"How few materials," says Emerson, "are yet used by our arts! The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest1 and most heroic of the virtues2. The artists are not alone to blame for the timidity that keeps them in the old furrows4 of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue3 to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things. This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives5. To adjust one's self to the enjoyment6 of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make. It is only the extraordinary person who can say, with Emerson: "I ask not for the great, the remote, the romantic . . . . I embrace the common; I sit at the feet of the familiar and the low . . . . Man is surprised to find that things near are not less beautiful and wondrous7 than things remote . . . . The perception of the worth of the vulgar is fruitful in discoveries . . . . The foolish man wonders at the unusual, but the wise man at the usual . . . . To-day always looks mean to the thoughtless; but to-day is a king in disguise . . . . Banks and tariffs8, the newspaper and caucus9, Methodism and Unitarianism, are flat and dull to dull people, but rest on the same foundations of wonder as the town of Troy and the temple of Delphos."
Perhaps we ought not to deny their town of Troy and their temple of Delphos to the dull people; but if we ought, and if we did, they would still insist upon having them. An English novel, full of titles and rank, is apparently10 essential to the happiness of such people; their weak and childish imagination is at home in its familiar environment; they know what they are reading; the fact that it is hash many times warmed over reassures11 them; whereas a story of our own life, honestly studied and faithfully represented, troubles them with varied12 misgiving13. They are not sure that it is literature; they do not feel that it is good society; its characters, so like their own, strike them as commonplace; they say they do not wish to know such people.
Everything in England is appreciable14 to the literary sense, while the sense of the literary worth of things in America is still faint and weak with most people, with the vast majority who "ask for the great, the remote, the romantic," who cannot "embrace the common," cannot "sit at the feet of the familiar and the low," in the good company of Emerson. We are all, or nearly all, struggling to be distinguished15 from the mass, and to be set apart in select circles and upper classes like the fine people we have read about. We are really a mixture of the plebeian16 ingredients of the whole world; but that is not bad; our vulgarity consists in trying to ignore "the worth of the vulgar," in believing that the superfine is better.
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1 uncommonest | |
uncommon(不寻常的)的最高级形式 | |
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2 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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3 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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4 furrows | |
n.犁沟( furrow的名词复数 );(脸上的)皱纹v.犁田,开沟( furrow的第三人称单数 ) | |
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5 motives | |
n.动机,目的( motive的名词复数 ) | |
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6 enjoyment | |
n.乐趣;享有;享用 | |
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7 wondrous | |
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地 | |
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8 tariffs | |
关税制度; 关税( tariff的名词复数 ); 关税表; (旅馆或饭店等的)收费表; 量刑标准 | |
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9 caucus | |
n.秘密会议;干部会议;v.(参加)干部开会议 | |
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10 apparently | |
adv.显然地;表面上,似乎 | |
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11 reassures | |
v.消除恐惧或疑虑,恢复信心( reassure的第三人称单数 ) | |
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12 varied | |
adj.多样的,多变化的 | |
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13 misgiving | |
n.疑虑,担忧,害怕 | |
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14 appreciable | |
adj.明显的,可见的,可估量的,可觉察的 | |
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15 distinguished | |
adj.卓越的,杰出的,著名的 | |
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16 plebeian | |
adj.粗俗的;平民的;n.平民;庶民 | |
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