing she necessarily passed through many phases. She became deeply religious, and wrote poetry, pious³ and sweet, fair of its kind. Music was a passion with her; in a characteristic letter written at the age of twenty to a friend she tries but fails to describe her experience on hearing the ‘Messiah’ of Birmingham: ‘With a stupid, drowsy⁴ sensation, produced by standing⁵ sentinel over damson cheese and a warm stove, I cannot do better than ask you to read, if accessible, Wordsworth’s short poem on the “Power of Sound.”’ There you have a concise⁶ history of George Eliot’s life at this period, divided as it was between music, literature, and damson cheese.

Sixteen years of mental work and effort then lay between her and her first achievement; years during which she read industriously⁷ and thought more than she read. The classics, French, German, and Italian literature, she laid them all under contribution. She had besides the art of fortunate friendship: her mind naturally chose out the greater intelligences among those she encountered; it was through a warm and enduring friendship with Herbert Spencer that she met at last with George Henry Lewes whose wife she became.

In this way she served no trifling⁸ apprenticeship⁹. Natural genius, experience of life, culture, and great companionship had joined to make her what she was, a philosopher both natural and developed; and, what is more rare, a philosopher with a sense of humour and a perception of the dramatic. Thus when her chance came she was fully¹⁰ equipped to meet it.

It came when, at the age of thirty-six she began to write ‘Amos Barton,’ her first attempt at fiction, and one that fixed¹¹ her career. The story appeared in ‘Blackwood’s Magazine,’ and was followed by ‘Mr. Gilfil’s Love Story’ and ‘Janet’s Repentance¹².’ Of the three, ‘Mr. Gilfil’s Love Story’ is perhaps the most finished and artistic¹³; while ‘Amos Barton’ has qualities of humour and tenderness that have not often been equalled. ‘Janet’s Repentance,’ strong though it is, and containing the remarkable¹⁴ sketch¹⁵ of Mr. Tryan, is perhaps less surely attractive.

The stories, all three of them, have a particular value as records of an English country life that is rapidly passing away. Moreover, it is country life seen through the medium of a powerful and right-judging personality. It is her intimate and thorough knowledge of big things and small, of literature and damson cheese, enabling her and us to see all round her characters, that provides these characters with their ample background of light and shade.

It is well to realise that since George Eliot’s day the fashion of writing, the temper of the modern mind, are quite changed; it is a curious fact that the more sophisticated we become the simpler grows our speech. Nowadays we talk as nearly as we may in words of one syllable¹⁶. Our style is stripped more and more of its Latinity. Our writers are more and more in love with French methods — with the delicate clearness of short phrases in which every word tells; with the rejection¹⁷ of all intellectual ambulations round about a subject. To the fanatics¹⁸ of this modern method the style of George Eliot appears strange, impossible. It does not occur to them that her method has virtues¹⁹ which lack to theirs. They may give us a little laboured masterpiece of art in which the vital principle is wanting. George Eliot was great because she gave us passages from life as it was lived in her day which will be vital so long as they are sympathetically read.

George Eliot can be simple enough when she goes straight forward with her narrative²⁰, as, for instance, in the scene of Milly Barton’s death; then her English is clear and sweet for she writes from the heart. But take the opening chapter of the same story, and then you find her philosophical²¹ Latinity in full swing: the curious and interesting thing being that this otherwise ponderous²² work, which is quite of a sort to alarm a Frenchman, is entirely²³ suffused²⁴ by humour, and enshrines moreover the most charming character studies.

These lively and acute portraits drawn²⁵ from English country life give its abiding²⁶ value to George Eliot’s work. Take the character of Mr. Pilgrim the doctor who ‘is never so comfortable as when relaxing his professional legs in one of those excellent farmhouses²⁷ where the mice are sleek²⁸ and the mistress sickly;’ or of Mrs. Hackit, ‘a thin woman with a chronic²⁹ liver complaint which would have secured her Mr. Pilgrim’s entire regard and unreserved good word, even if he had not been in awe³⁰ of her tongue.’

Or take Mrs. Patten, ‘a pretty little old woman of eighty, with a close cap and tiny flat white curls round her face,’ whose function is ‘quiescence in an easy-chair under the sense of compound interest gradually accumulating,’ and who ‘does her malevolence³¹ gently;’ or Mr. Hackit, a shrewd, substantial man, ‘who was fond of soothing³² the acerbities of the feminine mind by a jocose³³ compliment.’ Where but in George Eliot would you get a tea-party described with such charming acceptance of whim³⁴?

