If there be any repetitions in the sections which follow, the indulgence of the reader is craved2. Such as they are, they were written at widely separated intervals3 in the hope that material might be finally gathered for a "Life and Letters of Hearn." This hope has so far been frustrated4, but it is felt that much is here offered that will lead to a better understanding and appreciation5 of this famous writer. The endeavor of the editor has been so far as possible to let Hearn tell his own story, giving only enough comment to make clear what Hearn himself had to say.
In writing of their beloved R. L. S., enthusiasts6 tell us Stevenson is endeared to mankind not only because of his writings, but also because of his dauntless cheerfulness in the face of incurable7 disease. Hearn, in another field, was equally charming in his work and, in the face of another danger, equally dauntless. From the first he was confronted by the possible fate of the sightless. At best he had but a pearly vision of the world. The mere8 labor9 of writing was a physical task with him, demanding hours for the composition of a single letter. Yet he accomplished10 almost two score volumes, none of which is carelessly written. Seeing as through a ghostly vapor11, in his books he revelled12 in color as few writers of our day have been able to do. How he managed to see, or rather to comprehend, all the things he so vividly13 described, was one of his secrets.
The best work of his life was commenced at the age of forty, when he arrived in Japan. He had many qualifications for his chosen field. During the long, lazy two years in Martinique he had literally14 soaked his mind, as it were, with Oriental philosophy. When he came to Japan he was weary of wandering, and the courtesy, gentleness and kindliness15 of the natives soon convinced him that they were the best people in the world among whom to live. A small man physically16, he felt at home in a nation of small men. It pleased his shy, sensitive nature to think that he was often mistaken for a Japanese.
To his studies and his work he brought a prodigious17 curiosity, a perfect sympathy, and an admirable style. He had an eye that observed everything in this delightful18 Nippon, from the manner in which the women threaded their needles to the effect of Shinto and Buddhism19 upon the national character, religion, art, and literature. Japanese folk-lore, Japanese street songs and sayings, the home life of the people,—everything appealed to him, and the farther removed from modern days and from Christianity, the stronger the appeal.
Zangwill has acutely said, in speaking of Loti's famous story of Japan, "Instead of looking for the soul of a people, Pierre Loti was simply looking for a woman."
Hearn did not fail to tell us of many women, but his most particular search was for just that soul of a people which Loti ignored; and in the hunt for that soul, he became more and more impressed by that Buddhism which enabled him the better to comprehend the people. His whole religious life had been a wandering away from the Christianity to which he was born and a finding of a faith compounded of Buddhism modified by paganism, and a leaven21 of the scientific beliefs of agnostics such as Spencer and Huxley, whom he never wearied of reading and quoting. In all his writings this tendency is displayed. In one of the letters we see him an avowed22 agnostic, or perhaps "pantheist" would be the better word. In his little-known story of 1889, published in Lippincott's, with the Buddhist23 title of "Karma," there is a curious tribute to a fair, pure woman. It shows the hold the theory of heredity and evolution and the belief in reincarnation already had upon him:
"In her beauty is the resurrection of the fairest past;—in her youth, the perfection of the present;—in her girl dreams, the promise of the To-Be.... A million lives have been consumed that hers should be made admirable; countless24 minds have planned and toiled25 and agonized26 that thought might reach a higher and purer power in her delicate brain;—countless hearts have been burned out by suffering that hers might pulse for joy;—innumerable eyes have lost their light that hers might be filled with witchery;—innumerable lips have prayed that hers might be kissed." On his first day in the Orient he visited a temple and made an offering, recording27 the following conversation, which gives an admirable insight into his religious beliefs:[1]
"'Are you a Christian20?'
"And I answered truthfully,'No.'
"'Are you a Buddhist?'
"'Not exactly.'
"'Why do you make offerings if you do not believe in Buddha28?'
"'I revere29 the beauty of his teaching, and the faith of those who follow it.'"
