Ted was delighted with the change; his roots had been transplanted so often in school and university life that they never struck very deeply in the soil of Chesterford. The close neighbourhood of To{103}m’s house weighed heavily in favour of Applethorpe, and the accessibility of Lord Ramsden’s library, which contained many dust-ridden old volumes, among which he had visions, as every book-lover has, of finding undiscovered treasures in the way of twelfth-century missals, was not without its effect. May alone did not like it. It seemed to her that she was going out into new and more elaborate places, which might prove perplexingly different from the green fields and country lanes she knew so well. Things were going to be on a bigger scale; they would keep one curate, perhaps two; London itself loomed4 on the horizon, and when her father had gone to see the place, he came back saying that it looked a pretty country but there had been a London fog, which had drifted down from town.
However, she quite acquiesced5 in her father’s decision, and before Christmas they had moved.
Their house stood at one end of the long straggling village, a typical rectory of the older class, with a tennis lawn in front and a stable-yard behind, a hall paved with red tiles, and far too much ivy6 and virginia creeper on the walls. Ted arrived soon after from Cambridge, with a large square box full of books, which could only just get through the front door.
He and May had gone a long exploring walk in the country one afternoon, and were returning home along the clean frozen road through the village. They had been talking about the place.
“It’s so big, Ted,” May had said, “it almost frightens me, as I told you once a big place would{104} do. It is so hard to get hold of a lot of people like this.”
“Well, there will be a curate, won’t there?” said Ted. “Of course it’s too large for father alone.”
“Yes, I know there will; but you don’t understand. I must get hold of them myself. I must do all I did at Chesterford, and more.”
Ted looked at her kindly8.
“Yes, I know how you feel about it. It’s the personal relation you want, isn’t it?”
“No, I don’t care about their personal relation to me. They might all hate me if they liked. But the quickest way to get at people’s hearts for any purpose is to make them like one.”
“Don’t be worried, May,” said he. “You will soon get to know them all, unless I’m very much mistaken.”
“Ah, but just think of the state things are in! I went to see an old woman yesterday. She couldn’t understand at first why I came. I told her I was the new vicar’s daughter, and she asked me what I wanted. The late vicar used never to visit anybody, she said.”
“Yes, it will be hard work.”
“I wish you could come here after you were ordained,” said May, “as father’s curate.”
“I must stop at Cambridge,” said Ted. “You wouldn’t wish me to give that up?”
“No, I suppose not,” said May; “and yet, I don’t know. I think parish work is the highest in the world.”
“There is plenty of that to do in Cambridge,” said{105} Ted, “for that matter; but I am not the man to do it. I can’t do it as you can—and father,” he added.
“Ah, but what is good work in other lines compared to any work in that?” said May, earnestly—“especially for a man who means to be a clergyman.”
“Yes, but other things can’t be neglected. You have no business to leave alone what you think you can do, for anything else. One’s talents, whatever they are, are given one to use.”
“But is there not ‘that good part’?” asked May.
Ted walked on in silence a little way.
“I did not know you thought of it like that,” he said at length. “Do you admit no call but that of saving souls directly by your means?”
“I didn’t know I felt it myself, till we came here,” said May; “until I saw this place so absolutely uncared for. Look at the rich people, too. Old Mr. Carlingford is very liberal, because he is very rich; but he never comes to church.”
“Ah, that reminds me,” said Ted. “Tom is coming home soon, in about a fortnight, he said.”
May paused on the doorstep.
“I suppose he will come here, won’t he? I didn’t know he was coming back so early.”
And she turned rather quickly, and went into the house.
The new curate soon came, and fulfilled to the utmost all the admirable accounts of himself which had led to his engagement. He was strong and vigorous, and exerted all his vigour9 and strength in the work to which he had been called. He was even bold enough to pay a visit to Mr. Carlingford single-{106}handed, and the latter gentleman conversed10 to him very fluently and agreeably for half an hour on the coal-strike, and the lamentable11 weakness of the English fleet in the Mediterranean12, offered to draw a cheque then and there to supply coal for villagers who were unable to have fires in this very nipping weather, and courteously13 declined to interest himself any further.
He was walking back through the village, and met May there, who had been visiting.
“I have just been to see Mr. Carlingford,” he said.
May looked up quickly.
“I didn’t know——” she began. “Oh! old Mr. Carlingford. Yes. Did you get anything out of him?”
“I got a cheque,” said Mr. Douglas.
May laughed.
