While he was putting certain of his late client's personal affairs in order, Mr. Vandervelde necessarily came in contact with young Mrs. Peter. The oftener he met her, the more interested the shrewd and kindly3 man became in Anne Champneys. When he first saw her in the black she had donned for her uncle, the unusual quality of her personal appearance struck him with some astonishment4.
"Why, she's grown handsome!" he thought with surprise. "Or maybe she's going to be handsome. Or maybe she's not, either. Whatever she is, she certainly can catch the human eye!"
He remembered her as she had appeared on her wedding-day, and his respect for Chadwick Champneys's far-sighted perspicacity5 grew: the old man certainly had had an unerring sense of values. The girl had a mind of her own, too. At times her judgment6 surprised him with its elemental clarity, its penetrating7 soundness. The power of thinking for herself hadn't been educated out of her; she had not been stodged with other people's—mostly dead people's—thoughts, therefore she had room for her own. He reflected that a little wholesome8 neglect might be added to the modern curriculum with great advantage to the youthful mind.
Her isolation9, the deadly monotony of her daily life, horrified10 him. He realized that she should have other companionship than Mrs. MacGregor's, shrewdly suspecting that as a teacher that lady had passed the limit of usefulness some time since. Somehow, the impermeable11 perfection of Mrs. MacGregor exasperated12 Mr. Vandervelde almost to the point of throwing things at her. She made him understand why there is more joy in heaven over one sinner saved, than over ninety and nine just persons. He could understand just how welcome to a bored heaven that sinner must be! And think of that poor girl living with this human work of supererogation!
"Why, she might just as well be in heaven at once!" he thought, and shuddered13. "I've got to do something about it."
"Marcia," he said to his wife, "I want you to help me out with Mrs. Peter Champneys. Call on her. Talk to her. Then tell me what to do for her. She's changed—heaps—in three years. She's—well, I think she's an unusual person, Marcia."
A few days later Mrs. Jason Vandervelde called on Mrs. Peter Champneys, and at sight of Nancy in her black frock experienced something of the emotion that had moved her husband. She felt inclined to rub her eyes. And then she wished to smile, remembering how unnecessarily sorry she and Jason had been for young Peter Champneys.
Marcia Vandervelde was an immensely clever and capable woman; perhaps that partly explained her husband's great success. She looked at the girl before her, and realized her possibilities. Mrs. Peter was for the time being virtually a young widow, she had no relatives, and she was co-heir to the Champneys millions. Properly trained, she should have a brilliant social career ahead of her. And here she was shut up—in a really beautiful house, of course—with nobody but an insufferable frump of an unimportant Mrs. MacGregor! The situation stirred Mrs. Vandervelde's imagination and appealed to her executive ability.
Mrs. Vandervelde liked the way she wore her hair, in thick red plaits wound around the head and pinned flat. It had a medieval effect, which suited her coloring. Her black dress was soft and lusterless. She wore no jewelry14, not even a ring. There were shadows under her grave, gray-green eyes. Altogether, she looked individual, astonishingly young, and pathetically alone. Mrs. Vandervelde's interest was aroused. Skilfully16 she tried to draw the girl out, and was relieved to discover that she wasn't talkative; nor was she awkward. She sat with her hands on the arms of her chair, restfully; and while you spoke18, you could see that she weighed what you were saying, and you.
"I am going to like this girl, I think," Marcia Vandervelde told herself. And she looked at Nancy with the affectionate eyes of the creative artist who sees his material to his hand.
"Jason," she said to her husband, some time later, "what would you think if I should tell you I wished to take Anne Champneys abroad with me?"
"I'd say it was the finest idea ever—if you meant it."
"I do mean it. My dear man, with proper handling one might make something that approaches a classic out of that girl. There's something elemental in her: she's like a birch tree in spring, and like the earth it grows in, too, if you see what I mean. I want to try my hand on her. I hate to see her spoiled."
"It's mighty19 decent of you, Marcia!" said he, gratefully.
