XXIII “OLD ENGLISH” ARCHITECTURE, ANCIENT AND MODERN

The style of architecture in which the great majority of country houses, and very many town houses, from the cottage to the mansion¹, have been built during the past fifteen years, is a very great improvement upon the nameless mode—for which no better title could be invented than the “factory style”—which prevailed in house architecture during great part of last century and the first half of this. And it is a yet greater improvement upon the falsification of that simple though sordid² way of building, by attempting to change its misery³ into magnificence by “compo” mockeries of stone construction and a style of ornament⁴ created to express the thickness of the wall or the weight of roof of a Renaissance⁵ palace. Most persons are contented⁶ with describing the improved mode as Old English, fancying that it is a real return to{155} the way in which houses were built in the reign⁷ of Elizabeth or James or thereabouts. But there is a notable distinction between ancient and modern “Old English.” It is this: the “variety” in form which is of the essence of the last was but the accident of the first. Whitehall and the Parthenon are not more simply symmetrical in their masses than are many of the finest specimens⁸ of Early English domestic architecture; and the “variety” which we moderns suppose we are copying is, in nearly all cases, either the result of change of plan in the process of building, or of subsequent additions by which the original symmetry was sacrificed. That the sacrifice was often without loss, and often even a gain—as such a sacrifice could never be in the case of a Greek or Renaissance building—is owing to the fact that domesticity is the central thought and expression of the one kind of architecture and public ostentation⁹ of the other. Accordingly, the keynote of an Early English house is its stack of chimneys, upon which it was considered impossible to lavish¹⁰ too much ornament. From the cottage of the Sussex labourer to the great nobleman’s mansion—such as that most exquisite¹¹ of all existing specimens of Tudor building, “Compton in the Hole”—the chimneys are the things which first attract the eye and delight it longest; whereas the Greek, Roman, or Renais{156}sance house is heartily¹² ashamed of its smoke, and has never yet succeeded thoroughly¹³ in dealing¹⁴ with its disgrace. Symmetry, then, in the old country house was looked upon as good; but convenience and comfort, and the expression of convenience and comfort, better. Now, in a house well and deliberately¹⁵ planned for the convenience of any household, large or small, the ground-plan and elevation¹⁶ will be naturally simple and symmetrical; simplicity¹⁷, too, is economical, and economy a part of domesticity. Accordingly, the great Tudor mansions¹⁸ and palaces of England, the builders of which could have best afforded to pay for the supposed charm of “variety,” are, for the most part, the simplest in plan and elevation; while it is in the ill-planned and often-added-to village inn or rectory that the vagaries²⁰ of “variety,” so alluring²¹ to the modern mind, are almost exclusively found.

In Old English architecture this variety is a very real though accidental beauty. It has the double charm of intensifying²² the primary expression of domesticity by the very sense of the sacrifice which has been made to it, and of giving the building, however small, a touch of historical character. But what if these beauties of the old architecture are sought to be obtained in the modern by sacrifices of convenience, economy, and domesticity, and by a deliberate planning of{157} structural²³ “after-thoughts,” or subsequent necessities, from the beginning! What if a house, full of small and uncomfortable rooms connected, or rather isolated²⁴, by mazes²⁵ of dark staircases, landings, and passages, has been manifestly built at one blow, and at twice the cost at which a simple and symmetrical and scarcely less—nay, to the initiated²⁶, more—beautiful house of the same period of architecture might have been built, without the sacrifice of any modern convenience? Surely, if the devil were an architect his “favourite sin” would be this kind of “cottage of gentility.”

The “variety” of a real Old English house is not only nearly always the outcome of some convenience or necessity discovered or arising after the first building of it, but is nearly always obviously so. Some little difference of style not too great to break harmony, will indicate a difference of date; or it will be shown by some infraction²⁷ of the lines of the original building. The library or parlour which cuts off a return of the label of the pantry window is manifestly an addition. But it would be too ridiculous to copy such proofs of accident and alteration²⁸ into a nineteenth-century rectory, villa¹⁹, or mansion; and the consequence is, that to an understanding eye its variety is often in appearance, as it is in reality, mere²⁹ imbecility aping the movements of reason.{158}

There is no real anachronism in the revival³⁰ of the ordinary details of Old English house architecture, though there is sometimes in that of the material. The “half-timbered” wall belongs only to times and places in which bricks and tiles are not to be had, and in which abundance of the best oak timber is. But hooded³¹ gables, deep cornices, bracketed bays, weather-tiled walls, the projection³² of upper over lower stories, and almost all the other charming features of the mode, have sound reasons of use which hold as good now as they did in the year 1600; and in these reasons alone consists their architectural charm. The characteristic Old English chimney—the most ornamental³³ feature of the style—has its full justification³⁴ in use; the loading of the top with projecting layer after layer of bricks, laid even or notch-wise, forming that security against hurricane which is so often sought, in the “factory” style, by the one or more long iron rods which agreeably break the sky-line of many modern mansions. Even the scalloped tile, which so often replaces the square in old weather-tiled walls, has its utilitarian³⁵ purpose—a saving of material; the greatest breadth of the scallop being superposed upon the juncture³⁶ of the tiles below, so as to protect it from wet. The projection, in a long low house of the modest rectory or farmhouse³⁷ type, of the bedroom{159} story over the basement is the feature farthest of all from being merely ornamental. In such a house more space was usually wanted for bedrooms than for living-rooms and offices, and a very moderate projection of the upper story supplies this additional space.