“Yes, that’s not so difficult, though it’s something to be thankful for. These poor creatures are half frozen.”
“Mr. Carlingford really is very generous. But is there no hope of getting hold of him really? He might do much more than he does.”
“I wonder. Tom Carlingford is coming home this week. He might do something with his father. I’ll ask my brother about it. By the way, we are dining there to-night. Are you going?”
“No, I’ve got my cheque,” said the young man. “That’s enough for one day. Besides, I have a boys’ meeting at Chipford Mills. I must leave you here. I have to go up to Breigton cottages first.{107}”
May turned and shook hands with him.
“It’s absurd for me to thank you for all you are doing,” she said. “You do all sorts of things which my father couldn’t possibly do, and which we have no right to expect.”
“Surely that is a curate’s business,” he said, laughing, and taking off his hat.
Mr. Markham was suffering from a slight cold, and he had not been out that day. He was sitting over the fire in the drawing-room, reading a comedy of Aristophanes, when May came in.
“How cold you look!” he said. “I ordered tea as you were a little late.”
“Yes; I couldn’t come before, father,” she said, “and even now I have only got through half the things I wanted to do.”
“Never mind, dear; but you should make an effort to be punctual; and charity begins at home, eh, May?”
May turned from the fire, where she had been warming her hands, and poured out a cup of tea. Her father, seeing he got no answer, continued somewhat reproachfully—
“My cold is rather worse this evening, and I can’t think what you did with that medicine. I couldn’t find it anywhere.”
“I put it on the table in your study.”
“No, dear. I think not. I looked for it there.”
May went out of the room and brought back the bottle.
“Yes, it was there. You had put some of your papers on to it.{108}”
“Thanks very much. I hope you took care not to disturb the papers.”
“No, I disturbed nothing. Will you have some now?”
“No, I’ve just had my tea. I was wanting it before tea. I always take it before meals, you know.”
May sat down in a chair and stirred her tea.
“Mr. Carlingford has given Mr. Douglas a cheque to get coals for the people. It’s fearfully cold, and, poor things, many of them can’t afford coals.”
“A good fellow, Douglas,” murmured Mr. Markham, as he smiled appreciatively at Aristophanes.
“I was wondering if we couldn’t let them have some wood,” said May. “There are stacks of it in the yard.”
Mr. Markham put his finger in his place.
“Yes, I will see about it. Who want it?”
“Oh, half a dozen of the cottages down here, and more at the mills.”
“Well, dear, hadn’t you better make a little list? It would save me some trouble. Dear me, the fire wants mending. And then, if you would let me have it in about an hour, I could just finish this play.”
“We dine at Mr. Carlingford’s to-night,” said May.
“Yes, dear, I know. Ah, δ?καιο? λ?γο?. How admirable that is!”
Mr. Carlingford felt that he was doing his duty beautifully that evening. He had given a cheque to the curate in the afternoon, and he was having his vicar to dinner in the evening. His definition of duty was vague and comprehensive. It meant doing those{109} things which he either did not wish to do or felt no desire to do. He had no desire to give Mr. Douglas a cheque, and he did not wish to have his vicar to dinner. The latter was therefore more clearly his duty than the former, since the essential character of such acts varied15 in exact ratio to their unpleasantness. An evening, he reflected, as he dressed for dinner, should be spent alone in a warm room, after a light meal, and be conveyed to the senses through the medium of several glasses of good port. Clergymen were often teetotalers, and it gave him a positive sense of discomfort16 to see people drinking water. Water was meant to wash in.
To him, in this state of mind, Mr. Markham was a pleasant surprise. He showed no inclination17 to talk about mutton broth14 and district visiting, he seemed to be well up in current topics of interest, and he was no teetotaler. In fact, he made some rather knowing remarks on the subject of cellars, and the depreciated18 nature of corks19 nowadays. And May really was an admirable girl. “Why didn’t that fool Tom fall in love with her, instead of heathen goddesses?” was his mental comment as she came in.
“I heard from my prodigal20 son to-day,” he said, as they were sitting at dinner; “he has decided21 to continue his prodigality22 for another month. The fatted calf23 may get fatter still. Poor boy! he is quite mad, and he means to fill the house with statues. Statues always give me the shivers. They really lower the temperature of the room. It is impossible to see too little of them.{110}”
“They’ll have to go in the kitchen,” said Mr. Markham.
