Chapter 23

One of the great newspapers the other day invited the prominent American authors to speak their minds upon a point in the theory and practice of fiction which had already vexed¹ some of them. It was the question of how much or how little the American novel ought to deal with certain facts of life which are not usually talked of before young people, and especially young ladies. Of course the question was not decided², and I forget just how far the balance inclined in favor of a larger freedom in the matter. But it certainly inclined that way; one or two writers of the sex which is somehow supposed to have purity in its keeping (as if purity were a thing that did not practically concern the other sex, preoccupied³ with serious affairs) gave it a rather vigorous tilt⁴ to that side. In view of this fact it would not be the part of prudence⁵ to make an effort to dress the balance; and indeed I do not know that I was going to make any such effort. But there are some things to say, around and about the subject, which I should like to have some one else say, and which I may myself possibly be safe in suggesting.

One of the first of these is the fact, generally lost sight of by those who censure⁶ the Anglo-Saxon novel for its prudishness, that it is really not such a prude after all; and that if it is sometimes apparently⁷ anxious to avoid those experiences of life not spoken of before young people, this may be an appearance only. Sometimes a novel which has this shuffling⁸ air, this effect of truckling to propriety⁹, might defend itself, if it could speak for itself, by saying that such experiences happened not to come within its scheme, and that, so far from maiming or mutilating itself in ignoring them, it was all the more faithfully representative of the tone of modern life in dealing¹¹ with love that was chaste¹², and with passion so honest that it could be openly spoken of before the tenderest society bud at dinner. It might say that the guilty intrigue¹³, the betrayal, the extreme flirtation¹⁴ even, was the exceptional thing in life, and unless the scheme of the story necessarily involved it, that it would be bad art to lug¹⁵ it in, and as bad taste as to introduce such topics in a mixed company. It could say very justly that the novel in our civilization now always addresses a mixed company, and that the vast majority of the company are ladies, and that very many, if not most, of these ladies are young girls. If the novel were written for men and for married women alone, as in continental¹⁶ Europe, it might be altogether different. But the simple fact is that it is not written for them alone among us, and it is a question of writing, under cover of our universal acceptance, things for young girls to read which you would be put out-of-doors for saying to them, or of frankly¹⁷ giving notice of your intention, and so cutting yourself off from the pleasure—and it is a very high and sweet one of appealing to these vivid, responsive intelligences, which are none the less brilliant and admirable because they are innocent.

One day a novelist who liked, after the manner of other men, to repine at his hard fate, complained to his friend, a critic, that he was tired of the restriction¹⁸ he had put upon himself in this regard; for it is a mistake, as can be readily shown, to suppose that others impose it. "See how free those French fellows are!" he rebelled. "Shall we always be shut up to our tradition of decency¹⁹?"

"Do you think it's much worse than being shut up to their tradition of indecency?" said his friend.

Then that novelist began to reflect, and he remembered how sick the invariable motive²⁰ of the French novel made him. He perceived finally that, convention for convention, ours was not only more tolerable, but on the whole was truer to life, not only to its complexion²¹, but also to its texture²². No one will pretend that there is not vicious love beneath the surface of our society; if he did, the fetid explosions of the divorce trials would refute him; but if he pretended that it was in any just sense characteristic of our society, he could be still more easily refuted. Yet it exists, and it is unquestionably the material of tragedy, the stuff from which intense effects are wrought²³. The question, after owning this fact, is whether these intense effects are not rather cheap effects. I incline to think they are, and I will try to say why I think so, if I may do so without offence. The material itself, the mere²⁴ mention of it, has an instant fascination²⁵; it arrests, it detains, till the last word is said, and while there is anything to be hinted. This is what makes a love intrigue of some sort all but essential to the popularity of any fiction. Without such an intrigue the intellectual equipment of the author must be of the highest, and then he will succeed only with the highest class of readers. But any author who will deal with a guilty love intrigue holds all readers in his hand, the highest with the lowest, as long as he hints the slightest hope of the smallest potential naughtiness. He need not at all be a great author; he may be a very shabby wretch²⁶, if he has but the courage or the trick of that sort of thing. The critics will call him "virile²⁷" and "passionate"; decent people will be ashamed to have been limed by him; but the low average will only ask another chance of flocking into his net. If he happens to be an able writer, his really fine and costly²⁸ work will be unheeded, and the lure²⁹ to the appetite will be chiefly remembered. There may be other qualities which make reputations for other men, but in his case they will count for nothing. He pays this penalty for his success in that kind; and every one pays some such penalty who deals with some such material.