George Eliot wrote poems at various times which showed she never could have won fame as a poet; but there are moments of her prose that prove she shared at times the poet’s vision. Such a moment is that when the half broken-hearted little Catarina looks out on a windy night landscape lit by moonlight: ‘The trees are harassed³⁵ by that tossing motion when they would like to be at rest; the shivering grass makes her quake with sympathetic cold; the willows³⁶ by the pool, bent³⁷ low and white under that invisible harshness, seem agitated³⁸ and helpless like herself.’ The italicised sentence represents the high-water mark of George Eliot’s prose; that passage alone should vindicate³⁹ her imaginative power.

G. R.

1 devoted   

adj.忠诚的，忠实的，热心的，献身于...的

参考例句：

• He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。

2 cramped   

a.狭窄的

参考例句：

• The house was terribly small and cramped, but the agent described it as a bijou residence. 房子十分狭小拥挤，但经纪人却把它说成是小巧别致的住宅。
• working in cramped conditions 在拥挤的环境里工作

3 pious   

adj.虔诚的；道貌岸然的

参考例句：

• Alexander is a pious follower of the faith.亚历山大是个虔诚的信徒。
• Her mother was a pious Christian.她母亲是一个虔诚的基督教徒。

4 drowsy   

adj.昏昏欲睡的，令人发困的

参考例句：

• Exhaust fumes made him drowsy and brought on a headache.废气把他熏得昏昏沉沉，还引起了头疼。
• I feel drowsy after lunch every day.每天午饭后我就想睡觉。

5 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

6 concise   

adj.简洁的，简明的

参考例句：

• The explanation in this dictionary is concise and to the point.这部词典里的释义简明扼要。
• I gave a concise answer about this.我对于此事给了一个简要的答复。

7 industriously   

参考例句：

• She paces the whole class in studying English industriously. 她在刻苦学习英语上给全班同学树立了榜样。
• He industriously engages in unostentatious hard work. 他勤勤恳恳，埋头苦干。

8 trifling   

adj.微不足道的；没什么价值的

参考例句：

• They quarreled over a trifling matter.他们为这种微不足道的事情争吵。
• So far Europe has no doubt, gained a real conveniency,though surely a very trifling one.直到现在为止,欧洲无疑地已经获得了实在的便利，不过那确是一种微不足道的便利。

9 apprenticeship   

n.学徒身份；学徒期

参考例句：

• She was in the second year of her apprenticeship as a carpenter. 她当木工学徒已是第二年了。
• He served his apprenticeship with Bob. 他跟鲍勃当学徒。

10 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

11 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

12 repentance   

n.懊悔

参考例句：

• He shows no repentance for what he has done.他对他的所作所为一点也不懊悔。
• Christ is inviting sinners to repentance.基督正在敦请有罪的人悔悟。

13 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

14 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

15 sketch   

n.草图；梗概；素描；v.素描；概述

参考例句：

• My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
• I will send you a slight sketch of the house.我将给你寄去房屋的草图。

16 syllable   

n.音节；vt.分音节

参考例句：

• You put too much emphasis on the last syllable.你把最后一个音节读得太重。
• The stress on the last syllable is light.最后一个音节是轻音节。

17 rejection   

n.拒绝，被拒，抛弃，被弃

参考例句：

• He decided not to approach her for fear of rejection.他因怕遭拒绝决定不再去找她。
• The rejection plunged her into the dark depths of despair.遭到拒绝使她陷入了绝望的深渊。

18 fanatics   

狂热者，入迷者( fanatic的名词复数 )

参考例句：

• The heathen temple was torn down by a crowd of religions fanatics. 异教徒的神殿被一群宗教狂热分子拆除了。
• Placing nukes in the hands of baby-faced fanatics? 把核弹交给一些宗教狂热者手里？

19 virtues   

美德( virtue的名词复数 )； 德行； 优点； 长处

参考例句：

• Doctors often extol the virtues of eating less fat. 医生常常宣扬少吃脂肪的好处。
• She delivered a homily on the virtues of family life. 她进行了一场家庭生活美德方面的说教。

20 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

21 philosophical   

adj.哲学家的，哲学上的，达观的

参考例句：

• The teacher couldn't answer the philosophical problem.老师不能解答这个哲学问题。
• She is very philosophical about her bad luck.她对自己的不幸看得很开。

