I THE GENIUS OF JOSEPH CONRAD Chapter 1

In these piping days when fiction plays the handmaid or prophet to various propaganda; when the majority of writers are trying to prove something, or acting¹ as venders of some new-fangled social nostrums²; when the insistent³ drums of the Great God Réclame are bruising⁴ human tympani, the figure of Joseph Conrad stands solitary⁵ among English novelists as the very ideal of a pure and disinterested⁶ artist. Amid the clamour of the market-place a book of his is a sea-shell which pressed to the ear echoes the far-away murmur⁷ of the sea; always the sea, either as rigid⁸ as a mirror under hard, blue skies or shuddering⁹ symphonically up some exotic beach. Conrad is a painter doubled by a psychologist; he is the psychologist of the sea—and that is his chief claim to originality¹⁰, his Peak of Darien. He knows and records its every pulse-beat. His genius has the rich, salty tang of an Elizabethan adventurer and the spaciousness¹¹ of those times. Imagine [Pg 2] a Polish sailor who read Flaubert and the English Bible, who bared his head under equatorial few large stars and related his doings in rhythmic¹², sonorous¹³, coloured prose; imagine a man from a landlocked country who "midway in his mortal life" began writing for the first time and in an alien tongue, and, added to an almost abnormal power of description, possessed¹⁴ the art of laying bare the human soul, not after the meticulous¹⁵ manner of the modern Paul Prys of psychology¹⁶, but following the larger method of Flaubert, who believed that actions should translate character—imagine these paradoxes¹⁷ and you have partly imagined Joseph Conrad, who has so finely said that "imagination, and not invention, is the supreme¹⁸ master of art as of life."

He has taken the sea-romance of Smollett, Marryat, Melville, Dana, Clark Russell, Stevenson, Becke, Kipling, and for its well-worn situations has substituted not only many novel nuances, but invaded new territory, revealed obscure atavisms and the psychology lurking¹⁹ behind the mask of the savage²⁰, the transpositions of dark souls, and shown us a world of "kings, demagogues, priests, charlatans²¹, dukes, giraffes, cabinet ministers, bricklayers, apostles, ants, scientists, Kaffirs, soldiers, sailors, elephants, lawyers, dandies, microbes, and constellations²² of a universe whose amazing spectacle is a moral end in itself." In his Reminiscences Mr. Conrad has told us, with the surface [Pg 3] frankness of a Pole, the genesis of his literary début of Almayer's Folly²³, his first novel, and in a quite casual fashion throws fresh light on that somewhat enigmatic character—reminding me in the juxtaposition²⁴ of his newer psychologic procedure and the simple old tale, of Wagner's Venusberg ballet, scored after he had composed Tristan und Isolde. But, like certain other great Slavic writers, Conrad has only given us a tantalising peep into his mental workshop. We rise after finishing the Reminiscences realising that we have read once more romance, in whose half-lights and modest evasions²⁵ we catch fleeting²⁶ glimpses of reality. Reticence²⁷ is a distinctive²⁸ quality of this author; after all, isn't truth an idea that traverses a temperament²⁹?

