La Chatre is a charming town, with a remarkably9 picturesque10 approach, on the Nohant side, across an old bridge out of which an old house, with a steep terraced garden, seems to grow with the conscious pleasure of well-grouped masonry12; and the streets beyond have an air of ripe experience tempered by gaiety, like that of those ironic13 old eighteenth-century faces wherein the wrinkles are as gay as dimples.
Southward from La Chatre, the road runs through a beautiful hilly country to Montlu?on on the Cher: a fine old border town, with a brave fighting past, and interesting relics14 of Bourbon ascendancy15; but now deeply disfigured by hideous16 factories and long grimy streets of operatives’ houses. In deploring18 the ravages19 of modern industry on one of these rare old towns, it is hard to remember that they are not museum pieces, but settlements of human beings with all the normal desire to prosper20 at whatever cost to the physiognomy of their birthplace; and Montlu?on50 in especial seems to have been a very pelican21 to the greed of her offspring.
We had meant to spend the night there, but there was a grimness about the inn—the special grimness of which the commercial travellers’ hotel in the French manufacturing town holds the depressing secret—that forbade even a glance at the bedrooms; and though it was near sunset we pressed on for Vichy. We had, in consequence, but a cold twilight22 glimpse of the fine gorge23 of Montaigut, through which the road cuts its way to Gannat, the first town to the north of the Limagne; and night had set in when we traversed the plain of the Allier. On good French roads, however, a motor-journey by night is not without its compensations; and our dark flight through mysterious fields and woods terminated, effectively enough, with the long descent down a lamp-garlanded boulevard into the inanimate white watering-place.
CLERMONT-FERRAND: NOTRE-DAME DU PORT
Vichy, in fact, had barely opened the shutters24 of its fashionable hotels: the season does not begin till June, and in May only a few premature25 bathers—mostly English—shiver in corners of the marble halls, or disconsolately26 peruse27 last year’s51 news in the deserted28 reading-rooms. But even in this semi-chrysalis stage the town presented itself, the next morning, as that rarest of spectacles—grace triumphant29 over the processes of the toilet. Only a pretty woman and a French ville d’eau can look really charming in morning dishabille; and the way in which Vichy accomplishes the feat30 would be a lesson to many pretty women.
The place, at all seasons, is an object-lesson to less enlightened municipalities; and when one finds one’s self vainly wishing that art and history, and all the rich tapestry31 of the past, might somehow be brought before the eyes of our self-sufficient millions, one might pause to ask if the sight of a well-kept, self-respecting French town, carefully and artistically32 planned as a setting to the amenities33 of life, would not, after all, offer the more salutary and surprising example.
Vichy, even among French towns, stands out as a singularly finished specimen34 of what such municipal pride can accomplish. From its broad plane-shaded promenade35, flanked by bright-faced hotels, and by the arcades36 of the Casino, to the52 park on the Allier, and the wide circumjacent boulevards, it wears, at every turn, the same trim holiday air, the rouge37 and patches of smooth gravel38, bright flower-borders, gay shops, shady benches, inviting39 cafés. Even the cab-stands, with their smart vis-à-vis and victorias drawn40 by plump cobs in tinkling41 harnesses, seem part of a dream-town, where all that is usually sordid42 and shabby has been touched by the magic wand of trimness; or where some utopian millionaire has successfully demonstrated that the sordid and shabby need never exist at all.
But, to the American observer, Vichy is perhaps most instructive just because it is not the millionaire’s wand which has worked the spell; because the town owes its gaiety and its elegance43, not to the private villa44, the rich man’s “showplace,” but to wise public expenditure45 of the money which the bathers annually46 pour into its exchequer47.
It was, however, rather for the sake of its surroundings than for the study of its unfolding season, that we had come there; and the neighbouring country offered the richest return for our enterprise.
53 From the plain of the Limagne the hills slope up behind Vichy in a succession of terraces divided by streams and deeply-wooded glens, and connected by the interlacing of admirable roads that civilises the remotest rural districts of France. Climbing these gradual heights to the hill-village of Ferrières, we had, the day after our arrival, our first initiation48 into what the near future held for us—a glorious vision, across the plain, of the Monts Dore and the Monts de D?me. The blue mountain haze49 that had drawn us steadily50 southward, from our first glimpse of it on the heights of the Berry, now resolved itself into a range of wild volcanic51 forms, some curved like the bell-shaped apses of the churches of Auvergne, some slenderly cup-like, and showing the hollow rim17 of the spent crater52; all fantastic, individual, indescribably differentiated53 in line and colour from mountain forms of less violent origin. And between them and us lay the richest contrasting landscape, the deep meadows and luxuriant woodlands of the Allier vale, with here and there a volcanic knoll54 lifting on its crest55 an old town or a Rhenish-looking castle. The landscape, thus viewed, presents a perplexing mixture54 of suggestions, recalling now the brown hill-villages of Umbria, now the robber castles of the Swiss Rhineland; with a hint, again, of the Terra di Lavore in its bare mountain lines, and the prodigal56 fertility of their lower slopes; so that one felt one’s self moving in a confusion of scenes romantically combined, as in the foreground of a Claude or a Wilson, for the greater pleasure of the eclectic eye.