From this by degrees he reached to a pure Buddhism, tempered, however, by a strange, romantic half belief, half love for the old pagan gods, feeling himself at heart a pagan, too:
"For these quaint30 Gods of Roads and Gods of Earth are really living still, though so worn and mossed and feebly worshipped. In this brief moment, at least, I am really in the Elder World,—perhaps just at that epoch31 of it when the primal32 faith is growing a little old-fashioned, crumbling33 slowly before the corrosive34 influence of a new philosophy; and I know myself a pagan still, loving these simple old gods, these gods of a people's childhood. And they need some love, these na?f, innocent, ugly gods. The beautiful divinities will live forever by that sweetness of womanhood idealized in the Buddhist art of them: eternal are Kwannon and Benten; they need no help of man; they will compel reverence35 when the great temples shall all have become voiceless and priestless as this shrine36 of Koshin is. But these kind, queer, artless, mouldering37 gods, who have given ease to so many troubled minds, who have gladdened so many simple hearts, who have heard so many innocent prayers,—how gladly would I prolong their beneficent lives in spite of the so-called 'laws of progress' and the irrefutable philosophy of evolution."
It is the combination of the various beliefs here shadowed that explains the unique note he brought into our literature. The man who was at once a follower38 of Spencer and of Buddha, with a large sympathy for the old folk-religion, brought forth39 an embodied40 thought entirely41 new to the world. Nothing like it had ever been produced before. Its like may never be produced again. He endeavored to reconcile the evolutional theory of inherited tendencies with the Buddhist belief in reincarnation,—one lengthening42 chain of lives,—and with the worship of the dead as seen in pure Shinto, for "is not every action indeed the work of the Dead who dwell within us?"
It was this queer combination that gave a strange charm, a moving magic, to various passages in his books. For the rest, his work and method of labor, may best be described in his own words when speaking of Japanese artists. He writes:
"The foreign artist will give you realistic reflections of what he sees; but he will give you nothing more. The Japanese artist gives you that which he feels,—the mood of a season, the precise sensation of an hour and place; his work is qualified43 by a power of suggestiveness rarely found in the art of the West. The Occidental painter renders minute detail; he satisfies the imagination he evokes44. But his Oriental brother either suppresses or idealizes detail,—steeps his distances in mist, bands his landscapes with cloud, makes of his experience a memory in which only the strange and the beautiful survive, with their sensations. He surpasses imagination, excites it, leaves it hungry with the hunger of charm perceived in glimpses only. Nevertheless in such glimpses he is able to convey the feeling of a time, the character of a place, after a fashion that seems magical. He is a painter of recollections and sensations rather than of clear-cut realities; and in this lies the secret of his amazing power."
It has often been asked, "These books are beautiful as prose, but do they give us Japan?" Some have said he saw Japan with the eyes of a lover and was thus deceived. Captain F. Brinkley, an authority on Oriental matters and for years editor of the most important English paper in the Orient, has expressed, to the present writer, his skepticism concerning the entire verity45 of some of Hearn's pictures. On the other hand, here is what two Japanese writers say: Mr. Yone Noguchi, himself a poet of no mean abilities, writes of Hearn: "I like to vindicate46 Hearn from the criticism that his writing is about one third Japanese and two thirds Hearn. Fortunately his two thirds Hearn is also Japanese."
This is heartily47 seconded by Mr. Adachi Kinnosuke: "So truly did he write of us and of our land, that the West, which is always delighted to fall in love with counterfeits48 in preference to the genuine, did not believe him; made merry at his expense, told him that he was a dreamer, that his accounts were too rose-colored. We of the soil only marvelled49. Of him we have said that he is more of Nippon than ourselves."
No fitter close to this introduction may be given than Noguchi's prose elegy50 sent to America from Tokio several days after Hearn's interment:
"Truly he was a delicate, easily broken Japanese vase, old as the world, beautiful as a cherry blossom. Alas51! that wonderful vase was broken. He is no more with us. Surely we could better lose two or three battle-ships at Port Arthur than Lafcadio Hearn."