That many of his stories were in the best sense "lived" there can be no doubt—he has at odd times confessed it, confessions³⁰ painfully wrung³¹ from him, as he is no friend of the interviewer. The white-hot sharpness of the impressions which he has projected upon paper recalls Taine's dictum: "les sensations sont des hallucinations vraies." Veritable hallucinations are the seascapes and landscapes in the South Sea stories, veritable hallucinations are the quotidian³² gestures and speech of his anarchists³³ and souls sailing on the winds of noble and sinister³⁴ passions. For Conrad is on one side an implacable realist.... Unforgetable are his delineations of sudden little rivers never charted [Pg 4] and their shallow, turbid³⁵ waters, the sombre flux³⁶ of immemorial forests under the crescent cone³⁸ of night, and undergrowth overlapping³⁹ the banks, the tragic⁴⁰ chaos⁴¹ of rising storms, hordes⁴² of clouds sailing low on the horizon, the silhouettes⁴³ of lazy, majestic⁴⁴ mountains, the lugubrious⁴⁵ magic of the tropical night, the mysterious drums of the natives, and the darkness that one can feel, taste, smell. What a gulf⁴⁶ of incertitudes for white men is evoked⁴⁷ for us in vivid, concrete terms. Unforgetable, too, the hallucinated actions of the student Razumov the night Victor Haldin, after launching the fatal bomb, seeks his room, his assistance, in that masterpiece, Under Western Eyes. But realist as Conrad is, he is also a poet who knows, as he says himself, that "the power of sound has always been greater than the power of sense." (Reason is a poor halter with which to lead mankind to drink at the well of truth.) He woos the ear with his singing prose as he ravishes the eye with his pictures. In his little-known study of Henry James he wrote: "All creative art is magic, is evocation⁴⁸ of the unseen in forms persuasive⁴⁹, enlightening, familiar, and surprising," and finally, "Fiction is history, human history, or it is nothing." Often a writer tells us more of himself in criticising a fellow craftsman⁵⁰ than in any formal ?sthetic pronunciamiento. We soon find out the likes and dislikes of Mr. Conrad in this particular essay, and also what might be described [Pg 5] as the keelson of his workaday philosophy: "All adventure, all love, every success, is resumed in the supreme energy of renunciation. It is the utmost limit of our power." No wonder his tutor, half in anger, half in sorrow, exclaimed: "You are an incorrigible⁵¹, hopeless Don Quixote."

I suppose a long list might be made of foreigners who have mastered the English language and written it with ease and elegance⁵², yet I cannot recall one who has so completely absorbed native idioms, who has made for himself an English mind (without losing his profound and supersubtle Slavic soul), as has Joseph Conrad. He is unique as stylist. He first read English literature in Polish translations, then in the original; he read not only the Bible and Shakespeare, but Dickens, Fenimore Cooper, and Thackeray; above all, Dickens. He followed no regular course, just as he belongs to no school in art, except the school of humanity; for him there are no types, only humans. (He detests⁵³ formul? and movements.) His sensibility, all Slavic, was stimulated⁵⁴ by Dickens, who was a powerful stimulant⁵⁵ of the so-called "Russian pity," which fairly honeycombs the works of Dosto?evsky. There is no mistaking the influence of the English Bible on Conrad's prose style. He is saturated⁵⁷ with its puissant⁵⁸, elemental rhythms, and his prose has its surge and undertow. That is why his is never a "painted ship on a painted ocean"; [Pg 6] by the miracle of his art his water is billowy and undulating, his air quivers in the torrid sunshine, and across his skies—skies broken into new, strange patterns—the cloud-masses either float or else drive like a typhoon. His rhythmic sense is akin⁵⁶ to Flaubert's, of whom Arthur Symons wrote: "He invents the rhythm of every sentence, he changes his cadence⁵⁹ with every mood, or for the convenience of every fact; ... he has no fixed⁶⁰ prose tune⁶¹." Nor, by the same token, has Conrad. He seldom indulges, as does Théophile Gautier, in the static paragraph. He is ever in modulation⁶². There is ebb⁶³ and flow in his sentences. A typical paragraph of his shows what might be called the sonata⁶⁴ form: an allegro⁶⁵, andante, and presto⁶⁶. For example, the opening pages of Karain (one of his best stories, by the way) in Tales of Unrest:

"Sunshine gleams between the lines of those short paragraphs [he is writing of the newspaper accounts of various native risings in the Eastern Archipelago]—sunshine and the glitter of the sea. A strange name wakes up memories; the printed words scent³⁷ the smoky atmosphere of to-day faintly, with the subtle and penetrating⁶⁷ perfume as of land-breezes breathing through the starlight of bygone nights; a signal-fire gleams like a jewel on the high brow of a sombre cliff; great trees, the advanced sentries⁶⁸ of immense forests, stand watchful⁶⁹ and still over sleeping stretches of open water; a [Pg 7] line of white surf thunders on an empty beach, the shallow water foams⁷⁰ on the reefs; and green islets scattered⁷¹ through the calm of noonday lie upon the level of a polished sea like a handful of emeralds on a buckler of steel."