1 mansion   

n.大厦，大楼；宅第

参考例句：

• The old mansion was built in 1850.这座古宅建于1850年。
• The mansion has extensive grounds.这大厦四周的庭园广阔。

2 sordid   

adj.肮脏的，不干净的，卑鄙的，暗淡的

参考例句：

• He depicts the sordid and vulgar sides of life exclusively.他只描写人生肮脏和庸俗的一面。
• They lived in a sordid apartment.他们住在肮脏的公寓房子里。

3 misery   

n.痛苦，苦恼，苦难；悲惨的境遇，贫苦

参考例句：

• Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
• He has rescued me from the mire of misery.他把我从苦海里救了出来。

4 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

5 renaissance   

n.复活，复兴，文艺复兴

参考例句：

• The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
• The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。

6 contented   

adj.满意的，安心的，知足的

参考例句：

• He won't be contented until he's upset everyone in the office.不把办公室里的每个人弄得心烦意乱他就不会满足。
• The people are making a good living and are contented,each in his station.人民安居乐业。

7 reign   

n.统治时期，统治，支配，盛行；v.占优势

参考例句：

• The reign of Queen Elizabeth lapped over into the seventeenth century.伊丽莎白王朝延至17世纪。
• The reign of Zhu Yuanzhang lasted about 31 years.朱元璋统治了大约三十一年。

8 specimens   

n.样品( specimen的名词复数 )；范例；（化验的）抽样；某种类型的人

参考例句：

• Astronauts have brought back specimens of rock from the moon. 宇航员从月球带回了岩石标本。
• The traveler brought back some specimens of the rocks from the mountains. 那位旅行者从山上带回了一些岩石标本。 来自《简明英汉词典》

9 ostentation   

n.夸耀，卖弄

参考例句：

• Choose a life of action,not one of ostentation.要选择行动的一生，而不是炫耀的一生。
• I don't like the ostentation of their expensive life - style.他们生活奢侈，爱摆阔，我不敢恭维。

10 lavish   

adj.无节制的；浪费的；vt.慷慨地给予，挥霍

参考例句：

• He despised people who were lavish with their praises.他看不起那些阿谀奉承的人。
• The sets and costumes are lavish.布景和服装极尽奢华。

11 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

12 heartily   

adv.衷心地，诚恳地，十分，很

参考例句：

• He ate heartily and went out to look for his horse.他痛快地吃了一顿，就出去找他的马。
• The host seized my hand and shook it heartily.主人抓住我的手，热情地和我握手。

13 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

14 dealing   

n.经商方法，待人态度

参考例句：

• This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
• His fair dealing earned our confidence.他的诚实的行为获得我们的信任。

15 deliberately   

adv.审慎地；蓄意地；故意地

参考例句：

• The girl gave the show away deliberately.女孩故意泄露秘密。
• They deliberately shifted off the argument.他们故意回避这个论点。

16 elevation   

n.高度；海拔；高地；上升；提高

参考例句：

• The house is at an elevation of 2,000 metres.那幢房子位于海拔两千米的高处。
• His elevation to the position of General Manager was announced yesterday.昨天宣布他晋升总经理职位。

17 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

18 mansions   

n.宅第，公馆，大厦( mansion的名词复数 )

参考例句：

• Fifth Avenue was boarded up where the rich had deserted their mansions. 第五大道上的富翁们已经出去避暑，空出的宅第都已锁好了门窗，钉上了木板。 来自英汉文学 - 嘉莉妹妹
• Oh, the mansions, the lights, the perfume, the loaded boudoirs and tables! 啊，那些高楼大厦、华灯、香水、藏金收银的闺房还有摆满山珍海味的餐桌！ 来自英汉文学 - 嘉莉妹妹

19 villa   

n.别墅，城郊小屋

参考例句：

• We rented a villa in France for the summer holidays.我们在法国租了一幢别墅消夏。
• We are quartered in a beautiful villa.我们住在一栋漂亮的别墅里。

20 vagaries   

n.奇想( vagary的名词复数 )；异想天开；异常行为；难以预测的情况

参考例句：

• The vagaries of fortune are indeed curious.\" 命运的变化莫测真是不可思议。” 来自英汉文学 - 嘉莉妹妹
• The vagaries of inclement weather conditions are avoided to a certain extent. 可以在一定程度上避免变化莫测的恶劣气候影响。 来自辞典例句

