THE MODEL OF SORROWSToC CHAPTER I HOW I FOUND THE MODEL

I cannot pretend that my ambition to paint the Man of Sorrows had any religious inspiration, though I fear my dear old dad at the Parsonage at first took it as a sign of awakening¹ grace. And yet, as an artist, I have always been loath² to draw a line between the spiritual and the beautiful; for I have ever held that the beautiful has in it the same infinite element as forms the essence of religion. But I cannot explain very intelligibly³ what I mean, for my brush is the only instrument through which I can speak. And if I am here paradoxically proposing to use my pen to explain what my brush failed to make clear, it is because the criticism with which my picture of the Man of Sorrows has been assailed⁴ drives me to this attempt at verbal elucidation⁵. My picture, let us suppose, is half-articulate; perhaps my pen can manage to say the other half, especially as this other half mainly consists of things told me and things seen.

And in the first place, let me explain that the conception of the picture which now hangs in its gilded⁶ frame is far from the conception with which I [4]started—was, in fact, the ultimate stage of an evolution—for I began with nothing deeper in my mind than to image a realistic Christ, the Christ who sat in the synagogue of Jerusalem, or walked about the shores of Galilee. As a painter in love with the modern, it seemed to me that, despite the innumerable representations of Him by the masters of all nations, few, if any, had sought their inspiration in reality. Each nation had unconsciously given Him its own national type, and though there was a subtle truth in this, for what each nation worshipped was truly the God made over again in its own highest image, this was not the truth after which I was seeking.

I started by rejecting the blonde, beardless type which Da Vinci and others have imposed upon the world, for Christ, to begin with, must be a Jew. And even when, in the course of my researches for a Jewish model, I became aware that there were blonde types, too, these seemed to me essentially⁷ Teutonic. A characteristic of the Oriental face, as I figured it, was a sombre majesty⁸, as of the rabbis of Rembrandt, the very antithesis⁹ of the ruddy gods of Walhalla. The characteristic Jewish face must suggest more of the Arab than of the Goth.

I do not know if the lay reader understands how momentous¹⁰ to the artist is his model, how dependent he is on the accident of finding his creation already anticipated, or at least shadowed forth¹¹, in Nature. To me, as a realist, it was particularly necessary to find in Nature the original, without which no artist can ever produce those subtle nuances which give the full sense of life. After which, if I say, that my aim is not to copy, but to interpret and transfigure, I [5]suppose I shall again seem to be self-contradictory. But that, again, must be put down to my fumbling¹² pen-strokes.

Perhaps I ought to have gone to Palestine in search of the ideal model, but then my father's failing health kept me within a brief railway run of the Parsonage. Besides, I understood that the dispersion of the Jews everywhere made it possible to find Jewish types anywhere, and especially in London, to which flowed all the streams of the Exile. But long days of hunting in the Jewish quarter left me despairing. I could find types of all the Apostles, but never of the Master.

Running down one week-end to Brighton to recuperate¹³, I joined the Church Parade on the lawns. It was a sunny morning in early November, and I admired the three great even stretches of grass, sea, and sky, making up a picture that was unspoiled even by the stuccoed boarding-houses. The parasols fluttered amid the vast crowd of promenaders like a swarm¹⁵ of brilliant butterflies. I noted¹⁶ with amusement that the Church Parade was guarded by beadles from the intrusion of the ill-dressed, and the spectacle of over-dressed Jews paradoxically partaking in it reminded me of the object of my search. In vain my eye roved among these; their figures were strangely lacking in the dignity and beauty which I had found among the poorest. Suddenly I came upon a sight that made my heart leap. There, squatting¹⁷ oddly enough on the pavement-curb of a street opposite the lawns, sat a frowsy, gaberdined Jew. Vividly¹⁸ set between the tiny green cockle-shell hat on his head and the long uncombed black beard was the face of my desire. The head was bowed towards the earth; it did not even [6]turn towards the gay crowd, as if the mere¹⁹ spectacle was beadle-barred. I was about to accost²⁰ this strange creature who sat there so immovably, when a venerable Royal Academician who resides at Hove came towards me with hearty²¹ hand outstretched, and bore me along in the stream of his conversation and geniality²². I looked back yearningly²³; it was as if the Academy was dragging me away from true Art.

