"What is it?" he asked. "What's the matter?"
"Oh, go back to your friends!" said Betty angrily.
"My friends are all right. They'll amuse each other. Tell me."
"Then you must come with me," said she. "If I try to tell you here I shall begin to cry again. Don't speak to me. I can't bear it."
He got into the carriage. It was not until Betty had let herself into her room and he had followed her in—not till they stood face to face in the middle of the carpet that he spoke1 again.
"Now," he said, "what is it? Where's your aunt, and—"
"Sit down, won't you?" she said, pulling off her hat and throwing it on the couch; "it'll take rather a long time to tell, but I must tell you all about it, or else you can't help me. And if you don't help me I don't know what I shall do."
Despair was in her voice.
He sat down. Betty, in the chair opposite his, sat with hands nervously2 locked together.
"Look here," she said abruptly3, "you're sure to think that everything I've done is wrong, but it's no use your saying so."
"I won't say so."
"Well, then—that day, you know, after I saw you at the Bête—Madame Gautier didn't come to fetch me, and I waited, and waited, and at last I went to her flat, and she was dead,—and I ought to have telegraphed to my step-father to fetch me, but I thought I would like to have one night in Paris first—you know I hadn't seen Paris at all, really."
"Yes," he said, trying not to let any anxiety into his voice. "Yes—go on."
"And I went to the Café d'Harcourt—What did you say?"
"Nothing."
"I thought it was where the art students went. And I met a girl there, and she was kind to me."
"What sort of a girl? Not an art student?"
"No," said Betty hardly, "she wasn't an art student. She told me what she was."
"Yes?"
"And I—I don't think I should have done it just for me alone, but—I did want to stay in Paris and work—and I wanted to help her to be good—she is good really, in spite of everything. Oh, I know you're horribly shocked, but I can't help it! And now she's gone,—and I can't find her."
"I'm not shocked," he said deliberately4, "but I'm extremely stupid. How gone?"
"She was living with me here.—Oh, she found the rooms and showed me where to go for meals and gave me good advice—oh, she did everything for me! And now she's gone. And I don't know what to do. Paris is such a horrible place. Perhaps she's been kidnapped or something. And I don't know even how to tell the police. And all this time I'm talking to you is wasted time."
"It isn't wasted. But I must understand. You met this girl and she—"
"She asked your friend Mr. Temple—he was passing and she called out to him—to tell me of a decent hotel, but he asked so many questions. He gave me an address and I didn't go. I went back to her, and we went to a hotel and I persuaded her to come and live with me."
"But your aunt?"
Betty explained about her aunt.
"And your father?"
She explained about her father.
"And now she has gone, and you want to find her?"
"Want to find her?"—Betty started up and began to walk up and down the room.—"I don't care about anything else in the world! She's a dear; you don't know what a dear she is—and I know she was happy here—and now she's gone! I never had a girl friend before—what?"
Vernon had winced6, just as Paula had winced, and at the same words.
"You've looked for her at the Café d'Harcourt?"
"No; I promised her that I'd never go there again."
"She seems to have given you some good advice."
"She advised me not to have anything to do with you" said Betty, suddenly spiteful.
"That was good advice—when she gave it," said Vernon, quietly; "but now it's different."
He was silent a moment, realising with a wonder beyond words how different it was. Every word, every glance between him and Betty had, hitherto, been part of a play. She had been a charming figure in a charming comedy. He had known, as it were by rote7, that she had feelings—a heart, affections—but they had seemed pale, dream-like, just a delightful8 background to his own sensations, strong and conscious and delicate. Now for the first time he perceived her as real, a human being in the stress of a real human emotion. And he was conscious of a feeling of protective tenderness, a real, open-air primitive9 sentiment, with no smell of the footlights about it. He was alone with Betty. He was the only person in Paris to whom she could turn for help. What an opportunity for a fine scene in his best manner! And he found that he did not want a scene: he wanted to help her.
"Why don't you say something?" she said impatiently. "What am I to do?"
"You can't do anything. I'll do everything. You say she knows Temple. Well, I'll find him, and we'll go to her lodgings10 and find out if she's there. You don't know the address?"
