Like the butterfly, which, when just emerged from the involucre of the chrysalis, still bears on its folded wings some strips of the wrapping in which it was long enveloped2, so Love, the youngest of human passions, carries remnants of the robe of childhood which he has just discarded. In his caprices and in his follies3, in his games full of grace and strength, in his blind idolatries and in his childish sorrows, you would say that you behold4 before you a child genius. Now he surprises you with his violence, then he awakens5 your sympathy for his weakness; now all powerful, then most timid; now a hero, then a coward; today he defies heaven with closed fists; tomorrow he will with tears implore6 a caress7. Love is childish because he is a child; childish because he is a poet; childish because, unleashing8 all the impulses of the moral world, and agitating9 in a convulsive kaleidoscope all the images of thought, he is more often lyric10 than epic11, and writes more dithyrambs than stories, more poems than philosophical12 treatises13.
Furthermore, Love is puerile14 because he is also so religious as to be superstitious15 and subject to all the nonsensical ideas that may pass through the brain of a timid and ignorant woman. Love, even in northern countries, delights in the pomp of the idolatry which is most characteristic of the south, protests against the severe worship of certain religious sects16 and, being a great admirer of churchly gorgeousness, demands incense17, images, tinsel, altars, insignia, canopies18 and tabernacles.
No religion ever had more senseless idolatry than Love, no[Pg 119] Olympus had more gods, more altars and more priests. He accepts every belief, every worship, from the fetish of the savage19 to the omnipotent20, invisible God of nobler religions. Full of faith and fears, Love would himself have invented idolatry if this had not had an infinity22 of other roots to sprout23 from through the human brain.
When man feels, desires, loves very much, and has reached the furthermost boundary of the human field, he always erects25 an altar with the richest and most beautiful material at his command and there, on his knees, prays and adores; often he prays and adores at the same time. To that altar he brings the amber26 and the coral gathered on the sea-shore and the gold found in the sands of the stream, the poetry found in his erratic27 wanderings through the heaven of the ideal, the most beautiful flowers of his thought, and offers all as a tribute to a creature of earth or space, of nature or imagination. And to love, also, man erects his altar, at the furthermost boundary of the human world, and, on his knees, solemnly asserts that beautiful, good and holy above everything is the creature whom he loves. Not satisfied with this, he raises himself upon the altar and casts avidious glances into the darkness of the unknown, where no form appears to him but the expansion and the reflection of the rays of this world; and there he is suspended over the abysses of nothingness. In that darkness live all the infinities28, all the gods, all the human loves carried into the farthest regions of the ideal.
To love, everything is holy that has been touched by the hand, the eye, or the thought of the beloved, everything in which the dear image is reflected. All these become an object of worship, all is transformed into a magic mirror in which we contemplate29 our god. Who does not remember the adoration30 for a rosebush from which she had plucked a flower, and the idolatry for a petal31 which she had scented32; and who does not remember the thousand various and foolish relics34 of love?
In the reliquary of love have found a place the beautiful and the grotesque35, the horrid36 and the graceful37. I had a[Pg 120] friend who used to weep for long hours with joy and emotion, kissing and contemplating38 a thread of silk which she had held in her hands, and which was for him the only relic33 of love. Another kept on his desk for long years the skull39 of his sweetheart as his dearest companion. There are those who have slept for months and years with a book, a dress, a shawl. And who can enumerate40 all the sublime puerilities, all the ardent41 tendernesses, all the insensate acts of the idolatry of love?
Sensations accumulate such mysterious and deep energies in the brain of man, that, at a sign from us, they can all spring up and erect24 an edifice42 before us, greater and more beautiful than the reality of things. No woman was ever as beautiful as the image which her lover sees in the calm of his solitary43 adoration, or pictures upon the black ground of a night of dreams, a comparison which would often be dangerous, if the magic brush of imagination did not also overcolor the beauty of the things seen by the eye and caressed44 by the hand; but it is a comparison, however, which often sows the lives of artists and poets with sorrow, delusions45 and even crimes.