21 alluring   

adj.吸引人的，迷人的

参考例句：

• The life in a big city is alluring for the young people. 大都市的生活对年轻人颇具诱惑力。
• Lisette's large red mouth broke into a most alluring smile. 莉莎特的鲜红的大嘴露出了一副极为诱人的微笑。

22 intensifying   

v.（使）增强， （使）加剧( intensify的现在分词 )；增辉

参考例句：

• The allies are intensifying their air campaign. 联军部队正加大他们的空战强度。 来自辞典例句
• The rest of the European powers were in a state of intensifying congestion. 其余的欧洲强国则处于越来越拥挤的状态。 来自英汉非文学 - 历史

23 structural   

adj.构造的，组织的，建筑（用）的

参考例句：

• The storm caused no structural damage.风暴没有造成建筑结构方面的破坏。
• The North American continent is made up of three great structural entities.北美大陆是由三个构造单元组成的。

24 isolated   

adj.与世隔绝的

参考例句：

• His bad behaviour was just an isolated incident. 他的不良行为只是个别事件。
• Patients with the disease should be isolated. 这种病的患者应予以隔离。

25 mazes   

迷宫( maze的名词复数 )； 纷繁复杂的规则； 复杂难懂的细节； 迷宫图

参考例句：

• The mazes of the dance were ecstatic. 跳舞那种错综曲折，叫人快乐得如登九天。
• For two hours did this singlehearted and simpleminded girl toil through the mazes of the forest. 这位心地单纯的傻姑娘在林间曲径中艰难地走了两个来小时。

26 initiated   

n. 创始人 adj. 新加入的 vt. 开始，创始，启蒙，介绍加入

参考例句：

• He has not yet been thoroughly initiated into the mysteries of computers. 他对计算机的奥秘尚未入门。
• The artist initiated the girl into the art world in France. 这个艺术家介绍这个女孩加入巴黎艺术界。

27 infraction   

n.违反；违法

参考例句：

• He was criticized for his infraction of the discipline.他因违反纪律而受到了批评。
• Parking at the bus stop is illegal,Motorists committing this infraction are heavily fined.在公交站停车是违法的，触犯此条的司机将受重罚。

28 alteration   

n.变更，改变；蚀变

参考例句：

• The shirt needs alteration.这件衬衣需要改一改。
• He easily perceived there was an alteration in my countenance.他立刻看出我的脸色和往常有些不同。

29 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

30 revival   

n.复兴，复苏，（精力、活力等的）重振

参考例句：

• The period saw a great revival in the wine trade.这一时期葡萄酒业出现了很大的复苏。
• He claimed the housing market was showing signs of a revival.他指出房地产市场正出现复苏的迹象。

31 hooded   

adj.戴头巾的；有罩盖的；颈部因肋骨运动而膨胀的

参考例句：

• A hooded figure waited in the doorway. 一个戴兜帽的人在门口等候。
• Black-eyed gipsy girls, hooded in showy handkerchiefs, sallied forth to tell fortunes. 黑眼睛的吉卜赛姑娘，用华丽的手巾包着头，突然地闯了进来替人算命。 来自辞典例句

32 projection   

n.发射，计划，突出部分

参考例句：

• Projection takes place with a minimum of awareness or conscious control.投射在最少的知觉或意识控制下发生。
• The projection of increases in number of house-holds is correct.对户数增加的推算是正确的。

33 ornamental   

adj.装饰的；作装饰用的；n.装饰品；观赏植物

参考例句：

• The stream was dammed up to form ornamental lakes.溪流用水坝拦挡起来,形成了装饰性的湖泊。
• The ornamental ironwork lends a touch of elegance to the house.铁艺饰件为房子略添雅致。

34 justification   

n.正当的理由；辩解的理由

参考例句：

• There's no justification for dividing the company into smaller units. 没有理由把公司划分成小单位。
• In the young there is a justification for this feeling. 在年轻人中有这种感觉是有理由的。

35 utilitarian   

adj.实用的，功利的

参考例句：

• On the utilitarian side American education has outstridden the rest of the world.在实用方面美国教育已超越世界各国。
• A good cloth coat is more utilitarian than a fur one.一件优质的布外衣要比一件毛皮外衣更有用。

36 juncture   

n.时刻，关键时刻，紧要关头

参考例句：

• The project is situated at the juncture of the new and old urban districts.该项目位于新老城区交界处。
• It is very difficult at this juncture to predict the company's future.此时很难预料公司的前景。

37 farmhouse   

n.农场住宅（尤指主要住房）

参考例句：

• We fell for the farmhouse as soon as we saw it.我们对那所农舍一见倾心。
• We put up for the night at a farmhouse.我们在一间农舍投宿了一夜。