"No," said Betty. "I went there, but it was at night and I don't even know the street."
"Now look here." He took both her hands and held them firmly. "You aren't to worry. I'll do everything. Perhaps she has been taken ill. In that case, when we find her, she'll need you to look after her. You must rest. I'm certain to find her. You must eat something. I'll send you in some dinner. And then lie down."
"I couldn't sleep," said Betty, looking at him with the eyes of a child that has cried its heart out.
"Of course you couldn't. Lie down, and make yourself read. I'll get back as soon as I can. Good-bye." There was something further that wanted to get itself said, but the words that came nearest to expressing it were "God bless you,"—and he did not say them.
On the top of his staircase he found Temple lounging.
"Hullo—still here? I'm afraid I've been a devil of a time gone, but Miss Desmond's—"
"I don't want to shove my oar11 in," said Temple, "but I came back when I'd seen Lady St. Craye home. I hope there's nothing wrong with Miss Desmond."
"Come in," said Vernon. "I'll tell you the whole thing."
They went into the room desolate12 with the disorder13 of half empty cups and scattered14 plates with crumbs15 of cake on them.
"Miss Desmond told me about her meeting you. Well, she gave you the slip; she went back and got that woman—Lottie what's her name—and took her to live with her."
"Good God! She didn't know, of course?"
"But she did know—that's the knock-down blow. She knew, and she wanted to save her."
Temple was silent a moment.
"I say, you know, though—that's rather fine," he said presently.
"Oh, yes," said Vernon impatiently, "it's very romantic and all that. Well, the woman stayed a fortnight and disappeared to-day. Miss Desmond is breaking her heart about her."
"So she took her up, and—she's rather young for rescue work."
"Rescue work? Bah! She talks of the woman as the only girl friend she's ever had. And the woman's probably gone off with her watch and chain and a collection of light valuables. Only I couldn't tell Miss Desmond that. So I promised to try and find the woman. She's a thorough bad lot. I've run up against her once or twice with chaps I know."
"She's not that sort," said Temple. "I know her fairly well."
"What—Sir Galahad? Oh, I won't ask inconvenient16 questions." Vernon's sneer17 was not pretty.
"She used to live with de Villermay," said Temple steadily18; "he was the first—the usual coffee maker19 business, you know, though God knows how an English girl got into it. When he went home to be married—It was rather beastly. The father came up—offered her a present. She threw it at him. Then Schauermacher wanted her to live with him. No. She'd go to the devil her own way. And she's gone."
"Can't something be done?" said Vernon.
"I've tried all I know. You can save a woman who doesn't know where she's going. Not one who knows and means to go. Besides, she's been at it six months; she's past reclaiming20 now."
"I wonder," said Vernon—and his sneer had gone and he looked ten years younger—"I wonder whether anybody's past reclaiming? Do you think I am? Or you?"
The other stared at him.
"Well," Vernon's face aged21 again instantly, "the thing is: we've got to find the woman."
"To get her to go back and live with that innocent girl?"
"Lord—no! To find her. To find out why she bolted, and to make certain that she won't go back and live with that innocent girl. Do you know her address?"
But she was not to be found at her address. She had come back, paid her bill, and taken away her effects.
It was at the Café d'Harcourt, after all, that they found her, one of a party of four. She nodded to them, and presently left her party and came to spread her black and white flounces at their table.
"What's the best news with you?" she asked gaily22. "It's a hundred years since I saw you, Bobby, and at least a million since I saw your friend."
"The last time I saw you," Temple said, "was the night when you asked me to take care of a girl."
"So it was! And did you?"
"No," said Temple; "she wouldn't let me. She went back to you."
"So you've seen her again? Oh, I see—you've come to ask me what I meant by daring to contaminate an innocent girl by my society?—Well, you can go to Hell, and ask there."
She rose, knocking over a chair.
"Don't go," said Vernon. "That's not what we want to ask."
"'We' too," she turned fiercely on him: "as if you were a king or a deputation."
"One and one are two," said Vernon; "and I did very much want to talk to you."
