AND HOW HE FARED AT EASTER-TIME.
“Alas, Mary!” exclaimed William Sonnet2, as he entered his neat but humble3 tenement4 apartment a few days before the close of Lent, “I fear that our Pfingst holiday this year will be anything but a merry one. My employers have notified me that if they receive any more complaints of the goods from my department they will give me the sack.”
William Sonnet was certainly playing in hard luck, although it would be difficult to find in the whole of Jersey5 City a more industrious, sober young poet, or a more devoted6 husband and father. For nine years he had been employed in the[Pg 200] Empire Prose and Verse Foundry, the largest literary establishment on the banks of the Hackensack, where by sheer force of sobriety and industry he had risen from the humble position of cash-boy at the hexameter counter to that of foreman of the dialect floor, where forty-five hands were kept constantly employed on prose and verse. During these years his relations with his employers, Messrs. Rime7 & Reeson, had been of the pleasantest nature until about six months previous to the opening of this story, when they began—unjustly, as it seemed to him—to find fault with the goods turned out by his department. There were complaints received at the office every day, they said, of both the dialect stories and verses that bore the Empire brand.
The Century Magazine had returned a large invoice8 of hand-sewed negro dialect verses of the “Befoh de Wah” variety, and a syndicate which supplied the Western[Pg 201] market had canceled all its spring orders on the ground that the dialect goods had for some reason or other fallen far below the standard maintained in the other departments of the Empire Foundry. William was utterly9 unable to account for this change in the quality of the manuscript prepared on his floor, and as he sat with his bowed head resting on his toil10-hardened hand, and the sweat and grime of honest labor11 on his brow, he looked, indeed, the very picture of dejection.
“William,” said his wife, as she placed a caressing12 hand on his forehead, “you have enemies in the foundry whom you do not suspect. You must know that when you wooed and won me a year ago I had been courted by no less than four different poets who at that time were employed at the Eagle Verse Works in Newark, but have since found positions with Messrs. Rime & Reeson. I will not[Pg 202] deny, William, that I toyed with the affections of those poets, but it was because I deemed them as frivolous13 as myself, and when they went from my presence with angry threats on their lips I laughed in merry glee. But when I saw them standing14 together on street corners, with their heads together in earnest conversation, I grew sick at heart, for I knew it boded15 us no good. Be warned, William, by my words.”
The next day, when the whistle blew at noon, William Sonnet ate his dinner from his tin pail as usual; but then, instead of going out into the street to play baseball with the poets from the adjacent factories, as the Empire Foundry employees generally did, he took a quiet stroll through the whole establishment, under the pretense16 of looking for an envoy17 that had been knocked off the end of a ballade.
In the packing-department was a large[Pg 203] consignment18 of goods from his floor ready for shipment, and he stopped to examine the burr of a Scotch19 magazine story to make sure that it had not been rubbed off by carelessness. What was his surprise to find that the dialect, which he himself had gone over with a cross-cut file that very morning, was now worn completely smooth by contact with an emery-wheel! He replaced the story carefully in the fine sawdust in which it was packed, and then examined the other goods. They had not yet been touched, but it was evident to him that the miscreants21 fully20 intended to finish the destructive work which they had only had time to begin. Returning to his own bench, he passed two or three poets who were talking earnestly together, and by straining his ears he heard one of them whisper:
“We’ll finish the job to-night. Meet me at ten.”
That was enough for William Sonnet.[Pg 204] He determined22, without delay, what course to pursue.
At half-past nine that evening, three mysterious figures draped in black cloaks entered the Empire Prose and Verse Foundry by a side door. William Sonnet was one of the three, and the others were his employers, Messrs. Rime & Reeson. He led them to a place of concealment23 which commanded a full view of the packing-room. Before long stealthy footsteps were heard, and the four conspirators24 entered.
“Listen,” said the eldest25 of the quartet, as he threw the light from his dark lantern on the sullen26 faces of his companions; “you all know why we are here. This night we will complete William Sonnet’s ruin, and Easter Monday will find him hunting for work in Paterson and Newark, and hunting in vain. Why is he foreman of the dialect department, while we toil at the bench for a mere27 crust?[Pg 205] Mary Birdseye is now his bride; but when we wooed her we were rejected like our own poems.”
