Chapter 3

The Comparative Exhibition in New York over ten years ago proved that it is dangerous to mix disparate schools and aims and personalities¹. And while the undertaking² was laudable, seeking as it did to dissipate our artistic³ provinciality⁴, it but emphasised it—proved beyond the peradventure of a doubt American dependence⁵ on foreign art. Technically⁶, to-day, the majority of our best painters stem from France, [Pg 258] as formerly⁷ they imitated English models or studied at Düsseldorf and Munich. When the Barbizon group made their influence felt our landscapists immediately betrayed the impact of the new vision, the new technique. Our younger men are just as progressive as were their fathers and grandfathers. Every fresh generation uses as a spring-board for its achievements the previous generation. They have a lot to put on canvas, new sights that only America can show. What matter the tools if they have, these young chaps, individuality? Must they continue to peer through the studio spectacles of their grandfathers? They make mistakes, as did their predecessors⁸. They experiment; art is not a fixed⁹ quantity, but a ceaseless experimenting. They are often raw, crude, harsh; but they deal in character and actuality. They paint their environment—the only true historic method—and they do this with a modern technique. Manet, Goya, Renoir, Monet, Pissarro, Toulouse-Lautrec, Degas, Whistler, and others may be noted¹⁰ in the technical schemes of nine out of ten native-born American artists. The question at issue is whether our new men have anything to say, and do they say it in a personal manner. I think the answer is a decided¹¹ affirmative. We can't compete with the great names in art, but in the contemporary swim we fairly hold our own.

Consider our recent Academy exhibitions—and I prefer to take this stronghold of antiquated¹² [Pg 259] art and prejudices as a starting-point rather than the work of the out-and-out insurgents—consider, I repeat, the Academy, and then try to recall, say, ten years ago and the pictures that then hung on the line. Decidedly, as Zola would say, there has been a cleaning up of dirty old palettes, an inrush of fresh air and sunshine. In landscape we excel, easily leading the English painters. Of Germany I do not care to speak here: the sea of mud that passes for colour, the clumsiness of handling, and the general heavy self-satisfaction discourage the most ardent¹³ champion of the Teutonic art. In England, Burlington House still sets the fashion. At one Royal Academy I attended I found throngs¹⁴ before a melodramatic anecdote¹⁵ by John Collier, entitled The Fallen Ideal. It had the rigidity¹⁶ of a tinted¹⁷ photograph. But it hit the "gallery," which dearly loves a story in paint. The two Sargent landscapes did not attract, yet they killed every picture within optical range. Nor was Collier's the worst offence in an enormous gathering¹⁸ of mediocre¹⁹ canvases. One must go, nowadays, to the New English Art Club to see the fine flower of new English art. There Augustus John reigns²⁰, but he is not to be confined in parochial limits; he is a "European event," not merely Welsh. He dominates the club as he dominates English art. What's one man's paint may be another's poison. I never saw so many examples of his except in Mr. John Quinn's collection—who has the largest [Pg 260] gathering in America of the work of this virile²¹ painter and draughtsman. His cartoon—The Flute²² of Pan (the property of Mr. Quinn)—hanging in the winter show of the English Art Club, reveals the artist's impulse toward large decorative²³ schemes. At first the composition seems huddled²⁴, but the cross-rhythms and avoidance of facile pose are the reason for this impression. The work is magisterial²⁵. It grows upon one, though it is doubtful whether it will ever make the appeal popular. John's colour spots are seductive. He usually takes a single model and plays with the motive²⁶ as varyingly as did Brahms in his variations on a theme by Paganini. But with all his transcendental virtuosity²⁷ the Welsh painter is never academic; he is often rank in his expression of humanity, human, all-too-human, as Nietzsche would have said. A great personality (with greater potentialities) is that of Augustus John. But aside from his powerful personality and remarkable²⁸ craftsmanship²⁹, who is there that can't be matched by our own men? There are no landscapists like ours—is it necessary to count them off name by name? Neither are our figure-painters excelled. I know comparisons are not courteous³⁰, and I forbear particularising. John S. Sargent, our greatest painter of surfaces, of the mundane³¹ scene, was not even born here, though he is of American parentage. Nevertheless, we claim him. Then there is Whistler, most elusive³² of our artists. Is he American? [Pg 261] That question has been answered. He is, even if he deals with foreign subject-matter. Wonderfully wrought³³, magically coloured, rich and dim, are his pictures, and one, to employ the phrase of an English critic, is fain to believe that his brush was dipped in mist, not pigment³⁴.

