XIII THE CULT OF THE NUANCE LAFCADIO HEARN

Lafcadio Hearn, shy, complex, sensuous¹, has in Elizabeth Bisland a sympathetic biographer. In her two volumes, the major portion is devoted² to the letters of this exotic and extraordinary writer; he was both, without being either a great man or a great artist. The dominant³ impression made by his personality, so much and often so unhappily discussed, is itself impressionistic. Curiously⁴ enough, as he viewed the world, so has he been judged by the world. His life, fragmentary, episodic, restless, doubtless the result of physical and psychical⁵ limitations, is admirably reflected in his writings with their staccato phrasing, overcoloured style, their flight from anything approaching reality, their uneasy apprehension⁶ of sex, and their flittings among the folk-lore of a half dozen extinct civilisations. His defective⁸ eyesight was largely the cause of his attitude toward life and art—for with our eyes we create our world—and his intense sufferings and consequent pessimism⁹ must be set down to the inevitable¹⁰ tragedy of a soul that greatly aspired¹¹, but a soul that had the interior vision though not the instrument with which to interpret [Pg 241] it. Lafcadio Hearn was a poetic¹² temperament¹³, a stylist, but an incomplete artist.

His biographer, Miss Bisland, speaks of him as a "stylist." Unfortunately this is not far from the truth; he was a "stylist," though not always with an individual style. The real Hearn had superimposed upon him the débris of many writers, usually Frenchmen. He began his literary life as a worshipper and translator of Théophile Gautier and died in the faith that Pierre Loti had said the last word of modern prose. Gautier attracted him by his sumptuousness¹⁴ of epithet¹⁵, the perfectly¹⁶ realised material splendours of gold, of marble, of colour. To the neurasthenic Hearn, his brain big with glorious dreams, the Parisian pagan must have seemed godlike in his half-smiling, half-contemptuous mastery of language, a mastery in its ease not outrivalled even by Flaubert. Gautier was a gigantic reflector of the visible world, but without genuine sympathy for humanity, and he boasted that his periods, like cats, always fell on their feet, no matter how high or carelessly he tossed them. And then he was Greek in his temperament, Greek grafted¹⁷ upon a Parisian who loved form and hue¹⁸ above all else, and this appealed to Hearn, whose mother was Greek, whose tastes were exotic. It was only after he had passed the half-century mark and when he was the father of three sons that some apprehension of the gravity of Occidental ethical¹⁹ teaching was realised by him.

[Pg 242] When M. Loti-Viaud, that most exquisite²⁰ of French prose artists and sentimental²¹ sensualists, made his appearance, Lafcadio was ravished into the seventh heaven. Here was what he had sought to do, what he never would do—the perfection of impressionism, created by an accumulation of delicate details, unerringly presented, with the intention of attacking the visual (literary) sense, not the ear. You can't read a page of Loti aloud; hearing is never the final court of appeal for him. Nor is the ear regarded in Hearn's prose. He is not "auditive"; like Loti and the Goncourts, he writes for the eye. Fr. Paulhan calls writers of this type rich in the prédominance des sensations visuelles. Disconnected by his constant abuse of the dash—he must have studied Poe not too wisely—infinitesimal strokes of colour supplying the place of a large-moulded syntax, this prose has not unity²², precision, speed, euphony²³. Its rhythms are choppy, the dabs²⁴ of paint, the shadings within shadings, the return upon itself of the theme, the reticent²⁵, inverted²⁶ sentences, the absence of architectonic and the fatal lack of variety, surprise, or grandeur²⁷ in the harmonic sense, these disbar the prose of Lafcadio Hearn from the exalted²⁸ position claimed for it by his admirers.

