It is not often that the memoirs1 of a man cover the history of threescore years of active manhood. Still more rare is it that the period covered happens to be the most fruitful of progress known in the annals of mankind. And yet more remarkable3, even to the point of the unique, is it that such a career, in such an epoch4, should be inextricably interwoven with the history of one of the fairest arts and one of the most fascinating sciences,—Naval5 Architecture and Ship-building.
All this is true of the subject of this memoir2, Charles Henry Cramp6.
Such phrases as “prominently identified with” or “an acknowledged leader in” his sphere of creative activity do not adequately express Charles H. Cramp’s personal and professional relation, or rather his individual identification, with the maritime7 and naval history of his country. Those phrases applied8 to his status and his rank would be commonplace. VIHis impress is far deeper than that, and the association of his name and his personality with the art and its triumphs have become a symbol.
The generation of naval architects and ship-builders among whom he began his life-work sixty years ago have long since passed away. Of them all he stands alone, the only surviving link that binds9 the romantic memories of wood and canvas to the grim realities of steel and steam. Even the generation that knew him in the middle of his long and fruitful career is gone. He is the only man who has alike designed and built ships for the navy of the Civil War and for that of to-day,—alike for the navy that fought at Charleston and Fort Fisher and for the navy that won Santiago and Manila Bay,—twoscore years asunder10! In all the history of our country there has never been another professional career like his. No other man ever made such an impress as he upon the life, welfare, and progress of the nation. No other man, without ever holding a public office, has so indelibly left his mark upon our greatest and most vital public interests as he has done.
He has passed from the sphere of membership VIIin his profession and has become its exponent11. His name is a synonym12 for the art in which he has so long been master, and the mention of his personality instantly suggests the science whose triumphs he has so often and so well won.
This status and this rank are by no means limited to our own country. Mr. Cramp is as familiar in London as in Philadelphia; as well known in Tokio and St. Petersburg as in New York or Washington.
Undoubtedly13, the first impression one will derive14 from the study of Mr. Cramp’s career and character as mirrored in his acts and his writings is his singleness of purpose, fixity of resolve, and directness of method. These are, in fact, his distinctive15 traits, and to them, throughout his long and arduous16 life, all others have been rigorously subordinated. If he appears to be exacting17 of others, he is yet more so with himself. It is not to be expected that in a life so long, in an experience covering literally18 the scope of the civilized19 world, and in a range of endeavor so wide and diversified20, all could be plain sailing. On the other hand, few men have encountered more or greater obstacles. VIIINo man ever faced them more cheerfully or combated them with more sanguine21 pluck. If he did not always triumph over them, it was because they were insurmountable, or because those upon whom he relied for a proper share in the sum-total of effort failed him. He himself never left undone22 anything that a clear head could devise or a resolute23 will strive for.
But with all his singleness of purpose, fixity of resolve, and directness of method in professional pursuits, Charles H. Cramp, as a member of society at large, is a man of the broadest vision and most comprehensive culture. Intent as he may be upon his work, he “never takes the shop home with him,” as the saying is. He has always possessed24 the happy faculty25 of laying down his burdens at the close of each working-day to find mental recreation in social occasions, in general literature, art, and the higher order of social amusements. A clever writer in a magazine sketch26 of him many years ago said, “Charles H. Cramp knows more about more things than any other man of his time!” Unlike most epigrams, this is true, and in terse27 fashion it conveys a portrayal28 of his intellectual make-up. Mastery of IXthe literature of his own profession, rich and varied29 as it is, forms but a small part of Mr. Cramp’s mental equipment. To all these attainments30 add the lessons and observations of wide travel and constant association with leading minds and controlling personalities31 at home and abroad, and the result is a perfectly32 equipped, all-round man of affairs.
During his whole active career Mr. Cramp has held positions of command. At the age of nineteen he began to direct operations and assume responsibilities; and such status he has maintained for threescore years, with constantly increasing volume of operations and incessantly33 growing weight of responsibility. But through all he has kept the even tenor34 of his way, neither elated by triumphs nor depressed35 by reverses, and guided always by an inflexible36 integrity and a scrupulous37 honesty that are proverbial.
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1 memoirs | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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2 memoir | |
n.[pl.]回忆录,自传;记事录 | |
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3 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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4 epoch | |
n.(新)时代;历元 | |
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5 naval | |
adj.海军的,军舰的,船的 | |
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6 cramp | |
n.痉挛;[pl.](腹)绞痛;vt.限制,束缚 | |
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7 maritime | |
adj.海的,海事的,航海的,近海的,沿海的 | |
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8 applied | |
adj.应用的;v.应用,适用 | |
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9 binds | |
v.约束( bind的第三人称单数 );装订;捆绑;(用长布条)缠绕 | |
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10 asunder | |
adj.分离的,化为碎片 | |
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11 exponent | |
n.倡导者,拥护者;代表人物;指数,幂 | |
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12 synonym | |
n.同义词,换喻词 | |
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13 undoubtedly | |
adv.确实地,无疑地 | |
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14 derive | |
v.取得;导出;引申;来自;源自;出自 | |
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15 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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16 arduous | |
adj.艰苦的,费力的,陡峭的 | |
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17 exacting | |
adj.苛求的,要求严格的 | |
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18 literally | |
adv.照字面意义,逐字地;确实 | |
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19 civilized | |
a.有教养的,文雅的 | |
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20 diversified | |
adj.多样化的,多种经营的v.使多样化,多样化( diversify的过去式和过去分词 );进入新的商业领域 | |
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21 sanguine | |
adj.充满希望的,乐观的,血红色的 | |
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22 undone | |
a.未做完的,未完成的 | |
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23 resolute | |
adj.坚决的,果敢的 | |
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24 possessed | |
adj.疯狂的;拥有的,占有的 | |
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25 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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26 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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27 terse | |
adj.(说话,文笔)精炼的,简明的 | |
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28 portrayal | |
n.饰演;描画 | |
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29 varied | |
adj.多样的,多变化的 | |
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30 attainments | |
成就,造诣; 获得( attainment的名词复数 ); 达到; 造诣; 成就 | |
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31 personalities | |
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 ) | |
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32 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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33 incessantly | |
ad.不停地 | |
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34 tenor | |
n.男高音(歌手),次中音(乐器),要旨,大意 | |
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35 depressed | |
adj.沮丧的,抑郁的,不景气的,萧条的 | |
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36 inflexible | |
adj.不可改变的,不受影响的,不屈服的 | |
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37 scrupulous | |
adj.审慎的,小心翼翼的,完全的,纯粹的 | |
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