“An excellent suggestion, my dear Mr. Markham, but think of the soup! However, Tom is so dreadfully energetic, he always makes me feel hot. The statues shall be wheeled about with him, and that will preserve the equability of the temperature.”
“He wrote to my brother saying he was coming back at once,” said May.
“He does not deserve that you should remember that,” said Mr. Carlingford, urbanely24. “But I shall be so glad to see him that I will tell him.”
“Oh, you needn’t do that,” said May, laughing.
Mr. Carlingford looked up at her a moment, and smiled to himself. That slight flush on May’s face might only have been the effect of coming out of the cold night air into warm rooms, but the other explanation pleased him more.
“You and Tom will have great talks about Greek sculpture and Greek literature, Mr. Markham,” said Mr. Carlingford, still adapting himself. “I hear you are a wonderful scholar.”
“I have so little time for anything but my parish duties,” said Mr. Markham, “that I never get the chance of working at classics. We are very busy here, eh, May?”
“Well, it’s an ill wind that blows no one any good,” said Mr. Carlingford, “and the parish is the gainer.”
The two gentlemen sat on in the dining-room afterwards, while May spent a lonely but pleasant quarter of an hour in the drawing-room. She was tired, for she had been out all day, and a low chair{111} in front of the fire suited her mood exactly. She never read much, and the books on the table, chiefly by French authors of whom she had never heard, did not excite her interest. So she fed on her own thoughts, and made quiet uneventful plans for the future. When one is young, difficulties produce a quickening of the hand and pulse, not a tendency to give up, to be content with what is done. The powers of the mind and soul, like the muscles of the body, grow only through their active employment, and the harder the work the fitter they become. It is only when the capability25 of growth ceases that exertion26 is labour. Her thoughts ran on the events of the day, on the material as well as the spiritual needs of those clustered cottagers, on the want, the suffering.... There was one girl who lived alone in a tiny room in one of the poorer cottages with her week-old baby. It was the common story; she was weak and ill, and unable to work. Yet to such as her the promise had been made. The baby too; surely the words “How much more shall He feed you” did not mean the workhouse? She must consult her father about them. She had already started a Sunday afternoon class for children. Poor mites27, they did not need theology yet; it was better to teach them to be clean, to show them pictures that would amuse them, to let them spend a happy hour in a warm bright room, with playthings and wooden bricks to build with.
And for herself, what? She neither wanted nor contemplated28 any change. The work that lay before her was so inevitably29 hers, that any possible change would be to neglect the whole purpose of her life.{112} She was her father’s daughter, and he was a parish priest. What other call could there be for her which could be clearer than that? She rose from her chair and walked once or twice up and down the room, and stopped at length before a long mirror set in the wall. There was a lamp on either side standing30 on the top of two chiffoniers, and her image was reflected in bright light. She gazed a few seconds at herself without thinking what she was doing, and then drew in her breath with a sudden start, for she saw in the mirror a reflection, not of what she was used to think herself, but the reflection of a woman, and she was that woman. The whole thing flashed on to and off her brain in a moment, but it had been there.
Meanwhile Mr. Carlingford and his vicar were having a comfortable glass of port over the fire. The vicar liked everything to be good of its sort; his terriers were all in the kennel31 stud-book, his Walter Scott was an édition de luxe, and he had a beautiful Romney in his dining-room. And all Mr. Carlingford offered him was first-rate; the dinner had been excellent, the fire was of that superlative mixture, cedar32 logs and coal, and the port was certainly above criticism. He regretted profoundly that his slight cold had taken the edge off his sense of taste.
Mr. Carlingford expressed singular but original ideas on the subject of money.
“I had the pleasure of giving your curate, a delightful33 young fellow I should say,” he began, “a small cheque this afternoon. So many clergymen, Mr. Markham, if you will excuse a criticism on your{113} fellow-workers, are distinguished34 only for their superficial grasp of subtleties35; but Mr. Douglas is distinguished for his wonderfully keen grasp of the obvious. I asked him for how much I should draw the cheque, and he said at once the sum he wished to receive. I hope you will always ask me when you want anything.”
“You are very generous.”
Mr. Carlingford finished his glass, and put it down on the chimney-piece.
“Money may be the root of all evil,” he said, “but it is in itself a very necessary evil. It is one of those little snares36 without which we should be always tripping up. But it is a very troublesome thing. Tom, I know, detests37 money; perhaps that is why he spends it so quickly. However, there is always a chance of something smashing and his being left penniless, so he needn’t abandon all hope of being happy yet. He is a great friend of your son, is he not?”