[1] This and several other extracts are from that delightful book, Glimpses of Unfamiliar52 Japan, Houghton, Mifflin & Co.
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1 aspirations | |
强烈的愿望( aspiration的名词复数 ); 志向; 发送气音; 发 h 音 | |
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2 craved | |
渴望,热望( crave的过去式 ); 恳求,请求 | |
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3 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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4 frustrated | |
adj.挫败的,失意的,泄气的v.使不成功( frustrate的过去式和过去分词 );挫败;使受挫折;令人沮丧 | |
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5 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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6 enthusiasts | |
n.热心人,热衷者( enthusiast的名词复数 ) | |
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7 incurable | |
adj.不能医治的,不能矫正的,无救的;n.不治的病人,无救的人 | |
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8 mere | |
adj.纯粹的;仅仅,只不过 | |
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9 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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10 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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11 vapor | |
n.蒸汽,雾气 | |
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12 revelled | |
v.作乐( revel的过去式和过去分词 );狂欢;着迷;陶醉 | |
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13 vividly | |
adv.清楚地,鲜明地,生动地 | |
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14 literally | |
adv.照字面意义,逐字地;确实 | |
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15 kindliness | |
n.厚道,亲切,友好的行为 | |
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16 physically | |
adj.物质上,体格上,身体上,按自然规律 | |
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17 prodigious | |
adj.惊人的,奇妙的;异常的;巨大的;庞大的 | |
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18 delightful | |
adj.令人高兴的,使人快乐的 | |
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19 Buddhism | |
n.佛教(教义) | |
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20 Christian | |
adj.基督教徒的;n.基督教徒 | |
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21 leaven | |
v.使发酵;n.酵母;影响 | |
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22 avowed | |
adj.公开声明的,承认的v.公开声明,承认( avow的过去式和过去分词) | |
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23 Buddhist | |
adj./n.佛教的,佛教徒 | |
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24 countless | |
adj.无数的,多得不计其数的 | |
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25 toiled | |
长时间或辛苦地工作( toil的过去式和过去分词 ); 艰难缓慢地移动,跋涉 | |
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26 agonized | |
v.使(极度)痛苦,折磨( agonize的过去式和过去分词 );苦斗;苦苦思索;感到极度痛苦 | |
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27 recording | |
n.录音,记录 | |
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28 Buddha | |
n.佛;佛像;佛陀 | |
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29 revere | |
vt.尊崇,崇敬,敬畏 | |
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30 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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31 epoch | |
n.(新)时代;历元 | |
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32 primal | |
adj.原始的;最重要的 | |
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33 crumbling | |
adj.摇摇欲坠的 | |
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34 corrosive | |
adj.腐蚀性的;有害的;恶毒的 | |
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35 reverence | |
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬 | |
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36 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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37 mouldering | |
v.腐朽( moulder的现在分词 );腐烂,崩塌 | |
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38 follower | |
n.跟随者;随员;门徒;信徒 | |
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39 forth | |
adv.向前;向外,往外 | |
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40 embodied | |
v.表现( embody的过去式和过去分词 );象征;包括;包含 | |
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41 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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42 lengthening | |
(时间或空间)延长,伸长( lengthen的现在分词 ); 加长 | |
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43 qualified | |
adj.合格的,有资格的,胜任的,有限制的 | |
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44 evokes | |
产生,引起,唤起( evoke的第三人称单数 ) | |
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45 verity | |
n.真实性 | |
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46 vindicate | |
v.为…辩护或辩解,辩明;证明…正确 | |
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47 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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48 counterfeits | |
v.仿制,造假( counterfeit的第三人称单数 ) | |
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49 marvelled | |
v.惊奇,对…感到惊奇( marvel的过去式和过去分词 ) | |
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50 elegy | |
n.哀歌,挽歌 | |
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51 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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52 unfamiliar | |
adj.陌生的,不熟悉的 | |
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