Chapter 3

It has been said that women do not read him, but according to my limited experience I believe the contrary. (Where, indeed, would any novelist be if it were not for women?) He has said of Woman: "She is the active partner in the great adventure of humanity on earth and feels an interest in all its episodes." He does not idealise the sex, like George Meredith, nor yet does he describe the baseness of the Eternal Simpleton, as do so many French novelists. He is not always complimentary²: witness the portrait of Mrs. Fyne in Chance, or the mosaic³ of anti-feminist opinions to be found in that story. That he succeeded better with his men is a commonplace of all masculine [Pg 14] writers, not that women always succeed with their sex, but to many masters of imaginative literature woman is usually a poet's evocation⁴, not the creature of flesh and blood and bones, of sense and sentiment, that she is in real life. Conrad opens no new windows in her soul, but he has painted some full-length portraits and made many lifelike sketches⁵, which are inevitable⁶. From the shining presence of his mother, the assemblage of a few traits in his Reminiscences, to Flora⁷ de Barral in Chance, with her self-tortured temperament⁸, you experience that "emotion of recognition" described by Mr. James. You know they live, that some of them go on marching in your memory after the book has been closed. Their actions always end by resembling their ideas. And their ideas are variegated⁹.

In Under Western Eyes we encounter the lovely Natalie Haldin, a sister in spirit to Helena, to Lisa, to any one of the Turgenieff heroines. Charm is hers, and a valiant¹⁰ spirit. Her creator has not, thus far, succeeded in bettering her. Only once does he sound a false note. I find her speech a trifle rhetorical after she learns the facts in the case of Razumov (p. 354). Two lines are superfluous¹¹ at the close of this heart-breaking chapter, and in all the length of the book that is the only flaw I can offer to hungry criticism. The revolutionary group at Geneva—the mysterious and vile¹² Madame de S——, the unhappy slave, Tekla, the much-tried [Pg 15] Mrs. Haldin, and the very vital anarchist¹³, surely a portrait sur le vif, Sophia Antonovna, are testimonies¹⁴ of the writer's skill and profound divination¹⁵ of the human heart. (He has confessed that for him woman is "a human being, very much like myself.") The dialogue between Razumov, the spiritual bankrupt, and Sophia in the park is one of those character-revealing episodes that are only real when handled by a supreme¹⁶ artist. Its involutions and undulations, its very recoil¹⁷ on itself as the pair face their memories, he haunted, she suspicious, touch the springs of desperate lives. As an etching of a vicious soul, the Eliza of Chance is arresting. We do not learn her last name, but we remember her brutal¹⁸ attack on little Flora, an attack that warped¹⁹ the poor child's nature. Whether the end of the book is justified²⁰ is apart from my present purpose, which is chiefly exposition, though I feel that Captain Anthony is not tenderly treated. But "there is a Nemesis²¹ which overtakes generosity²², too, like all the other imprudences of men who dare to be lawless and proud...." And this sailor, the son of the selfish poet, Carleon Anthony, himself sensitive, but unselfish, paid for his considerate treatment of his wife Flora. Only Hardy²³ could have treated the sex question with the same tact²⁴ as Conrad (he has done so in Jude the Obscure).

In his sea tales Conrad is a belated romanticist; and in Chance, while the sea is never [Pg 16] far off, it is the soul of an unhappy girl that is shown us; not dissected²⁵ with the impersonal²⁶ cruelty of surgeon psychologists, but revealed by a sympathetic interpreter who knows the weakness and folly²⁷ and tragedy of humanity.

The truth is, Conrad is always an analyst²⁸; that sets him apart from other writers of sea stories. Chance is different in theme, but not as different in treatment as in construction. His pattern of narration²⁹ has always been of an evasive character; here the method is carried to the pitch of polyphonic intricacy. The richness of interest, the startling variety, and the philosophic³⁰ largeness of view—the tale is simple enough otherwise for a child's enjoyment—are a few of its qualities. Coventry Patmore is said to be the poet alluded³¹ to as Carleon Anthony, and there are distinct judgments³² on feminism and the new woman, some wholesome³⁴ truths uttered at a time when man has seemingly shrivelled up in the glorified³⁵ feminine vision of mundane³⁶ things. The moral is to be found on page 447. "Of all the forms offered to us by life it is the one demanding a couple to realise it fully³⁷ which is the most imperative³⁸. Pairing off is the fate of mankind. And if two beings thrown together, mutually attracted, resist the necessity, fail in understanding, and stop voluntarily short
... they are committing a sin against life."