“Yes, Ted saw a great deal of him at Cambridge, though he was a year or two the senior.”
“I was so glad to see he had got his Fellowship. I suppose he will remain at Cambridge.”
“Yes, he means to. He is fond of the place, and it is a pleasant life.”
“And that, after all, is the best investment you can make of your time,” remarked Mr. Carlingford.
“Not financially, I am afraid.”
“My dear Mr. Markham, you are confusing the end and the means. The harmless necessary cash can at the best only secure you a pleasant life, and if the{114} pleasant life comes to you without, it becomes not necessary, but superfluous38.”
“Well, there is no fear of cash ever being superfluous to Ted.”
“Cash is always superfluous, except when you cannot get credit,” said his host. “If there were no cash in the world we should all live in our several stations on our credit with each other, and how much simpler that would be!”
“I am afraid there would be complications ahead.”
“There are always complications ahead,” said Mr. Carlingford, “but in the fulness of time they fall behind. Meanwhile one rubs along somehow. Shall we move into the next room?”
It is to be feared that if Tom, in the new life that had opened for him at Athens, could have seen how Ted was spending his life at Cambridge, he would have been far from satisfied with him. It requires strong vitality39 or real originality40 to avoid the paralyzing effect which routine brings with it, and though Ted was original enough to give birth to some theories concerning patristic literature which were received in the most favourable41 manner by past masters of his craft, his horizons were imperceptibly narrowing around him. It is the peculiar42 property of such changes that they are imperceptible; to be alive to them would be to guard against them, for no thinking man acquiesces43 in limitations which he can see. He spent long mornings of steady work, he took gentle exercise in the afternoon, and played whist for an hour or two after hall; and any routine, when one is surrounded by men who are engaged in{115} similar routines, is deadly. He let old acquaintances drop, he did not care to initiate44 new ones, and he lived with a few men who were in the same predicament as himself, and was perfectly45 happy. He worked not for fame’s sake, but for the sake of the work, and though his method of working is undoubtedly46 the more highly altruistic47, yet it has to be paid for in other ways. A little personal ambition is a very human and therefore a very suitable thing for men, for it keeps one alive to the fact that one is one man among other men, not one machine for producing knowledge among other machines. A machine may very likely do the work better; a perfect machine would do it perfectly, but it will not become a man by so doing, though a man, as the higher of the two, may quite easily degenerate48 into a machine.
Ted’s talk with May about parish work led to his taking a district in Barnwell, and doing work there. But, as he told her, he had no power of doing that sort of thing—he had none of the missionary49 spirit, nor any desire now to enter into the personal relation with his fellows, which distinguished, though in opposite ways, both his sister and Tom. The sight of dirt and squalor was productive in him, in the first instance, not of a desire to make it clean, but to go away. He realized to the full how deplorable a state of uncleanliness, physical or moral, was, and he would have been very uncomfortable to think that there were not well-endowed institutions the object of which was to rectify50 it.
Before Tom had gone away in November, he{116} completed a couple of statuettes, which he had made during the summer, had them cast in bronze by the cire perdue process, and sent them to a winter exhibition. He had only just received the news that they had been accepted before he went away, and had heard nothing of them since. But one day in the winter Ted had been turning over a current number of the Spectator, and found them mentioned in a notice of the exhibition with that high praise which is both rare and convincing, and felt a strong but unsympathetic pleasure, for, judging from his own point of view, he would have felt none himself that a casual critic thought them good. A few nights afterwards, by one of those coincidences which would be so strange if they were not so common, he met at dinner with the master of another college, the sculptor51 Wallingthorpe, who talked chiefly about himself, but a little about his art. He was a picturesque52 man, and his picturesqueness53 added a strong flavour to his conversation.
“I seldom or never go to exhibitions,” he said. “A beautiful subject badly treated warps54 one. One has to be convalescent after it. One’s artistic55 sense has been bruised56, and it has to recover from the blow: the injured tissues have to heal.”
Ted mentioned the name of the exhibition where Tom’s studies had appeared, and asked if he had been there.
“Yes, I did go there—no wine, thanks; I never take wine, by the way. It is a stimulant57, and I don’t require stimulating58, I require soothing59. I am glad you mentioned that exhibition; there were two{117} studies there of extreme, unusual merit. They produced in me that feeling that I could have done the thing myself, that I wished I had. That is the final excellence60 from one’s own point of view. They realized to me the vision I might have had.”