'I think, if you don't mind, I'll get that old chap's address,' I said.

He looked back and shook his head in laughing reproof²⁴.

'Another study in dirt and ugliness! Oh, you youngsters!'

My heart grew hot against his smug satisfaction with his own conventional patterns and prettinesses.

'Behind that ugliness and dirt I see the Christ,' I retorted. 'I certainly did not see Him in the Church Parade.'

'Have you gone on the religious lay now?' he asked, with a burst of his bluff²⁵ laughter.

'No, but I'm going,' I said, and turned back.

I stood, pretending to watch the gay parasols, but furtively²⁶ studying my Jew. Yes, in that odd figure, so strangely seated on the pavement, I had chanced on the very features, the haunting sadness and mystery of which I had been so long in quest. I wondered at the simplicity²⁷ with which he was able to maintain a pose so essentially undignified. I told myself I beheld²⁹ the East squatted³⁰ broodingly as on a divan³¹, while the West paraded with parasol and Prayer-Book. I wondered that the beadles were unobservant of him. Were they content with his abstention from the holy ground [7]of the Church Parade, and the less sacred seats on the promenade¹⁴ without, or would they, if their eyes drew towards him, move him on from further profaning³² those frigidly³³ respectable windows and stuccoed portals?

At last I said: 'Good-morning.' And he rose hurriedly and began to move away uncomplainingly, as one used to being hounded from everywhere.

'Guten Morgen,' I said in German, with a happy inspiration, for in my futile³⁵ search in London I had found that a corrupt³⁶ German called Yiddish usually proved a means of communication.

He paused, as if reassured³⁷. 'Gut³⁴' Morgen,' he murmured; and then I saw that his stature³⁸ was kingly, like that of the sons of Anak, and his manner a strange blend of majesty and humility³⁹.

'Pardon me,' I went on, in my scrupulously⁴⁰ worst German, 'may I ask you a question?'

He made a curious movement of acquiescence⁴¹, compounded of a shrug⁴² and a slight uplifting of his palms.

'Are you in need of work?'

'And why do you wish to know?' he replied, answering, as I had already found was the Jewish way, one question by another.

'I thought I could find you some,' I said.

'Have you scrolls⁴³ of the Law for me to write?' he replied incredulously. 'You are not even a Jew.'

'Still, there may be something,' I replied. 'Let us walk along.'

I felt that the beadle's eye was at last drawn⁴⁴ to us both, and I hurried my model down a side-street. I noticed he hobbled as if footsore. He did not understand what I wanted, but he understood a pound a [8]week, for he was starving, and when I said he must leave Brighton for London, he replied, awe-struck: 'It is the finger of God.' For in London were his wife and children.

His name was Israel Quarriar, his country Russia.

The picture was begun on Monday morning. Israel Quarriar's presence dignified²⁸ the studio. It was thrilling and stimulating⁴⁵ to see his noble figure and tragic⁴⁶ face, the head drooped⁴⁷ humbly⁴⁸, the beard like a prophet's.

'It is the finger of God,' I, too, murmured, and fell to work, exalted⁴⁹.

I worked, for the most part, in rapt silence—perhaps the model's silence was contagious—but gradually through the days I grew to communion with his shy soul, and piecemeal⁵⁰ I learnt his sufferings. I give his story, so far as I can, in his own words, which I often paused to take down, when they were characteristic.

1 awakening   

n.觉醒，醒悟 adj.觉醒中的；唤醒的

参考例句：

• the awakening of interest in the environment 对环境产生的兴趣
• People are gradually awakening to their rights. 人们正逐渐意识到自己的权利。

2 loath   

adj.不愿意的；勉强的

参考例句：

• The little girl was loath to leave her mother.那小女孩不愿离开她的母亲。
• They react on this one problem very slow and very loath.他们在这一问题上反应很慢，很不情愿。

3 intelligibly   

adv.可理解地，明了地，清晰地

参考例句：

• The foreigner spoke to us quite intelligibly. 这个外国人对我们讲的话理解很好。 来自《简明英汉词典》
• Logically or intelligibly ordered or presented; coherent. 有逻辑或理性地排列或表现的；协调的。 来自互联网