The Duel³⁹ (published in America under the title of A Point of Honor) is a tour de force in story-telling that would have made envious⁴⁰ Balzac. [Pg 17] Then there is Winnie Verloc in the Secret Agent, and her cockney sentiment and rancours. She is remarkably⁴¹ "realised," and is a pitiful apparition⁴² at the close. The detective Verloc, her husband, wavers as a portrait between reality and melodrama⁴³. The minor⁴⁴ female characters, her mother and the titled lady patron of the apostle Michaelis, are no mere¹ supernumeraries.

The husband and wife in The Return are nameless but unforgetable. It is a profound parable⁴⁵, this tale. The man discovered in his judgment³³ of his foolish wife that "morality is not a method of happiness." The image in the mirrors in this tale produces a ghastly effect. I enjoyed the amateur anarchist, the English girl playing with bombs in The Informer; she is an admirable foil for the brooding bitterness of the ruined Royalist's daughter in that stirring South American tale, Gaspar Ruiz. Conrad knows this continent of half-baked civilisations; life grows there like rank vegetations. Nostromo is the most elaborate and dramatic study of the sort, and a wildly adventurous⁴⁶ romance into the bargain. The two women, fascinating Mrs. Gould and the proud, beautiful Antonia Avellanos, are finely contrasted. And what a mob of cutthroats, politicians, and visionaries! "In real revolutions the best characters do not come to the front," which statement holds as good in Paris as in Petrograd, in New York, or in Mexico. The Nigger of [Pg 18] the Narcissus and Nostromo give us the "emotion of multitude."

A genuinely humorous woman is the German skipper's wife in Falk, and the niece, the heroine who turns the head of the former cannibal of Falk—this an echo, doubtless, from the anecdote⁴⁷ of the dog-eating granduncle B—— of the Reminiscences—is heroic in her way. Funniest of all is the captain himself. Falk is almost a tragic⁴⁸ figure. Amy Foster—in the same volume—is pathetic, and Bessie Carvil, of To-morrow, might have been signed by Hardy. In Youth the old sea-dog's motherly wife is the only woman. As for the impure⁴⁹ witch in The Heart of Darkness, I can only say that she creates a new shudder⁵⁰. How she appeals to the imagination! The soft-spoken lady, bereft⁵¹ of her hero in this narrative⁵², who lives in Brussels, is a specimen⁵³ of Conrad's ability to make reverberate⁵⁴ in our memory an enchanting⁵⁵ personality, and with a few strokes of the brush. We cannot admire the daughter of poor old Captain Whalley in The End of Tether, but she is the propulsive⁵⁶ force of his actions and final tragedy. For her we have "that form of contempt which is called pity." That particular story will rank with the best in the world's literature. Nina Almayer shows the atavistic "pull" of the soil and opposes finesse⁵⁷ to force, while Alice Jacobus in 'Twixt Land and Sea (A Smile of Fortune) is half-way on the road back to barbarism. But Nina [Pg 19] will be happy with her chief. In depicting⁵⁸ the slow decadence⁵⁹ of character in mixed races and the na?ve stammerings at the birth of their souls, Conrad is unapproachable.