Yet it is a delicate prose; the haunted twilight²⁹ of the soul has found its notations³⁰ in his work. With Amiel he could say of a landscape that it was a state of soul. His very [Pg 243] defects became his strength. With normal eyesight we should not have had the man of ghostly reveries, the patient, charming etcher on a miniature block of evanescent prose, the forger³¹ of tiny chords, modulating³² into Chopin-like mist. His mania³³ for the word caused him to neglect the sentence; his devotion to the sentence closed for him any comprehensive handling of the paragraph; he seldom wrote a perfect page; never an entire chapter or book. At his best he equals Loti in his evocation³⁴ of the mystery that encompasses³⁵ us, a mystery that has been sounded in music, seldom in language. His cast of mind was essentially³⁶ romantic. Hearn does not mention the name of Goncourt in his letters, and yet it is a certain side of the brothers, the impressionistic side, that his writings resemble. But he had not their artistry. Nor could he, like Maupassant, summon tangible³⁷ spirits from the vasty deep, as did the Norman master in Le Horla. When Rodin was told by Arthur Symons that William Blake saw visions, the sculptor³⁸, after looking at the drawings, replied: "Yes, he saw them once; he should have seen them three or four times." Hearn seldom pinned down to the paper his dreams, though he had a gift of suggestion, of spiritual overtones, in a key of transcendentalism, that, in certain pages, far outshines Loti or Maupassant. Disciple³⁹ of Herbert Spencer—he was forced because of his feminine fluidity to lean on a strong, positive brain—hater of social conventions, despiser of [Pg 244] Christianity, a proselyte to a dozen creeds⁴¹, from the black magic of Voodooism to Japanese Shintoism, he never quite rid himself of the spiritual deposits inherited from his Christian⁴⁰ ancestry⁴². This strain, this contradiction, to be found in his later letters, explains much of his psychology⁴³, all of his art. A man after nearly two thousand years of Christianity may say to himself: "Lo! I am a pagan." But all the horses from Dan to Beersheba cannot drag him back to paganism, cannot make him resist the "pull" of his hereditary⁴⁴ faith. The very quality Hearn most deplored⁴⁵ in himself gives his work an exotic savour; he is a Christian of Greek and Roman Catholic training, a half Greek, half Celt, whole gipsy, masquerading as an Oriental. The mask is an agreeable one, the voice of the speaker sweet, almost enticing⁴⁶, but one more mask it is, and therefore not the real Hearn. He was Goth, not Greek; he suffered from the mystic fear of the Goth, while he yearned⁴⁷ for the great day flame of the classics. Even his Japonisme was skin-deep.

Miss Bisland relates the uneventful career of Hearn in an unaffected manner. He was loved by his friends, while he often ran away from them. Solitary⁴⁸, eccentric, Hearn was an unhappy man. He was born June 27, 1850, on one of the Ionian Isles⁴⁹, Santa Maura, called in modern Greek, Leokus, or Lafcada, the Sappho Leucadia, promontory⁵⁰ and all. His father was Charles Bush Hearn, of an old Dorsetshire family—Hearn, [Pg 245] however, is a Romany name—and an Irishman. His mother was Rosa Cerigote, a Greek, whose brothers, it is said, stabbed their sister's suitor, but she, Isolde-like, nursed him, and he married her. The marriage was not a happy one. Young Lafcadio drifted to Ireland, was adopted by a rich aunt of Doctor Hearn's, a Mrs. Brenane, and went with her to Wales. He is said to have been educated in the north of France at a Jesuit college. He learned the language there. Later he was at Ushan, the Roman Catholic college of Durham. His life long he hated this religion, hated it in a superstitious⁵¹ fashion, and seemed to have suffered from a sort of persecution⁵² mania—he fancied Jesuits were plotting against him. At school he lost the sight of one eye through an accident while at play. In 1869 Hearn was five feet three inches tall, weighed one hundred and thirty-seven pounds, and had a chest measurement of thirty-six and three-fourths inches. Disappointed of an expected inheritance—his grandaunt left him nothing—he went to London with his head full of dreams, but his pockets were empty. In 1869 he landed in New York, penniless, poor in health, half blind, friendless, and very ambitious.