22 ponderous   

adj.沉重的，笨重的，(文章)冗长的

参考例句：

• His steps were heavy and ponderous.他的步伐沉重缓慢。
• It was easy to underestimate him because of his occasionally ponderous manner.由于他偶尔现出的沉闷的姿态，很容易使人小看了他。

23 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

24 suffused   

v.（指颜色、水气等）弥漫于，布满( suffuse的过去式和过去分词 )

参考例句：

• Her face was suffused with colour. 她满脸通红。
• Her eyes were suffused with warm, excited tears. 她激动地热泪盈眶。 来自《现代英汉综合大词典》

25 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

26 abiding   

adj.永久的，持久的，不变的

参考例句：

• He had an abiding love of the English countryside.他永远热爱英国的乡村。
• He has a genuine and abiding love of the craft.他对这门手艺有着真挚持久的热爱。

27 farmhouses   

n.农舍，农场的主要住房( farmhouse的名词复数 )

参考例句：

• Then perhaps she is staying at one of cottages or farmhouses? 那么也许她现在住在某个农舍或哪个农场的房子里吧？ 来自辞典例句
• The countryside was sprinkled with farmhouses. 乡间到处可见农家的房舍。 来自辞典例句

28 sleek   

adj.光滑的，井然有序的；v.使光滑，梳拢

参考例句：

• Women preferred sleek,shiny hair with little decoration.女士们更喜欢略加修饰的光滑闪亮型秀发。
• The horse's coat was sleek and glossy.这匹马全身润泽有光。

29 chronic   

adj.(疾病)长期未愈的，慢性的；极坏的

参考例句：

• Famine differs from chronic malnutrition.饥荒不同于慢性营养不良。
• Chronic poisoning may lead to death from inanition.慢性中毒也可能由虚弱导致死亡。

30 awe   

n.敬畏，惊惧；vt.使敬畏，使惊惧

参考例句：

• The sight filled us with awe.这景色使我们大为惊叹。
• The approaching tornado struck awe in our hearts.正在逼近的龙卷风使我们惊恐万分。

31 malevolence   

n.恶意，狠毒

参考例句：

• I had always been aware of a frame of malevolence under his urbanity. 我常常觉察到，在他温文尔雅的下面掩藏着一种恶意。 来自辞典例句

32 soothing   

adj.慰藉的；使人宽心的；镇静的

参考例句：

• Put on some nice soothing music.播放一些柔和舒缓的音乐。
• His casual, relaxed manner was very soothing.他随意而放松的举动让人很快便平静下来。

33 jocose   

adj.开玩笑的，滑稽的

参考例句：

• Dr. Daniel was a gleg man of a jocose nature.丹尼尔大夫是一位天生诙谐而反应机敏的人。
• His comic dialogues are jocose and jocular,thought-provoking.他的小品诙谐，逗乐，发人深省。

34 whim   

n.一时的兴致，突然的念头；奇想，幻想

参考例句：

• I bought the encyclopedia on a whim.我凭一时的兴致买了这本百科全书。
• He had a sudden whim to go sailing today.今天他突然想要去航海。

35 harassed   

adj. 疲倦的，厌烦的 动词harass的过去式和过去分词

参考例句：

• He has complained of being harassed by the police. 他投诉受到警方侵扰。
• harassed mothers with their children 带着孩子的疲惫不堪的母亲们

36 willows   

n.柳树( willow的名词复数 )；柳木

参考例句：

• The willows along the river bank look very beautiful. 河岸边的柳树很美。 来自《简明英汉词典》
• Willows are planted on both sides of the streets. 街道两侧种着柳树。 来自《现代汉英综合大词典》

37 bent   

n.爱好，癖好；adj.弯的；决心的，一心的

参考例句：

• He was fully bent upon the project.他一心扑在这项计划上。
• We bent over backward to help them.我们尽了最大努力帮助他们。

38 agitated   

adj.被鼓动的，不安的

参考例句：

• His answers were all mixed up,so agitated was he.他是那样心神不定，回答全乱了。
• She was agitated because her train was an hour late.她乘坐的火车晚点一个小时，她十分焦虑。

39 vindicate   

v.为…辩护或辩解，辩明；证明…正确

参考例句：

• He tried hard to vindicate his honor.他拼命维护自己的名誉。
• How can you vindicate your behavior to the teacher?你怎样才能向老师证明你的行为是对的呢？