In the selection of his titles he is always happy; how happy, may be noted⁶⁰ in his new book, Victory. It is not a war book, though it depicts⁶¹ in his most dramatic manner the warring of human instincts. It was planned several years ago, but not finished until the writer's enforced stay in his unhappy native land, Poland. Like Goethe or Stendhal, Conrad can write in the midst of war's alarums about the hair's-breadth 'scapes of his characters. But, then, the Polish is the most remarkable⁶² race in Europe; from leading forlorn hopes to playing Chopin the Poles are unequalled. Mr. Conrad has returned to his old habitat in fiction. An ingenious map shows the reader precisely⁶³ where his tragic tale is enacted⁶⁴. It may not be his most artistic⁶⁵, but it is an engrossing⁶⁶ story. Compared with Chance, it seems a cast-back to primitive⁶⁷ souls; but as no man after writing such an extraordinary book as Chance will ever escape its influence (after his Golden Bowl, Mr. James was quite another James), so Joseph Conrad's firmer grasp on the burin of psychology⁶⁸ shows very plainly in Victory; that is, he deals with elemental causes, but the effects are given in a subtle series of reactions. He never drew a girl but once like Flora de Barral; and, till now, never a man like the [Pg 20] Swede, Axel Heyst, who has been called, most appropriately, "a South Sea Hamlet." He has a Hamletic soul, this attractive young man, born with a metaphysical caul, which eventually strangles him. No one but Conrad would dare the mingling⁶⁹ of such two dissociated genres⁷⁰ as the romantic and the analytic⁷¹, and if, here and there, the bleak⁷² rites⁷³ of the one, and the lush sentiment of the other, fail to modulate⁷⁴, it is because the artistic undertaking⁷⁵ is a well-nigh impossible one. Briefly⁷⁶, Victory relates the adventures of a gentleman and scholar in the Antipodes. He meets a girl, a fiddler in a "Ladies' Orchestra," falls in love, as do men of lofty ideals and no sense of the practical, goes off with her to a lonely island, there to fight for her possession and his own life. The stage-setting is magnificent; even a volcano lights the scene. But the clear, hard-blue sky is quite o'erspread by the black bat Melancholia, and the silence is indeed "dazzling." The villains⁷⁷ are melodramatic enough in their behaviour, but, as portraits, they are artfully different from the conventional bad men of fiction. The thin chap, Mr. Jones, is truly sinister⁷⁸, and there is a horrid⁷⁹ implication in his woman-hating, which vaguely⁸⁰ peeps out in the bloody⁸¹ finale. The hairy servant might be a graduate from The Island of Doctor Moreau of Mr. Wells—one of the beast folk; while the murderous henchman, Ricardo, is unpleasantly put before us. I like the girl; it would have [Pg 21] been so easy to spoil her with moralising; but the Baron⁸² is the magnet, and, as a counterfoil⁸³, the diabolical⁸⁴ German hotel keeper. There is too much arbitrary handling at the close for my taste. Only in the opening chapters of Victory does Mr. Conrad pursue his oblique⁸⁵ method of taletelling; the pomp and circumstance of a lordly narrative style roll to a triumphant⁸⁶ conclusion. This Polish writer easily heads the present school of English fiction.

His most buoyant and attractive girl is Freya Nelson (or Nielsen) in the volume alluded to; she, however, is pure Caucasian, and perhaps more American than European. Her beauty caresses⁸⁷ the eye. The story is a good one, though it ends unhappily—another cause for complaint on the part of the sentimentalists who prefer molasses to meat. But this is a tale which is also literature. Conrad will never be coerced⁸⁸ into offering his readers sugar-coated tittle-tattle. And at a period when the distaff of fiction is too often in the hands of men the voice of the romantic realist and poetic⁸⁹ ironist, Joseph Conrad, sounds a dynamic masculine bass⁹⁰ amid the shriller choir⁹¹. He is an aboriginal⁹² force. Let us close with the hearty⁹³ affirmation of Walt Whitman: "Camerado! this is no book, who touches this, touches a man."

1 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

2 complimentary   

adj.赠送的，免费的，赞美的，恭维的

参考例句：

• She made some highly complimentary remarks about their school.她对他们的学校给予高度的评价。
• The supermarket operates a complimentary shuttle service.这家超市提供免费购物班车。

3 mosaic   

n./adj.镶嵌细工的，镶嵌工艺品的，嵌花式的

参考例句：

• The sky this morning is a mosaic of blue and white.今天早上的天空是幅蓝白相间的画面。
• The image mosaic is a troublesome work.图象镶嵌是个麻烦的工作。

4 evocation   

n. 引起，唤起 n. <古> 召唤，招魂

参考例句：

• Against this brilliant evocation of airlessness we may put Whitman's view of the poet. 我们从他这段批评诗人无生气的精采论述中，可以看出惠特曼对于诗人的看法。
• It prefers evocation spells and illusions to help it disguise It'self. 他更喜欢塑能系法术和可以辅助伪装自己的幻术。