If every beautiful woman could know all the kisses, all the caresses46, all the hymns47 offered to her by the multitude of men who admire and desire her, she would certainly feel proud that she possessed48 the power of calling forth49 so many energies from the world of the living. Who knows where all those rays end, where the heat of so many motions accumulates, where such a scattered50 force gathers again? If it is true that nothing is lost of all that is generated, what transformation51 takes place in so many ardent desires that extend in the infinite void of space?
Modesty52 imposes a great sobriety of behavior on woman, often a tyrannical reserve. She conceals53 from our eyes the most intimate adorations, the revels54 of the heart and the strange hysterics of sentiment. We, always less enamored than she, give vent21 more freely to our effervescence; and if a beautiful and fortunate woman should describe the scenes which she has witnessed in her youth, she would present a[Pg 121] collection of caricatures before which all others would grow dim and mawkish55; a collection which would combine the grotesque with the sublime, folly56 with passion, impudent57 threats of death and impossible fasts; sudden abandonments of one's dignity, abdications of common sense, stupid sacrifices of one's own personality, orgies of fancy and hurricanes of the senses, humiliations worthy58 of a Franciscan friar and braggart59 rodomontades. How much misery60, how many carnivals61 and bacchanalia, and how much baseness has woman to witness! Fortunately for us, she is merciful and modest; for our honor's sake, she covers us with a corner of her queenly mantle62, hiding our puerilities from the eyes of the profane63, and often from our own.
点击收听单词发音
1 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
参考例句: |
|
|
2 enveloped | |
v.包围,笼罩,包住( envelop的过去式和过去分词 ) | |
参考例句: |
|
|
3 follies | |
罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
参考例句: |
|
|
4 behold | |
v.看,注视,看到 | |
参考例句: |
|
|
5 awakens | |
v.(使)醒( awaken的第三人称单数 );(使)觉醒;弄醒;(使)意识到 | |
参考例句: |
|
|
6 implore | |
vt.乞求,恳求,哀求 | |
参考例句: |
|
|
7 caress | |
vt./n.爱抚,抚摸 | |
参考例句: |
|
|
8 unleashing | |
v.把(感情、力量等)释放出来,发泄( unleash的现在分词 ) | |
参考例句: |
|
|
9 agitating | |
搅动( agitate的现在分词 ); 激怒; 使焦虑不安; (尤指为法律、社会状况的改变而)激烈争论 | |
参考例句: |
|
|
10 lyric | |
n.抒情诗,歌词;adj.抒情的 | |
参考例句: |
|
|
11 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
参考例句: |
|
|
12 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
参考例句: |
|
|
13 treatises | |
n.专题著作,专题论文,专著( treatise的名词复数 ) | |
参考例句: |
|
|
14 puerile | |
adj.幼稚的,儿童的 | |
参考例句: |
|
|
15 superstitious | |
adj.迷信的 | |
参考例句: |
|
|
16 sects | |
n.宗派,教派( sect的名词复数 ) | |
参考例句: |
|
|
17 incense | |
v.激怒;n.香,焚香时的烟,香气 | |
参考例句: |