Let us be catholic. Let us try to shift anew the focus of criticism when a fresh personality swims into our ken³⁵. Let us study each man according to his temperament³⁶ and not insist that he should chime with other men's music. The Beckmesser style of awarding good and bad marks is obsolete³⁷. To miss modern art is to miss one of the few thrills that life holds. Your true decadent³⁸ copies the past and closes his eyes to the insistent³⁹ vibrations⁴⁰ of his day. I know that it is not every one who can enjoy Botticelli and Monet, Dürer and Manet, Rembrandt and Matisse. Ready-made admiration⁴¹ is fatal to youthful minds; nevertheless, we should, all of us, old as well as young—particularly the academic elderly—cultivate a broader comprehension of the later schools and personalities. Art is protean⁴². But will, I ask myself, posterity⁴³ sit before the masterpieces of Matisse, Picasso, and Van Dongen, and experience that nostalgia⁴⁴ of the ideal of which I wrote at the beginning of these desultory⁴⁵ notes? Why not? There may be other ideals in those remote times, ideals that may be found incarnate⁴⁶ in some new-fangled tremendous Gehenna. But nature will always remain modern.

1 personalities   

n. 诽谤，（对某人容貌、性格等所进行的）人身攻击； 人身攻击；人格, 个性, 名人( personality的名词复数 )

参考例句：

• There seemed to be a degree of personalities in her remarks.她话里有些人身攻击的成分。
• Personalities are not in good taste in general conversation.在一般的谈话中诽谤他人是不高尚的。

2 undertaking   

n.保证，许诺，事业

参考例句：

• He gave her an undertaking that he would pay the money back with in a year.他向她做了一年内还钱的保证。
• He is too timid to venture upon an undertaking.他太胆小，不敢从事任何事业。

3 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

4 provinciality   

n.乡下习气，粗鄙；偏狭

参考例句：

• Travel frees us from provinciality. 旅行能消除人们的偏狭观念。 来自互联网

5 dependence   

n.依靠，依赖；信任，信赖；隶属

参考例句：

• Doctors keep trying to break her dependence of the drug.医生们尽力使她戒除毒瘾。
• He was freed from financial dependence on his parents.他在经济上摆脱了对父母的依赖。

6 technically   

adv.专门地，技术上地

参考例句：

• Technically it is the most advanced equipment ever.从技术上说，这是最先进的设备。
• The tomato is technically a fruit,although it is eaten as a vegetable.严格地说，西红柿是一种水果，尽管它是当作蔬菜吃的。

7 formerly   

adv.从前，以前

参考例句：

• We now enjoy these comforts of which formerly we had only heard.我们现在享受到了过去只是听说过的那些舒适条件。
• This boat was formerly used on the rivers of China.这船从前航行在中国内河里。

8 predecessors   

n.前任( predecessor的名词复数 )；前辈；（被取代的）原有事物；前身

参考例句：

• The new government set about dismantling their predecessors' legislation. 新政府正着手废除其前任所制定的法律。 来自《简明英汉词典》
• Will new plan be any more acceptable than its predecessors? 新计划比原先的计划更能令人满意吗？ 来自《简明英汉词典》

9 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

10 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

11 decided   

adj.决定了的，坚决的；明显的，明确的

参考例句：

• This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
• There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。

12 antiquated   

adj.陈旧的，过时的

参考例句：

• Many factories are so antiquated they are not worth saving.很多工厂过于陈旧落后，已不值得挽救。
• A train of antiquated coaches was waiting for us at the siding.一列陈旧的火车在侧线上等着我们。

13 ardent   

adj.热情的，热烈的，强烈的，烈性的

参考例句：

• He's an ardent supporter of the local football team.他是本地足球队的热情支持者。
• Ardent expectations were held by his parents for his college career.他父母对他的大学学习抱着殷切的期望。