5 sketches   

n.草图( sketch的名词复数 )；素描；速写；梗概

参考例句：

• The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
• You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》

6 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

7 flora   

n.(某一地区的)植物群

参考例句：

• The subtropical island has a remarkably rich native flora.这个亚热带岛屿有相当丰富的乡土植物种类。
• All flora need water and light.一切草木都需要水和阳光。

8 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

9 variegated   

adj.斑驳的，杂色的

参考例句：

• This plant has beautifully variegated leaves.这种植物的叶子色彩斑驳，非常美丽。
• We're going to grow a variegated ivy up the back of the house.我们打算在房子后面种一棵杂色常春藤。

10 valiant   

adj.勇敢的，英勇的；n.勇士，勇敢的人

参考例句：

• He had the fame of being very valiant.他的勇敢是出名的。
• Despite valiant efforts by the finance minister,inflation rose to 36%.尽管财政部部长采取了一系列果决措施，通货膨胀率还是涨到了36%。

11 superfluous   

adj.过多的，过剩的，多余的

参考例句：

• She fined away superfluous matter in the design. 她删去了这图案中多余的东西。
• That request seemed superfluous when I wrote it.我这样写的时候觉得这个请求似乎是多此一举。

12 vile   

adj.卑鄙的，可耻的，邪恶的；坏透的

参考例句：

• Who could have carried out such a vile attack?会是谁发起这么卑鄙的攻击呢？
• Her talk was full of vile curses.她的话里充满着恶毒的咒骂。

13 anarchist   

n.无政府主义者

参考例句：

• You must be an anarchist at heart.你在心底肯定是个无政府主义者。
• I did my best to comfort them and assure them I was not an anarchist.我尽量安抚他们并让它们明白我并不是一个无政府主义者。

14 testimonies   

（法庭上证人的）证词( testimony的名词复数 )； 证明，证据

参考例句：

• Davie poured forth his eloquence upon the controversies and testimonies of the day. 戴维向他滔滔不绝地谈那些当时有争论的问题和上帝的箴言。
• Remove from me reproach and contempt; for I have kept thy testimonies. 22求你除掉我所受的羞辱和藐视，因我遵守你的法度。

15 divination   

n.占卜，预测

参考例句：

• Divination is made up of a little error and superstition,plus a lot of fraud.占卜是由一些谬误和迷信构成，再加上大量的欺骗。
• Katherine McCormack goes beyond horoscopes and provides a quick guide to other forms of divination.凯瑟琳·麦考马克超越了占星并给其它形式的预言提供了快速的指导。

16 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

17 recoil   

vi.退却，退缩，畏缩

参考例句：

• Most people would recoil at the sight of the snake.许多人看见蛇都会向后退缩。
• Revenge may recoil upon the person who takes it.报复者常会受到报应。

18 brutal   

adj.残忍的，野蛮的，不讲理的

参考例句：

• She has to face the brutal reality.她不得不去面对冷酷的现实。
• They're brutal people behind their civilised veneer.他们表面上温文有礼，骨子里却是野蛮残忍。

19 warped   

adj.反常的；乖戾的；（变）弯曲的；变形的v.弄弯，变歪( warp的过去式和过去分词 )；使（行为等）不合情理，使乖戾，

参考例句：

• a warped sense of humour 畸形的幽默感
• The board has warped. 木板翘了。 来自《现代汉英综合大词典》

20 justified   

a.正当的，有理的

参考例句：

• She felt fully justified in asking for her money back. 她认为有充分的理由要求退款。
• The prisoner has certainly justified his claims by his actions. 那个囚犯确实已用自己的行动表明他的要求是正当的。

21 nemesis   

n.给以报应者，复仇者，难以对付的敌手

参考例句：

• Uncritical trust is my nemesis.盲目的相信一切害了我自己。
• Inward suffering is the worst of Nemesis.内心的痛苦是最厉害的惩罚。

22 generosity   

n.大度，慷慨，慷慨的行为

参考例句：

• We should match their generosity with our own.我们应该像他们一样慷慨大方。
• We adore them for their generosity.我们钦佩他们的慷慨。