There is no mistaking the coda of this paragraph—selected at random—beginning at "and"; it suggests the author of Salammb?, and it also contains within its fluid walls evocations of sound, odour, bulk, tactile⁷² values, the colour of life, the wet of the waves, and the whisper of the wind. Or, as a contrast, recall the rank ugliness of the night when Razumov visits the hideous⁷³ tenement⁷⁴, expecting to find there the driver who would carry to freedom the political assassin, Haldin. Scattered throughout the books are descriptive passages with few parallels in our language. Indeed, Conrad often abuses his gift, forgetting that his readers do not possess his tremendously developed faculty⁷⁵ of attention.

1 acting   

n.演戏，行为，假装；adj.代理的，临时的，演出用的

参考例句：

• Ignore her,she's just acting.别理她，她只是假装的。
• During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。

2 nostrums   

n.骗人的疗法，有专利权的药品( nostrum的名词复数 )；妙策

参考例句：

• It is likely that these \"enlightened\" nostrums would have speeded up the catastrophe. 这些“开明的”药方本身就可能加快灾难的到来。 来自辞典例句

3 insistent   

adj.迫切的，坚持的

参考例句：

• There was an insistent knock on my door.我听到一阵急促的敲门声。
• He is most insistent on this point.他在这点上很坚持。

4 bruising   

adj.殊死的；十分激烈的v.擦伤(bruise的现在分词形式)

参考例句：

• He suffered cracked ribs and bruising. 他断了肋骨还有挫伤。
• He slipped and fell, badly bruising an elbow. 他滑倒了，一只胳膊肘严重擦伤。 来自辞典例句

5 solitary   

adj.孤独的，独立的，荒凉的；n.隐士

参考例句：

• I am rather fond of a solitary stroll in the country.我颇喜欢在乡间独自徜徉。
• The castle rises in solitary splendour on the fringe of the desert.这座城堡巍然耸立在沙漠的边际，显得十分壮美。

6 disinterested   

adj.不关心的，不感兴趣的

参考例句：

• He is impartial and disinterested.他公正无私。
• He's always on the make,I have never known him do a disinterested action.他这个人一贯都是唯利是图，我从来不知道他有什么无私的行动。

7 murmur   

n.低语，低声的怨言；v.低语，低声而言

参考例句：

• They paid the extra taxes without a murmur.他们毫无怨言地交了附加税。
• There was a low murmur of conversation in the hall.大厅里有窃窃私语声。

8 rigid   

adj.严格的，死板的；刚硬的，僵硬的

参考例句：

• She became as rigid as adamant.她变得如顽石般的固执。
• The examination was so rigid that nearly all aspirants were ruled out.考试很严，几乎所有的考生都被淘汰了。

9 shuddering   

v.战栗( shudder的现在分词 )；发抖；（机器、车辆等）突然震动；颤动

参考例句：

• 'I am afraid of it,'she answered, shuddering. “我害怕，”她发着抖，说。 来自英汉文学 - 双城记
• She drew a deep shuddering breath. 她不由得打了个寒噤，深深吸了口气。 来自飘（部分）

10 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

11 spaciousness   

n.宽敞

参考例句：

• A high ceiling gives a feeling of airness and spaciousness. 天花板高给人一种通风和宽敞的感觉。
• The tremendous spaciousness of it was glowing with rich gold. 苍茫辽阔的景色染上了一片瑰丽浓艳的金黄色。

12 rhythmic   

adj.有节奏的，有韵律的

参考例句：

• Her breathing became more rhythmic.她的呼吸变得更有规律了。
• Good breathing is slow,rhythmic and deep.健康的呼吸方式缓慢深沉而有节奏。