14 throngs   

n.人群( throng的名词复数 )v.成群，挤满( throng的第三人称单数 )

参考例句：

• She muscled through the throngs of people, frantically searching for David. 她使劲挤过人群，拼命寻找戴维。 来自辞典例句
• Our friends threaded their way slowly through the throngs upon the Bridge. 我们这两位朋友在桥上从人群中穿过，慢慢地往前走。 来自辞典例句

15 anecdote   

n.轶事，趣闻，短故事

参考例句：

• He departed from the text to tell an anecdote.他偏离课文讲起了一则轶事。
• It had never been more than a family anecdote.那不过是个家庭趣谈罢了。

16 rigidity   

adj.钢性，坚硬

参考例句：

• The rigidity of the metal caused it to crack.这金属因刚度强而产生裂纹。
• He deplored the rigidity of her views.他痛感她的观点僵化。

17 tinted   

adj. 带色彩的 动词tint的过去式和过去分词

参考例句：

• a pair of glasses with tinted lenses 一副有色镜片眼镜
• a rose-tinted vision of the world 对世界的理想化看法

18 gathering   

n.集会，聚会，聚集

参考例句：

• He called on Mr. White to speak at the gathering.他请怀特先生在集会上讲话。
• He is on the wing gathering material for his novels.他正忙于为他的小说收集资料。

19 mediocre   

adj.平常的，普通的

参考例句：

• The student tried hard,but his work is mediocre. 该生学习刻苦，但学业平庸。
• Only lazybones and mediocre persons could hanker after the days of messing together.只有懒汉庸才才会留恋那大锅饭的年代。

20 reigns   

n.君主的统治( reign的名词复数 )；君主统治时期；任期；当政期

参考例句：

• In these valleys night reigns. 夜色笼罩着那些山谷。 来自《现代汉英综合大词典》
• The Queen of Britain reigns, but she does not rule or govern. 英国女王是国家元首，但不治国事。 来自辞典例句

21 virile   

adj.男性的；有男性生殖力的；有男子气概的；强有力的

参考例句：

• She loved the virile young swimmer.她爱上了那个有男子气概的年轻游泳运动员。
• He wanted his sons to become strong,virile,and athletic like himself.他希望他的儿子们能长得像他一样强壮、阳刚而又健美。

22 flute   

n.长笛；v.吹笛

参考例句：

• He took out his flute, and blew at it.他拿出笛子吹了起来。
• There is an extensive repertoire of music written for the flute.有很多供长笛演奏的曲目。

23 decorative   

adj.装饰的，可作装饰的

参考例句：

• This ware is suitable for decorative purpose but unsuitable for utility.这种器皿中看不中用。
• The style is ornate and highly decorative.这种风格很华丽，而且装饰效果很好。

24 huddled   

挤在一起（huddle的过去式与过去分词形式）

参考例句：

• We huddled together for warmth. 我们挤在一块取暖。
• We huddled together to keep warm. 我们挤在一起来保暖。

25 magisterial   

adj.威风的，有权威的；adv.威严地

参考例句：

• The colonel's somewhat in a magisterial manner.上校多少有点威严的神态。
• The Cambridge World History of Human Disease is a magisterial work.《剑桥世界人类疾病史》是一部权威著作。

26 motive   

n.动机，目的；adv.发动的，运动的

参考例句：

• The police could not find a motive for the murder.警察不能找到谋杀的动机。
• He had some motive in telling this fable.他讲这寓言故事是有用意的。

27 virtuosity   

n.精湛技巧

参考例句：

• At that time,his virtuosity on the trumpet had no parallel in jazz.那时，他高超的小号吹奏技巧在爵士乐界无人能比。
• As chemists began to pry out my secret they discovered my virtuosity.化学家开始探讨我的秘密，他们发现了我的精湛技巧。

28 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

29 craftsmanship   

n.手艺

参考例句：

• The whole house is a monument to her craftsmanship. 那整座房子是她技艺的一座丰碑。
• We admired the superb craftsmanship of the furniture. 我们很欣赏这个家具的一流工艺。

