Hawthorne, the great master of the romance, had the insight and the power to create it anew as a kind in fiction; though I am not sure that 'The Scarlet4 Letter' and the 'Blithedale Romance' are not, strictly5 speaking, novels rather than romances. They, do not play with some old superstition6 long outgrown7, and they do not invent a new superstition to play with, but deal with things vital in every one's pulse. I am not saying that what may be called the fantastic romance—the romance that descends8 from 'Frankenstein' rather than 'The Scarlet Letter'—ought not to be. On the contrary, I should grieve to lose it, as I should grieve to lose the pantomime or the comic opera, or many other graceful9 things that amuse the passing hour, and help us to live agreeably in a world where men actually sin, suffer, and die. But it belongs to the decorative10 arts, and though it has a high place among them, it cannot be ranked with the works of the imagination—the works that represent and body forth11 human experience. Its ingenuity12, can always afford a refined pleasure, and it can often, at some risk to itself, convey a valuable truth.
Perhaps the whole region of historical romance might be reopened with advantage to readers and writers who cannot bear to be brought face to face with human nature, but require the haze13 of distance or a far perspective, in which all the disagreeable details shall be lost. There is no good reason why these harmless people should not be amused, or their little preferences indulged.
But here, again, I have my modest doubts, some recent instances are so fatuous14, as far as the portrayal15 of character goes, though I find them admirably contrived16 in some respects. When I have owned the excellence17 of the staging in every respect, and the conscience with which the carpenter (as the theatrical18 folks say) has done his work, I am at the end of my praises. The people affect me like persons of our generation made up for the parts; well trained, well costumed, but actors, and almost amateurs. They have the quality that makes the histrionics of amateurs endurable; they are ladies and gentlemen; the worst, the wickedest of them, is a lady or gentleman behind the scene.
Yet, no doubt it is well that there should be a reversion to the earlier types of thinking and feeling, to earlier ways of looking at human nature, and I will not altogether refuse the pleasure offered me by the poetic19 romancer or the historical romancer because I find my pleasure chiefly in Tolstoy and Valdes and Thomas Hardy20 and Tourguenief, and Balzac at his best.
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1 distinguished | |
adj.卓越的,杰出的,著名的 | |
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2 complexity | |
n.复杂(性),复杂的事物 | |
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3 motive | |
n.动机,目的;adv.发动的,运动的 | |
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4 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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5 strictly | |
adv.严厉地,严格地;严密地 | |
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6 superstition | |
n.迷信,迷信行为 | |
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7 outgrown | |
长[发展] 得超过(某物)的范围( outgrow的过去分词 ); 长[发展]得不能再要(某物); 长得比…快; 生长速度超过 | |
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8 descends | |
v.下来( descend的第三人称单数 );下去;下降;下斜 | |
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9 graceful | |
adj.优美的,优雅的;得体的 | |
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10 decorative | |
adj.装饰的,可作装饰的 | |
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11 forth | |
adv.向前;向外,往外 | |
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12 ingenuity | |
n.别出心裁;善于发明创造 | |
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13 haze | |
n.霾,烟雾;懵懂,迷糊;vi.(over)变模糊 | |
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14 fatuous | |
adj.愚昧的;昏庸的 | |
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15 portrayal | |
n.饰演;描画 | |
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16 contrived | |
adj.不自然的,做作的;虚构的 | |
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17 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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18 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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19 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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20 hardy | |
adj.勇敢的,果断的,吃苦的;耐寒的 | |
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