She is ambitious. She hates the "stuffy17" life of a hausfrau, but marriage makes no appeal, since the breaking of her engagement with Alfred—who is also a man with punctual business habits. She despises conventional men, and is herself compact of conventionality. In her most rebellious18 moods the leaven19 of Philistia (or the British equivalent, Suburbia) comes to the surface. She dares, but doesn't dare enough. "It needs both force and earnestness to sin." As in the case of Hedda Gabler, it is her social [Pg 320] conscience that keeps her from throwing her bonnet20 over the moon, not her sense of moral values; in a word, virtue21 by snobbish23 compulsion. One thinks of Dante Gabriel Rossetti and the searing irony24 of his sonnet25, Vain Virtues26. The virtue of Mildred Lawson is vanity of vanities and the abomination of desolation.
She often argued that "it was not for selfish motives27 that she desired freedom." Her capacity for self-illuding is enormous. She didn't love her drawing-master, the unfortunate Mr. Hoskin, who had a talent for landscape, but no money, yet she allowed the man to think she did care a little and it sent him into bad health when he found she had fooled him. The scene in the studio, where the dead painter lies in his coffin28, between Mildred and his mistress—a model from the "lower" ranks of life—is one of the most stirring in modern fiction. The "lady" comes off second-best; when she begins to stammer29 that she hoped the dead man hadn't suggested improper30 relations, the unhappy girl turns on her: "I dare say you were virtuous31 more or less, as far as your own body is concerned. Faugh! women like you make virtue seem odious32." Mildred, indignant at such "low conversation," makes her escape, slightly elated at the romantic crisis. A real man has died for her sake. After all, life is not so barren of interest.
She goes to Paris. Studies art. Returns to London. Again to Paris and the forest of Fontainebleau, [Pg 321] where she joins a student colony and flirts33 with a young painter; but it all comes to nothing, just as her work in the Julian Studio has no artistic34 result. Mr. Moore, who is a landscape-painter, has drawn35 a capital picture of the forest, though not with the fulness of charm to be found in Flaubert's treatment of the same theme in Sentimental36 Education. The little tale is a genuine contribution to fiction in which art is adequately dealt with. When Celibates appeared, Henry Harland said that Mildred Lawson was worthy37 of Flaubert if it had been written in good English, which is a manifest epigram. The volume is a perfect breviary of selfishness.
Tiring of art, Mildred takes up society, though she gets into a rather dubious38 Paris set. A socialist39 deputy and his wife protect her and she becomes a brilliant contributor—at least so she is made to believe—to a publication in which is eventually sunk a lot of her money. Her brother has warned her, but to no avail. At this juncture40 the tale becomes slightly mysterious. Mildred flirts with the deputy, his wife is apparently41 willing—having an interest elsewhere—and suddenly the bottom drops out of the affair, and Mildred poorer, also wiser, returns to her home in England. She has embraced the Roman Catholic religion, but you do not feel she is sincerely pious42. It is one more gesture in her sterile43 career. At the end we find her trying to evade44 the inevitable45 [Pg 322] matrimony, for she is alone, her brother dead, and she an heiress. Suspicious of her suitor's motives—it is the same faithful Alfred—she wearily debates the situation: "Her nerves were shattered, and life grows terribly distinct in the insomnia46 of the hot summer night.... She threw herself over and over in her burning bed, until at last her soul cried out in lucid47 misery48: 'Give me a passion for god or man, but give me a passion. I cannot live without one.'" For her "mad and sane49 are the same misprint." And on this lyric50 note the book closes.
I believe if Hedda Gabler had hesitated and her father's pistol hadn't been hard by, she would have recovered her poise51 and deceived her husband. I believe that if Emma Bovary had escaped that snag of debt she would have continued to fool Charles. And I believe Mildred Lawson married at last and fooled herself into the belief that she had a superior soul, misunderstood by the world and her husband. There is no telling how vermicular are the wrigglings of mean souls. Mildred was a snob22, therefore mean of soul; and she was a cold snob, hence her cruelty. That she was an eminently52 disagreeable girl I need hardly emphasise53. Nevertheless the young chaps found her dainty and her poor girl friends, the artists, envied her pretty frocks. She had small shell-like ears, ears that are danger-signals to experienced men.
When I reread her history I was reminded [Pg 323] of the princess in the allegory of Ephraim Mikha?l, called The Captive. She was the cold princess held captive in the hall with the wall of brass54. Wherever she turns or walks she sees a welcome visitor: it is always her own insolent55 image in the mirrors on the walls. These mirrors make of herself her own eternal jailer. When she gazes from the window of her prison tower she sees no one. No conquering lover comes to deliver her from the bondage56 of self. In the slave who offers rare fruits and precious wines in cups of emerald she sees only a mockery of herself, the words of consolation57 remind her of her own voice. "And that is why the sorrowful Princess drives away the beautiful loving slave, more cruel even than the mirrors." Egotist to the end, both Mildred and the Princess see naught58 in the universe save the magnified image of themselves.
