It was the custom of the time for Scotchmen of birth to finish their education abroad, and serve in some foreign army, previously5 to entering that of their own country. When he was only sixteen or seventeen years old, Crichton's father sent him to the Continent. He had scarcely arrived in Paris, which was then a gay and splendid city, famous for jousting6, fencing, and dancing, when he publicly challenged all scholars and philosophers to a disputation at the College of Navarre. He proposed that it should be carried on in any one of twelve specified7 languages, and have relation to any science or art, whether practical or theoretical. The challenge was accepted; and, as if to show in how little need he stood of preparation,[Pg 53] or how lightly he held his adversaries8, he spent the six weeks that elapsed between the challenge and the contest, in a continual round of tilting9, hunting, and dancing.
On the appointed day, however, and in the contest, he is said to have encountered all the gravest philosophers and divines, and to have acquitted10 himself to the astonishment11 of all who heard him. He received the public praises of the president and four of the most eminent12 professors. The very next day he appeared at a tilting match in the Louvre, and carried off the ring from all his accomplished13 and experienced competitors.
Enthusiasm was now at its height, particularly among the ladies of the court, and from the versatility14 of his talents, his youth, the gracefulness16 of his manners, and the beauty of his person, he was named L'Admirable. After serving two years in the army of Henry III., who was engaged in a civil war with his Huguenot subjects, Crichton repaired to Italy, and repeated at Rome, in the presence of the Pope and cardinals17, the literary challenge and triumph that had gained him so much honor at Paris.
From Rome he went to Venice, at which gay city he arrived in a depressed18 state of spirits. None of his Scottish biographers are very willing to acknowledge the fact, but it appears quite certain, that, spite of his noble birth and connexions, he was miserably19 poor, and became for some time dependent on the bounty20 of a Venetian printer—the celebrated Aldus Manutius. After a residence of four months at Venice, where his learning, engaging manners, and various[Pg 54] accomplishments21, excited universal wonder, as is made evident by several Italian writers who were living at the time, and whose lives were published, Crichton went to the neighboring city of Padua, in the learned university of which he reaped fresh honors by Latin poetry, scholastic22 disputation, an exposition of the errors of Aristotle and his commentators23, and as a playful wind-up of the day's labors24, a declamation25 upon the happiness of ignorance.
Another day was fixed26 for a public disputation in the palace of the bishop27 of Padua; but this being prevented from taking place, gave some incredulous or envious28 men the opportunity of asserting that Crichton was a literary impostor, whose acquirements were totally superficial. His reply was a public challenge. The contest, which included the Aristotelian and platonic29 philosophies, and the mathematics of the time, was prolonged during three days, before an innumerable concourse of people. His friend, Aldus Manutius, who was present at what he calls "this miraculous30 encounter," says he proved completely victorious31, and that he was honored by such a rapture32 of applause as was never before heard.
Crichton's journeying from university to university to stick up challenges on church doors, and college pillars, though it is said to have been in accordance with customs not then obsolete33, certainly attracted some ridicule34 among the Italians; for Boccalini, after copying one of his placards, in which he announces his arrival, and his readiness to dispute extemporaneously35 on all subjects, says that a wit wrote under it, "and whosoever wishes to see him, let him go to[Pg 55] the Falcon36 Inn, where he will be shown,"—which is the formula used by showmen for the exhibition of a wild beast, or any other monster.
We next hear of Crichton at Mantua, and as the hero of a combat more tragical37 than those carried on by the tongue or the pen. A certain Italian gentleman, "of a mighty38, able, nimble, and vigorous body, but by nature fierce, cruel, warlike, and audacious, and superlatively expert and dexterous40 in the use of his weapon," was in the habit of going from one city to another, to challenge men to fight with cold steel, just as Crichton did to challenge them to scholastic combats. This itinerant41 gladiator, who had marked his way through Italy with blood, had just arrived in Mantua, and killed three young men, the best swordsmen of that city. By universal consent, the Italians were the ablest masters of fence in Europe; a reputation to which they seem still entitled. To encounter a victor among such masters, was a stretch of courage; but Crichton, who had studied the sword from his youth, and who had probably improved himself in the use of the rapier in Italy, did not hesitate to challenge the redoubtable42 bravo.
