The medicine man—who, by the way, is supposed to hold communion with the spirits that every native believes inhabit the jungle—leads in the opening number, which is an ensemble3 of all the adult males of the kampong. He is attended by two others, who circle around him with heads bowed, rattling4 castanets made of the great pincers of the crayfish with which the coast abounds5. These have a sound which reminds one of the never-to-be forgotten but hard-to-describe warning of the diamond-back crotalus or rattlesnake of America.
The circle breaks up and a dance takes place for our entertainment
They sang for us at the top of their leather lungs
141The medicine man is grotesque7 with his barbaric adornments. Surmounting8 his head and securely fastened to his ordinary headdress, is a fish carved of wood, of a light pithy9 variety. The fish is nearly two feet in length and though its general color is white, the markings representing its fins10 and eyes are in red. As the man walks it bobs up and down in a funny way as though nodding its approval of the ceremony. While the medicine man and his feather-bedecked attendants perform their dance with extreme gravity, the others who are at some distance in the background, nearer the water’s edge, stride up and down the beach in close formation, singing at the top of their lungs a refrain that seems to be a continuous repetition of perhaps a dozen notes.
They walk briskly ten or twelve yards past the little group of three in the foreground and then reverse, those who had been in the rear now becoming the leaders, and walk an equal distance 142to the other side of the medicine man. Meanwhile, the song goes on and the castanets continue their dry, menacing rattle6. We watch them for a space of ten minutes, but after that the dance begins to grow monotonous11. The thump12 of the drums keeps up with mechanical precision the even rhythm of the walking-dance. The performance becomes a bore. While the dance is still in progress we leave the beach to return to the camp. Once warmed up, as they now are, they will continue to dance without interruption for hours. As the older men become fatigued13 they will drop out and younger ones take their place. When they have rested sufficiently14, they will return, and so the dance goes on.
While the men are dancing the women are not idle. The fires are burning brightly in the kampong and over them the girls are roasting fish and sago cakes, while three women are carefully turning the pig that squealed16 this afternoon, in a pit dug for the purpose of roasting 143him according to their method. The pit is filled with red-hot stones, we find upon examination, and the odor that rises from the place makes us hungry. We begin to wonder how we can refuse to partake of his porkship, for we know that they will surely offer us some of the meat. That pig, like all their others, has been too careless in its diet to suit us as food, no matter how delicious the cooking may smell. In order that we may have some semblance17 of an excuse to refuse the meat we order Moh to watch the roasting and have our dinner ready to serve the moment the pig is ready for the natives. We can then plead satiety18 without hurting their feelings.
As it happens, we are able to evade19 the issue gracefully20, for the women take the food to the dancers on the beach, where they line up and receive it upon broad palm-leaves the women provide for the purpose. When all have eaten, the dancing is resumed. A great fire is built on the sand and the dance goes on in its light,—the most savage21 scene imaginable. Though our 144hosts began the party in our honor, now all are joining in for the sheer pleasure it gives them, with no thought of us.
After our dinner we go down and watch them for an hour before turning in. As the excitement heightens the affair becomes a wild orgy in which all participate, and we beat a hasty retreat to the chaste22 seclusion23 of our tent, there to conjure24 sleep in the midst of this most unholy uproar25.
Long into the night the mad festival continues, until one by one the participants drop out from utter exhaustion26 and make their way to the shacks27, where they gossip in loud tones, much to our annoyance28.
The sun is overhead when the natives emerge the next day. Unaccustomed to violent exercise such as that of the night before, some of them wearily drag themselves to the shade of the groves29 with the air of persons trying to show signs of animation30 merely to save their friends the trouble of a funeral.
Long into the night the mad festival continues. To exert themselves in any productive occupation to a like extent would kill them
The drums are tuned31 in a peculiar32 manner. Having no strings33 fastened to the heads with which to tighten34 them, they place small lumps of resin35 mixed with clay on the heads to produce the desired sound
145The women seem to be absolutely fagged out, and their feet drag as they prepare food for the men. There is little to interest one in the kampong to-day, but later on, when the heat of midday is past, the women gather in groups to prepare wady, the fermented37 drink of the Kia Kias. Its preparation is neither nice nor sanitary38. The female of the species being more deadly than the male, the women macerate39 in their mouths the ingredients of the drink, to extract the juices. For the killing40 mixture that produces wady, they chew up cocoanut meat, certain roots and leaves they gather in the jungle, and the acrid41 outer husk of the cocoanut.
This juice mixed with saliva42 is diluted43 with water and stored in gourds44. It is allowed to ferment36, enough sago starch45 being added to aid the process. After the mixture has stood a day or two in the heat of the sun, it has sufficient “kick” to floor a mule46. While the wady is ripening47 the kampong rests and visitors from a distant kampong drop in to attend the coming wady party, for an invitation has been sent them by messenger.
146While the feast was in progress there seems to have developed a real love-affair between two members of the community. They have decided48 that they are for each other and that henceforth they will live together. The decision is a momentous49 one, for it involves a ceremony so utterly50 incomprehensible to the white man that we are aghast at its unbridled license51.
According to Kia Kia ideas, a woman, to remain true to her husband, must have removed from her mind any desire for male companionship other than his. She therefore must submit herself to every man of her tribe before the marriage is recognized. This ceremony is made the occasion for an orgy, and though the participants are severely52 punished by the Dutch officials when discovered, it is still in vogue53 clandestinely54.