"And two are company."
She had turned her head away.
"You aren't going to be cruel," Vernon asked.
"Well, send him off then. I won't be bullied23 by a crowd of you."
Temple took off his hat and went.
"I've got an appointment. I've no time for fool talk," she said.
"Sit down," said Vernon. "First I want to thank you for the care you've taken of Miss Desmond, and for all your kindness and goodness to her."
"Oh!" was all Paula could say. She had expected something so different. "I don't see what business it is of yours, though," she added next moment.
"Only that she's alone here, and I'm the only person she knows in Paris. And I know, much better than she does, all that you've done for her sake."
"I did it for my own sake. It was no end of a lark," said Paula eagerly, "that little dull pious24 life. And all the time I used to laugh inside to think what a sentimental25 fool she was."
"Yes," said Vernon slowly, "it must have been amusing for you."
"I just did it for the fun of the thing. But I couldn't stand it any longer, so I just came away. I was bored to death."
"Yes," he said, "you must have been. Just playing at cooking and housework, reading aloud to her while she drew—yes, she told me that. And the flowers and all her little trumpery26 odds27 and ends about. Awfully28 amusing it must have been."
"Don't," said Paula.
"And to have her loving you and trusting you as she did—awfully comic, wasn't it? Calling you her girl-friend—"
"Shut up, will you?"
"And thinking she had created a new heaven and a new earth for you. Silly sentimental little school-girl!"
"Will you hold your tongue?"
"So long, Lottie," cried the girl of her party; "we're off to the Bullier. You've got better fish to fry, I see."
"Yes," said Paula with sudden effrontery29; "perhaps we'll look in later."
The others laughed and went.
"Now," she said, turning furiously on Vernon, "will you go? Or shall I? I don't want any more of you."
"Just one word more," he said with the odd change of expression that made him look young. "Tell me why you left her. She's crying her eyes out for you."
"Why I left her? Because I was sick of—"
"Don't. Let me tell you. You went with her because she was alone and friendless. You found her rooms, you set her in the way of making friends. And when you saw that she was in a fair way to be happy and comfortable, you came away, because—"
"Because?" she leaned forward eagerly.
"Because you were afraid."
"Afraid?"
"Afraid of handicapping her. You knew you would meet people who knew you. You gave it all up—all the new life, the new chances—for her sake, and came away. Do I understand? Is it fool-talk?"
Paula leaned her elbows on the table and her chin on her hands.
"You're not like most men," she said; "you make me out better than I am. That's not the usual mistake. Yes, it was all that, partly. And I should have liked to stay—for ever and ever—if I could. But suppose I couldn't? Suppose I'd begun to find myself wishing for—all sorts of things, longing30 for them. Suppose I'd stayed till I began to think of things that I wouldn't think of while she was with me. That's what I was afraid of."
"And you didn't long for the old life at all?"
She laughed. "Long for that? But I might have. I might have. It was safer.—Well, go back to her and tell her I've gone to the devil and it's not her fault. Tell her I wasn't worth saving. But I did try to save her. If you're half a man you won't undo31 my one little bit of work."
"What do you mean?"
"You know well enough what I mean. Let the girl alone."
He leaned forward, and spoke very earnestly. "Look here," he said, "I won't jaw32. But this about you and her—well, it's made a difference to me that I can't explain. And I wouldn't own that to anyone but her friend. I mean to be a friend to her too, a good friend. No nonsense."
"Swear it by God in Heaven," she said fiercely.
"I do swear it," he said, "by God in Heaven. And I can't tell her you've gone to the devil. You must write to her. And you can't tell her that either."
"What's the good of writing?"
"A lie or two isn't much, when you've done all this for her. Come up to my place. You can write to her there."
This was the letter that Paula wrote in Vernon's studio, among the half-empty cups and the scattered plates with cake-crumbs on them.
"My Dear Little Betty:
"I must leave without saying good-bye, and I shall never see you again. My father has taken me back. I wrote to him and he came and found me. He has forgiven me everything, only I have had to promise never to speak to anyone I knew in Paris. It is all your doing, dear. God bless you. You have saved me. I shall pray for you every day as long as I live.