In this biography you may follow him through the black and coiling poverty, a mean and bitter life compared with which the career of Robert Louis Stevenson was the triumphal procession of a Prince Charming of letters. He landed [Pg 246] finally in Cincinnati, where he secured an unimportant position on The Enquirer⁵³. His friends at that time were H. E. Krehbiel, Joseph Tunison, and H. F. Farney, the artist. His letters, printed in this volume, and ranging from 1877 to 1889, addressed to Mr. Krehbiel, are the most interesting for the students of Hearn the literary aspirant⁵⁴. He envies the solid architecture of that music-critic's prose, but realises that it is not for him—lack of structure is his chief deficiency. But he passionately⁵⁵ admired that quality in others wherein he felt himself wanting. He was generous to others, not to himself. It is unfortunate that he studied the prose of the seventeenth century. Mr. Krehbiel evidently knew of his tone-deafness. Hearn wrote him that he could listen to Patti after he had read Krehbiel. This proves him to be of the "literary" type of music lover; music must first be a picture before it makes a tonal image in the cortical cells. The most remarkable⁵⁶ thing in the Hearn case is his intensity⁵⁷ of vision without adequate optical organs. With infinite pains he pictured life microscopically⁵⁸. He was for ever excited, his brain clamouring for food, starving for the substance denied it by lack of normal eyesight. Hearn sickened of newspaper work, he loathed⁵⁹ it, he often declared, and slipped away to New Orleans. There he found much material for his exotic cravings. He accumulated an expensive and curious library, for his was the type of talent that must derive⁶¹ from [Pg 247] art, not life. At Martinique we find him hypnotised by the scenery, the climate, and the colourful life. He abhorred⁶² the cold, he always shivered in New York, and this tepid⁶³, romantic island, with its dreamy days and starry⁶⁴ nights, filled him with languid joy. But he soon discovered that the making of literature was not possible in such a luxurious⁶⁵ atmosphere, as he did later in Japan, and he returned to the United States. In 1890 he left for the East, never to return. He died at Tokio, September 26, 1904.

Hearn had an amazing acquaintance with the folk-lore of many nations. He was perpetually raving⁶⁰ over the Finnish, the Voodoo, the Hindu. If he had gone to Paris instead of to Japan, we should have missed the impressionism of his Japanese tales, yet he might have found the artistic⁶⁶ solace⁶⁷ his aching heart desired. There his style would have been better grounded; there he would have found solid weapons fashioned for his ethnical, arch?ological, and ?sthetical excursions. Folk-lore is a treacherous⁶⁸ byway of literature, and Hearn always worked in it with old-fashioned tools. As versatile⁶⁹ in range as were his researches, the results are meagre, for he was not a trained observer nor thinker in any domain⁷⁰. So is it that in his later rovings among the metaphysics of Spencer and modern thought there is something feverishly⁷¹ shallow. His judgments⁷² of English writers were amateurish⁷³. He called Kipling a great poet, presumably on the strength of his exotic tang. Sir Edwin Arnold he rated above Matthew Arnold for the same reason.

In Japan, delicious, malodorous Japan, we leave him to the reader, who will find in these letters to Henry Edward Krehbiel, Ball, W. D. O'Connor, Gould, Elizabeth Bisland, Page M. Butler, Basil Hall Chamberlain, Ellwood Hendrick, and Mitchell McDonald the most entertaining, self-revealing literary correspondence published since the death of Robert Louis Stevenson. He interpreted the soul of old Japan at the critical moment when a new Western one was being assumed like a formidable carapace⁷⁴. He also warned us of Japan, the new Japan—though not in a friendly way; he would have been glad to see Western civilisation⁷ submerged by the yellow races.

Shy, complex, sensuous, Hearn is the real Lafcadio Hearn in these letters. Therein we discover the tenderness, the passion, the capacity for friendship, the genuine humanity absent in his books. His life, his art, were sadly misfitted with masks—though Nietzsche says: "All that is profound loves the mask"; and the symbolism of the Orient completed the disintegration⁷⁵ of his baffling personality.

1 sensuous   

adj.激发美感的；感官的，感觉上的

参考例句：

• Don't get the idea that value of music is commensurate with its sensuous appeal.不要以为音乐的价值与其美的感染力相等。
• The flowers that wreathed his parlor stifled him with their sensuous perfume.包围著客厅的花以其刺激人的香味使他窒息。

2 devoted   

adj.忠诚的，忠实的，热心的，献身于...的

参考例句：

• He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。

3 dominant   

adj.支配的，统治的；占优势的；显性的；n.主因，要素，主要的人(或物)；显性基因

参考例句：

• The British were formerly dominant in India.英国人从前统治印度。
• She was a dominant figure in the French film industry.她在法国电影界是个举足轻重的人物。

4 curiously   

adv.有求知欲地；好问地；奇特地

参考例句：

• He looked curiously at the people.他好奇地看着那些人。
• He took long stealthy strides. His hands were curiously cold.他迈着悄没声息的大步。他的双手出奇地冷。