13 sonorous   

adj.响亮的，回响的；adv.圆润低沉地；感人地；n.感人，堂皇

参考例句：

• The sonorous voice of the speaker echoed round the room.那位演讲人洪亮的声音在室内回荡。
• He has a deep sonorous voice.他的声音深沉而洪亮。

14 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

15 meticulous   

adj.极其仔细的，一丝不苟的

参考例句：

• We'll have to handle the matter with meticulous care.这事一点不能含糊。
• She is meticulous in her presentation of facts.她介绍事实十分详细。

16 psychology   

n.心理，心理学，心理状态

参考例句：

• She has a background in child psychology.她受过儿童心理学的教育。
• He studied philosophy and psychology at Cambridge.他在剑桥大学学习哲学和心理学。

17 paradoxes   

n.似非而是的隽语，看似矛盾而实际却可能正确的说法( paradox的名词复数 )；用于语言文学中的上述隽语；有矛盾特点的人[事物，情况]

参考例句：

• Contradictions and paradoxes arose in increasing numbers. 矛盾和悖论越来越多。 来自辞典例句
• As far as these paradoxes are concerned, the garden definitely a heterotopia. 就这些吊诡性而言，花园无疑地是个异质空间。 来自互联网

18 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

19 lurking   

潜在

参考例句：

• Why are you lurking around outside my house? 你在我房子外面鬼鬼祟祟的，想干什么？
• There is a suspicious man lurking in the shadows. 有一可疑的人躲在阴暗中。 来自《现代英汉综合大词典》

20 savage   

adj.野蛮的；凶恶的，残暴的；n.未开化的人

参考例句：

• The poor man received a savage beating from the thugs.那可怜的人遭到暴徒的痛打。
• He has a savage temper.他脾气粗暴。

21 charlatans   

n.冒充内行者，骗子( charlatan的名词复数 )

参考例句：

• There are lots of phonies and charlatans in the financial newsletter business. 干金融通讯这一行的人中间不乏骗子和吹牛大王。 来自辞典例句
• But wicked people and charlatans will go from bad to worse, deceivers and deceived. 但是恶人和行诈术的人却越来越坏，他们迷惑人，也必受人迷惑。 来自互联网

22 constellations   

n.星座( constellation的名词复数 )；一群杰出人物；一系列（相关的想法、事物）；一群（相关的人）

参考例句：

• The map of the heavens showed all the northern constellations. 这份天体图标明了北半部所有的星座。 来自《简明英汉词典》
• His time was coming, he would move in the constellations of power. 他时来运转，要进入权力中心了。 来自教父部分

23 folly   

n.愚笨，愚蠢，蠢事，蠢行，傻话

参考例句：

• Learn wisdom by the folly of others.从别人的愚蠢行动中学到智慧。
• Events proved the folly of such calculations.事情的进展证明了这种估计是愚蠢的。

24 juxtaposition   

n.毗邻，并置，并列

参考例句：

• The juxtaposition of these two remarks was startling.这两句话连在一起使人听了震惊。
• It is the result of the juxtaposition of contrasting colors.这是并列对比色的结果。

25 evasions   

逃避( evasion的名词复数 )； 回避； 遁辞； 借口

参考例句：

• A little overwhelmed, I began the generalized evasions which that question deserves. 我有点不知所措，就开始说一些含糊其词的话来搪塞。
• His answers to my questions were all evasions. 他对我的问题的回答均为遁词。

26 fleeting   

adj.短暂的，飞逝的

参考例句：

• The girls caught only a fleeting glimpse of the driver.女孩们只匆匆瞥了一眼司机。
• Knowing the life fleeting,she set herself to enjoy if as best as she could.她知道这种日子转瞬即逝，于是让自已尽情地享受。

27 reticence   

n.沉默，含蓄

参考例句：

• He breaks out of his normal reticence and tells me the whole story.他打破了平时一贯沈默寡言的习惯，把事情原原本本都告诉了我。
• He always displays a certain reticence in discussing personal matters.他在谈论个人问题时总显得有些保留。