23 hardy   

adj.勇敢的，果断的，吃苦的；耐寒的

参考例句：

• The kind of plant is a hardy annual.这种植物是耐寒的一年生植物。
• He is a hardy person.他是一个能吃苦耐劳的人。

24 tact   

n.机敏，圆滑，得体

参考例句：

• She showed great tact in dealing with a tricky situation.她处理棘手的局面表现得十分老练。
• Tact is a valuable commodity.圆滑老练是很有用处的。

25 dissected   

adj.切开的，分割的，（叶子）多裂的v.解剖（动物等）( dissect的过去式和过去分词 )；仔细分析或研究

参考例句：

• Her latest novel was dissected by the critics. 评论家对她最近出版的一部小说作了详细剖析。
• He dissected the plan afterward to learn why it had failed. 他事后仔细剖析那项计划以便搞清它失败的原因。 来自《简明英汉词典》

26 impersonal   

adj.无个人感情的，与个人无关的，非人称的

参考例句：

• Even his children found him strangely distant and impersonal.他的孩子们也认为他跟其他人很疏远，没有人情味。
• His manner seemed rather stiff and impersonal.他的态度似乎很生硬冷淡。

27 folly   

n.愚笨，愚蠢，蠢事，蠢行，傻话

参考例句：

• Learn wisdom by the folly of others.从别人的愚蠢行动中学到智慧。
• Events proved the folly of such calculations.事情的进展证明了这种估计是愚蠢的。

28 analyst   

n.分析家，化验员；心理分析学家

参考例句：

• What can you contribute to the position of a market analyst?你有什么技能可有助于市场分析员的职务？
• The analyst is required to interpolate values between standards.分析人员需要在这些标准中插入一些值。

29 narration   

n.讲述，叙述；故事；记叙体

参考例句：

• The richness of his novel comes from his narration of it.他小说的丰富多采得益于他的叙述。
• Narration should become a basic approach to preschool education.叙事应是幼儿教育的基本途径。

30 philosophic   

adj.哲学的，贤明的

参考例句：

• It was a most philosophic and jesuitical motorman.这是个十分善辩且狡猾的司机。
• The Irish are a philosophic as well as a practical race.爱尔兰人是既重实际又善于思想的民族。

31 alluded   

提及，暗指( allude的过去式和过去分词 )

参考例句：

• In your remarks you alluded to a certain sinister design. 在你的谈话中，你提到了某个阴谋。
• She also alluded to her rival's past marital troubles. 她还影射了对手过去的婚姻问题。

32 judgments   

判断( judgment的名词复数 )； 鉴定； 评价； 审判

参考例句：

• A peculiar austerity marked his judgments of modern life. 他对现代生活的批评带着一种特殊的苛刻。
• He is swift with his judgments. 他判断迅速。

33 judgment   

n.审判；判断力，识别力，看法，意见

参考例句：

• The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
• He's a man of excellent judgment.他眼力过人。

34 wholesome   

adj.适合；卫生的；有益健康的；显示身心健康的

参考例句：

• In actual fact the things I like doing are mostly wholesome.实际上我喜欢做的事大都是有助于增进身体健康的。
• It is not wholesome to eat without washing your hands.不洗手吃饭是不卫生的。

35 glorified   

美其名的，变荣耀的

参考例句：

• The restaurant was no more than a glorified fast-food cafe. 这地方美其名曰餐馆，其实只不过是个快餐店而已。
• The author glorified the life of the peasants. 那个作者赞美了农民的生活。

36 mundane   

adj.平凡的；尘世的；宇宙的

参考例句：

• I hope I can get an interesting job and not something mundane.我希望我可以得到的是一份有趣的工作，而不是一份平凡无奇的。
• I find it humorous sometimes that even the most mundane occurrences can have an impact on our awareness.我发现生活有时挺诙谐的，即使是最平凡的事情也能影响我们的感知。

37 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

38 imperative   

n.命令，需要；规则；祈使语气；adj.强制的；紧急的

参考例句：

• He always speaks in an imperative tone of voice.他老是用命令的口吻讲话。
• The events of the past few days make it imperative for her to act.过去这几天发生的事迫使她不得不立即行动。