5 psychical   

adj.有关特异功能现象的；有关特异功能官能的；灵魂的；心灵的

参考例句：

• Conclusion: The Liuhe-lottery does harm to people, s psychical health and should be for bidden. 结论：“六合彩”赌博有害人们心理卫生，应予以严禁。 来自互联网

6 apprehension   

n.理解，领悟；逮捕，拘捕；忧虑

参考例句：

• There were still areas of doubt and her apprehension grew.有些地方仍然存疑，于是她越来越担心。
• She is a girl of weak apprehension.她是一个理解力很差的女孩。

7 civilisation   

n.文明，文化，开化，教化

参考例句：

• Energy and ideas are the twin bases of our civilisation.能源和思想是我们文明的两大基石。
• This opera is one of the cultural totems of Western civilisation.这部歌剧是西方文明的文化标志物之一。

8 defective   

adj.有毛病的，有问题的，有瑕疵的

参考例句：

• The firm had received bad publicity over a defective product. 该公司因为一件次品而受到媒体攻击。
• If the goods prove defective, the customer has the right to compensation. 如果货品证明有缺陷， 顾客有权索赔。

9 pessimism   

n.悲观者，悲观主义者，厌世者

参考例句：

• He displayed his usual pessimism.他流露出惯有的悲观。
• There is the note of pessimism in his writings.他的著作带有悲观色彩。

10 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

11 aspired   

v.渴望，追求( aspire的过去式和过去分词 )

参考例句：

• She aspired to a scientific career. 她有志于科学事业。
• Britain,France,the United States and Japan all aspired to hegemony after the end of World War I. 第一次世界大战后，英、法、美、日都想争夺霸权。 来自《简明英汉词典》

12 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

13 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

14 sumptuousness   

奢侈，豪华

参考例句：

• No need to dwell on the sumptuousness of that feast. 更不用再说那肴馔之盛。 来自英汉 - 翻译样例 - 文学

15 epithet   

n.（用于褒贬人物等的）表述形容词，修饰语

参考例句：

• In "Alfred the Great","the Great"is an epithet.“阿尔弗雷德大帝”中的“大帝”是个称号。
• It is an epithet that sums up my feelings.这是一个简洁地表达了我思想感情的形容词。

16 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

17 grafted   

移植( graft的过去式和过去分词 )； 嫁接； 使（思想、制度等）成为（…的一部份）； 植根

参考例句：

• No art can be grafted with success on another art. 没有哪种艺术能成功地嫁接到另一种艺术上。
• Apples are easily grafted. 苹果树很容易嫁接。

18 hue   

n.色度；色调；样子

参考例句：

• The diamond shone with every hue under the sun.金刚石在阳光下放出五颜六色的光芒。
• The same hue will look different in different light.同一颜色在不同的光线下看起来会有所不同。

19 ethical   

adj.伦理的，道德的，合乎道德的

参考例句：

• It is necessary to get the youth to have a high ethical concept.必须使青年具有高度的道德观念。
• It was a debate which aroused fervent ethical arguments.那是一场引发强烈的伦理道德争论的辩论。

20 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

21 sentimental   

adj.多愁善感的，感伤的

参考例句：

• She's a sentimental woman who believes marriage comes by destiny.她是多愁善感的人，她相信姻缘命中注定。
• We were deeply touched by the sentimental movie.我们深深被那感伤的电影所感动。

22 unity   

n.团结，联合，统一；和睦，协调

参考例句：

• When we speak of unity,we do not mean unprincipled peace.所谓团结，并非一团和气。
• We must strengthen our unity in the face of powerful enemies.大敌当前，我们必须加强团结。

23 euphony   

n.悦耳的语音

参考例句：

• Such euphony is hard to resist.如此的悦耳之声令人难以抵抗。
• He was enchanted with the euphony.他陶醉在那悦耳之音中。

24 dabs   

少许( dab的名词复数 )； 是…能手； 做某事很在行； 在某方面技术熟练

参考例句：

• Each of us had two dabs of butter. 我们每人吃了两小块黄油。
• He made a few dabs at the fence with the paint but didn't really paint it. 他用颜料轻刷栅栏，但一点也没刷上。

25 reticent   

adj.沉默寡言的；言不如意的

参考例句：

• He was reticent about his opinion.他有保留意见。
• He was extremely reticent about his personal life.他对自己的个人生活讳莫如深。

26 inverted   

adj.反向的，倒转的v.使倒置，使反转( invert的过去式和过去分词 )