28 distinctive   

adj.特别的，有特色的，与众不同的

参考例句：

• She has a very distinctive way of walking.她走路的样子与别人很不相同。
• This bird has several distinctive features.这个鸟具有几种突出的特征。

29 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

30 confessions   

n.承认( confession的名词复数 )；自首；声明；（向神父的）忏悔

参考例句：

• It is strictly forbidden to obtain confessions and to give them credence. 严禁逼供信。 来自《现代汉英综合大词典》
• Neither trickery nor coercion is used to secure confessions. 既不诱供也不逼供。 来自《现代汉英综合大词典》

31 wrung   

绞( wring的过去式和过去分词 )； 握紧（尤指别人的手）； 把（湿衣服）拧干； 绞掉（水）

参考例句：

• He has wrung the words from their true meaning. 他曲解这些字的真正意义。
• He wrung my hand warmly. 他热情地紧握我的手。

32 quotidian   

adj.每日的，平凡的

参考例句：

• Television has become part of our quotidian existence.电视已成为我们日常生活的一部分。
• Most solutions to the problem of global warming are tediousl,almost oppressively,quotidian.大多数应对全球变暖的措施都是冗长乏味，几近压制，以及司空见惯的。

33 anarchists   

无政府主义者( anarchist的名词复数 )

参考例句：

• Anarchists demand the destruction of structures of oppression including the country itself. "无政府主义者要求摧毁包括国家本身在内的压迫人民的组织。
• Unsurprisingly, Ms Baburova had a soft spot for anarchists. 没什么奇怪的，巴布罗娃女士倾向于无政府主义。

34 sinister   

adj.不吉利的，凶恶的，左边的

参考例句：

• There is something sinister at the back of that series of crimes.在这一系列罪行背后有险恶的阴谋。
• Their proposals are all worthless and designed out of sinister motives.他们的建议不仅一钱不值，而且包藏祸心。

35 turbid   

adj.混浊的，泥水的，浓的

参考例句：

• He found himself content to watch idly the sluggish flow of the turbid stream.他心安理得地懒洋洋地望着混浊的河水缓缓流着。
• The lake's water is turbid.这个湖里的水混浊。

36 flux   

n.流动；不断的改变

参考例句：

• The market is in a constant state of flux.市场行情在不断变化。
• In most reactors,there is a significant flux of fast neutrons.在大部分反应堆中都有一定强度的快中子流。

37 scent   

n.气味，香味，香水，线索，嗅觉；v.嗅，发觉

参考例句：

• The air was filled with the scent of lilac.空气中弥漫着丁香花的芬芳。
• The flowers give off a heady scent at night.这些花晚上散发出醉人的芳香。

38 cone   

n.圆锥体，圆锥形东西，球果

参考例句：

• Saw-dust piled up in a great cone.锯屑堆积如山。
• The police have sectioned off part of the road with traffic cone.警察用锥形路标把部分路面分隔开来。

39 overlapping   

adj./n.交迭（的）

参考例句：

• There is no overlapping question between the two courses. 这两门课程之间不存在重叠的问题。
• A trimetrogon strip is composed of three rows of overlapping. 三镜头摄影航线为三排重迭的象片所组成。

40 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

41 chaos   

n.混乱，无秩序

参考例句：

• After the failure of electricity supply the city was in chaos.停电后，城市一片混乱。
• The typhoon left chaos behind it.台风后一片混乱。

42 hordes   

n.移动着的一大群( horde的名词复数 )；部落

参考例句：

• There are always hordes of tourists here in the summer. 夏天这里总有成群结队的游客。
• Hordes of journalists jostled for position outside the conference hall. 大群记者在会堂外争抢位置。 来自《简明英汉词典》

43 silhouettes   

轮廓( silhouette的名词复数 )； （人的）体形； （事物的）形状； 剪影

参考例句：

• Now that darkness was falling, only their silhouettes were outlined against the faintly glimmering sky. 这时节两山只剩余一抹深黑，赖天空微明为画出一个轮廓。 来自汉英文学 - 散文英译
• They could see silhouettes. 他们能看得见影子的。

