Chapter Thirty One.

The Secret of the Villa¹ Verde.

The unexpected sight that met my eyes within that narrow stone passage was truly horrifying².

An oil lamp shed a faint light at the farther end of the narrow tunnel-like place, and revealed the body of a man lying in a heap in such a position that I saw, in an instant, that some tragedy had occurred.

Creeping forward I bent³ beside him and touched his hand. It was still warm, yet I saw across the stones a large dark pool—a pool of blood, and at the same moment discovered that it issued from an ugly knife-wound just over the heart.

He was a respectably dressed man of forty, robust⁴, heavily built, with dark moustache and shaven chin. As I touched his hand, which lay helpless at his side, my fingers came into contact with something hard, and I found that strapped⁵ around his waist he carried a revolver.

Quickly I took it out, for I had no weapon myself, and at a glance saw that it was the regulation pattern as supplied to the agents of police.

The man who had been stabbed to the heart so unerringly was probably a detective who had been left in charge of the villa after the police had taken possession of the place. Hearing a summons at the door he had perhaps gone to open it, when the ready knife had struck him down, and the desperate trio had passed over his body and entered the villa to prosecute⁶ their mysterious object.

I listened. There was no sound. The intruders, whatever their object, were in the main building; for it seemed that this narrow passage merely gave entrance to the servants’ quarters. The place was an enormous, rambling⁷ one, built, as I afterwards found, by Prince Torlonia in the days of the Borgia Pope, once full of splendour and magnificence, but sadly neglected and degenerated⁸ in these modern days.

Again I examined the prostrate⁹ man, placing my hand upon his heart but failing to detect any movement. He was dead without a doubt.

Noiselessly I crept forward, my ears strained to catch every sound, my hand gripping the dead man’s revolver. If I were discovered I could now, at least, make a fight for life. The fearless way in which they had struck down the detective was sufficient to show me that they would hesitate at nothing.

Those were exciting moments, for at the end of the narrow stone passage I passed through a door, and found myself in a great dark chamber¹⁰ which seemed to be unfurnished. The faint grey light that struggled in through the barred windows was sufficient to allow me to see that it opened into a great square hall, around which was set a number of ancient high-backed chairs of the same epoch¹¹ as the house itself. The rooms were lined with ancient tapestries¹² falling to decay, and there was everywhere a damp mouldy smell as though that wing of the place had long been closed and uninhabited.

Passing along another corridor, I opened a door at the farther end and found myself at once in the modernised portion of the place, in a corridor where, upon the thick dark red carpet, my feet fell noiselessly, and where a candle which the intruders had probably lit was set upon a table.

Again I listened. I fancied I caught the sound of voices, but was not quite certain.

For some moments I remained there, holding my breath in hesitation¹³. To search for them in that great place was full of danger and difficulty. And yet, having gone so far, I was determined¹⁴ that I would ascertain¹⁵ their object in coming there.

At last, reassuring¹⁶ myself that the voices I had heard were only sounds in my imagination, I went forward again through an open door into a fine long picture-gallery, well carpeted as was the corridor. At the end showed another faint light, for the men had, I now saw, lit a child’s night-light which they had probably brought with them.

In that portion of the house there was evidence of wealth and luxury everywhere. Nardini had probably spent a good deal of the public money upon embellishing¹⁷ that fine old place with its wonderful sculptured fireplaces and frescoed¹⁸ and gilt¹⁹ ceilings.

Still scarcely daring to breathe lest my presence be detected, I went forward again, until of a sudden voices, plain and unmistakable, broke upon my ear, causing me to halt suddenly and stand motionless as a statue.

They were in some room in the vicinity. But where? It was quite dark where I stood, but from a door slightly open at some distance before me shone a thin streak²⁰ of faint light, evidently from a candle.

Dare I approach and peep within?

At first I hesitated, for the risk was very great, but at last summoning courage I moved across the thick carpet to the open door and peered in.

It was a great salon²¹, I found, a huge, high-roofed place with old gilt furniture upholstered in red silk brocade and some marvellous buhl cabinets full of rare china and bric-à-brac. The place was in darkness, save for the single night-light placed upon a chair—the intruders fearing, of course, to ignite the lamps as the light would shine outside and perhaps attract attention.

The great salon led into an inner room, and in there I saw their moving figures by the light of two candles that had been put upon the carpet. They were conversing²² only in low whispers and seemed to be groping about the floor in the farther corner of the room, as though in search of something.

I slipped into the big salon, and creeping from table to chair, bending double so as to be concealed²³ the whole time, I managed to approach near the door of the inner room, and took up a position where I could both observe their movements and overhear their words.

Now that I reflect upon my actions of that night, I see how utterly²⁴ reckless of life I was. A single slip, a cough, a sneeze, and I should be lost. And yet, holding my breath, I knelt behind that big gilt armchair wherein the princes of the cinquecento had once sat, and watched those men at their mysterious work.