参考例句：

• Only direct speech should go inside inverted commas. 只有直接引语应放在引号内。
• Inverted flight is an acrobatic manoeuvre of the plane. 倒飞是飞机的一种特技动作。 来自《简明英汉词典》

27 grandeur   

n.伟大，崇高，宏伟，庄严，豪华

参考例句：

• The grandeur of the Great Wall is unmatched.长城的壮观是独一无二的。
• These ruins sufficiently attest the former grandeur of the place.这些遗迹充分证明此处昔日的宏伟。

28 exalted   

adj.(地位等)高的，崇高的；尊贵的，高尚的

参考例句：

• Their loveliness and holiness in accordance with their exalted station.他们的美丽和圣洁也与他们的崇高地位相称。
• He received respect because he was a person of exalted rank.他因为是个地位崇高的人而受到尊敬。

29 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

30 notations   

记号，标记法( notation的名词复数 )

参考例句：

• He was frowning and wishing he could decode the notations on the slips. 他皱着眉，挖空心思地想认出赌签上的记号。 来自教父部分
• In section 2, we give some notations and some lemmas. 在本文第二部分，我们给出一些符号及引理。

31 forger   

v.伪造；n.（钱、文件等的）伪造者

参考例句：

• He admitted seven charges including forging passports.他承认了7项罪名，其中包括伪造护照。
• She alleged that Taylor had forged her signature on the form.她声称泰勒在表格上伪造了她的签名。

32 modulating   

调整( modulate的现在分词 )； （对波幅、频率的）调制； 转调； 调整或改变（嗓音）的音调

参考例句：

• In his horn solo,he kept modulating from key to key. 他在喇叭独奏时不断地变调。
• Water vapour and clouds are the primary variables modulating direct solar absorption. 水汽和云是调节直接太阳吸收的主要要素。

33 mania   

n.疯狂；躁狂症，狂热，癖好

参考例句：

• Football mania is sweeping the country.足球热正风靡全国。
• Collecting small items can easily become a mania.收藏零星物品往往容易变成一种癖好。

34 evocation   

n. 引起，唤起 n. <古> 召唤，招魂

参考例句：

• Against this brilliant evocation of airlessness we may put Whitman's view of the poet. 我们从他这段批评诗人无生气的精采论述中，可以看出惠特曼对于诗人的看法。
• It prefers evocation spells and illusions to help it disguise It'self. 他更喜欢塑能系法术和可以辅助伪装自己的幻术。

35 encompasses   

v.围绕( encompass的第三人称单数 )；包围；包含；包括

参考例句：

• The job encompasses a wide range of responsibilities. 这项工作涉及的职责范围很广。
• Its conservation law encompasses both its magnitude and its direction. 它的守恒定律包括大小和方向两方面。 来自辞典例句

36 essentially   

adv.本质上，实质上，基本上

参考例句：

• Really great men are essentially modest.真正的伟人大都很谦虚。
• She is an essentially selfish person.她本质上是个自私自利的人。

37 tangible   

adj.有形的，可触摸的，确凿的，实际的

参考例句：

• The policy has not yet brought any tangible benefits.这项政策还没有带来任何实质性的好处。
• There is no tangible proof.没有确凿的证据。

38 sculptor   

n.雕刻家，雕刻家

参考例句：

• A sculptor forms her material.雕塑家把材料塑造成雕塑品。
• The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。

39 disciple   

n.信徒，门徒，追随者

参考例句：

• Your disciple failed to welcome you.你的徒弟没能迎接你。
• He was an ardent disciple of Gandhi.他是甘地的忠实信徒。

40 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

41 creeds   

（尤指宗教）信条，教条( creed的名词复数 )

参考例句：

• people of all races, colours and creeds 各种种族、肤色和宗教信仰的人
• Catholics are agnostic to the Protestant creeds. 天主教徒对于新教教义来说，是不可知论者。

42 ancestry   

n.祖先，家世

参考例句：

• Their ancestry settled the land in 1856.他们的祖辈1856年在这块土地上定居下来。
• He is an American of French ancestry.他是法国血统的美国人。

43 psychology   

n.心理，心理学，心理状态

参考例句：

• She has a background in child psychology.她受过儿童心理学的教育。
• He studied philosophy and psychology at Cambridge.他在剑桥大学学习哲学和心理学。