"Oh, you know how bored I get at times, Jason. I need something real to engage my energies. I fancy Anne Champneys will supply the needed stimulus20. I shall love to watch her reactions: she's not a fool, and I shall be amused. If she managed to do so well with nobody but poor old Mr. Champneys and that dreary21 MacGregor woman, think what she'll be when I get through with her!"
Vandervelde said respectfully: "You're a brick, Marcia! If she patterns herself on you—"
"If she patterns herself on anybody but herself, I'll wash my hands of her! It's because I think she won't that I'm willing to help her," said his wife, crisply.
Some six weeks later the Champneys house had been closed indefinitely, the premises22 put in charge of the efficient Hoichi, and Mrs. MacGregor bonused and another excellent position secured for her, and Mrs. Peter Champneys was making her home with her guardian and his wife.
She might have moved into another world, so different was everything,—as different, say, as was the acrid23 countenance24 of Mrs. MacGregor from the fresh-skinned, clear-eyed, clever, handsome face of Marcia Vandervelde. Everything interested Nancy. Her senses were acutely alert. Just to watch Mrs. Vandervelde, so calm, so poised25 and efficient, gave her a sense of physical well-being26. She had never really liked, or deeply admired, or trusted any other woman, and the real depths of her feeling for this one surprised her. Mrs. Vandervelde possessed27 the supreme28 gift of putting others at their ease; she had tact2, and was at the same time sincere and kind. Nancy found herself at home in this fine house in which life moved largely and colorfully.
A maid had been secured for her, whom Mrs. Vandervelde pronounced a treasure. Then came skilful15 and polite persons who did things to her skin and hair, with astounding29 results. After that came the selection of her wardrobe, under Mrs. Vandervelde's critical supervision30. Although the frocks were black, with only a white evening gown or two for relief, Nancy felt as if she were clothed in a rosy31 and delightful32 dream. She had never even imagined such things as these black frocks were. When she saw herself in them she was silent, though the super-saleswomen exclaimed, and Mrs. Vandervelde smiled a gratified smile.
"I am going to keep her strictly33 in the background for the time being, Jason," she explained to her husband. "As she's already married, she can afford to wait a year—or even two. I mean her to be perfect. I mean her to be absolutely sure. She's going to be a sensation. Jason, have you ever seen anything to equal her team-work? When I tell her what I want her to do, she looks at me for a moment—and then does it. One thing I must say for old Mr. Champneys and that MacGregor woman: they certainly knew how to lay a firm foundation!"
Nancy was perfectly34 willing to remain in the background. She was interested in people only as an on-looker. She responded instantly to Mrs. Vandervelde's suggestions and instructions, and carried them out with an intelligent thoroughness that at times made her mentor35 gasp36. It gave her a definite object to work for, and kept her from thinking too much about Glenn Mitchell. And she didn't want to think about Glenn Mitchell. It hurt. She watched with a quiet wonder—quite as if it had been a stranger to whom all this was happening—the change being wrought37 in herself; the immense difference intelligent care, perfectly selected clothes, and the background of a beautiful house can make not only in one's appearance but in one's thoughts. Sometimes she would stare at the perfectly appointed dinner-table, with its softly shaded lights; she would look, reflectively, from Marcia Vandervelde's smartly coiffured head to her husband's fine, aristocratic face; the reflective glance would trail around the beautiful room, rest appreciatively upon the impressive butler, come back to the food set before her, and a fugitive39 smile would touch her lips and linger in her eyes. There were times when she felt that she herself was the only real thing among shadows; as if all these pleasant things must vanish, and only her lonesome self remain. She watched with a certain wistfulness the few people she knew. Marcia, now—so admired, so sure, with so many interests, so many friends, and with Jason Vandervelde's quiet love always hers—did she ever have that haunting sense of the impermanence of all possessions; of having, in the end, nothing but herself?
"What are you thinking, when you look at me like that?" Marcia asked her one evening, smilingly. She was as curious about Nancy as Nancy was about her.
"I was just—wondering."
"About what?"
"I was wondering if you were ever lonely?" said Nancy, truthfully. "I mean, as if all this,"—they were in the drawing-room then, and she made a gesture that included everything in it,—"just things, you know, all the things you have—and—and the people you know—weren't real. They go. And nothing stays but just you. You, all by yourself." She leaned forward, her eyes big and earnest.