But I do not mean to imply that his case covers the whole ground. So far as it goes, though, it ought to stop the mouths of those who complain that fiction is enslaved to propriety among us. It appears that of a certain kind of impropriety it is free to give us all it will, and more. But this is not what serious men and women writing fiction mean when they rebel against the limitations of their art in our civilization. They have no desire to deal with nakedness, as painters and sculptors³⁰ freely do in the worship of beauty; or with certain facts of life, as the stage does, in the service of sensation. But they ask why, when the conventions of the plastic and histrionic arts liberate³¹ their followers³² to the portrayal³³ of almost any phase of the physical or of the emotional nature, an American novelist may not write a story on the lines of 'Anna Karenina' or 'Madame Bovary.' They wish to touch one of the most serious and sorrowful problems of life in the spirit of Tolstoy and Flaubert, and they ask why they may not. At one time, they remind us, the Anglo-Saxon novelist did deal with such problems—De Foe³⁴ in his spirit, Richardson in his, Goldsmith in his. At what moment did our fiction lose this privilege? In what fatal hour did the Young Girl arise and seal the lips of Fiction, with a touch of her finger, to some of the most vital interests of life?

Whether I wished to oppose them in their aspiration³⁵ for greater freedom, or whether I wished to encourage them, I should begin to answer them by saying that the Young Girl has never done anything of the kind. The manners of the novel have been improving with those of its readers; that is all. Gentlemen no longer swear or fall drunk under the table, or abduct³⁶ young ladies and shut them up in lonely country-houses, or so habitually³⁷ set about the ruin of their neighbors' wives, as they once did. Generally, people now call a spade an agricultural implement³⁸; they have not grown decent without having also grown a little squeamish, but they have grown comparatively decent; there is no doubt about that. They require of a novelist whom they respect unquestionable proof of his seriousness, if he proposes to deal with certain phases of life; they require a sort of scientific decorum. He can no longer expect to be received on the ground of entertainment only; he assumes a higher function, something like that of a physician or a priest, and they expect him to be bound by laws as sacred as those of such professions; they hold him solemnly pledged not to betray them or abuse their confidence. If he will accept the conditions, they give him their confidence, and he may then treat to his greater honor, and not at all to his disadvantage, of such experiences, such relations of men and women as George Eliot treats in 'Adam Bede,' in 'Daniel Deronda,' in 'Romola,' in almost all her books; such as Hawthorne treats in 'The Scarlet³⁹ Letter;' such as Dickens treats in 'David Copperfield;' such as Thackeray treats in 'Pendennis,' and glances at in every one of his fictions; such as most of the masters of English fiction have at same time treated more or less openly. It is quite false or quite mistaken to suppose that our novels have left untouched these most important realities of life. They have only not made them their stock in trade; they have kept a true perspective in regard to them; they have relegated⁴⁰ them in their pictures of life to the space and place they occupy in life itself, as we know it in England and America. They have kept a correct proportion, knowing perfectly⁴¹ well that unless the novel is to be a map, with everything scrupulously⁴² laid down in it, a faithful record of life in far the greater extent could be made to the exclusion⁴³ of guilty love and all its circumstances and consequences.

I justify⁴⁴ them in this view not only because I hate what is cheap and meretricious⁴⁵, and hold in peculiar⁴⁶ loathing⁴⁷ the cant⁴⁸ of the critics who require "passion" as something in itself admirable and desirable in a novel, but because I prize fidelity⁴⁹ in the historian of feeling and character. Most of these critics who demand "passion" would seem to have no conception of any passion but one. Yet there are several other passions: the passion of grief, the passion of avarice⁵⁰, the passion of pity, the passion of ambition, the passion of hate, the passion of envy, the passion of devotion, the passion of friendship; and all these have a greater part in the drama of life than the passion of love, and infinitely⁵¹ greater than the passion of guilty love. Wittingly or unwittingly, English fiction and American fiction have recognized this truth, not fully¹⁰, not in the measure it merits, but in greater degree than most other fiction.