Though the duke was unwilling43 to expose so accomplished a gentleman to so great a hazard, yet, relying upon the report he had heard of his warlike qualifications, he agreed to the proposal; and the time and place being appointed, the whole court attended to behold44 the performance. At the beginning of the combat, Crichton stood only upon his defence, while the Italian made his attack with such eagerness and fury, that, having exhausted45 himself, he began to grow[Pg 56] weary. The young Scotsman now seized the opportunity of attacking his antagonist46 in return; which he did with so much dexterity47 and vigor39, that he ran him through the body in three different places, of which wounds he immediately died.
The acclamations of the spectators were loud and long-continued upon this occasion; and it was acknowledged by all, that they had never seen nature second the precepts48 of art in so lively and graceful15 a manner as they had beheld49 it on that day. To crown the glory of the action, Crichton bestowed50 the rich prize awarded for his victory, upon the widows of the three persons who had lost their lives in fighting with the gladiator.
In consequence of this and his other wonderful performances, the duke of Mantua made choice of him for preceptor to his son, Vicentio de Gonzago, who is represented as being of a riotous51 temper, and dissolute life. The appointment was highly pleasing to the court. Crichton, to testify his gratitude52 to his friends and benefactors53, and to contribute to their diversion, framed a comedy, wherein he exposed and ridiculed54 the weaknesses and failures of the several occupations and pursuits in which men are engaged. This composition was regarded as one of the most ingenious satires55 that ever was made upon mankind. But the most astonishing part of the story, is, that Crichton sustained fifteen characters in the representation of his own play. Among the rest, he acted the divine, the philosopher, the lawyer, the mathematician56, the physician, and the soldier, with such inimitable skill, that every time he appeared upon the theatre, he seemed to be a different person.
[Pg 57]From being the principal actor in a comedy, Crichton soon became the subject of a dreadful tragedy. One night, during the time of Carnival57, as he was walking along the streets of Mantua, and playing upon his guitar, he was attacked by half a dozen people in masks. The assailants found that they had no ordinary person to deal with, for they were not able to maintain their ground against him. At last the leader of the company, being disarmed58, pulled off his mask, and begged his life, telling Crichton that he was the prince, his pupil. Crichton immediately fell upon his knees, and expressed his concern for his mistake; alleging59 that what he had done was only in his own defence, and that if Gonzago had any design upon his life, he might always be master of it. Then, taking his own sword by the point, he presented it to the prince, who immediately received it, and was so irritated by the affront60 which he thought he had sustained, in being foiled with all his attendants, that he instantly ran Crichton through the heart.
His tragical end excited very great and general lamentation61. The whole court of Mantua went three-quarters of a year into mourning for him; and numerous epitaphs and elegies62 were composed upon his death.
To account in some manner for the extent of Crichton's attainments, it must be recollected63 that the first scholars of the age were his instructors64: for, besides having Rutherford as a tutor, it is stated by Aldus Manutius, that he was also taught by Buchanan, Hessburn, and Robertson; and hence his extraordinary proficiency65 in the languages, as well as in the sciences,[Pg 58] as then taught in the schools of Europe. It must also be recollected that no expense would be spared in his education, as his father was Lord Advocate in Queen Mary's reign4, from 1561 to 1573, and his mother, the daughter of Sir James Stuart, was allied66 to the royal family. It is evident, however, that these advantages were seconded by powers of body and mind rarely united in any human being.