It is due to this that many of the women prefer to remain single and free to choose. Those who undergo the frightful55 ordeal56 are never molested57, we are told. Indeed, it is said that two out of every five women succumb58 after such an experience. Preparations are in progress for 147the ceremony, which is to take place this evening, and the bride is even now adorning59 herself with feathered finery and besmearing her dusky body with oil and paint. After night has settled down, all the natives repair to a clearing where the drums are calling and a huge fire is built. The occasion is one of merriment and the ceremony continues far into the night.
The day that the wady is ready the natives gather in the shade for the express purpose of becoming thoroughly60 and most comfortably inebriated61. As the liquor begins to take effect they dance and sing. While they dance more wady is given them, until they are overcome and perforce must stagger away and lie down. Soon they fall asleep, not to waken until late the next day, when they experience the most depressing of “mornings after.” By this time the wady is all gone, and, too, there is no ice-water! After a wady party of this kind the men do not fully15 recover for days, for the stuff is almost paralyzing in its effect.
点击收听单词发音
1 skulls | |
颅骨( skull的名词复数 ); 脑袋; 脑子; 脑瓜 | |
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2 prelude | |
n.序言,前兆,序曲 | |
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3 ensemble | |
n.合奏(唱)组;全套服装;整体,总效果 | |
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4 rattling | |
adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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5 abounds | |
v.大量存在,充满,富于( abound的第三人称单数 ) | |
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6 rattle | |
v.飞奔,碰响;激怒;n.碰撞声;拨浪鼓 | |
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7 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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8 surmounting | |
战胜( surmount的现在分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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9 pithy | |
adj.(讲话或文章)简练的 | |
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10 fins | |
[医]散热片;鱼鳍;飞边;鸭掌 | |
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11 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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12 thump | |
v.重击,砰然地响;n.重击,重击声 | |
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13 fatigued | |
adj. 疲乏的 | |
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14 sufficiently | |
adv.足够地,充分地 | |
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15 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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16 squealed | |
v.长声尖叫,用长而尖锐的声音说( squeal的过去式和过去分词 ) | |
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17 semblance | |
n.外貌,外表 | |
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18 satiety | |
n.饱和;(市场的)充分供应 | |
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19 evade | |
vt.逃避,回避;避开,躲避 | |
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20 gracefully | |
ad.大大方方地;优美地 | |
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21 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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22 chaste | |
adj.贞洁的;有道德的;善良的;简朴的 | |
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23 seclusion | |
n.隐遁,隔离 | |
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24 conjure | |
v.恳求,祈求;变魔术,变戏法 | |
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25 uproar | |
n.骚动,喧嚣,鼎沸 | |
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26 exhaustion | |
n.耗尽枯竭,疲惫,筋疲力尽,竭尽,详尽无遗的论述 | |
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27 shacks | |
n.窝棚,简陋的小屋( shack的名词复数 ) | |
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28 annoyance | |
n.恼怒,生气,烦恼 | |
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29 groves | |
树丛,小树林( grove的名词复数 ) | |
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30 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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31 tuned | |
adj.调谐的,已调谐的v.调音( tune的过去式和过去分词 );调整;(给收音机、电视等)调谐;使协调 | |
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32 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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33 strings | |
n.弦 | |
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34 tighten | |
v.(使)变紧;(使)绷紧 | |
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35 resin | |
n.树脂,松香,树脂制品;vt.涂树脂 | |
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36 ferment | |
vt.使发酵;n./vt.(使)激动,(使)动乱 | |
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37 fermented | |
v.(使)发酵( ferment的过去式和过去分词 );(使)激动;骚动;骚扰 | |
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38 sanitary | |
adj.卫生方面的,卫生的,清洁的,卫生的 | |
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39 macerate | |
v.浸软,使消瘦 | |
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40 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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41 acrid | |
adj.辛辣的,尖刻的,刻薄的 | |
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42 saliva | |
n.唾液,口水 | |
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43 diluted | |
无力的,冲淡的 | |
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44 gourds | |
n.葫芦( gourd的名词复数 ) | |
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45 starch | |
n.淀粉;vt.给...上浆 | |
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46 mule | |
n.骡子,杂种,执拗的人 | |
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47 ripening | |
v.成熟,使熟( ripen的现在分词 );熟化;熟成 | |
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48 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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49 momentous | |
adj.重要的,重大的 | |
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50 utterly | |
adv.完全地,绝对地 | |
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51 license | |
n.执照,许可证,特许;v.许可,特许 | |
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52 severely | |
adv.严格地;严厉地;非常恶劣地 | |
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53 Vogue | |
n.时髦,时尚;adj.流行的 | |
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54 clandestinely | |
adv.秘密地,暗中地 | |
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55 frightful | |
adj.可怕的;讨厌的 | |
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56 ordeal | |
n.苦难经历,(尤指对品格、耐力的)严峻考验 | |
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57 molested | |
v.骚扰( molest的过去式和过去分词 );干扰;调戏;猥亵 | |
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58 succumb | |
v.屈服,屈从;死 | |
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59 adorning | |
修饰,装饰物 | |
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60 thoroughly | |
adv.完全地,彻底地,十足地 | |
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61 inebriated | |
adj.酒醉的 | |
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