39 duel   

n./v.决斗；(双方的)斗争

参考例句：

• The two teams are locked in a duel for first place.两个队为争夺第一名打得难解难分。
• Duroy was forced to challenge his disparager to duel.杜洛瓦不得不向诋毁他的人提出决斗。

40 envious   

adj.嫉妒的，羡慕的

参考例句：

• I don't think I'm envious of your success.我想我并不嫉妒你的成功。
• She is envious of Jane's good looks and covetous of her car.她既忌妒简的美貌又垂涎她的汽车。

41 remarkably   

ad.不同寻常地，相当地

参考例句：

• I thought she was remarkably restrained in the circumstances. 我认为她在那种情况下非常克制。
• He made a remarkably swift recovery. 他康复得相当快。

42 apparition   

n.幽灵，神奇的现象

参考例句：

• He saw the apparition of his dead wife.他看见了他亡妻的幽灵。
• But the terror of this new apparition brought me to a stand.这新出现的幽灵吓得我站在那里一动也不敢动。

43 melodrama   

n.音乐剧；情节剧

参考例句：

• We really don't need all this ridiculous melodrama!别跟我们来这套荒唐的情节剧表演！
• White Haired Woman was a melodrama,but in certain spots it was deliberately funny.《白毛女》是一出悲剧性的歌剧，但也有不少插科打诨。

44 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

45 parable   

n.寓言，比喻

参考例句：

• This is an ancient parable.这是一个古老的寓言。
• The minister preached a sermon on the parable of the lost sheep.牧师讲道时用了亡羊的比喻。

46 adventurous   

adj.爱冒险的；惊心动魄的，惊险的，刺激的　

参考例句：

• I was filled with envy at their adventurous lifestyle.我很羨慕他们敢于冒险的生活方式。
• He was predestined to lead an adventurous life.他注定要过冒险的生活。

47 anecdote   

n.轶事，趣闻，短故事

参考例句：

• He departed from the text to tell an anecdote.他偏离课文讲起了一则轶事。
• It had never been more than a family anecdote.那不过是个家庭趣谈罢了。

48 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

49 impure   

adj.不纯净的，不洁的；不道德的，下流的

参考例句：

• The air of a big city is often impure.大城市的空气往往是污浊的。
• Impure drinking water is a cause of disease.不洁的饮用水是引发疾病的一个原因。

50 shudder   

v.战粟，震动，剧烈地摇晃；n.战粟，抖动

参考例句：

• The sight of the coffin sent a shudder through him.看到那副棺材，他浑身一阵战栗。
• We all shudder at the thought of the dreadful dirty place.我们一想到那可怕的肮脏地方就浑身战惊。

51 bereft   

adj.被剥夺的

参考例句：

• The place seemed to be utterly bereft of human life.这个地方似乎根本没有人烟。
• She was bereft of happiness.她失去了幸福。

52 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

53 specimen   

n.样本，标本

参考例句：

• You'll need tweezers to hold up the specimen.你要用镊子来夹这标本。
• This specimen is richly variegated in colour.这件标本上有很多颜色。

54 reverberate   

v.使回响，使反响

参考例句：

• The decision will reverberate and will jar the country.这项决定将引起反响并震撼这个国家。
• Echoes of cries of pain reverberate in my hear.痛苦呼喊的一遍遍的在我的心中回响。

55 enchanting   

a.讨人喜欢的

参考例句：

• His smile, at once enchanting and melancholy, is just his father's. 他那种既迷人又有些忧郁的微笑，活脱儿象他父亲。
• Its interior was an enchanting place that both lured and frightened me. 它的里头是个吸引人的地方，我又向往又害怕。

56 propulsive   

adj.推进的

参考例句：

• The fish uses its tail fins for propulsive force throgh the water.鱼靠尾鳍在水中前进。
• Interest in jet propulsive force was now growing at the Air Ministry.航空部对喷气推进的兴趣正在增加。

57 finesse   

n.精密技巧，灵巧，手腕

参考例句：

• It was a disappointing performance which lacked finesse.那场演出缺乏技巧，令人失望。
• Lillian Hellman's plays are marked by insight and finesse.莉莲.赫尔曼的巨作以富有洞察力和写作技巧著称。