The only landscape that seems to have been excluded from the composition is that of France; all through Auvergne, we never felt ourselves in France. But that is, of course, merely because the traveller’s France is apt to be mainly made up of bits of the Ile-de-France and Normandy and Brittany; and not till one has explored the central and southwestern provinces does one learn of the countless57 Frances within France, and realise that one may find one’s “Switzerland, one’s Italy” without crossing the Alps to reach them.
We had, the next day, a closer impression of the scene we had looked down on from Ferrières; motoring first along the high ridge11 above the Limagne to the ancient black hill-town of Thiers,55 and thence descending58 again to the plain. Our way led across it, by the charming castled town of Pont-de-Chateau, to Clermont-Ferrand, which spreads its swarthy mass at the base of the Puy de D?me—that strangest, sternest of cities, all built and paved in the black volcanic stone of Volvic, and crowned by the sinister59 splendour of its black cathedral. It was Viollet-le-Duc who added the west front and towers to this high ancient pile; and for once his rash hand was so happily inspired that, at the first glimpse of his twin spires60 soaring above the roofs of Clermont, one forgives him—for the moment—the wrong he did to Blois, to Pierrefonds and Vézelay.
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1 mighty | |
adj.强有力的;巨大的 | |
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2 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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3 possessed | |
adj.疯狂的;拥有的,占有的 | |
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4 exclusion | |
n.拒绝,排除,排斥,远足,远途旅行 | |
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5 radius | |
n.半径,半径范围;有效航程,范围,界限 | |
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6 slippers | |
n. 拖鞋 | |
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7 poignantly | |
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8 intrepid | |
adj.无畏的,刚毅的 | |
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9 remarkably | |
ad.不同寻常地,相当地 | |
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10 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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11 ridge | |
n.山脊;鼻梁;分水岭 | |
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12 masonry | |
n.砖土建筑;砖石 | |
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13 ironic | |
adj.讽刺的,有讽刺意味的,出乎意料的 | |
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14 relics | |
[pl.]n.遗物,遗迹,遗产;遗体,尸骸 | |
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15 ascendancy | |
n.统治权,支配力量 | |
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16 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
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17 rim | |
n.(圆物的)边,轮缘;边界 | |
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18 deploring | |
v.悲叹,痛惜,强烈反对( deplore的现在分词 ) | |
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19 ravages | |
劫掠后的残迹,破坏的结果,毁坏后的残迹 | |
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20 prosper | |
v.成功,兴隆,昌盛;使成功,使昌隆,繁荣 | |
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21 pelican | |
n.鹈鹕,伽蓝鸟 | |
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22 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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23 gorge | |
n.咽喉,胃,暴食,山峡;v.塞饱,狼吞虎咽地吃 | |
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24 shutters | |
百叶窗( shutter的名词复数 ); (照相机的)快门 | |
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25 premature | |
adj.比预期时间早的;不成熟的,仓促的 | |
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26 disconsolately | |
adv.悲伤地,愁闷地;哭丧着脸 | |
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27 peruse | |
v.细读,精读 | |
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28 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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29 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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30 feat | |
n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
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31 tapestry | |
n.挂毯,丰富多采的画面 | |
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32 artistically | |
adv.艺术性地 | |
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33 amenities | |
n.令人愉快的事物;礼仪;礼节;便利设施;礼仪( amenity的名词复数 );便利设施;(环境等的)舒适;(性情等的)愉快 | |
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34 specimen | |
n.样本,标本 | |
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35 promenade | |
n./v.散步 | |
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36 arcades | |
n.商场( arcade的名词复数 );拱形走道(两旁有商店或娱乐设施);连拱廊;拱形建筑物 | |
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37 rouge | |
n.胭脂,口红唇膏;v.(在…上)擦口红 | |
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38 gravel | |
n.砂跞;砂砾层;结石 | |
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39 inviting | |
adj.诱人的,引人注目的 | |
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40 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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41 tinkling | |
n.丁当作响声 | |
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42 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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43 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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44 villa | |
n.别墅,城郊小屋 | |
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45 expenditure | |
n.(时间、劳力、金钱等)支出;使用,消耗 | |
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46 annually | |
adv.一年一次,每年 | |
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47 exchequer | |
n.财政部;国库 | |
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48 initiation | |
n.开始 | |
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49 haze | |
n.霾,烟雾;懵懂,迷糊;vi.(over)变模糊 | |
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50 steadily | |
adv.稳定地;不变地;持续地 | |
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51 volcanic | |
adj.火山的;象火山的;由火山引起的 | |
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52 crater | |
n.火山口,弹坑 | |
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53 differentiated | |
区分,区别,辨别( differentiate的过去式和过去分词 ); 区别对待; 表明…间的差别,构成…间差别的特征 | |
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54 knoll | |
n.小山,小丘 | |
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55 crest | |
n.顶点;饰章;羽冠;vt.达到顶点;vi.形成浪尖 | |
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56 prodigal | |
adj.浪费的,挥霍的,放荡的 | |
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57 countless | |
adj.无数的,多得不计其数的 | |
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58 descending | |
n. 下行 adj. 下降的 | |
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59 sinister | |
adj.不吉利的,凶恶的,左边的 | |
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60 spires | |
n.(教堂的) 塔尖,尖顶( spire的名词复数 ) | |
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