44 majestic   

adj.雄伟的，壮丽的，庄严的，威严的，崇高的

参考例句：

• In the distance rose the majestic Alps.远处耸立着雄伟的阿尔卑斯山。
• He looks majestic in uniform.他穿上军装显得很威风。

45 lugubrious   

adj.悲哀的，忧郁的

参考例句：

• That long,lugubrious howl rose on the night air again!夜空中又传来了那又长又凄凉的狗叫声。
• After the earthquake,the city is full of lugubrious faces.地震之后，这个城市满是悲哀的面孔。

46 gulf   

n.海湾；深渊，鸿沟；分歧，隔阂

参考例句：

• The gulf between the two leaders cannot be bridged.两位领导人之间的鸿沟难以跨越。
• There is a gulf between the two cities.这两座城市间有个海湾。

47 evoked   

[医]诱发的

参考例句：

• The music evoked memories of her youth. 这乐曲勾起了她对青年时代的回忆。
• Her face, though sad, still evoked a feeling of serenity. 她的脸色虽然悲伤，但仍使人感觉安详。

48 evocation   

n. 引起，唤起 n. <古> 召唤，招魂

参考例句：

• Against this brilliant evocation of airlessness we may put Whitman's view of the poet. 我们从他这段批评诗人无生气的精采论述中，可以看出惠特曼对于诗人的看法。
• It prefers evocation spells and illusions to help it disguise It'self. 他更喜欢塑能系法术和可以辅助伪装自己的幻术。

49 persuasive   

adj.有说服力的，能说得使人相信的

参考例句：

• His arguments in favour of a new school are very persuasive.他赞成办一座新学校的理由很有说服力。
• The evidence was not really persuasive enough.证据并不是太有说服力。

50 craftsman   

n.技工，精于一门工艺的匠人

参考例句：

• A cabinet maker must be a master craftsman.家具木工必须是技艺高超的手艺人。
• The craftsman is working up the mass of clay into a toy figure.艺人把一团泥捏成玩具形状。

51 incorrigible   

adj.难以纠正的，屡教不改的

参考例句：

• Because he was an incorrigible criminal,he was sentenced to life imprisonment.他是一个死不悔改的罪犯，因此被判终生监禁。
• Gamblers are incorrigible optimists.嗜赌的人是死不悔改的乐天派。

52 elegance   

n.优雅；优美，雅致；精致，巧妙

参考例句：

• The furnishings in the room imparted an air of elegance.这个房间的家具带给这房间一种优雅的气氛。
• John has been known for his sartorial elegance.约翰因为衣着讲究而出名。

53 detests   

v.憎恶，嫌恶，痛恨( detest的第三人称单数 )

参考例句：

• My brother detests having to get up early. 我兄弟极讨厌早起，又不得不早起。 来自辞典例句
• The LORD detests differing weights, and dishonest scales do not please him. 两样的法码，为耶和华所憎恶。诡诈的天平，也为不善。 来自互联网

54 stimulated   

a.刺激的

参考例句：

• The exhibition has stimulated interest in her work. 展览增进了人们对她作品的兴趣。
• The award has stimulated her into working still harder. 奖金促使她更加努力地工作。

55 stimulant   

n.刺激物，兴奋剂

参考例句：

• It is used in medicine for its stimulant quality.由于它有兴奋剂的特性而被应用于医学。
• Musk is used for perfume and stimulant.麝香可以用作香料和兴奋剂。

56 akin   

adj.同族的，类似的

参考例句：

• She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
• Listening to his life story is akin to reading a good adventure novel.听他的人生故事犹如阅读一本精彩的冒险小说。

57 saturated   

a.饱和的，充满的

参考例句：

• The continuous rain had saturated the soil. 连绵不断的雨把土地淋了个透。
• a saturated solution of sodium chloride 氯化钠饱和溶液