58 depicting   

描绘，描画( depict的现在分词 )； 描述

参考例句：

• a painting depicting the Virgin and Child 一幅描绘童贞马利亚和圣子耶稣的画
• The movie depicting the battles and bloodshed is bound to strike home. 这部描写战斗和流血牺牲的影片一定会取得预期效果。

59 decadence   

n.衰落，颓废

参考例句：

• The decadence of morals is bad for a nation.道德的堕落对国家是不利的。
• His article has the power to turn decadence into legend.他的文章具有化破朽为神奇的力量。

60 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

61 depicts   

描绘，描画( depict的第三人称单数 )； 描述

参考例句：

• The book vividly depicts French society of the 1930s. 这本书生动地描绘了20 世纪30 年代的法国社会。
• He depicts the sordid and vulgar sides of life exclusively. 他只描写人生肮脏和庸俗的一面。

62 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

63 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

64 enacted   

制定（法律），通过（法案）( enact的过去式和过去分词 )

参考例句：

• legislation enacted by parliament 由议会通过的法律
• Outside in the little lobby another scene was begin enacted. 外面的小休息室里又是另一番景象。 来自英汉文学 - 嘉莉妹妹

65 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

66 engrossing   

adj.使人全神贯注的，引人入胜的v.使全神贯注( engross的现在分词 )

参考例句：

• He told us an engrossing story. 他给我们讲了一个引人入胜的故事。 来自《简明英汉词典》
• It might soon have ripened into that engrossing feeling. 很快便会发展成那种压倒一切的感情的。 来自辞典例句

67 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

68 psychology   

n.心理，心理学，心理状态

参考例句：

• She has a background in child psychology.她受过儿童心理学的教育。
• He studied philosophy and psychology at Cambridge.他在剑桥大学学习哲学和心理学。

69 mingling   

adj.混合的

参考例句：

• There was a spring of bitterness mingling with that fountain of sweets. 在这个甜蜜的源泉中间，已经掺和进苦涩的山水了。
• The mingling of inconsequence belongs to us all. 这场矛盾混和物是我们大家所共有的。

70 genres   

（文学、艺术等的）类型，体裁，风格( genre的名词复数 )

参考例句：

• Novel and short story are different genres. 长篇小说和短篇小说是不同的类别。
• But confusions over the two genres have a long history. 但是类型的混淆，古已有之。 来自汉英文学 - 散文英译

71 analytic   

adj.分析的，用分析方法的

参考例句：

• The boy has an analytic mind. 这男孩有分析的头脑。
• Latin is a synthetic language,while English is analytic.拉丁文是一种综合性语言，而英语是一种分析性语言。

72 bleak   

adj.(天气)阴冷的；凄凉的；暗淡的

参考例句：

• They showed me into a bleak waiting room.他们引我来到一间阴冷的会客室。
• The company's prospects look pretty bleak.这家公司的前景异常暗淡。

73 rites   

仪式，典礼( rite的名词复数 )

参考例句：

• to administer the last rites to sb 给某人举行临终圣事
• He is interested in mystic rites and ceremonies. 他对神秘的仪式感兴趣。

74 modulate   

v.调整，调节(音的强弱)；变调

参考例句：

• Please modulate the sound on the TV.请调节一下电视的音量。
• This system could modulate the voice signal effectively.这个系统可以对语音信号进行有效的调制。

75 undertaking   

n.保证，许诺，事业

参考例句：

• He gave her an undertaking that he would pay the money back with in a year.他向她做了一年内还钱的保证。
• He is too timid to venture upon an undertaking.他太胆小，不敢从事任何事业。

76 briefly   

adv.简单地，简短地

参考例句：

• I want to touch briefly on another aspect of the problem.我想简单地谈一下这个问题的另一方面。
• He was kidnapped and briefly detained by a terrorist group.他被一个恐怖组织绑架并短暂拘禁。

77 villains   

n.恶棍( villain的名词复数 )；罪犯；（小说、戏剧等中的）反面人物；淘气鬼

参考例句：

• The impression of villains was inescapable. 留下恶棍的印象是不可避免的。 来自《简明英汉词典》
• Some villains robbed the widow of the savings. 有几个歹徒将寡妇的积蓄劫走了。 来自《现代英汉综合大词典》