“Whom were they by?” asked Ted.
“By quite a young man, I believe; certainly by quite a new one. Carlingford was the name.”
“Ah! I know him well,” said Ted.
They were sitting over the wine after dinner, and Wallingthorpe, who did not care to talk to Ted exclusively any longer, but wanted a larger audience, bent61 forward and shook him warmly by the hand. This was done in a dramatic and fervid62 manner, and naturally drew the attention of the rest of the table.
Wallingthorpe turned round to explain himself.
“I was congratulating Mr. Markham on knowing a man of genius,” he said.
The natural inference was that these felicitations were offered to Ted on the happy event of his having become acquainted with Wallingthorpe, but that gentleman was self-denying enough to dispel63 the idea.
“I was speaking of two very remarkable64 little works in the Ashdon Gallery, by a young man called Carlingford, with whom Mr. Markham tells me he is intimate. They are very faulty in many ways, but faults matter nothing when there is the divine essential burning behind them. Mr. Carlingford is an uncut diamond. There are superficial flaws in the stone, which will be polished away. He has only got to work and to live.{118}”
“Carlingford,” said some one; “he was up at King’s till quite lately, was he not?”
Mr. Marshall blinked intelligently behind his spectacles.
“Yes, but we had no idea we were harbouring a genius. In fact, no one even suspected he had real talent of any kind. But he was not stupid.”
“It is possible, even probable, that he had no talent,” exclaimed Wallingthorpe. “Genius and talent have nothing in common. You might as well expect to find a bird that had hands because it has wings. Genius flies, talent—the metaphor65 breaks down—walks on its hands and feet. But what made you think he had no talent?”
“His work was always very careless, and showed no very distinct promise.”
Wallingthorpe beat the air with prophetic hands.
“His Greek prose! His Latin verses! His ο? and his μ? That is very likely. Did it not occur to any one that you might as well have set a wild Indian to hem7 handkerchiefs?”
“You see we all have to hem handkerchiefs here,” said his host urbanely; “that is the reason why young men come to Cambridge.”
“And you wonder when your thorns bear grapes and your thistles figs66!” said Wallingthorpe. “Yet those are to blame who did not know that the thistle was a fig-tree.”
Dr. Madeford laughed good-naturedly.
“But we are all delighted when we find it bearing figs,” he said, “although, of course, we don’t allow that we thought it a thistle. We have a higher idea of what we study.{119}”
Wallingthorpe became pacific.
“Consider me rebuked,” he said, “but think of the pity of it. Four or five years ago that boy ought to have been alternately turned loose in Rome and shut up with a model and a mountain of clay. By now those defects would have vanished. They would never have been in his nature. Their possibility would have been taken out of him before they had birth.”
“Then you have really a high opinion of his work?” asked Markham.
“My dear young man, I have the highest. He has genius, and he has love of his work. Show me the man of whom I can say that, and I hail him as a brother.”
Wallingthorpe’s egotism was too deep to call conceit67; it was a conviction that was the mainspring of his nature, the driving-power of his work. It should not matter to the outside world what the driving-power is, if the result is admirable, and Wallingthorpe’s results certainly were admirable.
But further conversation would seem bathos after this, and the party passed into the drawing-room.
Wallingthorpe had a word or two more with Ted as he was leaving.
“What is Carlingford doing now?” he asked.
“He’s in Athens, working there.”
“A dangerous experiment. Is he much impressed by classical art?”
“Very much indeed; he believes in nothing else, he says.”
The sculptor frowned.
“That means he will try to stand on tip-toe for a{120} month or two instead of flying. However, he will get tired of that. He will soon learn that the only real art is realism.”
“He says that a sculptor out there called Manvers is always impressing that on him.”
“Manvers? Well, no one ever accused Manvers of not being a realist. That is about the only crime he has never been suspected of. Manvers is extremely talented, but he has not a touch of genius. However, for diabolical68 cleverness in his work he can’t be touched. On the other hand, any tendency in Carlingford to idealism might be encouraged by Manvers indirectly69. He would find it impossible, if he had leanings that way, not to have his bias70 strengthened by anything so rampantly71 realistic as Manvers’ work.”
“Tom Carlingford is coming back to England in a few weeks.”