4 assailed   

v.攻击( assail的过去式和过去分词 )；困扰；质问；毅然应对

参考例句：

• He was assailed with fierce blows to the head. 他的头遭到猛烈殴打。
• He has been assailed by bad breaks all these years. 这些年来他接二连三地倒霉。 来自《用法词典》

5 elucidation   

n.说明，阐明

参考例句：

• The advertising copy is the elucidation text,which must be written according to the formula of AIDA. 文案是说明文，应基本遵照AIDA公式来写作。 来自互联网
• Fourth, a worm hole, elucidation space-time can stretch, compression, rent, also is deduced time-travel this idea. 第四，有了虫洞，就说明时空可以被拉伸、压缩、撕裂，也就推导出了时空旅行这个想法。 来自互联网

6 gilded   

a.镀金的，富有的

参考例句：

• The golden light gilded the sea. 金色的阳光使大海如金子般闪闪发光。
• "Friends, they are only gilded disks of lead!" "朋友们，这只不过是些镀金的铅饼！ 来自英汉文学 - 败坏赫德莱堡

7 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

8 majesty   

n.雄伟，壮丽，庄严，威严；最高权威，王权

参考例句：

• The king had unspeakable majesty.国王有无法形容的威严。
• Your Majesty must make up your mind quickly!尊贵的陛下，您必须赶快做出决定！

9 antithesis   

n.对立；相对

参考例句：

• The style of his speech was in complete antithesis to mine.他和我的讲话方式完全相反。
• His creation was an antithesis to academic dogmatism of the time.他的创作与当时学院派的教条相对立。

10 momentous   

adj.重要的，重大的

参考例句：

• I am deeply honoured to be invited to this momentous occasion.能应邀出席如此重要的场合，我深感荣幸。
• The momentous news was that war had begun.重大的新闻是战争已经开始。

11 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

12 fumbling   

n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理

参考例句：

• If he actually managed to the ball instead of fumbling it with an off-balance shot. 如果他实际上设法拿好球而不是fumbling它。50-balance射击笨拙地和迅速地会开始他的岗位移动，经常这样结束。
• If he actually managed to secure the ball instead of fumbling it awkwardly an off-balance shot. 如果他实际上设法拿好球而不是fumbling它。50-50提议有时。他从off-balance射击笨拙地和迅速地会开始他的岗位移动，经常这样结束。

13 recuperate   

v.恢复

参考例句：

• Stay in the hospital for a few more days to recuperate.再住院几天，好好地恢复。
• He went to the country to recuperate.他去乡下养病去了。

14 promenade   

n./v.散步

参考例句：

• People came out in smarter clothes to promenade along the front.人们穿上更加时髦漂亮的衣服，沿着海滨散步。
• We took a promenade along the canal after Sunday dinner.星期天晚饭后我们沿着运河散步。

15 swarm   

n.(昆虫)等一大群；vi.成群飞舞；蜂拥而入

参考例句：

• There is a swarm of bees in the tree.这树上有一窝蜜蜂。
• A swarm of ants are moving busily.一群蚂蚁正在忙碌地搬家。

16 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

17 squatting   

v.像动物一样蹲下( squat的现在分词 )；非法擅自占用（土地或房屋）；为获得其所有权；而占用某片公共用地。

参考例句：

• They ended up squatting in the empty houses on Oxford Road. 他们落得在牛津路偷住空房的境地。
• They've been squatting in an apartment for the past two years. 他们过去两年来一直擅自占用一套公寓。 来自《简明英汉词典》

18 vividly   

adv.清楚地，鲜明地，生动地

参考例句：

• The speaker pictured the suffering of the poor vividly.演讲者很生动地描述了穷人的生活。
• The characters in the book are vividly presented.这本书里的人物写得栩栩如生。

19 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

20 accost   

v.向人搭话，打招呼

参考例句：

• He ruminated on his defenses before he should accost her father.他在与她父亲搭话前，仔细地考虑着他的防范措施。
• They have been assigned to accost strangers and extract secrets from them.他们被指派去与生疏人搭讪从并从他们那里套出奥秘。