1 vexed   

adj.争论不休的；（指问题等）棘手的；争论不休的问题；烦恼的v.使烦恼( vex的过去式和过去分词 )；使苦恼；使生气；详细讨论

参考例句：

• The conference spent days discussing the vexed question of border controls. 会议花了几天的时间讨论边境关卡这个难题。
• He was vexed at his failure. 他因失败而懊恼。 来自《现代汉英综合大词典》

2 decided   

adj.决定了的，坚决的；明显的，明确的

参考例句：

• This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
• There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。

3 preoccupied   

adj.全神贯注的，入神的；被抢先占有的；心事重重的v.占据（某人）思想，使对…全神贯注，使专心于( preoccupy的过去式)

参考例句：

• He was too preoccupied with his own thoughts to notice anything wrong. 他只顾想着心事，没注意到有什么不对。
• The question of going to the Mount Tai preoccupied his mind. 去游泰山的问题盘踞在他心头。 来自《简明英汉词典》

4 tilt   

v.(使)倾侧；(使)倾斜；n.倾侧；倾斜

参考例句：

• She wore her hat at a tilt over her left eye.她歪戴着帽子遮住左眼。
• The table is at a slight tilt.这张桌子没放平，有点儿歪.

5 prudence   

n.谨慎，精明，节俭

参考例句：

• A lack of prudence may lead to financial problems.不够谨慎可能会导致财政上出现问题。
• The happy impute all their success to prudence or merit.幸运者都把他们的成功归因于谨慎或功德。

6 censure   

v./n.责备；非难；责难

参考例句：

• You must not censure him until you know the whole story.在弄清全部事实真相前不要谴责他。
• His dishonest behaviour came under severe censure.他的不诚实行为受到了严厉指责。

7 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

8 shuffling   

adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式

参考例句：

• Don't go shuffling along as if you were dead. 别像个死人似地拖着脚走。 来自英汉文学 - 嘉莉妹妹
• Some one was shuffling by on the sidewalk. 外面的人行道上有人拖着脚走过。 来自英汉文学 - 嘉莉妹妹

9 propriety   

n.正当行为；正当；适当

参考例句：

• We hesitated at the propriety of the method.我们对这种办法是否适用拿不定主意。
• The sensitive matter was handled with great propriety.这件机密的事处理得极为适当。

10 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

11 dealing   

n.经商方法，待人态度

参考例句：

• This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
• His fair dealing earned our confidence.他的诚实的行为获得我们的信任。

12 chaste   

adj.贞洁的；有道德的；善良的；简朴的

参考例句：

• Comparatively speaking,I like chaste poetry better.相比较而言，我更喜欢朴实无华的诗。
• Tess was a chaste young girl.苔丝是一个善良的少女。

13 intrigue   

vt.激起兴趣，迷住；vi.耍阴谋；n.阴谋，密谋

参考例句：

• Court officials will intrigue against the royal family.法院官员将密谋反对皇室。
• The royal palace was filled with intrigue.皇宫中充满了勾心斗角。

14 flirtation   

n.调情，调戏，挑逗

参考例句：

• a brief and unsuccessful flirtation with the property market 对房地产市场一时兴起、并不成功的介入
• At recess Tom continued his flirtation with Amy with jubilant self-satisfaction. 课间休息的时候，汤姆继续和艾美逗乐，一副得意洋洋、心满意足的样子。 来自英汉文学 - 汤姆历险

15 lug   

n.柄，突出部，螺帽；(英）耳朵；（俚）笨蛋；vt.拖，拉，用力拖动

参考例句：

• Nobody wants to lug around huge suitcases full of clothes.谁都不想拖着个装满衣服的大箱子到处走。
• Do I have to lug those suitcases all the way to the station?难道非要我把那些手提箱一直拉到车站去吗？

16 continental   

adj.大陆的，大陆性的，欧洲大陆的

参考例句：

• A continental climate is different from an insular one.大陆性气候不同于岛屿气候。
• The most ancient parts of the continental crust are 4000 million years old.大陆地壳最古老的部分有40亿年历史。

