Bastien-Lepage was a painter in the noblest acceptation of the term; it may even be asserted that he would have exercised considerable influence upon the art of his epoch4 if Destiny had not stupidly mown down the sturdy flower of his genius in the very hour of its brightest blossoming. Born into this world with a solid tenacity5 of purpose which seems to be a special gift of the soil of Lorraine to her sons and daughters, he had a clear-cut and unalterable conception of what painting should be. His mind was receptive only of simple ideas, his eye perceived only visions that were tangible6, such as were unobscured by any shadow or any artifice7. He was the apostle of clearness, both in conception and in execution. Every time that he tried experimentally to turn aside from his chosen path, he[Pg 15] ceased to be himself, he fell below his own standards. What interested him most of all, in the life of this world which he observed so eagerly, as though he had a presentiment8 of his early end, was nature's most precise and most uncompromising manifestation9, both in line and in relief; namely, the peasant and the environment which frames him. Having deliberately10 chosen such models, Bastien-Lepage could not pretend to be the painter of the Beautiful, nor did he ever become so. He did not even adorn11 his subjects with that special sort of idealism with which Millet12 embellished13 even his most uncouth14 rustic15 types, a slightly melancholy16 idealism obtained by a sombre toning down of colour, which Bastien-Lepage held in horror. His peasants stand out boldly, in the crude glare of flamboyant17 noontide, under a summer sun that refuses to leave hidden any part of their ugliness or their defects. He painted them as he saw them, with the searching rays striking them full in the face; and his brush was a stranger to any compromise, intolerant of even the slightest betterment, in the course of the literal transference of his model to his canvas. It made no difference how handsome or how homely18 a given subject might be, Bastien-Lepage would always render him precisely19 as nature, in a grudging20 or indulgent mood, had made him,—that is to say, truly and sincerely, with a precision that would be almost photographic, if the minuteness of his technique were not ennobled by the high quality of his art. With such gifts, Bastien-Lepage was foreordained to be a marvellous interpreter of rural life, and such he was in the highest degree; in like manner, he could not fail to become a portrait painter of the first order, and it was in this capacity also that he enrolled21 himself among the most interesting and vigorous artists of our epoch.
Few artists have been able to endow their models with such an animated22 expression of life. All the keenness, intelligence and austerity of this prominent personage, known by the name of Father of the Constitution, are eloquently23 transferred to this page, with a sobriety of means that still further emphasizes its vigour24.
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1 luminous | |
adj.发光的,发亮的;光明的;明白易懂的;有启发的 | |
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2 prematurely | |
adv.过早地,贸然地 | |
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3 furrow | |
n.沟;垄沟;轨迹;车辙;皱纹 | |
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4 epoch | |
n.(新)时代;历元 | |
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5 tenacity | |
n.坚韧 | |
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6 tangible | |
adj.有形的,可触摸的,确凿的,实际的 | |
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7 artifice | |
n.妙计,高明的手段;狡诈,诡计 | |
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8 presentiment | |
n.预感,预觉 | |
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9 manifestation | |
n.表现形式;表明;现象 | |
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10 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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11 adorn | |
vt.使美化,装饰 | |
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12 millet | |
n.小米,谷子 | |
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13 embellished | |
v.美化( embellish的过去式和过去分词 );装饰;修饰;润色 | |
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14 uncouth | |
adj.无教养的,粗鲁的 | |
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15 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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16 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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17 flamboyant | |
adj.火焰般的,华丽的,炫耀的 | |
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18 homely | |
adj.家常的,简朴的;不漂亮的 | |
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19 precisely | |
adv.恰好,正好,精确地,细致地 | |
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20 grudging | |
adj.勉强的,吝啬的 | |
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21 enrolled | |
adj.入学登记了的v.[亦作enrol]( enroll的过去式和过去分词 );登记,招收,使入伍(或入会、入学等),参加,成为成员;记入名册;卷起,包起 | |
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22 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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23 eloquently | |
adv. 雄辩地(有口才地, 富于表情地) | |
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24 vigour | |
(=vigor)n.智力,体力,精力 | |
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