21 hearty   

adj.热情友好的；衷心的；尽情的，纵情的

参考例句：

• After work they made a hearty meal in the worker's canteen.工作完了，他们在工人食堂饱餐了一顿。
• We accorded him a hearty welcome.我们给他热忱的欢迎。

22 geniality   

n.和蔼，诚恳；愉快

参考例句：

• They said he is a pitiless,cold-blooded fellow,with no geniality in him.他们说他是个毫无怜悯心、一点也不和蔼的冷血动物。
• Not a shade was there of anything save geniality and kindness.他的眼神里只显出愉快与和气，看不出一丝邪意。

23 yearningly   

怀念地，思慕地，同情地； 渴

参考例句：

• He asked himself yearningly, wondered secretly and sorely, if it would have lurked here or there. 她急切地问自己，一面又暗暗伤心地思索着，它会不会就藏匿在附近。
• His mouth struggled yearningly. 他满怀渴望，嘴唇发抖。

24 reproof   

n.斥责，责备

参考例句：

• A smart reproof is better than smooth deceit.严厉的责难胜过温和的欺骗。
• He is impatient of reproof.他不能忍受指责。

25 bluff   

v.虚张声势，用假象骗人；n.虚张声势，欺骗

参考例句：

• His threats are merely bluff.他的威胁仅仅是虚张声势。
• John is a deep card.No one can bluff him easily.约翰是个机灵鬼。谁也不容易欺骗他。

26 furtively   

adv. 偷偷地, 暗中地

参考例句：

• At this some of the others furtively exchanged significant glances. 听他这样说，有几个人心照不宣地彼此对望了一眼。
• Remembering my presence, he furtively dropped it under his chair. 后来想起我在，他便偷偷地把书丢在椅子下。

27 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

28 dignified   

a.可敬的，高贵的

参考例句：

• Throughout his trial he maintained a dignified silence. 在整个审讯过程中，他始终沉默以保持尊严。
• He always strikes such a dignified pose before his girlfriend. 他总是在女友面前摆出这种庄严的姿态。

29 beheld   

v.看，注视( behold的过去式和过去分词 )；瞧；看呀；（叙述中用于引出某人意外的出现）哎哟

参考例句：

• His eyes had never beheld such opulence. 他从未见过这样的财富。 来自《简明英汉词典》
• The soul beheld its features in the mirror of the passing moment. 灵魂在逝去的瞬间的镜子中看到了自己的模样。 来自英汉文学 - 红字

30 squatted   

v.像动物一样蹲下( squat的过去式和过去分词 )；非法擅自占用（土地或房屋）；为获得其所有权；而占用某片公共用地。

参考例句：

• He squatted down beside the footprints and examined them closely. 他蹲在脚印旁仔细地观察。 来自《简明英汉词典》
• He squatted in the grass discussing with someone. 他蹲在草地上与一个人谈话。 来自《简明英汉词典》

31 divan   

n.长沙发；（波斯或其他东方诗人的）诗集

参考例句：

• Lord Henry stretched himself out on the divan and laughed.亨利勋爵伸手摊脚地躺在沙发椅上，笑着。
• She noticed that Muffat was sitting resignedly on a narrow divan-bed.她看见莫法正垂头丧气地坐在一张不宽的坐床上。

32 profaning   

v.不敬( profane的现在分词 )；亵渎，玷污

参考例句：

• Anyone who touch the sanctified vessels of God in defilement are profaning the name of God. 凡人带著污秽去摸神的圣物（圣工）就是亵渎神的名。 来自互联网
• When people purposely violate God's laws and decrees, they are profaning the name of God. 当人故意违背神的律例，典章，就是亵渎神的名。 来自互联网

33 frigidly   

adv.寒冷地；冷漠地；冷淡地；呆板地

参考例句：

34 gut   

n.[pl.]胆量；内脏；adj.本能的；vt.取出内脏

参考例句：

• It is not always necessary to gut the fish prior to freezing.冷冻鱼之前并不总是需要先把内脏掏空。
• My immediate gut feeling was to refuse.我本能的直接反应是拒绝。

35 futile   

adj.无效的，无用的，无希望的

参考例句：

• They were killed,to the last man,in a futile attack.因为进攻失败，他们全部被杀，无一幸免。
• Their efforts to revive him were futile.他们对他抢救无效。