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1 celebrated | |
adj.有名的,声誉卓著的 | |
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2 prodigy | |
n.惊人的事物,奇迹,神童,天才,预兆 | |
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3 attainments | |
成就,造诣; 获得( attainment的名词复数 ); 达到; 造诣; 成就 | |
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4 reign | |
n.统治时期,统治,支配,盛行;v.占优势 | |
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5 previously | |
adv.以前,先前(地) | |
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6 jousting | |
(骑士)骑马用长矛比武( joust的现在分词 ) | |
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7 specified | |
adj.特定的 | |
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8 adversaries | |
n.对手,敌手( adversary的名词复数 ) | |
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9 tilting | |
倾斜,倾卸 | |
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10 acquitted | |
宣判…无罪( acquit的过去式和过去分词 ); 使(自己)作出某种表现 | |
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11 astonishment | |
n.惊奇,惊异 | |
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12 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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13 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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14 versatility | |
n.多才多艺,多样性,多功能 | |
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15 graceful | |
adj.优美的,优雅的;得体的 | |
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16 gracefulness | |
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17 cardinals | |
红衣主教( cardinal的名词复数 ); 红衣凤头鸟(见于北美,雄鸟为鲜红色); 基数 | |
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18 depressed | |
adj.沮丧的,抑郁的,不景气的,萧条的 | |
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19 miserably | |
adv.痛苦地;悲惨地;糟糕地;极度地 | |
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20 bounty | |
n.慷慨的赠予物,奖金;慷慨,大方;施与 | |
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21 accomplishments | |
n.造诣;完成( accomplishment的名词复数 );技能;成绩;成就 | |
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22 scholastic | |
adj.学校的,学院的,学术上的 | |
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23 commentators | |
n.评论员( commentator的名词复数 );时事评论员;注释者;实况广播员 | |
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24 labors | |
v.努力争取(for)( labor的第三人称单数 );苦干;详细分析;(指引擎)缓慢而困难地运转 | |
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25 declamation | |
n. 雄辩,高调 | |
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26 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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27 bishop | |
n.主教,(国际象棋)象 | |
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28 envious | |
adj.嫉妒的,羡慕的 | |
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29 platonic | |
adj.精神的;柏拉图(哲学)的 | |
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30 miraculous | |
adj.像奇迹一样的,不可思议的 | |
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31 victorious | |
adj.胜利的,得胜的 | |
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32 rapture | |
n.狂喜;全神贯注;着迷;v.使狂喜 | |
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33 obsolete | |
adj.已废弃的,过时的 | |
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34 ridicule | |
v.讥讽,挖苦;n.嘲弄 | |
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35 extemporaneously | |
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36 falcon | |
n.隼,猎鹰 | |
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37 tragical | |
adj. 悲剧的, 悲剧性的 | |
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38 mighty | |
adj.强有力的;巨大的 | |
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39 vigor | |
n.活力,精力,元气 | |
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40 dexterous | |
adj.灵敏的;灵巧的 | |
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41 itinerant | |
adj.巡回的;流动的 | |
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42 redoubtable | |
adj.可敬的;可怕的 | |
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43 unwilling | |
adj.不情愿的 | |
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44 behold | |
v.看,注视,看到 | |
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45 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
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46 antagonist | |
n.敌人,对抗者,对手 | |
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47 dexterity | |
n.(手的)灵巧,灵活 | |
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48 precepts | |
n.规诫,戒律,箴言( precept的名词复数 ) | |
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49 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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50 bestowed | |
赠给,授予( bestow的过去式和过去分词 ) | |
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51 riotous | |
adj.骚乱的;狂欢的 | |
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52 gratitude | |
adj.感激,感谢 | |
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53 benefactors | |
n.捐助者,施主( benefactor的名词复数 );恩人 | |
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54 ridiculed | |
v.嘲笑,嘲弄,奚落( ridicule的过去式和过去分词 ) | |
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55 satires | |
讽刺,讥讽( satire的名词复数 ); 讽刺作品 | |
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56 mathematician | |
n.数学家 | |
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57 carnival | |
n.嘉年华会,狂欢,狂欢节,巡回表演 | |
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58 disarmed | |
v.裁军( disarm的过去式和过去分词 );使息怒 | |
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59 alleging | |
断言,宣称,辩解( allege的现在分词 ) | |
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60 affront | |
n./v.侮辱,触怒 | |
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61 lamentation | |
n.悲叹,哀悼 | |
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62 elegies | |
n.哀歌,挽歌( elegy的名词复数 ) | |
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63 recollected | |
adj.冷静的;镇定的;被回忆起的;沉思默想的v.记起,想起( recollect的过去式和过去分词 ) | |
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64 instructors | |
指导者,教师( instructor的名词复数 ) | |
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65 proficiency | |
n.精通,熟练,精练 | |
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66 allied | |
adj.协约国的;同盟国的 | |
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