The student of Zola literature will remember in the Assommoir that "handsome Lantier whose heartlessness was to cost Gervaise so many tears." Jacques Lantier, the chief character in this Bête Humaine, this Human Animal which I have ventured to call the Monomaniac, is one of their children. It is he who is the monomaniac. His monomania consists in an irresistible1 prurience2 for murder, and his victims must be women, just like that baneful3 criminal who was performing his hideous4 exploits in the streets of the city of London in utter defiance5 of the police, about the time M. Zola sat down to pen this remarkable6 novel, and from whom, maybe, he partly took the idea.
Every woman this Jacques Lantier falls in love with, nay7, every girl from whom he culls8 a kiss, or whose bare shoulders or throat he happens to catch a glimpse of, he feels an indomitable craving9 to slaughter10! And this abominable11 thirst is, it appears, nothing less than an irresistible desire to avenge[Pg vi] certain wrongs of which he has lost the exact account, that have been handed down to him, through the males of his line, since that distant age when prehistoric12 man found shelter in the depths of caverns13.
Around this peculiar14 being, who in other respects is like any ordinary mortal, M. émile Zola has grouped some very carefully studied characters. All are drawn15 with a firm, masterly hand; all live and breathe. Madame Lebleu, caught with her ear to the keyhole, is worthy16 of Dickens. So is Aunt Phasie, who has engaged in a desperate underhand struggle with her wretch17 of a husband about a miserable18 hoard19 of £40 which he wants to lay hands on. The idea of the jeering20 smile on her lips, which seem to be repeating to him, "Search! search!" as she lies a corpse21 on her bed in the dim light of a tallow candle, is inimitable.
The unconscious Séverine is but one of thousands of pretty Frenchwomen tripping along the asphalt at this hour, utterly22 unable to distinguish between right and wrong, who are ready to do anything, to sell themselves body and soul for a little ease, a few smart frocks, and some dainty linen23. The warrior24 girl Flore, who thrashes the males, is a grand conception.
But the gem25 of the whole bunch is that obstinate26, narrow-minded, self-sufficient examining-magistrate, M. Denizet; and in dealing27 with this character, the author lays bare all the abominable system of French criminal procedure. Recently this was modified to the extent of allowing the accused party to have the assistance of counsel while undergoing the torture of repeated searching cross-examinations at the hands of his tormentor28. But in the days of which M. émile Zola is writing, the prisoner enjoyed no such protection. He stood alone in the room with the examining-magistrate[Pg vii] and his registrar29, and while the former craftily30 laid traps for him to fall into, the latter carefully took down his replies to the incriminating questions addressed to him. It positively31 makes one shudder32 to think how many innocent men must have been sent to the guillotine, or to penal33 servitude for life, like poor Cabuche, during the length of years this atrocious practice remained in full vigour34!
The English reader, accustomed to open, even-handed justice for one and all alike, and unfamiliar35 with the ways that prevail in France, will start with amazement36 and incredulity at the idea of shelving criminal cases to avoid scandal involving persons in high position. But such is by no means an uncommon37 proceeding38 on the other side of the straits. Georges Ohnet introduces a similar incident into his novel Le Droit de l'Enfant.
M. émile Zola has made most of his books a study of some particular sphere of life in France. In this instance he introduces his readers to the railway and railway servants. They are all there, from the station-master to the porter, and all are depicted39 with so skilful40 a hand that anyone who has travelled among our neighbours must recognise them.
By frequent runs on an express engine between Paris and Havre, and vice41 versa, the author has mastered all the complicated mechanism42 of the locomotive; and we see his trains vividly43 as in reality, starting from the termini, gliding44 along the lofty embankments, through the deep cuttings, plunging45 into and bursting from the tunnels amidst the deafening46 riot of their hundred wheels, while the dumpy habitation of the gatekeeper, Misard, totters47 on its frail48 foundations as they fly by in a hurricane blast.
The story teems49 with incident from start to finish. Each chapter is a drama in itself. To name but a few of the[Pg viii] exciting events that are dealt with: there is a murder in a railway carriage; an appalling50 railway accident; a desperate fight between driver and fireman on the foot-plate of a locomotive, which ends in both going over the side to be cut to pieces, while the long train of cattle-trucks, under no control, crammed51 full of inebriated52 soldiers on their way to the war, who are yelling patriotic53 songs, dashes along, full steam, straight ahead, with a big fire just made up, onward54; to stop, no one knows where.