“And that, too, although we inclosed no postage,” retorted the second poet, bitterly.
“Now to work,” continued the first speaker, as he stooped to examine some goods on the floor. “What have we here? A serial28 for the Atlantic Monthly? Well, we’ll soon fix that,” and in another moment he had injected a quantity of ginger29 into the story, ruining it completely. Then the work of destruction went on, while Messrs. Rime & Reeson watched the vandals with horror depicted30 on their faces. A pan of sweepings31 from the humorous department, designed for Harper’s “Editor’s Drawer” and the Bazar, was thrown away, and real funny jokes substituted for them. A page article for the Sunday supplement of a New York daily, entitled “Millionaires who have[Pg 206] Gold Filling in their Teeth,” embellished32 with cuts of twenty different jaws33, was thrown out, and an article on “Jerusalem the Golden,” ordered by the Whited Sepulchre, substituted.
Messrs. Rime & Reeson could control themselves no longer. Stacked against the wall like a woodpile were the twelve instalments of a Century serial by Amelia E. Barr, which had been sawed into the proper lengths that afternoon. Seizing one of these apiece, the three men made a sudden onslaught on the miscreants and beat them into insensibility. Then they bound them securely and delivered them over to the tormentors.
As for honest William Sonnet, he was made foreman of the whole foundry; and his wife, who was a fashion-writer, and therefore never fit to be seen, received a present of two beautiful new tailor-made dresses, which fitted her so well that no one recognized her, and she opened a new[Pg 207] line of credit at all the stores in the neighborhood.
It was a happy family that sat down to the Easter dinner in William Sonnet’s modest home; and to make their joy complete, before the repast was ended an envelope arrived from William’s grateful employers containing an appointment for his bedridden mother-in-law as reader for a large publishing house.
点击收听单词发音
1 industrious | |
adj.勤劳的,刻苦的,奋发的 | |
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2 sonnet | |
n.十四行诗 | |
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3 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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4 tenement | |
n.公寓;房屋 | |
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5 jersey | |
n.运动衫 | |
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6 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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7 rime | |
n.白霜;v.使蒙霜 | |
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8 invoice | |
vt.开发票;n.发票,装货清单 | |
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9 utterly | |
adv.完全地,绝对地 | |
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10 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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11 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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12 caressing | |
爱抚的,表现爱情的,亲切的 | |
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13 frivolous | |
adj.轻薄的;轻率的 | |
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14 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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15 boded | |
v.预示,预告,预言( bode的过去式和过去分词 );等待,停留( bide的过去分词 );居住;(过去式用bided)等待 | |
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16 pretense | |
n.矫饰,做作,借口 | |
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17 envoy | |
n.使节,使者,代表,公使 | |
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18 consignment | |
n.寄售;发货;委托;交运货物 | |
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19 scotch | |
n.伤口,刻痕;苏格兰威士忌酒;v.粉碎,消灭,阻止;adj.苏格兰(人)的 | |
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20 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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21 miscreants | |
n.恶棍,歹徒( miscreant的名词复数 ) | |
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22 determined | |
adj.坚定的;有决心的 | |
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23 concealment | |
n.隐藏, 掩盖,隐瞒 | |
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24 conspirators | |
n.共谋者,阴谋家( conspirator的名词复数 ) | |
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25 eldest | |
adj.最年长的,最年老的 | |
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26 sullen | |
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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27 mere | |
adj.纯粹的;仅仅,只不过 | |
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28 serial | |
n.连本影片,连本电视节目;adj.连续的 | |
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29 ginger | |
n.姜,精力,淡赤黄色;adj.淡赤黄色的;vt.使活泼,使有生气 | |
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30 depicted | |
描绘,描画( depict的过去式和过去分词 ); 描述 | |
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31 sweepings | |
n.笼统的( sweeping的名词复数 );(在投票等中的)大胜;影响广泛的;包罗万象的 | |
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32 embellished | |
v.美化( embellish的过去式和过去分词 );装饰;修饰;润色 | |
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33 jaws | |
n.口部;嘴 | |
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