It may be said roughly, that the beauty of an Irish woman, while quite tangible24 and perfect to the vision, is an elusive25 matter when one comes to cold type. The Anglo-Saxon beauty can be hit off in words, quite[96] as handily as she can be hit off in paint. What she amounts to as a rule is pink and white, and yellow hair, or mouse-colored hair, and a genteel pallidity. But in Ireland all this is different, beauty of a witching and almost eerie26 quality is a commonplace throughout the country. An Irishman will speak to you of “the red-haired woman,” or “that shlip of a girl,” when he means pieces of loveliness that Titian might have given his eye teeth for a sight of. In France at the present moment there is an artist who is understood to be making a fortune by drawing pretty faces. He could find more subjects for his pencil in a day in Dublin than he could find in a month in Paris. For this information I make no charge. Even Mr. Gibson, who appears to have invented a “girl” of his own, might do very well out of the green country. Mr. Gibson’s young lady is believed to typify the fairest that the United States of America can boast. At times, and when Mr. Gibson is at his best, she is undoubtedly27 a young woman[97] of prepossessing appearance. That she is also a truly American type may be taken for granted. There are plenty of women in Ireland, however, who come quite up to the Gibson girl standard, and for that matter beat it. In journeying through the country I have been struck continually by the remarkable28 facial resemblance which exists between the Irish and the American people. In an Irish railway train you see faces which at once give you the impression that you are at the Hotel Cecil. The high cheek bones and lank29 shaven jaw30 of the full-blooded American are here in great force, and it is only when their possessors open their mouths that you can tell the difference. Of course, the thing is accounted for by the fact that a very considerable proportion of the population of America is Irish, and that for a hundred years Ireland has been sending her best blood to those states.
Besides being comely31, the Irish women have the advantage of what one may term an individual[98] beauty. In England you might rake together twenty beautiful blondes and twenty pretty brunettes, and discover that they were merely blondes and brunettes and nothing more. That is to say the blondes might readily pass for sisters, and so might the brunettes, both sorts lacking the ultimate gift of individuality. Irish women are different—indeed, you may safely say of them that they are all pretty and all different. They never repeat their beauty, there is nothing of the white rabbit or puss, puss, puss about them, and consequently they do not bore you. As most things have a cause it seems possible that there are reasons for the beauty of Irish womanhood. For myself I should be disposed to ascribe it to the circumstance that the average Irish woman, be she rich or poor, leads the life which a woman was intended to lead by the order of things, namely, the domestic life. Irish women are not without the wit to know that they are beautiful; they have an armory32 of feminine allurements33, and[99] wit enough to handle them with skill, and they cannot be considered insensible to the fripperies which all women love. But they do not make gaiety and ostentation34 the aim and end of their existence, and they do not shirk the plain duties of womanhood. In Ireland, though the women of the poorer classes have to work in the fields and undertake tasks which by good rights should be done by men, there is absolutely no third sex. The manly35 woman, the emancipated36 woman, and the impertinent flat-chested typewriter banger, which so infest37 Great Britain, are unknown. Even the Irish sportswoman—and, as everybody knows, she is pretty numerous—retains her womanliness in a way that is quite beyond the horsey or doggy woman of the Shires. So that in one respect at least Ireland may be reckoned something of a paradise.

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1
possessed
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| adj.疯狂的;拥有的,占有的 | |
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profess
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| v.声称,冒称,以...为业,正式接受入教,表明信仰 | |
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foam
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| v./n.泡沫,起泡沫 | |
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remains
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| n.剩余物,残留物;遗体,遗迹 | |
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scotch
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| n.伤口,刻痕;苏格兰威士忌酒;v.粉碎,消灭,阻止;adj.苏格兰(人)的 | |
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superstition
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| n.迷信,迷信行为 | |
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temperament
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| n.气质,性格,性情 | |
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remarkably
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| ad.不同寻常地,相当地 | |
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frankly
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| adv.坦白地,直率地;坦率地说 | |
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apparently
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| adv.显然地;表面上,似乎 | |
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sketch
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| n.草图;梗概;素描;v.素描;概述 | |
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connoisseur
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| n.鉴赏家,行家,内行 | |
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avowing
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| v.公开声明,承认( avow的现在分词 ) | |
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qualms
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| n.不安;内疚 | |
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greasy
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| adj. 多脂的,油脂的 | |
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complexions
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| 肤色( complexion的名词复数 ); 面色; 局面; 性质 | |
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scanty
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| adj.缺乏的,仅有的,节省的,狭小的,不够的 | |
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18
illustrated
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| adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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cork
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| n.软木,软木塞 | |
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entirely
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| ad.全部地,完整地;完全地,彻底地 | |
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21
portray
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| v.描写,描述;画(人物、景象等) | |
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specimens
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| n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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makers
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| n.制造者,制造商(maker的复数形式) | |
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tangible
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| adj.有形的,可触摸的,确凿的,实际的 | |
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elusive
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| adj.难以表达(捉摸)的;令人困惑的;逃避的 | |
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eerie
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| adj.怪诞的;奇异的;可怕的;胆怯的 | |
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undoubtedly
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| adv.确实地,无疑地 | |
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remarkable
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| adj.显著的,异常的,非凡的,值得注意的 | |
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lank
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| adj.瘦削的;稀疏的 | |
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jaw
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| n.颚,颌,说教,流言蜚语;v.喋喋不休,教训 | |
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comely
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| adj.漂亮的,合宜的 | |
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32
armory
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| n.纹章,兵工厂,军械库 | |
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33
allurements
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| n.诱惑( allurement的名词复数 );吸引;诱惑物;有诱惑力的事物 | |
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34
ostentation
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| n.夸耀,卖弄 | |
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35
manly
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| adj.有男子气概的;adv.男子般地,果断地 | |
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36
emancipated
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| adj.被解放的,不受约束的v.解放某人(尤指摆脱政治、法律或社会的束缚)( emancipate的过去式和过去分词 ) | |
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infest
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| v.大批出没于;侵扰;寄生于 | |
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