"So dyed double red"
in deed and purpose that he lights up the faces of the horrified10 spectators with his glare. A father fond of unworthy children, and leading a life of self-denial for their sake, as may probably and pathetically be, is not enough; there must be an imbecile, trembling dotard, willing to promote even the liaisons11 of his daughters to give them happiness and to teach the sublimity12 of the paternal13 instinct. The hero cannot sufficiently14 be a selfish young fellow, with alternating impulses of greed and generosity15; he must superfluously16 intend a career of iniquitous17 splendor18, and be swerved19 from it by nothing but the most cataclysmal interpositions. It can be said that without such personages the plot could not be transacted20; but so much the worse for the plot. Such a plot had no business to be; and while actions so unnatural21 are imagined, no mastery can save fiction from contempt with those who really think about it. To Balzac it can be forgiven, not only because in his better mood he gave us such biographies as 'Eugenie Grandet,' but because he wrote at a time when fiction was just beginning to verify the externals of life, to portray22 faithfully the outside of men and things. It was still held that in order to interest the reader the characters must be moved by the old romantic ideals; we were to be taught that "heroes" and "heroines" existed all around us, and that these abnormal beings needed only to be discovered in their several humble23 disguises, and then we should see every-day people actuated by the fine frenzy24 of the creatures of the poets. How false that notion was, few but the critics, who are apt to be rather belated, need now be told. Some of these poor fellows, however, still contend that it ought to be done, and that human feelings and motives, as God made them and as men know them, are not good enough for novel-readers.
This is more explicable than would appear at first glance. The critics —and in speaking of them one always modestly leaves one's self out of the count, for some reason—when they are not elders ossified25 in tradition, are apt to be young people, and young people are necessarily conservative in their tastes and theories. They have the tastes and theories of their instructors26, who perhaps caught the truth of their day, but whose routine life has been alien to any other truth. There is probably no chair of literature in this country from which the principles now shaping the literary expression of every civilized27 people are not denounced and confounded with certain objectionable French novels, or which teaches young men anything of the universal impulse which has given us the work, not only of Zola, but of Tourguenief and Tolstoy in Russia, of Bjornson and Ibsen in Norway, of Valdes and Galdos in Spain, of Verga in Italy. Till these younger critics have learned to think as well as to write for themselves they will persist in heaving a sigh, more and more perfunctory, for the truth as it was in Sir Walter, and as it was in Dickens and in Hawthorne. Presently all will have been changed; they will have seen the new truth in larger and larger degree; and when it shall have become the old truth, they will perhaps see it all.
点击收听单词发音
1 modesty | |
n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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2 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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3 malarial | |
患疟疾的,毒气的 | |
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4 exquisitely | |
adv.精致地;强烈地;剧烈地;异常地 | |
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5 truthful | |
adj.真实的,说实话的,诚实的 | |
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6 motives | |
n.动机,目的( motive的名词复数 ) | |
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7 lurid | |
adj.可怕的;血红的;苍白的 | |
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8 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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9 melodrama | |
n.音乐剧;情节剧 | |
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10 horrified | |
a.(表现出)恐惧的 | |
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11 liaisons | |
n.联络( liaison的名词复数 );联络人;(尤指一方或双方已婚的)私通;组织单位间的交流与合作 | |
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12 sublimity | |
崇高,庄严,气质高尚 | |
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13 paternal | |
adj.父亲的,像父亲的,父系的,父方的 | |
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14 sufficiently | |
adv.足够地,充分地 | |
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15 generosity | |
n.大度,慷慨,慷慨的行为 | |
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16 superfluously | |
过分地; 过剩地 | |
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17 iniquitous | |
adj.不公正的;邪恶的;高得出奇的 | |
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18 splendor | |
n.光彩;壮丽,华丽;显赫,辉煌 | |
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19 swerved | |
v.(使)改变方向,改变目的( swerve的过去式和过去分词 ) | |
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20 transacted | |
v.办理(业务等)( transact的过去式和过去分词 );交易,谈判 | |
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21 unnatural | |
adj.不自然的;反常的 | |
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22 portray | |
v.描写,描述;画(人物、景象等) | |
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23 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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24 frenzy | |
n.疯狂,狂热,极度的激动 | |
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25 ossified | |
adj.已骨化[硬化]的v.骨化,硬化,使僵化( ossify的过去式和过去分词 ) | |
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26 instructors | |
指导者,教师( instructor的名词复数 ) | |
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27 civilized | |
a.有教养的,文雅的 | |
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