Marcia Vandervelde stared at her. After a moment she said, tentatively: "There are always things; things one has, things one does. There are always other people."
"Yes, or there wouldn't be you, either. But what I mean is, they go. And you stay, don't you?" She paused, a pucker40 between her brows, "All by yourself," she finished, in a low voice.
"Does that make you afraid?" asked Mrs. Vandervelde.
"Oh, no! Why should it? It just makes me—wonder."
Mrs. Vandervelde said quietly: "I understand." Nancy felt grateful to her.
A few days later Mrs. Vandervelde said to her casually41: "An old friend of ours dines with us to-night, Anne,—Mr. Berkeley Hayden, one of the most charming men in the world. I think you will like him."
Mrs. Vandervelde always said that Berkeley Hayden was the most critical man of her acquaintance, and that his taste was infallible. He had an unerring sense of proportion, and that miracle of judgment which is good taste. He was one of those fortunate people who, as the saying goes, are born with a gold spoon in the mouth. Unlike most inheritors of great wealth, he not only spent freely but added even more freely to the ancestral holdings. He was moneyed enough to do as he pleased without being considered eccentric; he could even afford to be esthetic42, and to prefer Epicurus to St. Paul. He had a highly important collection of modern paintings, and an even more valuable one of Tanagra figurines, old Greek coins, and medieval church plate. He had, too, the reputation of being the most gun-shy and bullet-proof of social lions. At thirty he was a handsome, well-groomed, rather bored personage, with sleekly-brushed blond hair and a short mustache. He looked important, and one suspected that he must have been at some pains to keep his waist line so inconspicuous. For the rest, he was as really cultivated and pleasing a pagan as one may find, and so wittily43 ironical44 he might have been mistaken for a Frenchman.
Mrs. Vandervelde had planned that he should be the only guest. She knew this would please him, as well as suit her own purpose, which was that he should see young Mrs. Peter Champneys. She was curious to learn what impression Anne would create, and if Berkeley Hayden's judgment would coincide with her own. She had informed him that Jason's ward17 was stopping with them; would, in fact, go abroad with her shortly. Mr. Hayden was not interested. He thought a ward rather a bore for the Vanderveldes.
He was standing46 with his back to the mantel, facing the door, when Nancy entered the room. In the filmy black Mrs. Vandervelde had selected for her, tall and slim, she paused for the fraction of a second and lifted her cool, shining, inscrutable green eyes to his lazy blue ones. Mrs. Vandervelde had prevailed upon her to retain her own fashion of wearing her hair in plaits wound around her head, and the new maid had managed to soften47 the severity of the style and so heightened its effectiveness. A small string of black pearls was around her throat, and pendants of the same beautiful jewels hung from her ears. Berkeley Hayden started, and his eyes widened. Mrs. Vandervelde, who had been watching him intently, sighed imperceptibly.
"I wasn't mistaken, then," she thought, and smiled to herself.
She could have hugged Anne Champneys for her beautifully unconscious manner. Of course the girl didn't understand she was being signally honored and favored by Hayden's openly interested notice, but Marcia reflected amusedly that it wouldn't have made much difference if Anne had known. He didn't interest her, except casually and impersonally48. She thought him a very good-looking man, in his way, but rather old: say all of thirty:—and Glenn Mitchell had been handsome, and romantic, and twenty. Young Mrs. Champneys, then, didn't respond to Mr. Berkeley Hayden's notice gratefully, pleasedly, flutteringly, as other young women—and many older ones—did. This one paid a more flattering attention to Mr. Jason Vandervelde than to him. But he had seen other women play that game; he wondered for a moment if this one were designing. But he was himself too clever not to understand that this was real indifference49. Then he wondered if she might be—horrible thought!—stupid. He was forced to dismiss that suspicion, too. She wasn't stupid. The truth didn't occur to him—that he himself was spoiled. It provoked him, too, that he couldn't make her talk.