|
|
18 canopies | |
(宝座或床等上面的)华盖( canopy的名词复数 ); (飞行器上的)座舱罩; 任何悬于上空的覆盖物; 森林中天棚似的树荫 | |
参考例句: |
|
|
19 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
参考例句: |
|
|
20 omnipotent | |
adj.全能的,万能的 | |
参考例句: |
|
|
21 vent | |
n.通风口,排放口;开衩;vt.表达,发泄 | |
参考例句: |
|
|
22 infinity | |
n.无限,无穷,大量 | |
参考例句: |
|
|
23 sprout | |
n.芽,萌芽;vt.使发芽,摘去芽;vi.长芽,抽条 | |
参考例句: |
|
|
24 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
参考例句: |
|
|
25 erects | |
v.使直立,竖起( erect的第三人称单数 );建立 | |
参考例句: |
|
|
26 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
参考例句: |
|
|
27 erratic | |
adj.古怪的,反复无常的,不稳定的 | |
参考例句: |
|
|
28 infinities | |
n.无穷大( infinity的名词复数 );无限远的点;无法计算的量;无限大的量 | |
参考例句: |
|
|
29 contemplate | |
vt.盘算,计议;周密考虑;注视,凝视 | |
参考例句: |
|
|
30 adoration | |
n.爱慕,崇拜 | |
参考例句: |
|
|
31 petal | |
n.花瓣 | |
参考例句: |
|
|
32 scented | |
adj.有香味的;洒香水的;有气味的v.嗅到(scent的过去分词) | |
参考例句: |
|
|
33 relic | |
n.神圣的遗物,遗迹,纪念物 | |
参考例句: |
|
|
34 relics | |
[pl.]n.遗物,遗迹,遗产;遗体,尸骸 | |
参考例句: |
|
|
35 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
参考例句: |
|
|
36 horrid | |
adj.可怕的;令人惊恐的;恐怖的;极讨厌的 | |
参考例句: |
|
|
37 graceful | |
adj.优美的,优雅的;得体的 | |
参考例句: |
|
|
38 contemplating | |
深思,细想,仔细考虑( contemplate的现在分词 ); 注视,凝视; 考虑接受(发生某事的可能性); 深思熟虑,沉思,苦思冥想 | |
参考例句: |
|
|
39 skull | |
n.头骨;颅骨 | |
参考例句: |
|
|
40 enumerate | |
v.列举,计算,枚举,数 | |
参考例句: |
|
|
41 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
参考例句: |
|
|
42 edifice | |
n.宏伟的建筑物(如宫殿,教室) | |
参考例句: |
|
|
43 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
参考例句: |
|
|
44 caressed | |
爱抚或抚摸…( caress的过去式和过去分词 ) | |
参考例句: |
|
|
45 delusions | |
n.欺骗( delusion的名词复数 );谬见;错觉;妄想 | |
参考例句: |
|
|
46 caresses | |
爱抚,抚摸( caress的名词复数 ) | |
参考例句: |
|
|
47 hymns | |
n.赞美诗,圣歌,颂歌( hymn的名词复数 ) | |
参考例句: |
|
|
48 possessed | |
adj.疯狂的;拥有的,占有的 | |
参考例句: |
|
|
49 forth | |
adv.向前;向外,往外 | |
参考例句: |
|
|
50 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
参考例句: |
|
|
51 transformation | |
n.变化;改造;转变 | |
参考例句: |
|
|
52 modesty | |
n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
参考例句: |
|
|
53 conceals | |
v.隐藏,隐瞒,遮住( conceal的第三人称单数 ) | |
参考例句: |
|
|
54 revels | |
n.作乐( revel的名词复数 );狂欢;着迷;陶醉v.作乐( revel的第三人称单数 );狂欢;着迷;陶醉 | |
参考例句: |
|
|
55 mawkish | |
adj.多愁善感的的;无味的 | |
参考例句: |
|
|
56 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
参考例句: |
|
|
57 impudent | |
adj.鲁莽的,卑鄙的,厚颜无耻的 | |
参考例句: |
|
|
58 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
参考例句: |
|
|
59 braggart | |
n.吹牛者;adj.吹牛的,自夸的 | |
参考例句: |
|
|
60 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
参考例句: |
|
|
61 carnivals | |
狂欢节( carnival的名词复数 ); 嘉年华会; 激动人心的事物的组合; 五彩缤纷的颜色组合 | |
参考例句: |
|
|
62 mantle | |
n.斗篷,覆罩之物,罩子;v.罩住,覆盖,脸红 | |
参考例句: |
|
|
63 profane | |
adj.亵神的,亵渎的;vt.亵渎,玷污 | |
参考例句: |
|
|
欢迎访问英文小说网 |