Margaret had a fairy shrine, to which she carried the cares of the day and the hopes of the morrow. This charmed place was a stile over the ivy5-clad walls of the garden. There she brought her childish joys and sorrows, and in the quiet received consolation6. She had fought the fiercest battles of her womanhood with her head resting against the ivy-covered pillar. To-night, when she was parting from her country and friends, there was no time to commune with her silent friend.
Shortly after dusk, in accordance with local etiquette7, very stringent8 on such momentous9 occasions, the relatives, friends and neighbors of a lifetime began to drop in by twos and threes until every inch of wall space was filled.
Who of all this gathering10 was more welcome than "John, the Fiddler"? He was a great favorite with young and old. The sight of him carrying his fiddle11 caused a feeling of emotion in the hearts of the older people. It recalled the tragic12 story of John's father who years before left for America intending to send for his wife and crippled son. A fever contracted on shipboard deprived them of a husband and father. It was then that John Doyle became "John, the Fiddler."
John was beckoned13 into the "room," where with Father O'Connell and a few trusty friends, he was treated to a small measure of potheen. Dan Monahan had donated a very small jug14 for this special occasion. To be given the first shot from Dan's still was no small favor, as those present knew. Before taking his seat at the end of the room, John drank Margaret's health, wishing herself and family a safe voyage across the water, and a happy home on the prairies of Iowa.
Each guest realized the strain of parting and generously made an effort to conceal15 the gloom with a brave semblance16 of mirth. There was dancing, singing of songs, and elaborate drinking of healths. With persistent17 calls for Margaret's brother James, the dancing stopped. The floor was cleared, and he was borne in on the shoulders of the leaders, who had found him leaning against the ivy-covered wall, gazing at the moon, floating over his old home which, alas18! he would never see again.
James MacNevin was a magnificent specimen19 of Irish manhood and a charming singer. He was about twenty-three years old, tall and broad-shouldered, with a fine head of curly auburn hair. His clear blue eyes reflected the sadness of the group around him, while his white teeth flashed a smile. In one hand he crushed his handkerchief, while with the other he nervously20 twirled a sprig of ivy. A few measures of "Good Night and Joy Be with You All" came from the violin. For an instant he wavered, then throwing back his head he sang the song, not with full volume, but with intense feeling, emphasis and a clear ringing tone. The song seemed to voice his own feelings as his chest rose and fell. He was no longer just James MacNevin, but a pilgrim traveling to a strange country. His whole soul was filled with the sentiment, and there was such pathos21 in its heart-throb that the whole company was moved to tears. The last verse ended, he stood a moment with gaze transfixed—then rousing himself, bowed, smiled and with one hand in his sister Margaret's, the other clutching the sprig of ivy, he passed out of the home forever.
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1 ordinance | |
n.法令;条令;条例 | |
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2 countless | |
adj.无数的,多得不计其数的 | |
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3 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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4 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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5 ivy | |
n.常青藤,常春藤 | |
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6 consolation | |
n.安慰,慰问 | |
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7 etiquette | |
n.礼仪,礼节;规矩 | |
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8 stringent | |
adj.严厉的;令人信服的;银根紧的 | |
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9 momentous | |
adj.重要的,重大的 | |
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10 gathering | |
n.集会,聚会,聚集 | |
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11 fiddle | |
n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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12 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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13 beckoned | |
v.(用头或手的动作)示意,召唤( beckon的过去式和过去分词 ) | |
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14 jug | |
n.(有柄,小口,可盛水等的)大壶,罐,盂 | |
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15 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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16 semblance | |
n.外貌,外表 | |
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17 persistent | |
adj.坚持不懈的,执意的;持续的 | |
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18 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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19 specimen | |
n.样本,标本 | |
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20 nervously | |
adv.神情激动地,不安地 | |
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21 pathos | |
n.哀婉,悲怆 | |
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