44 hereditary   

adj.遗传的，遗传性的，可继承的，世袭的

参考例句：

• The Queen of England is a hereditary ruler.英国女王是世袭的统治者。
• In men,hair loss is hereditary.男性脱发属于遗传。

45 deplored   

v.悲叹，痛惜，强烈反对( deplore的过去式和过去分词 )

参考例句：

• They deplored the price of motor car, textiles, wheat, and oil. 他们悲叹汽车、纺织品、小麦和石油的价格。 来自辞典例句
• Hawthorne feels that all excess is to be deplored. 霍桑觉得一切过分的举动都是可悲的。 来自辞典例句

46 enticing   

adj.迷人的；诱人的

参考例句：

• The offer was too enticing to refuse. 这提议太有诱惑力，使人难以拒绝。
• Her neck was short but rounded and her arms plump and enticing. 她的脖子短，但浑圆可爱；两臂丰腴，也很动人。

47 yearned   

渴望，切盼，向往( yearn的过去式和过去分词 )

参考例句：

• The people yearned for peace. 人民渴望和平。
• She yearned to go back to the south. 她渴望回到南方去。

48 solitary   

adj.孤独的，独立的，荒凉的；n.隐士

参考例句：

• I am rather fond of a solitary stroll in the country.我颇喜欢在乡间独自徜徉。
• The castle rises in solitary splendour on the fringe of the desert.这座城堡巍然耸立在沙漠的边际，显得十分壮美。

49 isles   

岛( isle的名词复数 )

参考例句：

• the geology of the British Isles 不列颠群岛的地质
• The boat left for the isles. 小船驶向那些小岛。

50 promontory   

n.海角；岬

参考例句：

• Genius is a promontory jutting out of the infinite.天才是茫茫大地突出的岬角。
• On the map that promontory looks like a nose,naughtily turned up.从地图上面，那个海角就像一只调皮地翘起来的鼻子。

51 superstitious   

adj.迷信的

参考例句：

• They aim to deliver the people who are in bondage to superstitious belief.他们的目的在于解脱那些受迷信束缚的人。
• These superstitious practices should be abolished as soon as possible.这些迷信做法应尽早取消。

52 persecution   

n. 迫害,烦扰

参考例句：

• He had fled from France at the time of the persecution. 他在大迫害时期逃离了法国。
• Their persecution only serves to arouse the opposition of the people. 他们的迫害只激起人民对他们的反抗。

53 enquirer   

寻问者，追究者

参考例句：

• The "National Enquirer" blazoned forth that we astronomers had really discovered another civilization. 《国民询问者》甚至宣称，我们天文学家已真正发现了其它星球上的文明。
• Should we believe a publication like the national enquirer? 我们要相信像《国家探秘者》之类的出版物吗？

54 aspirant   

n.热望者；adj.渴望的

参考例句：

• Any aspirant to the presidency here must be seriously rich.要想当这儿的主席一定要家财万贯。
• He is among the few aspirants with administrative experience.他是为数不多的几个志向远大而且有管理经验的人之一。

55 passionately   

ad.热烈地，激烈地

参考例句：

• She could hate as passionately as she could love. 她能恨得咬牙切齿，也能爱得一往情深。
• He was passionately addicted to pop music. 他酷爱流行音乐。

56 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

57 intensity   

n.强烈，剧烈；强度；烈度

参考例句：

• I didn't realize the intensity of people's feelings on this issue.我没有意识到这一问题能引起群情激奋。
• The strike is growing in intensity.罢工日益加剧。

58 microscopically   

显微镜下

参考例句：

• Microscopically the ores are medium grained to amorphous. 显微镜下，矿石为中粒至非晶质。 来自辞典例句
• He studied microscopically the statistics of trade. 他极仔细地研究了贸易统计数字。 来自辞典例句

59 loathed   

v.憎恨，厌恶( loathe的过去式和过去分词 )；极不喜欢

参考例句：

• Baker loathed going to this red-haired young pup for supplies. 面包师傅不喜欢去这个红头发的自负的傻小子那里拿原料。 来自《简明英汉词典》
• Therefore, above all things else, he loathed his miserable self! 因此，他厌恶不幸的自我尤胜其它！ 来自英汉文学 - 红字

