The original root, from which the word education is derived3, means to lead out, to conduct, to form, to fashion, to beat out, to forge. It was used with reference to the forging of an instrument out of a piece of metal, or the chiselling5 of a statue out of a block of marble. This furnishes a good illustration of my ideas of education. It is a process by which a character is formed out of rude or unwrought materials. It is not confined to mere7 school learning. A person may be very learned, and yet not half educated. There are many steps in the process. The ore must first be dug up by the miner; then smelted8 at the furnace, and the metal separated from the dross9; then wrought6 into bars at the foundry; afterwards forged by the smith; and then, finally, polished by the finisher. The marble must first be quarried10, or blasted out of the ledge11; then cut into blocks; then transported; then wrought with the hammer and chisel4; and finally, polished. This gives a good idea of education. It is not merely what is done to form the character in school; but it comprises[14] all the influences which are exerted upon the young, in training them up and forming their characters. Education begins in the family. It is carried forward in the school. It is affected12, for good or for evil, by the influence of public worship, lectures, books, amusements, scenery, companions, &c. In all places and circumstances, something is doing towards the formation of character.
Yet there is one important respect in which education, or the formation of character, differs essentially13 from the process described in this illustration. The block of marble, or the piece of metal, is passive; the whole process is performed upon it by another. But no person can be educated in this way; every one that is educated must be active. You may be drilled through all the schools, and have every advantage at home and in society; and yet, without your own active co?peration, you can never be educated. But, if you are determined14 to be educated, you will turn every thing to some account. Every thing will be a school to you; for you will make contributions to your stock of knowledge from every object you see; and by seeking to act discreetly15, wisely, and correctly, in every place, you will be constantly forming good habits. Like the little busy bee, you will suck[15] honey from every flower. You will commune with your own heart upon your bed, and exercise your powers of thought in useful meditation16. You will converse17 with God in your secret place, and seek wisdom of Him who has promised to give liberally to those that ask. In company, you will be more ready to hear than to speak; and you will never meet with any so ignorant but you may learn from them some useful lessons. You will exercise your mind upon every person and object you meet. You will study philosophy in the fields, by the brooks18, on the hills, in the valleys, and upon the broad canopy19 of heaven. It has been well observed, that the difference between a wise man and a fool is, that one goes through the world with his eyes wide open, while the other keeps them shut.
You will perceive, then, that your education is continually going on, whether you think of it or not. Your character is constantly forming. It is your business to keep out of the way of bad influences, and submit yourself to the moulding of the good. Keep in mind the great truth that you are forming a character for eternity20. Some years ago, there were found on the banks of the Mississippi River the tracks of a human being, deeply imprinted21 in the solid rock. These tracks were made in the soft clay, which in time[16] became hardened, and formed into stone;—now, the impression is immovable. You now resemble this soft clay. Every thing with which you come in contact makes an impression. But, as you grow older, your character acquires solidity, and is less and less affected by these influences, till at length it will be like the hard stone, and the impressions made upon you at this season will become confirmed habits.
All the impressions made upon your character ought to be such as will not need to be removed. Washington Allston, the great painter, had been a long time at work on a most magnificent painting. He had nearly completed it, when his keen eye discovered some defects in a portion of the piece. He hastily drew his rough brush over that portion of the picture, intending to paint it anew. But in the midst of his plans, death seized him, and his painting remains22, just as he left it. No other person can carry out the conception that was in his mind. If you allow wrong impressions to be made upon your forming character, death may meet you with his stern mandate23, and fix them forever, as immovable as it left the rough print of the coarse brush upon Allston’s canvass24.
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1
confinement
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n.幽禁,拘留,监禁;分娩;限制,局限 | |
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2
relaxation
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n.松弛,放松;休息;消遣;娱乐 | |
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3
derived
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vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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4
chisel
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n.凿子;v.用凿子刻,雕,凿 | |
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5
chiselling
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n.錾v.凿,雕,镌( chisel的现在分词 ) | |
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6
wrought
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v.引起;以…原料制作;运转;adj.制造的 | |
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7
mere
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adj.纯粹的;仅仅,只不过 | |
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8
smelted
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v.熔炼,提炼(矿石)( smelt的过去式和过去分词 );合演( costar的过去式和过去分词 );闻到;嗅出 | |
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9
dross
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n.渣滓;无用之物 | |
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10
quarried
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v.从采石场采得( quarry的过去式和过去分词 );从(书本等中)努力发掘(资料等);在采石场采石 | |
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11
ledge
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n.壁架,架状突出物;岩架,岩礁 | |
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12
affected
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adj.不自然的,假装的 | |
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13
essentially
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adv.本质上,实质上,基本上 | |
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14
determined
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adj.坚定的;有决心的 | |
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15
discreetly
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ad.(言行)审慎地,慎重地 | |
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16
meditation
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n.熟虑,(尤指宗教的)默想,沉思,(pl.)冥想录 | |
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17
converse
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vi.谈话,谈天,闲聊;adv.相反的,相反 | |
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18
brooks
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n.小溪( brook的名词复数 ) | |
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19
canopy
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n.天篷,遮篷 | |
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20
eternity
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n.不朽,来世;永恒,无穷 | |
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21
imprinted
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v.盖印(imprint的过去式与过去分词形式) | |
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22
remains
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n.剩余物,残留物;遗体,遗迹 | |
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23
mandate
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n.托管地;命令,指示 | |
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24
canvass
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v.招徕顾客,兜售;游说;详细检查,讨论 | |
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