“I’m glad of that. The future is in his own hands. ”
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ted
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| vt.翻晒，撒，撒开 | |
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chancellor
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| n.(英)大臣；法官；(德、奥)总理；大学校长 | |
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unwilling
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| adj.不情愿的 | |
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loomed
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| v.隐约出现，阴森地逼近( loom的过去式和过去分词 )；隐约出现，阴森地逼近 | |
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acquiesced
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| v.默认，默许( acquiesce的过去式和过去分词 ) | |
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ivy
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| n.常青藤，常春藤 | |
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hem
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| n.贴边，镶边；vt.缝贴边；(in)包围，限制 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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vigour
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| （=vigor）n.智力，体力，精力 | |
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conversed
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| v.交谈，谈话( converse的过去式 ) | |
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lamentable
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| adj.令人惋惜的，悔恨的 | |
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Mediterranean
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| adj.地中海的；地中海沿岸的 | |
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courteously
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| adv.有礼貌地，亲切地 | |
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broth
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| n.原(汁)汤(鱼汤、肉汤、菜汤等) | |
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varied
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| adj.多样的，多变化的 | |
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discomfort
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| n.不舒服，不安，难过，困难，不方便 | |
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inclination
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| n.倾斜；点头；弯腰；斜坡；倾度；倾向；爱好 | |
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depreciated
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| v.贬值，跌价，减价( depreciate的过去式和过去分词 )；贬低，蔑视，轻视 | |
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corks
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| n.脐梅衣；软木( cork的名词复数 )；软木塞 | |
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prodigal
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| adj.浪费的，挥霍的，放荡的 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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prodigality
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| n.浪费，挥霍 | |
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calf
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urbanely
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| adv.都市化地，彬彬有礼地，温文尔雅地 | |
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capability
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exertion
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mites
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| n.（尤指令人怜悯的）小孩( mite的名词复数 )；一点点；一文钱；螨 | |
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contemplated
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| adj. 预期的 动词contemplate的过去分词形式 | |
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inevitably
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| adv.不可避免地；必然发生地 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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kennel
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| n.狗舍，狗窝 | |
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cedar
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| n.雪松，香柏(木) | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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distinguished
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| adj.卓越的，杰出的，著名的 | |
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subtleties
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| 细微( subtlety的名词复数 )； 精细； 巧妙； 细微的差别等 | |
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snares
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| n.陷阱( snare的名词复数 )；圈套；诱人遭受失败（丢脸、损失等）的东西；诱惑物v.用罗网捕捉，诱陷，陷害( snare的第三人称单数 ) | |
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detests
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| v.憎恶，嫌恶，痛恨( detest的第三人称单数 ) | |
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superfluous
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| adj.过多的，过剩的，多余的 | |
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vitality
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| n.活力，生命力，效力 | |
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originality
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| n.创造力，独创性；新颖 | |
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favourable
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| adj.赞成的，称赞的，有利的，良好的，顺利的 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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acquiesces
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| v.默认，默许( acquiesce的第三人称单数 ) | |
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initiate
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| vt.开始，创始，发动；启蒙，使入门；引入 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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undoubtedly
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| adv.确实地，无疑地 | |
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altruistic
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| adj.无私的，为他人着想的 | |
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degenerate
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| v.退步，堕落；adj.退步的，堕落的；n.堕落者 | |
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missionary
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| adj.教会的，传教(士)的；n.传教士 | |
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rectify
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| v.订正，矫正，改正 | |
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sculptor
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| n.雕刻家，雕刻家 | |
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picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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picturesqueness
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warps
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| n.弯曲( warp的名词复数 )；歪斜；经线；经纱v.弄弯，变歪( warp的第三人称单数 )；使（行为等）不合情理，使乖戾， | |
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artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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bruised
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| [医]青肿的，瘀紫的 | |
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stimulant
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| n.刺激物，兴奋剂 | |
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stimulating
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| adj.有启发性的，能激发人思考的 | |
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soothing
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| adj.慰藉的；使人宽心的；镇静的 | |
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excellence
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| n.优秀，杰出，(pl.)优点，美德 | |
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bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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fervid
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| adj.热情的；炽热的 | |
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dispel
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| vt.驱走，驱散，消除 | |
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remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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metaphor
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| n.隐喻，暗喻 | |
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figs
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| figures 数字，图形，外形 | |
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conceit
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| n.自负，自高自大 | |
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diabolical
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| adj.恶魔似的，凶暴的 | |
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indirectly
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| adv.间接地，不直接了当地 | |
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bias
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| n.偏见，偏心，偏袒；vt.使有偏见 | |
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rampantly
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| 粗暴地，猖獗的 | |
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