Mrs. Vandervelde smiled to herself again. Berkeley was deliberately50 trying to make himself agreeable, something he did not often have to trouble himself to do. He was at his best only when he was really interested or amused, and he was at his best to-night. He aroused her admiration51, drew the fire of her own wit and raillery, stung even quiet Jason into unwonted animation52. Anne Champneys looked from one to the other, concealing53 the fact that at times their conversation was over her head. She didn't always understand them. The sense of their unreality in relation to herself came upon her. She turned to watch this strange man who was saying things that puzzled her, and he met her eyes, as Glenn Mitchell had once met them. She wasn't looking at him as she had looked at Glenn, but Berkeley Hayden's sophisticated, well-trained, wary54 heart gave an unprecedented55, unmannerly jump when those green eyes sought to fathom56 him.
Marcia spoke of their proposed stay abroad. She had gone to school in Florence, and she retained a passionate57 affection for the old city, and showed her delight at the prospect58 of revisiting it.
"This will be your first visit to Italy, Mrs. Champneys?" asked Hayden.
"Yes."
"I envy you. But you mustn't allow yourself to be weaned away from your own country. You must come back to New York." He smiled into her eyes—Berkeley Hayden's famous smile.
"Yes, I suppose I must," said Nancy, without enthusiasm.
He felt puzzled. Was she unthinkably simple and natural, or was she immeasurably deep? Was her apparent utter unconsciousness of the effect she produced a superfine art? He couldn't decide.
He usually knew exactly why any certain woman pleased him. He had usually demanded beauty; he had worshiped beauty all his life. But beauty must go hand in hand with intellectual qualities; he hated a fool. To-night he found himself puzzled. He couldn't tell exactly why Anne Champneys pleased him. Studying her critically, he decided59 that she was not beautiful. He could not even call her pretty. Perhaps it was her unusualness. But wherein was she so unusual? He had met women with red hair and white skin and gray-green eyes before—women far, far more seductive than Jason's ward. Yet not one of them all had so potently60 gripped his imagination.
Mrs. Vandervelde was a brilliant pianist, and after dinner Hayden begged her to play. Under cover of the music, he watched Mrs. Champneys. She was sitting almost opposite him, and he could observe her changing countenance. Nancy was beginning to love and understand good music. Men create music; women receive and carry it as they receive and carry life. It is quite as much a part of themselves.
Nancy's eyes shadowed. She leaned back in her chair, and the man watched the curve of her white cheek and throat, and the thick braids of her red hair. She had forgotten his presence. He was saying to himself, with something of wonder, "No, she's not beautiful: but, my God! how real she is!" when, subtly drawn61 by the intensity62 of his gaze, she turned, looked at him with her clouded eyes, and smiled vaguely63. Still smiling, she turned her head again and gave herself up to listening, unconscious that destiny had clapped her upon the shoulder.
The man sat quite still. It had come to him with, the suddenness of a lightning stroke, and his first feeling was one of stunned64 amazement65, and an almost incredulous resentment66. He had gone to and fro in the earth and walked up and down in it, comfortably immune, an amused and ironic45 looker-on. And now, at thirty, without rhyme or reason he had fallen in love with a red-haired young woman of whom he knew absolutely nothing, beyond the bare fact that she was Jason Vandervelde's ward. A woman who didn't conform to any standard he had ever set for himself, whose mind was a closed book to him, of whose very existence he had been ignorant until to-night. Old Dame67 Destiny must have sniggered when she thrust Mrs. Peter Champneys, née Nancy Simms, into the exquisitely69 ordered life of Mr. Berkeley Hayden!
He presently discovered from Jason all that the trustee of the Champneys estate knew of Mrs. Peter, which really wasn't very much, as the lawyer and his wife had never seen Nancy until the morning of her marriage. And he didn't have much to say about her as she was then. Hayden gathered that it was a marriage of convenience, for family reasons—to keep the money in the family. He asked a few questions about Peter, whom Vandervelde thought a likely young fellow enough, but whom Hayden fancied must be a poor sort—probably a freak with a pseudo-artistic temperament70. There couldn't have been very much love lost between a husband and wife who had consented to so singular a separation. Hayden had a very poor opinion of Mr. Peter Champneys! But he was fiercely glad it hadn't been a love-match, glad that that other man's claim upon Anne was at the best nominal71, that theirs was a marriage in name only.