17 frankly   

adv.坦白地，直率地；坦率地说

参考例句：

• To speak frankly, I don't like the idea at all.老实说，我一点也不赞成这个主意。
• Frankly speaking, I'm not opposed to reform.坦率地说，我不反对改革。

18 restriction   

n.限制，约束

参考例句：

• The park is open to the public without restriction.这个公园对公众开放，没有任何限制。
• The 30 mph speed restriction applies in all built-up areas.每小时限速30英里适用于所有建筑物聚集区。

19 decency   

n.体面，得体，合宜，正派，庄重

参考例句：

• His sense of decency and fair play made him refuse the offer.他的正直感和公平竞争意识使他拒绝了这一提议。
• Your behaviour is an affront to public decency.你的行为有伤风化。

20 motive   

n.动机，目的；adv.发动的，运动的

参考例句：

• The police could not find a motive for the murder.警察不能找到谋杀的动机。
• He had some motive in telling this fable.他讲这寓言故事是有用意的。

21 complexion   

n.肤色；情况，局面；气质，性格

参考例句：

• Red does not suit with her complexion.红色与她的肤色不协调。
• Her resignation puts a different complexion on things.她一辞职局面就全变了。

22 texture   

n.(织物)质地；(材料)构造；结构；肌理

参考例句：

• We could feel the smooth texture of silk.我们能感觉出丝绸的光滑质地。
• Her skin has a fine texture.她的皮肤细腻。

23 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

24 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

25 fascination   

n.令人着迷的事物，魅力，迷恋

参考例句：

• He had a deep fascination with all forms of transport.他对所有的运输工具都很着迷。
• His letters have been a source of fascination to a wide audience.广大观众一直迷恋于他的来信。

26 wretch   

n.可怜的人，不幸的人；卑鄙的人

参考例句：

• You are really an ungrateful wretch to complain instead of thanking him.你不但不谢他，还埋怨他，真不知好歹。
• The dead husband is not the dishonoured wretch they fancied him.死去的丈夫不是他们所想象的不光彩的坏蛋。

27 virile   

adj.男性的；有男性生殖力的；有男子气概的；强有力的

参考例句：

• She loved the virile young swimmer.她爱上了那个有男子气概的年轻游泳运动员。
• He wanted his sons to become strong,virile,and athletic like himself.他希望他的儿子们能长得像他一样强壮、阳刚而又健美。

28 costly   

adj.昂贵的，价值高的，豪华的

参考例句：

• It must be very costly to keep up a house like this.维修这么一幢房子一定很昂贵。
• This dictionary is very useful,only it is a bit costly.这本词典很有用，左不过贵了些。

29 lure   

n.吸引人的东西，诱惑物；vt.引诱，吸引

参考例句：

• Life in big cities is a lure for many country boys.大城市的生活吸引着许多乡下小伙子。
• He couldn't resist the lure of money.他不能抵制金钱的诱惑。

30 sculptors   

雕刻家，雕塑家( sculptor的名词复数 )； [天]玉夫座

参考例句：

• He is one of Britain's best-known sculptors. 他是英国最有名的雕塑家之一。
• Painters and sculptors are indexed separately. 画家和雕刻家被分开，分别做了索引。

31 liberate   

v.解放，使获得自由，释出，放出；vt.解放，使获自由

参考例句：

• They did their best to liberate slaves.他们尽最大能力去解放奴隶。
• This will liberate him from economic worry.这将消除他经济上的忧虑。

32 followers   

追随者( follower的名词复数 )； 用户； 契据的附面； 从动件

参考例句：

• the followers of Mahatma Gandhi 圣雄甘地的拥护者
• The reformer soon gathered a band of followers round him. 改革者很快就获得一群追随者支持他。

33 portrayal   

n.饰演；描画

参考例句：

• His novel is a vivid portrayal of life in a mining community.他的小说生动地描绘了矿区的生活。
• The portrayal of the characters in the novel is lifelike.该书中的人物写得有血有肉。

34 foe   

n.敌人，仇敌

参考例句：

• He knew that Karl could be an implacable foe.他明白卡尔可能会成为他的死敌。
• A friend is a friend;a foe is a foe;one must be clearly distinguished from the other.敌是敌，友是友，必须分清界限。