36 corrupt   

v.贿赂，收买；adj.腐败的，贪污的

参考例句：

• The newspaper alleged the mayor's corrupt practices.那家报纸断言市长有舞弊行为。
• This judge is corrupt.这个法官贪污。

37 reassured   

adj.使消除疑虑的；使放心的v.再保证，恢复信心( reassure的过去式和过去分词)

参考例句：

• The captain's confidence during the storm reassured the passengers. 在风暴中船长的信念使旅客们恢复了信心。 来自《现代英汉综合大词典》
• The doctor reassured the old lady. 医生叫那位老妇人放心。 来自《简明英汉词典》

38 stature   

n.（高度）水平，（高度）境界，身高，身材

参考例句：

• He is five feet five inches in stature.他身高5英尺5英寸。
• The dress models are tall of stature.时装模特儿的身材都较高。

39 humility   

n.谦逊，谦恭

参考例句：

• Humility often gains more than pride.谦逊往往比骄傲收益更多。
• His voice was still soft and filled with specious humility.他的声音还是那么温和，甚至有点谦卑。

40 scrupulously   

adv.一丝不苟地；小心翼翼地，多顾虑地

参考例句：

• She toed scrupulously into the room. 她小心翼翼地踮着脚走进房间。 来自辞典例句
• To others he would be scrupulously fair. 对待别人，他力求公正。 来自英汉非文学 - 文明史

41 acquiescence   

n.默许；顺从

参考例句：

• The chief inclined his head in sign of acquiescence.首领点点头表示允许。
• This is due to his acquiescence.这是因为他的默许。

42 shrug   

v.耸肩(表示怀疑、冷漠、不知等)

参考例句：

• With a shrug,he went out of the room.他耸一下肩，走出了房间。
• I admire the way she is able to shrug off unfair criticism.我很佩服她能对错误的批评意见不予理会。

43 scrolls   

n.（常用于录写正式文件的）纸卷( scroll的名词复数 )；卷轴；涡卷形（装饰）；卷形花纹v.（电脑屏幕上）从上到下移动（资料等），卷页( scroll的第三人称单数 )；（似卷轴般）卷起；（像展开卷轴般地）将文字显示于屏幕

参考例句：

• Either turn it off or only pick up selected stuff like wands, rings and scrolls. 把他关掉然后只捡你需要的物品，像是魔杖(wand)，戒指(rings)和滚动条(scrolls)。 来自互联网
• Ancient scrolls were found in caves by the Dead Sea. 死海旁边的山洞里发现了古代的卷轴。 来自辞典例句

44 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

45 stimulating   

adj.有启发性的，能激发人思考的

参考例句：

• shower gel containing plant extracts that have a stimulating effect on the skin 含有对皮肤有益的植物精华的沐浴凝胶
• This is a drug for stimulating nerves. 这是一种兴奋剂。

46 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

47 drooped   

弯曲或下垂，发蔫( droop的过去式和过去分词 )

参考例句：

• Her eyelids drooped as if she were on the verge of sleep. 她眼睑低垂好像快要睡着的样子。
• The flowers drooped in the heat of the sun. 花儿晒蔫了。

48 humbly   

adv. 恭顺地，谦卑地

参考例句：

• We humbly beg Your Majesty to show mercy. 我们恳请陛下发发慈悲。
• "You must be right, Sir,'said John humbly. “你一定是对的，先生，”约翰恭顺地说道。

49 exalted   

adj.(地位等)高的，崇高的；尊贵的，高尚的

参考例句：

• Their loveliness and holiness in accordance with their exalted station.他们的美丽和圣洁也与他们的崇高地位相称。
• He received respect because he was a person of exalted rank.他因为是个地位崇高的人而受到尊敬。

50 piecemeal   

adj.零碎的；n.片，块；adv.逐渐地；v.弄成碎块

参考例句：

• A lack of narrative drive leaves the reader with piecemeal vignettes.叙述缺乏吸引力，读者读到的只是一些支离破碎的片段。
• Let's settle the matter at one stroke,not piecemeal.把这事一气儿解决了吧，别零敲碎打了。