He saw her several times before her departure, and came no nearer to understanding her. The night before they sailed, he gave a dinner in his apartment, an old aunt of his, more enchanting72 at sixty than at sixteen, being the only other guest. That apartment with its brocaded walls and its marvelous furniture was a revelation to Nancy. It was like an opened door to her.
She looked at her host with a new interest. He appeared to greater advantage seen, as it were, against his proper and natural background. And that background had the glamour73 of things strange, exciting, and alluring74, smacking75 somewhat of, say, an Arabian Night's entertainment. Over the dining-room mantel hung a curious and colorful landscape, in which two brown girls, naked to the waist and from thence to the knees wrapped in straight, bright-colored stuff, raised their angular arms to pluck queer fruit from exotic trees.
He knew all that, she thought; he had seen that strange landscape and those brown women, and tasted the fruit they reached to pluck. Just as he knew those tiny terra-cotta figurines over there, and that pottery76 which must have been made out of ruby-dust. Just as he knew everything. All this had been in his world, always. A world full of things beautiful and strange. He had had everything that she had missed. It seemed to her that he incarnated77 in his proper and handsome person all the difference and the change that had come into her life.
And quite suddenly she saw Nancy Simms dusting the Baxter parlor78, pausing to stand admiringly before a picture on a white-and-gold easel, that cherished picture of a house with mother-of-pearl puddles79 in front of it. A derisive80 and impish amusement flickered81 like summer lightning across her face, and with an inscrutable smile she mocked the mother-of-pearl puddles and her old admiration of them. She lifted her eyes to the painting over Berkeley Hayden's mantel, and the smile deepened.
"Perhaps it is her smile," thought he, watching her. "Yes, I am sure it must be her smile. I am rather glad Marcia is taking her abroad. I do not wish to make a fool of myself, and there'd be that danger if she remained." Yet the idea of her absence gave him an unaccustomed pang82.
He filled her quarters aboard ship with exquisite68 flowers. She was not yet used to graceful83 attentions, they had been for other women, not for her. She had no idea at all that she was of the slightest importance, if only because of the Champneys money; her comparative freedom was still too recent for her to have changed her estimate of herself. She thought it touchingly84 kind and thoughtful of this handsome, important man to have remembered just her, particularly when there wasn't anybody else to do so, and she looked at him with a pleased and appreciative38 friendliness85 for which he felt absurdly grateful. While Marcia was busied with the other friends who had come to see her off, he stood beside Mrs. Champneys, who seemed to know no one but himself, and this established a measure of intimacy86 between them.
"It occurs to me," said he, tentatively, "that it has been some time since I saw Florence. All of two or three years."
They stood together by the railing, and she leaned forward the better to watch a leggy little girl with a brickdust-red pigtail in a group on the pier87.
"Yes?" said she, absently. The leggy girl had just thrust out her tongue at an expostulating nurse. She seemed to be a highly unpleasant child; one of those children of whom aunts speak as "poor Mary" or whatever their name may be. Anne Champneys, watching her, put her hand up and touched her own hair, that gleamed under her close-fitting black hat. Her eyes darkened; she smiled, secretly, mysteriously, rememberingly.
In that instant Berkeley Hayden made his decision. There was no longer any doubt in his mind. When she turned away from the railing, he said pleasantly:
"You and Marcia have put me in the humor to see Florence again. If I come strolling in upon you some fine day, I hope you'll be glad to see me, Mrs. Champneys?"
"Oh, yes!" said she, politely. And then Marcia and Vandervelde came up, and a few minutes later the two men went ashore88. Hayden's face was the last thing Nancy saw as the steamer moved slowly outward. There were hails, laughter, waving of hand-kerchiefs. He alone looked at her. And so he remained in her memory, standing a little apart from all others.