78 sinister   

adj.不吉利的，凶恶的，左边的

参考例句：

• There is something sinister at the back of that series of crimes.在这一系列罪行背后有险恶的阴谋。
• Their proposals are all worthless and designed out of sinister motives.他们的建议不仅一钱不值，而且包藏祸心。

79 horrid   

adj.可怕的；令人惊恐的；恐怖的；极讨厌的

参考例句：

• I'm not going to the horrid dinner party.我不打算去参加这次讨厌的宴会。
• The medicine is horrid and she couldn't get it down.这种药很难吃，她咽不下去。

80 vaguely   

adv.含糊地，暖昧地

参考例句：

• He had talked vaguely of going to work abroad.他含糊其词地说了到国外工作的事。
• He looked vaguely before him with unseeing eyes.他迷迷糊糊的望着前面，对一切都视而不见。

81 bloody   

adj.非常的的；流血的；残忍的；adv.很；vt.血染

参考例句：

• He got a bloody nose in the fight.他在打斗中被打得鼻子流血。
• He is a bloody fool.他是一个十足的笨蛋。

82 baron   

n.男爵；(商业界等)巨头，大王

参考例句：

• Henry Ford was an automobile baron.亨利·福特是一位汽车业巨头。
• The baron lived in a strong castle.男爵住在一座坚固的城堡中。

83 counterfoil   

n.(支票、邮局汇款单、收据等的)存根，票根

参考例句：

• I think money is a counterfoil all the time,in should putting in a society.我一直认为钱就是一把票根，应该投放到社会中去。
• She always keeps the counterfoils.她总是保留着各种票根。

84 diabolical   

adj.恶魔似的，凶暴的

参考例句：

• This maneuver of his is a diabolical conspiracy.他这一手是一个居心叵测的大阴谋。
• One speaker today called the plan diabolical and sinister.今天一名发言人称该计划阴险恶毒。

85 oblique   

adj.斜的，倾斜的，无诚意的，不坦率的

参考例句：

• He made oblique references to her lack of experience.他拐弯抹角地说她缺乏经验。
• She gave an oblique look to one side.她向旁边斜看了一眼。

86 triumphant   

adj.胜利的，成功的；狂欢的，喜悦的

参考例句：

• The army made a triumphant entry into the enemy's capital.部队胜利地进入了敌方首都。
• There was a positively triumphant note in her voice.她的声音里带有一种极为得意的语气。

87 caresses   

爱抚，抚摸( caress的名词复数 )

参考例句：

• A breeze caresses the cheeks. 微风拂面。
• Hetty was not sufficiently familiar with caresses or outward demonstrations of fondness. 海蒂不习惯于拥抱之类过于外露地表现自己的感情。

88 coerced   

v.迫使做( coerce的过去式和过去分词 )；强迫；（以武力、惩罚、威胁等手段）控制；支配

参考例句：

• They were coerced into negotiating a settlement. 他们被迫通过谈判解决。
• He was coerced into making a confession. 他被迫招供。 来自《简明英汉词典》

89 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

90 bass   

n.男低音(歌手)；低音乐器；低音大提琴

参考例句：

• He answered my question in a surprisingly deep bass.他用一种低得出奇的声音回答我的问题。
• The bass was to give a concert in the park.那位男低音歌唱家将在公园中举行音乐会。

91 choir   

n.唱诗班，唱诗班的席位，合唱团，舞蹈团；v.合唱

参考例句：

• The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
• The church choir is singing tonight.今晚教堂歌唱队要唱诗。

92 aboriginal   

adj.（指动植物）土生的，原产地的，土著的

参考例句：

• They managed to wipe out the entire aboriginal population.他们终于把那些土著人全部消灭了。
• The lndians are the aboriginal Americans.印第安人是美国的土著人。

93 hearty   

adj.热情友好的；衷心的；尽情的，纵情的

参考例句：

• After work they made a hearty meal in the worker's canteen.工作完了，他们在工人食堂饱餐了一顿。
• We accorded him a hearty welcome.我们给他热忱的欢迎。