The heavy red plush curtains had been drawn²⁵ across the long windows, and I recognised that the apartment was a library or study, for there were big cases filled with old parchment-covered volumes, and set before one of the windows was a big carved writing-table. As I watched, the doctor lit the gas-lamp upon it, removing the green silk shade so as to give a better light in the room, and as he did so the young man in the grey hat, who had thrown off his coat and was on his hands and knees on the floor, suddenly picked up something which he handed to Miller²⁶, saying in Italian with a grin:—“This looks a little suspicious, does it not, signore?” Miller took the object in his hand, and started. Then I saw that it was a narrow gold bangle—a woman’s bracelet²⁷. He took it to the light, and read some words inscribed²⁸ in the inside. Then he stood in silence and wonder.

“What’s the matter?” inquired Gavazzi, in broken English. “What is it?”

His friend handed it to him without a word.

But the doctor only shrugged²⁹ his shoulders, smiled, and handed back the bangle.

At that moment the truth flashed across my mind—the truth unknown to those men. In that room—if that were Nardini’s study—the mysterious discovery had been made. The body of an unknown young Englishwoman had been found there.

Was that bangle her property? Miller had certainly recognised the inscription³⁰ upon it, and knew its owner.

I saw that he stood there with knit brows, still glancing at the bracelet, as though mystified.

“Come,” urged Gavazzi, in the brisk businesslike way which appeared to be natural to him. “We have no time to lose if we really intend to be successful.” And he went down upon his knees in the farther corner of the room, carefully feeling the surface of the blue velvet-pile carpet with his hands.

“We’d better have it up,” he declared at last. “I feel sure it’s somewhere in this corner.”

“Then you never actually saw it?” remarked Miller, a trifle disappointed.

“No. But it isn’t likely he would ever reveal to me where he kept his most private secrets. We were friends, intimate friends, but Giovanni Nardini was not the man to reveal to even his own father what he considered was a secret. See this!” And rising he walked to the oak-panelled wainscotting, touched a spring, and there was revealed a small secret door leading down to a short flight of steps in the wall somewhere into the cellars below—a secret mode of egress³¹.

Again he went to a book-case, part of which proved false, and there on pulling it away revealed a large iron safe let into the wall.

“You see I am aware of some of his secrets. The police think they’ve searched the place, but they’ve never discovered either of these, that’s very certain,” he laughed.

Then, with the younger man, he proceeded to tear up the carpet, showing that the floor, unlike that in most Italian houses, was boarded and not of mosaic³².

All three moved the furniture and gradually rolled the carpet back until they had half-uncovered the room. It was heavy, exciting work, and the perspiration³³ rolled from their brows in great beads³⁴.

Once the chair behind which I was concealed moved a little and the wheel squeaked³⁵.

Miller’s quick ear caught the sound.

“Hark!” he cried, starting up. “What’s that?”

“A mouse,” exclaimed the doctor, laughing. “I heard it. Don’t worry yourself, my dear James, we are safe enough now with that guard out of the way.”

By the aid of the candles they examined every floorboard, trying each to see if it were movable. But they were all fast, and gave no sign of covering any place of concealment³⁶. They seemed to be in search of some cavity where something they believed was concealed.

With their knuckles³⁷ they tapped all over the floor, but the sound emitted was exactly the same everywhere.

For a full hour they searched until suddenly the doctor, who had been indefatigable³⁸, while running his hand along the floor close to the oak wainscoting quite near the writing-table, made a discovery which instantly brought his companions upon their knees at his side.

“Look!” he cried. “See! There is a little piece of a different wood let in here—round like a large wooden stud! I wonder what it is?” He pressed it with his fingers, but to no avail. Therefore he took out his pocket-knife and with the end pressed down hard, throwing all his weight upon his hand. “It gives!” he cried excitedly. “There’s some spring behind it! You are stronger,” he exclaimed, turning to the younger man. “Try. Push down, so!”

1 villa   

n.别墅，城郊小屋

参考例句：

• We rented a villa in France for the summer holidays.我们在法国租了一幢别墅消夏。
• We are quartered in a beautiful villa.我们住在一栋漂亮的别墅里。

2 horrifying   

a.令人震惊的，使人毛骨悚然的

参考例句：

• He went to great pains to show how horrifying the war was. 他极力指出战争是多么的恐怖。
• The possibility of war is too horrifying to contemplate. 战争的可能性太可怕了，真不堪细想。

3 bent   

n.爱好，癖好；adj.弯的；决心的，一心的

参考例句：

• He was fully bent upon the project.他一心扑在这项计划上。
• We bent over backward to help them.我们尽了最大努力帮助他们。