This is certainly one of the best and most dramatic novels that M. émile Zola has ever penned; and I feel lively pleasure at having the good fortune to be able, with the assistance of my enterprising publishers, to present it to the English reading public.
Edward Vizetelly.
Surbiton,
August 20, 1901.
点击收听单词发音
1 irresistible | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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2 prurience | |
n.好色;迷恋;淫欲;(焦躁等的)渴望 | |
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3 baneful | |
adj.有害的 | |
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4 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
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5 defiance | |
n.挑战,挑衅,蔑视,违抗 | |
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6 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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7 nay | |
adv.不;n.反对票,投反对票者 | |
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8 culls | |
n.挑选,剔除( cull的名词复数 )v.挑选,剔除( cull的第三人称单数 ) | |
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9 craving | |
n.渴望,热望 | |
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10 slaughter | |
n.屠杀,屠宰;vt.屠杀,宰杀 | |
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11 abominable | |
adj.可厌的,令人憎恶的 | |
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12 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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13 caverns | |
大山洞,大洞穴( cavern的名词复数 ) | |
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14 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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15 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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16 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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17 wretch | |
n.可怜的人,不幸的人;卑鄙的人 | |
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18 miserable | |
adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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19 hoard | |
n./v.窖藏,贮存,囤积 | |
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20 jeering | |
adj.嘲弄的,揶揄的v.嘲笑( jeer的现在分词 ) | |
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21 corpse | |
n.尸体,死尸 | |
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22 utterly | |
adv.完全地,绝对地 | |
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23 linen | |
n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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24 warrior | |
n.勇士,武士,斗士 | |
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25 gem | |
n.宝石,珠宝;受爱戴的人 [同]jewel | |
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26 obstinate | |
adj.顽固的,倔强的,不易屈服的,较难治愈的 | |
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27 dealing | |
n.经商方法,待人态度 | |
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28 tormentor | |
n. 使苦痛之人, 使苦恼之物, 侧幕 =tormenter | |
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29 registrar | |
n.记录员,登记员;(大学的)注册主任 | |
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30 craftily | |
狡猾地,狡诈地 | |
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31 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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32 shudder | |
v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
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33 penal | |
adj.刑罚的;刑法上的 | |
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34 vigour | |
(=vigor)n.智力,体力,精力 | |
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35 unfamiliar | |
adj.陌生的,不熟悉的 | |
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36 amazement | |
n.惊奇,惊讶 | |
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37 uncommon | |
adj.罕见的,非凡的,不平常的 | |
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38 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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39 depicted | |
描绘,描画( depict的过去式和过去分词 ); 描述 | |
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40 skilful | |
(=skillful)adj.灵巧的,熟练的 | |
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41 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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42 mechanism | |
n.机械装置;机构,结构 | |
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43 vividly | |
adv.清楚地,鲜明地,生动地 | |
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44 gliding | |
v. 滑翔 adj. 滑动的 | |
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45 plunging | |
adj.跳进的,突进的v.颠簸( plunge的现在分词 );暴跌;骤降;突降 | |
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46 deafening | |
adj. 振耳欲聋的, 极喧闹的 动词deafen的现在分词形式 | |
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47 totters | |
v.走得或动得不稳( totter的第三人称单数 );踉跄;蹒跚;摇摇欲坠 | |
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48 frail | |
adj.身体虚弱的;易损坏的 | |
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49 teems | |
v.充满( teem的第三人称单数 );到处都是;(指水、雨等)暴降;倾注 | |
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50 appalling | |
adj.骇人听闻的,令人震惊的,可怕的 | |
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51 crammed | |
adj.塞满的,挤满的;大口地吃;快速贪婪地吃v.把…塞满;填入;临时抱佛脚( cram的过去式) | |
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52 inebriated | |
adj.酒醉的 | |
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53 patriotic | |
adj.爱国的,有爱国心的 | |
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54 onward | |
adj.向前的,前进的;adv.向前,前进,在先 | |
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