60 raving   

adj.说胡话的；疯狂的，怒吼的；非常漂亮的；令人醉心[痴心]的v.胡言乱语(rave的现在分词)n.胡话；疯话adv.胡言乱语地；疯狂地

参考例句：

• The man's a raving lunatic. 那个男子是个语无伦次的疯子。
• When I told her I'd crashed her car, she went stark raving bonkers. 我告诉她我把她的车撞坏了时，她暴跳如雷。

61 derive   

v.取得；导出；引申；来自；源自；出自

参考例句：

• We derive our sustenance from the land.我们从土地获取食物。
• We shall derive much benefit from reading good novels.我们将从优秀小说中获得很大好处。

62 abhorred   

v.憎恶( abhor的过去式和过去分词 )；（厌恶地）回避；拒绝；淘汰

参考例句：

• He abhorred the thoughts of stripping me and making me miserable. 他憎恶把我掠夺干净，使我受苦的那个念头。 来自辞典例句
• Each of these oracles hated a particular phrase. Liu the Sage abhorred "Not right for sowing". 二诸葛忌讳“不宜栽种”，三仙姑忌讳“米烂了”。 来自汉英文学 - 中国现代小说

63 tepid   

adj.微温的，温热的，不太热心的

参考例句：

• She bent her mouth to the tap and drank the tepid water.她把嘴伸到水龙头底下去喝那微温的水。
• Her feet firmly planted on the tepid rough brick of the floor.她一双脚稳固地立在微温而粗糙的砖地上。

64 starry   

adj.星光照耀的, 闪亮的

参考例句：

• He looked at the starry heavens.他瞧着布满星星的天空。
• I like the starry winter sky.我喜欢这满天星斗的冬夜。

65 luxurious   

adj.精美而昂贵的；豪华的

参考例句：

• This is a luxurious car complete with air conditioning and telephone.这是一辆附有空调设备和电话的豪华轿车。
• The rich man lives in luxurious surroundings.这位富人生活在奢侈的环境中。

66 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

67 solace   

n.安慰；v.使快乐；vt.安慰(物)，缓和

参考例句：

• They sought solace in religion from the harshness of their everyday lives.他们日常生活很艰难，就在宗教中寻求安慰。
• His acting career took a nosedive and he turned to drink for solace.演艺事业突然一落千丈，他便借酒浇愁。

68 treacherous   

adj.不可靠的，有暗藏的危险的；adj.背叛的，背信弃义的

参考例句：

• The surface water made the road treacherous for drivers.路面的积水对驾车者构成危险。
• The frozen snow was treacherous to walk on.在冻雪上行走有潜在危险。

69 versatile   

adj.通用的，万用的；多才多艺的，多方面的

参考例句：

• A versatile person is often good at a number of different things.多才多艺的人通常擅长许多种不同的事情。
• He had been one of the game's most versatile athletes.他是这项运动中技术最全面的运动员之一。

70 domain   

n.(活动等)领域，范围；领地，势力范围

参考例句：

• This information should be in the public domain.这一消息应该为公众所知。
• This question comes into the domain of philosophy.这一问题属于哲学范畴。

71 feverishly   

adv. 兴奋地

参考例句：

• Feverishly he collected his data. 他拼命收集资料。
• The company is having to cast around feverishly for ways to cut its costs. 公司迫切须要想出各种降低成本的办法。

72 judgments   

判断( judgment的名词复数 )； 鉴定； 评价； 审判

参考例句：

• A peculiar austerity marked his judgments of modern life. 他对现代生活的批评带着一种特殊的苛刻。
• He is swift with his judgments. 他判断迅速。

73 amateurish   

n.业余爱好的，不熟练的

参考例句：

• The concert was rather an amateurish affair.这场音乐会颇有些外行客串的味道。
• The paintings looked amateurish.这些画作看起来只具备业余水准。

74 carapace   

n.（蟹或龟的）甲壳

参考例句：

• The tortoise pulled its head into his carapace.乌龟把头缩进它的壳里。
• He tickled gently at its glossy carapace,but the stubborn beetle would not budge.他轻轻地搔着甲虫光滑的壳，但这只固执的甲虫就是不动。

75 disintegration   

n.分散，解体

参考例句：

• This defeat led to the disintegration of the empire.这次战败道致了帝国的瓦解。
• The incident has hastened the disintegration of the club.这一事件加速了该俱乐部的解体。