"Your poor
"Paula."
"Will that do?" she laughed as she held out the letter.
He read it. And he did not laugh.
"Yes—that'll do," he said. "I'll tell her you've gone to England, and I'll send the letter to London to be posted."
"Then that's all settled!"
"Can I do anything for you?" he asked.
"God Himself can't do anything for me," she said, biting the edge of her veil.
"Where are you going now?"
"Back to the d'Harcourt. It's early yet."
She stood defiantly33 smiling at him.
"What were you doing there—the night you met her?" he asked abruptly.
"What does one do?"
"What's become of de Villermay?" he asked.
"Gone home—got married."
"And so you thought—"
"Oh, if you want to know what I thought you're welcome! I thought I'd damn myself as deep as I could—to pile up the reckoning for him; and I've about done it. Good-bye. I must be getting on."
"I'll come a bit of the way with you," he said.
At the door he turned, took her hand and kissed it gently and reverently34.
"That's very sweet of you." She opened astonished eyes at him. "I always used to think you an awful brute35."
"It was very theatrical36 of me," he told himself later. "But it summed up the situation. Sentimental ass5 you're growing!"
Betty got her letter from England and cried over it and was glad over it.
"I have done one thing, anyway," she told herself, "one really truly good thing. I've saved my poor dear Paula. Oh, how right I was! How I knew her!"
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1
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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2
nervously
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| adv.神情激动地，不安地 | |
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3
abruptly
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| adv.突然地，出其不意地 | |
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4
deliberately
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| adv.审慎地；蓄意地；故意地 | |
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5
ass
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| n.驴；傻瓜，蠢笨的人 | |
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6
winced
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| 赶紧避开，畏缩( wince的过去式和过去分词 ) | |
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7
rote
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| n.死记硬背，生搬硬套 | |
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8
delightful
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| adj.令人高兴的，使人快乐的 | |
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9
primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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10
lodgings
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| n. 出租的房舍, 寄宿舍 | |
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11
oar
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| n.桨，橹，划手；v.划行 | |
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12
desolate
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| adj.荒凉的，荒芜的；孤独的，凄凉的；v.使荒芜，使孤寂 | |
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13
disorder
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| n.紊乱，混乱；骚动，骚乱；疾病，失调 | |
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14
scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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15
crumbs
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| int. (表示惊讶)哎呀 n. 碎屑 名词crumb的复数形式 | |
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16
inconvenient
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| adj.不方便的，令人感到麻烦的 | |
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17
sneer
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| v.轻蔑；嘲笑；n.嘲笑，讥讽的言语 | |
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18
steadily
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| adv.稳定地；不变地；持续地 | |
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19
maker
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| n.制造者，制造商 | |
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20
reclaiming
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| v.开拓( reclaim的现在分词 )；要求收回；从废料中回收（有用的材料）；挽救 | |
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21
aged
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| adj.年老的，陈年的 | |
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gaily
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| adv.欢乐地，高兴地 | |
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23
bullied
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| adj.被欺负了v.恐吓，威逼( bully的过去式和过去分词 ) | |
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24
pious
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| adj.虔诚的；道貌岸然的 | |
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sentimental
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| adj.多愁善感的，感伤的 | |
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26
trumpery
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| n.无价值的杂物；adj.（物品）中看不中用的 | |
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27
odds
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| n.让步，机率，可能性，比率；胜败优劣之别 | |
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28
awfully
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| adv.可怕地，非常地，极端地 | |
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29
effrontery
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| n.厚颜无耻 | |
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30
longing
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| n.（for）渴望 | |
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31
undo
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| vt.解开，松开；取消，撤销 | |
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32
jaw
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| n.颚，颌，说教，流言蜚语；v.喋喋不休，教训 | |
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33
defiantly
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| adv.挑战地，大胆对抗地 | |
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34
reverently
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| adv.虔诚地 | |
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35
brute
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| n.野兽，兽性 | |
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36
theatrical
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| adj.剧场的，演戏的；做戏似的，做作的 | |
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