35 aspiration   

n.志向，志趣抱负；渴望；(语)送气音；吸出

参考例句：

• Man's aspiration should be as lofty as the stars.人的志气应当象天上的星星那么高。
• Young Addison had a strong aspiration to be an inventor.年幼的爱迪生渴望成为一名发明家。

36 abduct   

vt.诱拐，拐带，绑架

参考例句：

• The police caught the man who tried to abduct the boy for ransom.警察抓住了那个企图拐走这男孩以便勒索赎金的家伙。
• The news that we see those use network abduct children sometimes filled with apprehension.我们有时看到那些利用网络诱拐儿童的新闻都心惊肉跳。

37 habitually   

ad.习惯地，通常地

参考例句：

• The pain of the disease caused him habitually to furrow his brow. 病痛使他习惯性地紧皱眉头。
• Habitually obedient to John, I came up to his chair. 我已经习惯于服从约翰，我来到他的椅子跟前。

38 implement   

n.(pl.)工具，器具；vt.实行，实施，执行

参考例句：

• Don't undertake a project unless you can implement it.不要承担一项计划，除非你能完成这项计划。
• The best implement for digging a garden is a spade.在花园里挖土的最好工具是铁锹。

39 scarlet   

n.深红色，绯红色，红衣；adj.绯红色的

参考例句：

• The scarlet leaves of the maples contrast well with the dark green of the pines.深红的枫叶和暗绿的松树形成了明显的对比。
• The glowing clouds are growing slowly pale,scarlet,bright red,and then light red.天空的霞光渐渐地淡下去了，深红的颜色变成了绯红，绯红又变为浅红。

40 relegated   

v.使降级( relegate的过去式和过去分词 )；使降职；转移；把…归类

参考例句：

• She was then relegated to the role of assistant. 随后她被降级做助手了。
• I think that should be relegated to the garbage can of history. 我认为应该把它扔进历史的垃圾箱。 来自《现代汉英综合大词典》

41 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

42 scrupulously   

adv.一丝不苟地；小心翼翼地，多顾虑地

参考例句：

• She toed scrupulously into the room. 她小心翼翼地踮着脚走进房间。 来自辞典例句
• To others he would be scrupulously fair. 对待别人，他力求公正。 来自英汉非文学 - 文明史

43 exclusion   

n.拒绝，排除，排斥，远足，远途旅行

参考例句：

• Don't revise a few topics to the exclusion of all others.不要修改少数论题以致排除所有其他的。
• He plays golf to the exclusion of all other sports.他专打高尔夫球，其他运动一概不参加。

44 justify   

vt.证明…正当(或有理)，为…辩护

参考例句：

• He tried to justify his absence with lame excuses.他想用站不住脚的借口为自己的缺席辩解。
• Can you justify your rude behavior to me?你能向我证明你的粗野行为是有道理的吗？

45 meretricious   

adj.华而不实的，俗艳的

参考例句：

• A wooden building painted to look like marble is meretricious.一座漆得像大理石般的木制建筑物外表是美丽的。
• Her room was painted in meretricious technicolour.她的房间刷着俗艳的颜色。

46 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

47 loathing   

n.厌恶，憎恨v.憎恨，厌恶( loathe的现在分词)；极不喜欢

参考例句：

• She looked at her attacker with fear and loathing . 她盯着襲擊她的歹徒，既害怕又憎恨。
• They looked upon the creature with a loathing undisguised. 他们流露出明显的厌恶看那动物。 来自《现代英汉综合大词典》

48 cant   

n.斜穿，黑话，猛扔

参考例句：

• The ship took on a dangerous cant to port.船只出现向左舷危险倾斜。
• He knows thieves'cant.他懂盗贼的黑话。

49 fidelity   

n.忠诚，忠实；精确

参考例句：

• There is nothing like a dog's fidelity.没有什么能比得上狗的忠诚。
• His fidelity and industry brought him speedy promotion.他的尽职及勤奋使他很快地得到晋升。

50 avarice   

n.贪婪；贪心

参考例句：

• Avarice is the bane to happiness.贪婪是损毁幸福的祸根。
• Their avarice knows no bounds and you can never satisfy them.他们贪得无厌，你永远无法满足他们。

51 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。