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guardian
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| n.监护人；守卫者，保护者 | |
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tact
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| n.机敏，圆滑，得体 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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astonishment
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| n.惊奇，惊异 | |
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perspicacity
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| n. 敏锐, 聪明, 洞察力 | |
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judgment
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| n.审判；判断力，识别力，看法，意见 | |
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penetrating
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| adj.（声音）响亮的，尖锐的adj.（气味）刺激的adj.（思想）敏锐的，有洞察力的 | |
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wholesome
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| adj.适合；卫生的；有益健康的；显示身心健康的 | |
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isolation
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horrified
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impermeable
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exasperated
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| adj.恼怒的 | |
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shuddered
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| v.战栗( shudder的过去式和过去分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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jewelry
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skilful
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| (=skillful)adj.灵巧的，熟练的 | |
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skilfully
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ward
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| n.守卫，监护，病房，行政区，由监护人或法院保护的人（尤指儿童）；vt.守护，躲开 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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mighty
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stimulus
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dreary
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premises
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acrid
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countenance
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poised
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well-being
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possessed
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supreme
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astounding
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supervision
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rosy
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delightful
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strictly
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perfectly
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mentor
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gasp
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wrought
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appreciative
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fugitive
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pucker
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| v.撅起，使起皱；n.（衣服上的）皱纹，褶子 | |
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casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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esthetic
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| adj.美学的，审美的；悦目的，雅致的 | |
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wittily
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| 机智地，机敏地 | |
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ironical
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| adj.讽刺的，冷嘲的 | |
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ironic
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| adj.讽刺的，有讽刺意味的，出乎意料的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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soften
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| v.(使)变柔软；(使)变柔和 | |
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impersonally
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| ad.非人称地 | |
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indifference
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| n.不感兴趣，不关心，冷淡，不在乎 | |
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deliberately
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| adv.审慎地；蓄意地；故意地 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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animation
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| n.活泼，兴奋，卡通片／动画片的制作 | |
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concealing
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| v.隐藏，隐瞒，遮住( conceal的现在分词 ) | |
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wary
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| adj.谨慎的，机警的，小心的 | |
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unprecedented
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| adj.无前例的，新奇的 | |
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fathom
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| v.领悟，彻底了解 | |
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passionate
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| adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的 | |
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prospect
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| n.前景，前途；景色，视野 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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potently
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drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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intensity
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| n.强烈，剧烈；强度；烈度 | |
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vaguely
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| adv.含糊地，暖昧地 | |
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stunned
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| adj. 震惊的，惊讶的 动词stun的过去式和过去分词 | |
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amazement
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| n.惊奇，惊讶 | |
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resentment
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| n.怨愤，忿恨 | |
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dame
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| n.女士 | |
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exquisite
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| adj.精美的；敏锐的；剧烈的，感觉强烈的 | |
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exquisitely
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| adv.精致地；强烈地；剧烈地；异常地 | |
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temperament
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| n.气质，性格，性情 | |
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nominal
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| adj.名义上的；(金额、租金)微不足道的 | |
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enchanting
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| a.讨人喜欢的 | |
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glamour
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| n.魔力，魅力；vt.迷住 | |
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alluring
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| adj.吸引人的，迷人的 | |
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smacking
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| 活泼的，发出响声的，精力充沛的 | |
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pottery
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| n.陶器，陶器场 | |
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incarnated
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| v.赋予（思想、精神等）以人的形体( incarnate的过去式和过去分词 )；使人格化；体现；使具体化 | |
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parlor
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| n.店铺，营业室；会客室，客厅 | |
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puddles
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| n.水坑， （尤指道路上的）雨水坑( puddle的名词复数 ) | |
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derisive
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| adj.嘲弄的 | |
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flickered
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| （通常指灯光）闪烁，摇曳( flicker的过去式和过去分词 ) | |
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pang
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| n.剧痛，悲痛，苦闷 | |
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graceful
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| adj.优美的，优雅的；得体的 | |
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touchingly
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| adv.令人同情地，感人地，动人地 | |
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85
friendliness
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| n.友谊，亲切，亲密 | |
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intimacy
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| n.熟悉，亲密，密切关系，亲昵的言行 | |
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pier
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| n.码头；桥墩，桥柱；[建]窗间壁，支柱 | |
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ashore
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| adv.在(向)岸上，上岸 | |
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