30 courteous   

adj.彬彬有礼的，客气的

参考例句：

• Although she often disagreed with me,she was always courteous.尽管她常常和我意见不一，但她总是很谦恭有礼。
• He was a kind and courteous man.他为人友善，而且彬彬有礼。

31 mundane   

adj.平凡的；尘世的；宇宙的

参考例句：

• I hope I can get an interesting job and not something mundane.我希望我可以得到的是一份有趣的工作，而不是一份平凡无奇的。
• I find it humorous sometimes that even the most mundane occurrences can have an impact on our awareness.我发现生活有时挺诙谐的，即使是最平凡的事情也能影响我们的感知。

32 elusive   

adj.难以表达(捉摸)的；令人困惑的；逃避的

参考例句：

• Try to catch the elusive charm of the original in translation.翻译时设法把握住原文中难以捉摸的风韵。
• Interpol have searched all the corners of the earth for the elusive hijackers.国际刑警组织已在世界各地搜查在逃的飞机劫持者。

33 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

34 pigment   

n.天然色素，干粉颜料

参考例句：

• The Romans used natural pigments on their fabrics and walls.古罗马人在织物和墙壁上使用天然颜料。
• Who thought he might know what the skin pigment phenomenon meant.他自认为可能知道皮肤色素出现这种现象到底是怎么回事。

35 ken   

n.视野，知识领域

参考例句：

• Such things are beyond my ken.我可不懂这些事。
• Abstract words are beyond the ken of children.抽象的言辞超出小孩所理解的范围.

36 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

37 obsolete   

adj.已废弃的，过时的

参考例句：

• These goods are obsolete and will not fetch much on the market.这些货品过时了，在市场上卖不了高价。
• They tried to hammer obsolete ideas into the young people's heads.他们竭力把陈旧思想灌输给青年。

38 decadent   

adj.颓废的，衰落的，堕落的

参考例句：

• Don't let decadent ideas eat into yourselves.别让颓废的思想侵蚀你们。
• This song was once banned, because it was regarded as decadent.这首歌曾经被认定为是靡靡之音而被禁止播放。

39 insistent   

adj.迫切的，坚持的

参考例句：

• There was an insistent knock on my door.我听到一阵急促的敲门声。
• He is most insistent on this point.他在这点上很坚持。

40 vibrations   

n.摆动( vibration的名词复数 )；震动；感受；（偏离平衡位置的）一次性往复振动

参考例句：

• We could feel the vibrations from the trucks passing outside. 我们可以感到外面卡车经过时的颤动。
• I am drawn to that girl; I get good vibrations from her. 我被那女孩吸引住了，她使我产生良好的感觉。 来自《简明英汉词典》

41 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

42 protean   

adj.反复无常的；变化自如的

参考例句：

• Sri Lanka is a protean and wonderful paradise.斯里兰卡是一个千变万化和精彩万分的人间天堂。
• He is a protean stylist who can move from blues to ballads and grand symphony.他风格多变，从布鲁斯、乡村音乐到雄壮的交响乐都能驾驭。

43 posterity   

n.后裔，子孙，后代

参考例句：

• Few of his works will go down to posterity.他的作品没有几件会流传到后世。
• The names of those who died are recorded for posterity on a tablet at the back of the church.死者姓名都刻在教堂后面的一块石匾上以便后人铭记。

44 nostalgia   

n.怀乡病，留恋过去，怀旧

参考例句：

• He might be influenced by nostalgia for his happy youth.也许是对年轻时幸福时光的怀恋影响了他。
• I was filled with nostalgia by hearing my favourite old song.我听到这首喜爱的旧歌，心中充满了怀旧之情。

45 desultory   

adj.散漫的，无方法的

参考例句：

• Do not let the discussion fragment into a desultory conversation with no clear direction.不要让讨论变得支离破碎，成为没有明确方向的漫谈。
• The constables made a desultory attempt to keep them away from the barn.警察漫不经心地拦着不让他们靠近谷仓。

46 incarnate   

adj.化身的，人体化的，肉色的

参考例句：

• She was happiness incarnate.她是幸福的化身。
• That enemy officer is a devil incarnate.那个敌军军官简直是魔鬼的化身。