58 puissant   

adj.强有力的

参考例句：

• The young man has a puissant body.这个年轻人有一副强壮的身体。
• Global shipbuilding industry is puissant in conformity burst forth.全球造船业在整合中强力迸发。

59 cadence   

n.（说话声调的）抑扬顿挫

参考例句：

• He delivered his words in slow,measured cadences.他讲话缓慢而抑扬顿挫、把握有度。
• He liked the relaxed cadence of his retired life.他喜欢退休生活的悠闲的节奏。

60 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

61 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

62 modulation   

n.调制

参考例句：

• The soft modulation of her voice soothed the infant. 她柔和的声调使婴儿安静了。
• Frequency modulation does not allow static to creep in. 频率调制不允许静电干扰混入。

63 ebb   

vi.衰退，减退；n.处于低潮，处于衰退状态

参考例句：

• The flood and ebb tides alternates with each other.涨潮和落潮交替更迭。
• They swam till the tide began to ebb.他们一直游到开始退潮。

64 sonata   

n.奏鸣曲

参考例句：

• He played a piano sonata of his own composition.他弹奏了一首自作的钢琴奏鸣曲。
• The young boy played the violin sonata masterfully.那个小男孩的小提琴奏鸣曲拉得很熟练。

65 allegro   

adj. 快速而活泼的；n.快板；adv.活泼地

参考例句：

• The first movement is a conventional symphonic Allegro.第一乐章是传统的交响乐快板。
• My life in university is like allegro.我的生活在大学中像急速的乐章。

66 presto   

adv.急速地；n.急板乐段；adj.急板的

参考例句：

• With something so important,you can't just wave a wand and presto!在这么重大的问题上，你想挥动一下指挥棒，转眼就变过来,办不到！
• I just turned the piece of wire in the lock and hey presto,the door opened.我把金属丝伸到锁孔里一拧，嘿，那门就开了。

67 penetrating   

adj.（声音）响亮的，尖锐的adj.（气味）刺激的adj.（思想）敏锐的，有洞察力的

参考例句：

• He had an extraordinarily penetrating gaze. 他的目光有股异乎寻常的洞察力。
• He examined the man with a penetrating gaze. 他以锐利的目光仔细观察了那个人。

68 sentries   

哨兵，步兵( sentry的名词复数 )

参考例句：

• We posted sentries at the gates of the camp. 我们在军营的大门口布置哨兵。
• We were guarded by sentries against surprise attack. 我们由哨兵守卫，以免遭受突袭。

69 watchful   

adj.注意的，警惕的

参考例句：

• The children played under the watchful eye of their father.孩子们在父亲的小心照看下玩耍。
• It is important that health organizations remain watchful.卫生组织保持警惕是极为重要的。

70 foams   

n.泡沫，泡沫材料( foam的名词复数 )

参考例句：

• The sea water foams under the bow. 海水在船首下面泛起浪花。 来自《现代汉英综合大词典》
• The meter handles gases, liquids, foams, and slurries. 这流量计可以处理气体，液体，泡沫状物和稀浆等。 来自辞典例句

71 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

72 tactile   

adj.触觉的，有触觉的，能触知的

参考例句：

• Norris is an expert in the tactile and the tangible.诺里斯创作最精到之处便是，他描绘的人物使人看得见摸得着。
• Tactile communication uses touch rather than sight or hearing.触觉交流，是用触摸感觉，而不是用看或听来感觉。

73 hideous   

adj.丑陋的，可憎的，可怕的，恐怖的

参考例句：

• The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
• They're not like dogs,they're hideous brutes.它们不像狗，是丑陋的畜牲。

74 tenement   

n.公寓；房屋

参考例句：

• They live in a tenement.他们住在廉价公寓里。
• She felt very smug in a tenement yard like this.就是在个这样的杂院里，她觉得很得意。

75 faculty   

n.才能；学院，系；(学院或系的)全体教学人员

参考例句：

• He has a great faculty for learning foreign languages.他有学习外语的天赋。
• He has the faculty of saying the right thing at the right time.他有在恰当的时候说恰当的话的才智。