点击收听单词发音
1 cerebral | |
adj.脑的,大脑的;有智力的,理智型的 | |
参考例句: |
|
|
2 portraiture | |
n.肖像画法 | |
参考例句: |
|
|
3 chilly | |
adj.凉快的,寒冷的 | |
参考例句: |
|
|
4 frigid | |
adj.寒冷的,凛冽的;冷淡的;拘禁的 | |
参考例句: |
|
|
5 outspoken | |
adj.直言无讳的,坦率的,坦白无隐的 | |
参考例句: |
|
|
6 defender | |
n.保卫者,拥护者,辩护人 | |
参考例句: |
|
|
7 crumbling | |
adj.摇摇欲坠的 | |
参考例句: |
|
|
8 celibates | |
n.独身者( celibate的名词复数 ) | |
参考例句: |
|
|
9 celibate | |
adj.独身的,独身主义的;n.独身者 | |
参考例句: |
|
|
10 malice | |
n.恶意,怨恨,蓄意;[律]预谋 | |
参考例句: |
|
|
11 dowdy | |
adj.不整洁的;过旧的 | |
参考例句: |
|
|
12 sedate | |
adj.沉着的,镇静的,安静的 | |
参考例句: |
|
|
13 catching | |
adj.易传染的,有魅力的,迷人的,接住 | |
参考例句: |
|
|
14 suburban | |
adj.城郊的,在郊区的 | |
参考例句: |
|
|
15 fussy | |
adj.为琐事担忧的,过分装饰的,爱挑剔的 | |
参考例句: |
|
|
16 brooks | |
n.小溪( brook的名词复数 ) | |
参考例句: |
|
|
17 stuffy | |
adj.不透气的,闷热的 | |
参考例句: |
|
|
18 rebellious | |
adj.造反的,反抗的,难控制的 | |
参考例句: |
|
|
19 leaven | |
v.使发酵;n.酵母;影响 | |
参考例句: |
|
|
20 bonnet | |
n.无边女帽;童帽 | |
参考例句: |
|
|
21 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
参考例句: |
|
|
22 snob | |
n.势利小人,自以为高雅、有学问的人 | |
参考例句: |
|
|
23 snobbish | |
adj.势利的,谄上欺下的 | |
参考例句: |
|
|
24 irony | |
n.反语,冷嘲;具有讽刺意味的事,嘲弄 | |
参考例句: |
|
|
25 sonnet | |
n.十四行诗 | |
参考例句: |
|
|
26 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
参考例句: |
|
|
27 motives | |
n.动机,目的( motive的名词复数 ) | |
参考例句: |
|
|
28 coffin | |
n.棺材,灵柩 | |
参考例句: |
|
|
29 stammer | |
n.结巴,口吃;v.结结巴巴地说 | |
参考例句: |
|
|
30 improper | |
adj.不适当的,不合适的,不正确的,不合礼仪的 | |
参考例句: |
|
|
31 virtuous | |
adj.有品德的,善良的,贞洁的,有效力的 | |
参考例句: |
|
|
32 odious | |
adj.可憎的,讨厌的 | |
参考例句: |
|
|
33 flirts | |
v.调情,打情骂俏( flirt的第三人称单数 ) | |
参考例句: |
|
|
34 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
参考例句: |
|
|
35 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
参考例句: |
|
|
36 sentimental | |
adj.多愁善感的,感伤的 | |
参考例句: |
|
|
37 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
参考例句: |
|
|
38 dubious | |
adj.怀疑的,无把握的;有问题的,靠不住的 | |
参考例句: |
|
|
39 socialist | |
n.社会主义者;adj.社会主义的 | |
参考例句: |
|
|
40 juncture | |
n.时刻,关键时刻,紧要关头 | |
参考例句: |
|
|
41 apparently | |
adv.显然地;表面上,似乎 | |
参考例句: |
|
|
42 pious | |
adj.虔诚的;道貌岸然的 | |
参考例句: |
|
|
43 sterile | |
adj.不毛的,不孕的,无菌的,枯燥的,贫瘠的 | |
参考例句: |
|
|
44 evade | |
vt.逃避,回避;避开,躲避 | |
参考例句: |
|
|
45 inevitable | |
adj.不可避免的,必然发生的 | |
参考例句: |
|
|
46 insomnia | |
n.失眠,失眠症 | |
参考例句: |
|
|
47 lucid | |
adj.明白易懂的,清晰的,头脑清楚的 | |
参考例句: |
|
|
48 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
参考例句: |
|
|
49 sane | |
adj.心智健全的,神志清醒的,明智的,稳健的 | |
参考例句: |
|
|
50 lyric | |
n.抒情诗,歌词;adj.抒情的 | |
参考例句: |
|
|
51 poise | |
vt./vi. 平衡,保持平衡;n.泰然自若,自信 | |
参考例句: |
|
|
52 eminently | |
adv.突出地;显著地;不寻常地 | |
参考例句: |
|
|
53 emphasise | |
vt.加强...的语气,强调,着重 | |
参考例句: |
|
|
54 brass | |
n.黄铜;黄铜器,铜管乐器 | |
参考例句: |
|
|
55 insolent | |
adj.傲慢的,无理的 | |
参考例句: |
|
|
56 bondage | |
n.奴役,束缚 | |
参考例句: |
|
|
57 consolation | |
n.安慰,慰问 | |
参考例句: |
|
|
58 naught | |
n.无,零 [=nought] | |
参考例句: |
|
|
欢迎访问英文小说网 |