4 robust   

adj.强壮的，强健的，粗野的，需要体力的，浓的

参考例句：

• She is too tall and robust.她个子太高，身体太壮。
• China wants to keep growth robust to reduce poverty and avoid job losses,AP commented.美联社评论道，中国希望保持经济强势增长，以减少贫困和失业状况。

5 strapped   

adj.用皮带捆住的，用皮带装饰的；身无分文的；缺钱；手头紧v.用皮带捆扎(strap的过去式和过去分词)；用皮带抽打；包扎；给…打绷带

参考例句：

• Make sure that the child is strapped tightly into the buggy. 一定要把孩子牢牢地拴在婴儿车上。 来自《简明英汉词典》
• The soldiers' great coats were strapped on their packs. 战士们的厚大衣扎捆在背包上。 来自《简明英汉词典》

6 prosecute   

vt.告发；进行；vi.告发，起诉，作检察官

参考例句：

• I am trying my best to prosecute my duties.我正在尽力履行我的职责。
• Is there enough evidence to prosecute?有没有起诉的足够证据？

7 rambling   

adj.[建]凌乱的，杂乱的

参考例句：

• We spent the summer rambling in Ireland. 我们花了一个夏天漫游爱尔兰。
• It was easy to get lost in the rambling house. 在布局凌乱的大房子里容易迷路。

8 degenerated   

衰退，堕落，退化( degenerate的过去式和过去分词 )

参考例句：

• The march degenerated into a riot. 示威游行变成了暴动。
• The wide paved road degenerated into a narrow bumpy track. 铺好的宽阔道路渐渐变窄，成了一条崎岖不平的小径。

9 prostrate   

v.拜倒，平卧，衰竭；adj.拜倒的，平卧的，衰竭的

参考例句：

• She was prostrate on the floor.她俯卧在地板上。
• The Yankees had the South prostrate and they intended to keep It'so.北方佬已经使南方屈服了,他们还打算继续下去。

10 chamber   

n.房间，寝室；会议厅；议院；会所

参考例句：

• For many,the dentist's surgery remains a torture chamber.对许多人来说，牙医的治疗室一直是间受刑室。
• The chamber was ablaze with light.会议厅里灯火辉煌。

11 epoch   

n.(新)时代；历元

参考例句：

• The epoch of revolution creates great figures.革命时代造就伟大的人物。
• We're at the end of the historical epoch,and at the dawn of another.我们正处在一个历史时代的末期，另一个历史时代的开端。

12 tapestries   

n.挂毯( tapestry的名词复数 )；绣帷，织锦v.用挂毯（或绣帷）装饰( tapestry的第三人称单数 )

参考例句：

• The wall of the banqueting hall were hung with tapestries. 宴会厅的墙上挂有壁毯。 来自《简明英汉词典》
• The rooms were hung with tapestries. 房间里都装饰着挂毯。 来自《简明英汉词典》

13 hesitation   

n.犹豫，踌躇

参考例句：

• After a long hesitation, he told the truth at last.踌躇了半天，他终于直说了。
• There was a certain hesitation in her manner.她的态度有些犹豫不决。

14 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

15 ascertain   

vt.发现，确定，查明，弄清

参考例句：

• It's difficult to ascertain the coal deposits.煤储量很难探明。
• We must ascertain the responsibility in light of different situtations.我们必须根据不同情况判定责任。

16 reassuring   

a.使人消除恐惧和疑虑的，使人放心的

参考例句：

• He gave her a reassuring pat on the shoulder. 他轻拍了一下她的肩膀让她放心。
• With a reassuring pat on her arm, he left. 他鼓励地拍了拍她的手臂就离开了。

17 embellishing   

v.美化( embellish的现在分词 )；装饰；修饰；润色

参考例句：

• He kept embellishing it in his mind, building up the laughs. 他在心里不断地为它添油加醋，增加笑料。 来自辞典例句
• Bumper's each angle is embellishing the small air vent, manifested complete bikes's width to increase. 保险杠的每个角都点缀着小的通风孔，体现了整车的宽度增加。 来自互联网

18 frescoed   

壁画( fresco的名词复数 )； 温壁画技法，湿壁画

参考例句：

• The Dunhuang frescoes are gems of ancient Chinese art. 敦煌壁画是我国古代艺术中的瑰宝。
• The frescoes in these churches are magnificent. 这些教堂里的壁画富丽堂皇。

19 gilt   

adj.镀金的；n.金边证券

参考例句：

• The plates have a gilt edge.这些盘子的边是镀金的。
• The rest of the money is invested in gilt.其余的钱投资于金边证券。

20 streak   

n.条理，斑纹，倾向，少许，痕迹；v.加条纹，变成条纹，奔驰，快速移动

参考例句：

• The Indians used to streak their faces with paint.印第安人过去常用颜料在脸上涂条纹。
• Why did you streak the tree?你为什么在树上刻条纹？

