With the Russians it is different. They have only been inoculated3 with the virus of European culture and ethic4. The virus works in them like a disease. And the inflammation and irritation5 comes forth6 as literature. The bubbling and fizzing is almost chemical, not organic. It is an organism seething7 as it accepts and masters the strange virus. What the Russian is struggling with, crying out against, is not life itself: it is only European culture which has been introduced, into his psyche, and which hurts him. The tragedy is not so much a real soul tragedy, as a surgical8 one. Russian art, Russian literature after all does not stand on the same footing as European or Greek or Egyptian art. It is not spontaneous utterance9. It is not the flowering of a race. It is a surgical outcry, horrifying10, or marvellous, lacerating at first; but when we get used to it, not really so profound, not really ultimate, a little extraneous11.
What is valuable, is the evidence against European culture, implied in the novelists, here at last expressed. Since Peter the Great Russia has been accepting Europe, and seething Europe down in a curious process of katabolism. Russia has been expressing nothing inherently Russian. Russia's modern Christianity even was not Russian. Her genuine Christianity, Byzantine and Asiatic, is incomprehensible to us. So with her true philosophy. What she has actually uttered is her own unwilling12, fantastic reproduction of European truths. What she has really to utter the coming centuries will hear. For Russia will certainly inherit the future. What I we already call the greatness of Russia is only her pre-natal struggling.
It seems as if she had at last absorbed and overcome the virus of old Europe. Soon her new, healthy body will begin to act in its own reality, imitative no more, protesting no more, crying no more, but full and sound and lusty in itself. Real Russia is born. She will laugh at us before long. Meanwhile she goes through the last stages of reaction against us, kicking away from the old womb of Europe.
In Shestov one of the last kicks is given. True, he seems to be only reactionary13 and destructive. But he can find a little amusement at last in tweaking the European nose, so he is fairly free. European idealism is anathema14. But more than this, it is a little comical. We feel the new independence in his new, half-amused indifference15.
He is only tweaking the nose of European idealism. He is preaching nothing: so he protests time and again. He absolutely refutes any imputation16 of a central idea He is so afraid lest it should turn out to be another hateful hedge-stake of an ideal.
"Everything is possible"—this is his really central cry. It is not nihilism. It is only a shaking free of the human psyche from old bonds. The positive central idea is that the human psyche, or soul, really believes in itself, and in nothing else.
Dress this up in a little comely17 language, and we have a real new ideal, that will last us for a new, long epoch18. The human soul itself is the source and well-head of creative activity. In the unconscious human soul the creative prompting issues first into the universe. Open the consciousness to this prompting, away with all your old sluice-gates, locks, dams, channels. No ideal on earth is anything more than an obstruction19, in the end, to the creative issue of the spontaneous soul. Away with all ideals. Let each individual act spontaneously from, the forever-incalculable prompting of the creative well-head within him. There is no universal law. Each being is, at his purest, a law unto himself, single, unique, a Godhead, a fountain from the unknown.
This is the ideal which Shestov refuses positively20 to state, because he is afraid it may prove in the end a trap to catch his own free spirit. So it may. But it is none the less a real, living ideal for the moment, the very salvation21. When it becomes ancient, and like the old lion who lay in his cave and whined22, devours23 all its servants, then it can be despatched. Meanwhile it is a really liberating24 word.
Shestov's style is puzzling at first. Having found the "ands" and "buts" and "becauses" and "therefores" hampered25 him, he clips them all off deliberately26 and even spitefully, so that his thought is like a man with no buttons on his clothes, ludicrously hitching27 along all undone28. One must be amused, not irritated. Where the armholes were a bit tight, Shestov cuts a slit29. It is baffling, but really rather piquant30. The real conjunction, the real unification lies in the reader's own amusement, not in the author's unbroken logic31.
D. H. LAWRENCE.
点击收听单词发音
1 psyche | |
n.精神;灵魂 | |
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2 inevitable | |
adj.不可避免的,必然发生的 | |
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3 inoculated | |
v.给…做预防注射( inoculate的过去式和过去分词 ) | |
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4 ethic | |
n.道德标准,行为准则 | |
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5 irritation | |
n.激怒,恼怒,生气 | |
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6 forth | |
adv.向前;向外,往外 | |
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7 seething | |
沸腾的,火热的 | |
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8 surgical | |
adj.外科的,外科医生的,手术上的 | |
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9 utterance | |
n.用言语表达,话语,言语 | |
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10 horrifying | |
a.令人震惊的,使人毛骨悚然的 | |
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11 extraneous | |
adj.体外的;外来的;外部的 | |
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12 unwilling | |
adj.不情愿的 | |
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13 reactionary | |
n.反动者,反动主义者;adj.反动的,反动主义的,反对改革的 | |
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14 anathema | |
n.诅咒;被诅咒的人(物),十分讨厌的人(物) | |
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15 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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16 imputation | |
n.归罪,责难 | |
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17 comely | |
adj.漂亮的,合宜的 | |
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18 epoch | |
n.(新)时代;历元 | |
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19 obstruction | |
n.阻塞,堵塞;障碍物 | |
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20 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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21 salvation | |
n.(尤指基督)救世,超度,拯救,解困 | |
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22 whined | |
v.哀号( whine的过去式和过去分词 );哀诉,诉怨 | |
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23 devours | |
吞没( devour的第三人称单数 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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24 liberating | |
解放,释放( liberate的现在分词 ) | |
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25 hampered | |
妨碍,束缚,限制( hamper的过去式和过去分词 ) | |
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26 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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27 hitching | |
搭乘; (免费)搭乘他人之车( hitch的现在分词 ); 搭便车; 攀上; 跃上 | |
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28 undone | |
a.未做完的,未完成的 | |
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29 slit | |
n.狭长的切口;裂缝;vt.切开,撕裂 | |
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30 piquant | |
adj.辛辣的,开胃的,令人兴奋的 | |
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31 logic | |
n.逻辑(学);逻辑性 | |
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