21 salon   

n.[法]沙龙；客厅；营业性的高级服务室

参考例句：

• Do you go to the hairdresser or beauty salon more than twice a week?你每周去美容院或美容沙龙多过两次吗？
• You can hear a lot of dirt at a salon.你在沙龙上会听到很多流言蜚语。

22 conversing   

v.交谈，谈话( converse的现在分词 )

参考例句：

• I find that conversing with her is quite difficult. 和她交谈实在很困难。 来自《简明英汉词典》
• They were conversing in the parlor. 他们正在客厅谈话。 来自《现代英汉综合大词典》

23 concealed   

a.隐藏的，隐蔽的

参考例句：

• The paintings were concealed beneath a thick layer of plaster. 那些画被隐藏在厚厚的灰泥层下面。
• I think he had a gun concealed about his person. 我认为他当时身上藏有一支枪。

24 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

25 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

26 miller   

n.磨坊主

参考例句：

• Every miller draws water to his own mill.磨坊主都往自己磨里注水。
• The skilful miller killed millions of lions with his ski.技术娴熟的磨坊主用雪橇杀死了上百万头狮子。

27 bracelet   

n.手镯，臂镯

参考例句：

• The jeweler charges lots of money to set diamonds in a bracelet.珠宝匠要很多钱才肯把钻石镶在手镯上。
• She left her gold bracelet as a pledge.她留下她的金手镯作抵押品。

28 inscribed   

v.写，刻( inscribe的过去式和过去分词 )；内接

参考例句：

• His name was inscribed on the trophy. 他的名字刻在奖杯上。
• The names of the dead were inscribed on the wall. 死者的名字被刻在墙上。 来自《简明英汉词典》

29 shrugged   

vt.耸肩（shrug的过去式与过去分词形式）

参考例句：

• Sam shrugged and said nothing. 萨姆耸耸肩膀，什么也没说。
• She shrugged, feigning nonchalance. 她耸耸肩，装出一副无所谓的样子。 来自《简明英汉词典》

30 inscription   

n.（尤指石块上的）刻印文字，铭文，碑文

参考例句：

• The inscription has worn away and can no longer be read.铭文已磨损，无法辨认了。
• He chiselled an inscription on the marble.他在大理石上刻碑文。

31 egress   

n.出去；出口

参考例句：

• Safe access and egress can be achieved by various methods.可以采用各种方法安全的进入或离开。
• Drains achieve a ready egress of the liquid blood.引流能为血液提供一个容易的出口。

32 mosaic   

n./adj.镶嵌细工的，镶嵌工艺品的，嵌花式的

参考例句：

• The sky this morning is a mosaic of blue and white.今天早上的天空是幅蓝白相间的画面。
• The image mosaic is a troublesome work.图象镶嵌是个麻烦的工作。

33 perspiration   

n.汗水；出汗

参考例句：

• It is so hot that my clothes are wet with perspiration.天太热了，我的衣服被汗水湿透了。
• The perspiration was running down my back.汗从我背上淌下来。

34 beads   

n.（空心）小珠子( bead的名词复数 )；水珠；珠子项链

参考例句：

• a necklace of wooden beads 一条木珠项链
• Beads of perspiration stood out on his forehead. 他的前额上挂着汗珠。

35 squeaked   

v.短促地尖叫( squeak的过去式和过去分词 )；吱吱叫；告密；充当告密者

参考例句：

• The radio squeaked five. 收音机里嘟嘟地发出五点钟报时讯号。 来自《现代英汉综合大词典》
• Amy's shoes squeaked on the tiles as she walked down the corridor. 埃米走过走廊时，鞋子踩在地砖上嘎吱作响。 来自辞典例句

36 concealment   

n.隐藏, 掩盖，隐瞒

参考例句：

• the concealment of crime 对罪行的隐瞒
• Stay in concealment until the danger has passed. 把自己藏起来，待危险过去后再出来。

37 knuckles   

n.（指人）指关节( knuckle的名词复数 )；（指动物）膝关节，踝v.（指人）指关节( knuckle的第三人称单数 )；（指动物）膝关节，踝

参考例句：

• He gripped the wheel until his knuckles whitened. 他紧紧握住方向盘，握得指关节都变白了。
• Her thin hands were twisted by swollen knuckles. 她那双纤手因肿大的指关节而变了形。 来自《简明英汉词典》

38 indefatigable   

adj.不知疲倦的，不屈不挠的

参考例句：

• His indefatigable spirit helped him to cope with his illness.他不屈不挠的精神帮助他对抗病魔。
• He was indefatigable in his lectures on the aesthetics of love.在讲授关于爱情的美学时，他是不知疲倦的。